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Great answers. Great tips. In addition to all the things you mentioned about what to consider when improvising a solo, I would suggest thinking about the melody. If you really know the melody, I have found it’s a lot easier to create a melodic solo. Dexter Gordon went one step further by saying you need to learn the lyrics so you understand the story the song is telling. As you said, listen, listen, listen and your solos will be better.

Thanks for answering my question Dave (31:18). I’m glad to know that the answer is just practicing and gaining playing experience and not something abstract. I’ll be continuing the journey 🙏

Great tips!

Great video and very informative!! Lots of questions on the same issue and discussion you and I had on your Saxophone Succes Comunity Masterclass about how to develope rhythms for improvation!!! Great job Dave!! Thanks again Wayne Pharo

Hey Dave! Thanks for making this really great video and for answering our questions! :) Really really helpful answers to my question. BIG THANKS!!

Thank you so much! You are so helpful.

@DavePollack The question about the "goldfish embouchure" refers to the video "Blow like a goldfish" by Jamie Anderson. That's how he describes a relaxed lip-out embouchure.

Dave this is an amazing video in so many ways! I already went through picking and choosing questions that were similar to my own. Love that your addressing them so concisely and how you reference longer videos you’ve already made. Also, the split tone demonstration cracked me up.😂 many thanks for the amazing resources you provide!

Dave I appreciate your aproach to teaching.You break it down and it helps alot.Keep doing your thing and I love the hang podcast

so amazing to see and hear the nuances of you two!!! beautiful, play with heart is so like a frequency that comes direct to our hearts with full moonlight covering it!!! love it! Greatings from Brasil en Holland. Thank you both!

Dave Pollack has the #1 smooth jazz tutorials on the internet. No one else comes close

Want to learn the simple way to improvise? Watch this FREE masterclass: ►www.davepollack.com/freemasterclass

When's your next live show?

I liked 2 then 3 then 1. Of course, this is thru my iPhone, so I expect my ratings may change if I hear the performances live.

What does mpc mean

❤ beautiful …

your time and tone are excellent K

Thats actually hard Saxologic would be proud

2:08 the ONLY actual excuse here. my feet and legs are still reddish-pink after marching band

that fast

3 sounded the best. But i got the 1 and 2 mixed

Pat Metheny didn't 'attack' Kenny G, he just said that Kenny G's music is not jazz.

I'm always played on the low level, and i don't know why I don't like it in a different way... My neck is bending a little, but the sound is great

I discovered that too. A few months ago, i used to play with my horn on my side, and i changed it between my legs when i was practicing for a classical concert and i notice some change and you haven't talk about one major way to hear your sound change on saxophone is sitting on a chair or bed without neck strap my sound get bigger when i do this if you haven't tried it let me know when you tried it......

Great! To me the major game changer for sound was to use a “shoulder” strap (like the Boston shop Balam) instead a choking neck strap (tried many) and straighten my neck with the proper strap height. That and the reed to me are the drivers of sound (after the player of course)

This is correct

Look up Joe Allard and the "No Embouchure."

Great gift you doing this video. Well done and thank you Dave. I couldn't tell the difference between the neck strap heights but I could tell the difference in terms of when you were sight reading and when you were not. I think the neck strap height thing is about marginal gains. It will not transform one's playing but will make one's playing that little bit better.

A high position worked great for David Sanborn. I notice that a "somewhat" higher position (not Sanborn height) helps with altisimmo.

I like jazz, but smooth jazz lead to me to start listening to jazz. I heard smooth jazz when I was a kid mostly from Kenny G. Songbird was the first song from Kenny G. But when I got older, I started to listen to Jazz from amazing artist Miles Davis and John Coltrane. I do enjoy Wes Montgomery, George Benson and Grover Washington Jr., but they have been excommunicated by the jazz world due to their commercialization of their music. While I do like smooth jazz, I really love listening to jazz when I go out by myself.

I was surprised, even without headphones I heard which was which right from the start. Will have to experiment with thst, thank you ❤

This video is of questionable value. The problem is with Dave, he sounds great in all three examples! In fact, for me #1 is the best sound (darkest)?

another geat vid David, You commucate well K

But if the saxophone isn’t hanging below my waist, all the metal guys will make fun of me 😢🤘🏼

They are both feelin' each other's playing...

How much pressure on your right thumb do you usually have? I find it is hard to get the perfect thumb position while also having the right angle of the mouthpiece especially on tenor.

Thanks! 🙃 The most common is probably that you have the saxophone too low, and I think it comes to some extent from reading sheet music and having the stand too low. I have noticed that some fast passages cannot be played if the reed is "hanging" on the bottom lip.

I got them right.

A trick I use with students is to hang the horn off the strap and “guide” it to your mouth without leaning in or lifting the head. If the strap is correctly adjusted, mouthpiece is aimed between the lips.

I guessed 2 correctly, had trouble deciphering between 1 & 3. 2 was by far most pinched off and higher in pitch. 3 in some examples sounded really open but not loosely controlled so I got it confused with 1. I like an open sound a lot so on pure imagination I liked 1 more. The pitch wasn’t as far out at as 2 😂.

Yeah Dave. Happy to know I guessed correctly!

Hi Dave. Great video as usual. Regarding the neck strap. I use a jazz lab harness when I practice but a normal neck strap when I perform. I really noticed a difference. I felt that with a normal strap I didn’t sound as good. Tone I mean. Then I did a gig with my jazz lab harness and I 100% had a better tone. Not sure why this is. Would make for a good video I think ? Thanks again for your videos. Awesome work!