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Shreeraam Shankar
Registrace 15. 08. 2013
Ghanaragamalika Thanam by Semmangudi Srinivasa Iyer & Mysore Chowdiah | Shanmukhananda Sabha, 1964
Many would have come across Semmangudi's legendary ghanaragamalika thanam with Lalgudi from the Perambur Sangeetha Sabha concert in 1966 (Kedaragowla RTP), but this recording predates that and is probably the earliest recording we have of SSI's Ghanaragamalika Thanam. As much as I dislike Chowdiah's music, he has played well in this recording. Refer to the raga timestamps below:
00:00 - Shankarabharanam
04:14 - Natai
06:32 - Gowla
09:44 - Arabhi
12:17 - Varali
14:10 - Sri
00:00 - Shankarabharanam
04:14 - Natai
06:32 - Gowla
09:44 - Arabhi
12:17 - Varali
14:10 - Sri
zhlédnutí: 595
Video
Adiyokka Yugamu in Kambhoji by T Brinda & T Muktha | Beautiful play between Gamakkas and Plain Notes
zhlédnutí 226Před 21 dnem
00:00 - Anupallavi Adiyokka Yugamu Vere Janmamipudu Atadevvado Nenevvato O Celiyaro It all happened so long ago, in a different age, another life. Who is he to me, anyway? 03:56 - Pallavi Vadaraka Popove Vadela Vacce Ne Vaddu Vaddanave (Vani) Kudiyuntimi Don't go on chattering, just go away. Why should he come here? Tell him not to come. 5:58 - Charanam: Niccani Calu Nede Vaccini Repaina Vaccu ...
A lesson on accompaniment by Pazhani Subramania Pillai & Palghat Mani Iyer | GNB's Sri Rama Ramani
zhlédnutí 268Před měsícem
00:00 - GNB with Mayavaram VR Govindaraja Pillai & Pazhani Subramania Pillai. AIR, 1956 09:03 - GNB with Mysore T Chowdiah, Palghat TS Mani Iyer & Pudukottai Swaminatha Pillai. Bombay Shanmukhananda Sabha, 1958 Sri Rama Ramani Mohanam / Adi / Pallavi Gopala Iyer Pallavi Sri Rama Ramani Manohara Shrtajana Mandara Anupallavi Ghora Danava Mada Vida Carana Mucukunda Varada Nandagopa Kumara Caranam ...
Marivere Dikkevarayya Rama | A Rare Neraval & Swaram in Shanmukhapriya by Semmangudi Srinivasa Iyer
zhlédnutí 605Před měsícem
00:00 - Sannutaanga Shree Venkatesha Neevu 00:45 - Nannu Brovakayunduta Nyayama 01:15 - Neraval 04:10 - Kalpana Swaras 06:04 - Composition continues Vocal - Semmangudi Srinivasa Iyer Violin - TN Krishnan Mridangam - Vellore Ramabhadran Khanjira - V Nagarajan
Ragamalika Swaras for Intha Soukya by Madurai Mani Iyer | 1956
zhlédnutí 836Před měsícem
Vocal: Madurai Mani Iyer Violin: Thiruvalangadu Sundaresha Iyer Mridangam: TK Murthy Ghatam: Alangudi Ramachandran 00:00 - Kapi - Intha Soukya - Adi - Tyagaraja 00:24 - Kapi - Kalpana Swaras 07:12 - Sundaresha Iyer requests MMI to sing Ragamalika Swaras Ragamalika Swaras: 07:26 - Behag 09:23 - Ranjini 10:43 - Sindhu Bhairavi 13:26 - Begada (upon Sundaresha Iyer's request) 16:39 - Anandabhairavi...
The original Karnataka Kapi | Rare renditions by GN Balasubramaniam & Ramnad Krishnan
zhlédnutí 742Před 2 měsíci
00:00 - Edi Nee Bahu Bala - Adi - Tyagaraja by Ramnad Krishnan, Thirupparkadal S Veeraraghavan, Umayalpuram K Sivaraman & Ramnad Raghavan 02:06 - Sloka by GN Balasubramaniam & Lalgudi Jayaraman 05:25 - Anyayamu Seyakura - Adi - Tyagaraja by Ramnad Krishnan, MS Gopalakrishnan & Trichy Sankaran
A lesson on manodharma in Kalyani by Madurai Mani Iyer | Heavenly Neraval & Kalpanaswara
zhlédnutí 3,1KPřed 2 měsíci
00:00 - Charanam 01:18 - Neraval at Raga Tala Gatulanu Paduchunu 10:23 - Kalpana Swaras 13:54 - Composition continues Kalyani - Vasudevayani - Adi - Tyagaraja Concert - Jamshedpur, 1962 Vocal - Madurai Mani Iyer Violin - Lalgudi G Jayaraman Mridangam - Vellore G Ramabhadran Ghatam - Vilvadri Iyer
Best Bilahari you will hear | Sloka by Semmangudi Srinivasa Iyer with Lalgudi Jayaraman
zhlédnutí 731Před 3 měsíci
Best Bilahari you will hear | Sloka by Semmangudi Srinivasa Iyer with Lalgudi Jayaraman
T Brinda & T Viswanathan | Keeravani Alapana | USA, 1969
zhlédnutí 1,1KPřed 4 měsíci
Keeravani & T Brinda - a match made in heaven. Someone should take up and study the way Brinda handled scales like Latangi, Keeravani, Shanmukhapriya etc. Quality of the recording really makes a difference when it comes to experiencing Brindas music. Pls enjoy this crystal clear USA recording of Brinda and her cousin Viswa from a home concert: 00:00 - Alapana by T Brinda 06:00 - Flute Alapana b...
A lesson on manodharma in Hamir Kalyani by Semmangudi Srinivasa Iyer | 1965
zhlédnutí 724Před 4 měsíci
I stumbled uplon this concert recently while curating the CSM110 playlist at Vaak. Discovering a "new" Semmangudi 60s concert is rather exciting. It is even more exciting when he sings lesser heard compositions like Manamu Leda. To add to this excitement, it is rendered with detailed manodharma!! Enjoy the flow and sarvalagu that he brings out with apparent ease in Hamirkalyani. Vocal - Semmang...
The most creative Bhairavi alapana by MS Gopalakrishnan
zhlédnutí 1,1KPřed 5 měsíci
This Bhairavi transcends any templates. This is a display of sheer mastery and proficiency over the raga and instrument. Excerpts from a 1975 concert with MD Ramanathan.
Thodi Alapana by Vegavahini Vijayaraghavan | Music Academy, 1974
zhlédnutí 575Před 6 měsíci
I am so fascinated with the maturity with which Thodi was handled by Vegavahini at the age of 27. When I met Vegamma she was very excited when she spoke to me about this rendition. She told me how MLV congratulated her after this. 00:00 - Alapana by Vegavahini Vijayaraghavan 05:01 - Violin Alapana by T Kesavalu
Reminder that Pantuvarali is Rakthi | Brinda & Muktha sings the padam Vaddante Vintiva
zhlédnutí 721Před 8 měsíci
Pantuvarali was one raga that used to bore me for a very long time. It is only in the last couple of months that I discovered the beauty in the raga. Semmangudi and the Dhanammal family were two major factors for this. Be it the Varnam (by Jayammal), or kritis, or padams (By Bala/Jayammal or Brinda/Muktha), I always felt that the rakthitvam in the raga was explored without any compromise by the...
Varali alapana by T Brinda and T Abhiramasundari
zhlédnutí 481Před 8 měsíci
00:00 - T Brinda 04:25 - T Abhiramasundari Thank you @vramanujan for the Thumbnail design
Ragamalika Sloka by Semmangudi Srinivasa Iyer & TN Krishnan | 1958
zhlédnutí 755Před 9 měsíci
Ragamalika Sloka by Semmangudi Srinivasa Iyer & TN Krishnan | 1958
Purandara Dasa's Na Ninna Dhyana in Kanada as handled by the Dhanammal family
zhlédnutí 771Před 9 měsíci
Purandara Dasa's Na Ninna Dhyana in Kanada as handled by the Dhanammal family
The best Keeravani by Semmangudi | Ragam Thanam Pallavi, 1961
zhlédnutí 1,4KPřed 9 měsíci
The best Keeravani by Semmangudi | Ragam Thanam Pallavi, 1961
Jayadeva Ashtapadi tuned and sung in Pantuvarali by Semmangudi Srinivasa Iyer
zhlédnutí 462Před 10 měsíci
Jayadeva Ashtapadi tuned and sung in Pantuvarali by Semmangudi Srinivasa Iyer
The Magician - Pazhani Subramania Pillai accompanying for Chembai's Huseni
zhlédnutí 967Před 10 měsíci
The Magician - Pazhani Subramania Pillai accompanying for Chembai's Huseni
A meditative Kalyani Alapana by T Brinda
zhlédnutí 2,3KPřed 10 měsíci
A meditative Kalyani Alapana by T Brinda
Listen to Bala and Brinda sing Kshetrayya's padam 'Mosamaya'. Best Ahiri you will hear!!
zhlédnutí 1,2KPřed rokem
Listen to Bala and Brinda sing Kshetrayya's padam 'Mosamaya'. Best Ahiri you will hear!!
One Avarthana Swaras in Anandabhairavi by Semmangudi Srinivasa Iyer
zhlédnutí 1,3KPřed rokem
One Avarthana Swaras in Anandabhairavi by Semmangudi Srinivasa Iyer
Palghat Mani Iyer singing along with Semmangudi Srinivasa Iyer (42nd Remembrance day special)
zhlédnutí 3,8KPřed rokem
Palghat Mani Iyer singing along with Semmangudi Srinivasa Iyer (42nd Remembrance day special)
Best Punnagavarali you will hear!! Kshetrayya's padam - Ninnujuchi
zhlédnutí 4,2KPřed rokem
Best Punnagavarali you will hear!! Kshetrayya's padam - Ninnujuchi
A lesson on manodharma in Shankarabharanam by Semmangudi Srinivasa Iyer
zhlédnutí 4,3KPřed rokem
A lesson on manodharma in Shankarabharanam by Semmangudi Srinivasa Iyer
Bhairavi Alapana by T Balasaraswati's Troupe
zhlédnutí 484Před rokem
Bhairavi Alapana by T Balasaraswati's Troupe
Ragamalika Sloka by Semmangudi Srinivasa Iyer
zhlédnutí 5KPřed rokem
Ragamalika Sloka by Semmangudi Srinivasa Iyer
Asai Mugam Marandhu Pochae tuned and sung in Jonpuri by Semmangudi Srinivasa Iyer
zhlédnutí 740Před rokem
Asai Mugam Marandhu Pochae tuned and sung in Jonpuri by Semmangudi Srinivasa Iyer
Niddirayil | Tamil padam by Maharajapuram Viswanatha Iyer
zhlédnutí 554Před rokem
Niddirayil | Tamil padam by Maharajapuram Viswanatha Iyer
"Intha Carnatic Sangeetham amainthuLLap paadalai migavum urukkamaagap paadiyuLLaar Semmangudi Sri Srinivasa Iyer avarGaL paadiyuLLaarGaL. Avarukku miguntha vanthananGaL cholluvathil anaiththu Carnatic Sangeethap paadaGarGaLum, rasikarGaLum miguntha aanantham adaiGinRaarGaL enbathai cholluvathil maghizhchchiyai adaiGinRanar enRu chollavum vENdumaa? - "M.K.Subramanian."
🙏🙏
Superb excellent marvellous niraval anð swaraprastharam
Did Semmangudi sing these six taanam-s in one concert, and that too over a 17 minute stretch with nothing else in between? More doubts, did he start with R in some raaga (which one?), then T in these six segments, and then P(allavi) or keertana in which one? I have heard one raaga-malika by Ariyakudi, which he apparently sang quite often, which I think I followed a Todi taanam or shankarabharanam taanam. But never heard a taanam-maalikaa.
He sang ragam thanam pallavi in shankarabharanam and in the pallavi he sang ghanaragamalika thanam
@@shreeraam_22 I would think he would end the Ragamalika Tanams to going back to Shankarabharanam Tanams,
"I derive pleasure in adding still more comments. It follows. Intha Raagamaalikaa raagak krithiyinai 'Sangeetha Kalanidhiyai' Chemmangudi Sri Srinivasa Iyer avarGaL azhagaagap paadiyathaik kEttu anaiththu rasikarGaLum ellaiyillaa aanantham adainthanar, adaiyavum pOginranar enRu prathyEgamaagach cholla vENdumaa? Aam, adaiyavum pOGinRanar. Inthap pughazhurai pOthavE Othaathu enRu anaivarGaLum karuthukinRanar enRu chollavum vENdumaa enna? ChollungO." -- - "M.K.Subramanian."
where can I access this? "Semmangudi's legendary ghanaragamalika thanam with Lalgudi from the Perambur Sangeetha Sabha concert in 1966 (Kedaragowla RTP)"
Pls find the link below: czcams.com/video/gzeuI55YuqY/video.htmlsi=aRmR_Vv0012SxnIG
@@shreeraam_22 Thanks
Great share ! IMHO semmangudi was unmatched when it came to Tanam singing - no one can extract as much Ragam as he does ❤
Thanks for sharing 🙏🙏🙏🙏
marvelous
Y do you dislike chowdiah's music @ Shreeram ?
I don’t like the tone of his 7 string instrument. Moreover I think his approach to music lacks subtlety. He more often than not overplays and disrupts the flow of the vocalist during accompaniment. Many examples of this can be seen in his concerts.
@@shreeraam_22You have been quite vocal about a feeling which I have never expressed out 😅
@@shreeraam_22Agreed! The sound of violin itself isn’t so great and I think Sri Sethuramiah played it better
@@shreeraam_22 he would have made an excellent solo artiste.
@@bala94ms many artists from the past did not prefer him as the accompanist if I am not mistaken. They preferred younger artists (and hence their race to fame) like TNK, MSG, LGJ. Vishwanatha Iyer did not call Chowdiah ‘violin workshop’ without a reason. In my opinion (extrapolating from anecdotal evidence) many artists put up with the bully on stage because you had to be in Chow’s good books to get a chance anywhere in Karnataka (RSM, Parvathi to name a few)
Mindblowing 😭🙏
Matchless violinist. In the auditorium itself Chembai swamigal praised him as mayangopalakrishnan while singing thaye yasoda.
"Over and above what I had commented earlier now just enjoy hearing this outstanding 'Carnatic Music' rendered by Semmangudi Sri Srinivasa Iyer avarGaL and be blessed by the Goddess Sri Saraswati.' - 'M.K.Subramanian.", LL.B., No:1OO, Juliet Ct: cul de saq, Chapel Hill, N.C., USA."
🙏🙏🙏the unparalleled legend ❤❤❤
Unparalelled!
Your comment is also charmingly phrased like MMI's Ramabhakthi
Superb
What a sincere support extended by Violin 🎻 Artist indeed!!! Simly Hats Off 🎉🎉🎉
That drop to the pallavi line 'Vadaraka', with the plain dhaivata is everything for me. Brinda's plain notes are ever so sharp and contain a lot of emotional depth. I couldn't find any other Kambhoji rendition by Brindamma apart from this padam, although Muktamma has sung Balavinave solo.
She has performed the Kambhoji Varnam (in the 1962 Trichy radio concert posted recently on Vaak) I have also heard her rendition of Evari Mata and Balavinave
Lalgudi Sir.. Music comes like a waterfall from his divine soul.. 🙏
Do BM usually sing the last charanam with the words 'rama rama i menito..'? I remember the pradarshini says in the vaggeyakara charitramu that those were the lines composed by kshetrayya when he returned after challenging the court to complete this padam. Also curious to know what is its meaning.
Brinda does not sing the 3rd Charanam. But here are the lyrics and meaning Charnam 3: bhAmarO sakunamulaDigiti muvvagOpAluDu vaccu nanucu kAminci nAdula galayu celula jUci karagi cinta nonditi rAma rAma I mEnitO nikavAni mOmu jUDa valenA modaTi ponde cAlu Meaning: I even asked the birds for omens if Muvva Gopala was coming. I grew weak, watching my girlfriends join their husbands for love. O god, do I ever have to see his face again with this body of mine? Once was enough! Just go away !
Too good!!!!!!!
As usual They rock.. if so much Priyam is there for Nayaka .. Then he is not to fool to go away.. this Bhavam ❤..
One can listen to MMI anytime & enjoy the absolute pleasure every time 🙏🏾🙏🏾
Its a radio concert i guess. Important point here is, he was in his 80 's, when he sang this concert. Thanks
This is from a 3 hour live concert and NOT a radio concert. I would date this concert around 65/66, which would imply that he was in his late 50s
@@shreeraam_22 sir pls upload the full concert if possible txs
This makes me want to believe in all the beauty and peace that exists in this world. The primordial state.
The phenomenal and unexpected take-offs of Pazhani and the Gambhiryam of Mani Iyer for an unparalleled GNB from the 1950s have indeed filled my heart to its fullest. There are places in the first recording Pazhani literally makes one sit up with his manodharmam. No words to describe those masterstrokes. Top class!!
Superb percussion accompaniment in both the versions
Feels like a meditation where one is connected to Nadabrahma. Excellent recording made the listening am the more great.🎉
Wow! 🙏🏻🙏🏻🙏🏻… Thank you so much! True Gem!
MMI is immortal so also this particular rendition. Glory to God.
Blessed to hear this! Thank you so much!
Vellore Ramabhadran playing is magical.the tone of the mridangam. .it just blends with the mood of the singer and rhythm
Indescribably chaste and uncompromisingly classical
A thing of beauty is a joy for ever!
The way he starts ri ma pa ni ni...ni dha pa ga ma ga ri sa...
Should be early 1960s. considering the master's flow.
I would date this concert around 65/66
Heavenly to enjoy during early morning as a first thing
Superb...❤
GNB's recording is very good. Can you upload the full concert?
Will do
Upload the full concert of that Titan please
Will be uploading this concert in Vaak soon!
Absolutely riveting. Do you have the full concert to upload?
Stay tuned :)
Nice design!
I have heard mani iyer concerts in person including music academy. When you listen to his swaras singing it will appear it is very easy and simple. Very melodious. Carnatic music itself appears not difficult
Vera level swaram sir. Thanks Shreeram sir for this gold. You are having the full concert sir ? If possible can you please upload. Thanks again
Please Please take interview of vedavalli for her experience with brinda amma
Goose pimples 🙏🌹🙏
Kalpana Swarams in raga Surutti by Madurai Mani Iyer - see Title
Madurai Mani Iyer used to sing Venkatachala in this song.I never heard GNB singing
fantastic. a bit description of this raga would be nice. it has shades of darbar.
Semmangudi has sung Swathi Thirunal’s Shambo Sathatham in this ragam . He announces the ragam name and adds “ Idhu Darbar llamal kaanadavum illalmal oru ragam . Good compilation and good observation about Darbar .
The legendary Lalgudi sir has delineated the Alapana for us so clearly SRGMPMDNS- SNSDPMGMRS is the clear cut arohana avarohana ; anyhow, pl refer to the Dikshitar’s composition for a slightly varied version of
@@vidyamsvidya7112 I would humbly suggest that the avarohana ending should perhaps be PMRGMRS - both GNB and Lalgudi have rendered it strictly like this in the virutham .
Also , the vrutham has a pronounced DNSDP motif a la Sahana
@@vidyamsvidya7112 venkatachala pathe is been sung by mmi and has overwhelming shades of kaanada in my opinion,,