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Brilliant Clifford, just mere brilliance!

very henry cow (fred frith) type lines. awesome

great insights thanks

Great line cliff 👌

Awesome as always ❤🎉🎉

Esa es en mi b

Hey the Vandenberg is back nice guitar that cliff 👍

Sounds super useful, will try and hunt down a copy!

Hi Cliff Listening here dear...nice topic & great review of the book ...interesting

Dammit, I would have discussed this with John McLaughlin when I met him, only I wouldn't have understood a single word of his answer.

Good tip thank you.

I remember don mock he had a great video out in the late 80s. From blues to rock jazz on REH great tutor and very nice Iintervalic player highly recommended cheers cliff

wonderful backing track. Stands out a lot among the usual ones on youtube!

Good lesson, John McLaughlin is a terrific player. I was wondering, would you be willing to do a video where you explain the chords that John McLaughlin uses in Shakti for example on the song Joy or Peace of Mind. I’ve always seen these chords being used in jazz, but somehow John made them work with indian ragas. Thanks, cheers.

Great ! I love it ! I do something similar without any reference to modes and with much much less technique !

I see something akin to gypsy jazz picking here!🤔👍

Great Cliff, very informative; those Parker guitars were beautiful, innovative and every time I see one I regret not purchasing that Parker nylon strings that I tried at Denmark street, downtown London. That was in back in 2001, a few years back!

YOU.,SIR ARE A PHENOMENAL VIRTUOSO GUITARIST... I LOVE ALL OF YOUR VIDEO'S.. YOU REMIND ME SO MUCH OF UNCLE~MR.JOHN MCLAUGHLIN... COULD YOU..WOULD YOU PLEASE COVER SOME UNCLE~MR.AL DI MEOLA LESSONS??? UNCLE~MR.AL DI MEOLA WAS MY VERY FIRST GUITAR HERO... THANK YOU FOR ALL OF YOUR VIDEO'S..

Nice lines in there cliff top job Phil 👍

Back for another excellent lesson. Clifford. Thanks! 🤠😎👏👍👍🎸🎸🎵🎹🎹 Cheers, Bruce

hi maestro Martin, question - what type of tension do you use for the nylon strings, then the type of plectrum you have in the clip, I also noticed that in the first shot from above the position of the tip of the plectrum is slightly moved forward .. it's his choice, I think it's random...!. thank you in advance for any response, I greet you, stay well, a hug & see you next time... 🙂🙃😉/🎼🎵✨🎶🤍🎻🪇🎙️🪘🎹🪈🎺🎷🪕🎸🪗🥁🤍🎵✨🎶/👍✌🏽👌🏼👋🏿

Tremolo was the name of a crip that I met in jail once

Nice line cliff like the side stepping takes it out of the box best wishes phil 👍

New sub and will definitely be back for more. Martino was a genius. I worked through many of his lessons on True Fire. Will be back for more. 🤠😎👏👏👍👍🎸🎼🎹🎹Bruce

czcams.com/video/T2wyXL36PDQ/video.htmlsi=uVrvkHPRZMDNIqhH

Actually logic because a F#7sus is another voicing of C#m. An eye-opener 😊

Your students are getting a wealth of information cliff hope they appreciate these tutorials have a great day Phil 👍

This is the next thing to dig! Thanks a lot Sir Clifford 🎉❤

More amazing ideas! Thanks a lot. Anything that saves 20 years of learning is good by me!

A complete tool box there cliff bebop lines in there to great video phil 👍

Can't wait to try it! I'll never be able to do it, of course, but I can't wait to try!

Pat Martino was an intervalic master great tutorial cliff 👍

"Dominant minor" ? What is dominant about the natural minor scale ?

Great tutorial cliff have a great weekend Phil 👍

Ii-V-is in descending in major thirds - so a great suggestion fir tackling Giant Steps. Thanks for this.

Thanks a lot for the free pdf sir Clifford ❤

Very nice, it’s basically playing minor scale, arpeggio, or pentatonic from the 5th of the II chord, Bb=Fm…..if medium of slow tempo to play over each a m6 arp from the 5th of V chord is good too….Eb7=Bbm6, arpeggio makes Eb9 sound……thanks for your great videos!

What an incredibly refreshing channel. Great info. I'm so glad I found you. Much thanks! (Sax and guitar player)

Awesome! Great concept. I have seen videos on this as well. Very succinct explanation. Keeping keep up the good work!

So if im getting this right, for a 251 say Dm7, G7, Cmaj7- I'd play Am. But as Am is the same scale as C major why just say play the Imajor? Or are you saying use the Am arp rather than the Am scale? In the F#m7b5 to B7b9, the Am(6) is a synonym of the F# chord but on the B7b9 you have the D# which shoud clash with the E in Am but it didnt clash when you played it. I guess its that altered sound? In the slash chords for example F#7sus4 with C#m, ok i got a bit lost there. F#7sus4 has F#, A#, B, C#,E. C#m has C#, E, G#. Ok sounds amazing when you play it anyway.

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Very interesting.

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Please make a video about your back tracks of percussion and ambient, you know, that's a background's KC, another part of Fripp after 1994. In a word, I think we need listen some post Fripp sound analysis and I think the back track is always your secret core in the Fripp idea's video. If we leave these, the classical guitar sound is not thick like this, and thick is important in guitar...(Except for folk and acoustic composing like progressive bluegrass etc.)

It's very informative!! Magnificent performance, superb demonstration and sound. Bravo for this beautiful video too. Thumbs up 11 Cliff. LyDia ♫♪♫

Minor conversion.

Great video cliff very informative have a great week Phil 👍

The mix between jazz Fripp Schoenberg and Stockhausen is what I personally love ❤️

Your lessons are really helpful for me. Thank you very much

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