Pat Martino's Guitar Improvisation Techniques | Free PDF Download
Vložit
- čas přidán 10. 06. 2024
- FREE DOWNLOAD: jazzimproviser.com/2024/06/11...
My Tip Jar/Donations www.paypal.com/donate/?hosted...
MY WEBSITE:
jazzimproviser.com
How Pat Martino improvises jazz guitar music by using the minor key or minorisation or the minor topic. Pat's unique approach to jazz improvisation on the guitar explained and demonstrated..
#PatMartinoJazzImprovisationLesson #PatMartinoJazzminorLesson #PatMartinoMinorisation
MY SOCIAL MEDIA:
/ cliffordmartinmusic
/ guitargti
/ gtiguitar
MY SPOTIFY open.spotify.com/artist/0S8rc...
MY MUSIC/BandCamp: cliffordmartin1.bandcamp.com
Jazz Fusion Guitar Techniques and Music Theory Lessons for jazz Improvisation, popular music and 20c Classical music and musical Composition for all musical instruments. This channel teaches music lessons and how to learn musical theory and apply it to all musical instruments
For more information click
www.jazzimproviser.com - Hudba
Thanks a lot for the free pdf sir Clifford ❤
Brilliant Clifford, just mere brilliance!
Thanks mate!👍
Back for another excellent lesson. Clifford. Thanks! 🤠😎👏👍👍🎸🎸🎵🎹🎹 Cheers, Bruce
Thanks Bruce, appreciated!👍
Ii-V-is in descending in major thirds - so a great suggestion fir tackling Giant Steps. Thanks for this.
Thanks Claymor!👍
It's very informative!! Magnificent performance, superb demonstration and sound. Bravo for this beautiful video too. Thumbs up 11 Cliff. LyDia ♫♪♫
Thanks LyDia!!!👍👍👍
Great video cliff very informative have a great week Phil 👍
Thanks Phil, appreciated!!👍👍👍
Awesome! Great concept. I have seen videos on this as well. Very succinct explanation. Keeping keep up the good work!
Thanks Christen! 👍👍👍
Very interesting.
Thanks mate!👍
❤❤❤🎉
Thansk Acatic!!👍
Very nice, it’s basically playing minor scale, arpeggio, or pentatonic from the 5th of the II chord, Bb=Fm…..if medium of slow tempo to play over each a m6 arp from the 5th of V chord is good too….Eb7=Bbm6, arpeggio makes Eb9 sound……thanks for your great videos!
Thanks Jake. Yeah, it's a great method. There are also some more useful concepts to this which I will address in another video 👍
❤
Thanks!👍
So if im getting this right, for a 251 say Dm7, G7, Cmaj7- I'd play Am.
But as Am is the same scale as C major why just say play the Imajor? Or are you saying use the Am arp rather than the Am scale?
In the F#m7b5 to B7b9, the Am(6) is a synonym of the F# chord but on the B7b9 you have the D# which shoud clash with the E in Am but it didnt clash when you played it. I guess its that altered sound?
In the slash chords for example F#7sus4 with C#m, ok i got a bit lost there.
F#7sus4 has F#, A#, B, C#,E. C#m has C#, E, G#. Ok sounds amazing when you play it anyway.
Hi , to go into this requires another video really. But, for the B7b9 the E note of Am would be the sus4 but you can also play the Eb making A diminished. But, the point really is the level of simplicity and being creative and improvising with it. You can alter, add chromatics, add side stepping, target tones etc from this simple base. It's really useful and an easy way to play through the chord changes. I Iwill try and cover this some more in another video. 👍
@@CliffordMartinOnline thanks Cliff, you are right the simplicity is fantastic and I'll definately do some exercises to try to bring this into my playing.
@@shlaptop Thanks mate!👍
Minor conversion.
That’s how Pat referred to this approach.
Hi Steve, this has been referred to also as the "minor topic".👍
@@CliffordMartinOnline sure, I played with Pat and he called it minor conversion. But what ever gets the job done ✅ 👍🏼
@@SteveTheBassGuy Hi Steve, thanks. My first awareness of this was the "Minor topic" from a 2006 Guitar techniques mag interview with some examples. But, yeah I agree it's not important what it's called because it's such a useful approach to improvisation, especially for the guitar👍
"Dominant minor" ? What is dominant about the natural minor scale ?
Hi, it's taking the Dominant chord and converting it to minor, e,g Dm7 - Am 👍