I'm Selling My C70 😱

#c70 #canon #cinemacamera #cinematic
It's OK though guys!! Remember, these cameras are storytelling tools. If your workflow changes and you decide that there is a better tool out there to help you tell your stories, that's fine! Don't let your tools lock you down. They are supposed to work FOR you, not the other way around.
My gear:
Red Komodo: bhpho.to/46mBorC
Canon C70: bhpho.to/43Xpl2x
Fuji X-H2: bhpho.to/3r4HrRx
Fuji X-H2s: bhpho.to/3NUEKdP
Amaran Bi-color Dome Light: bhpho.to/3CNVBJq
Amaran RGB Tube Light: bhpho.to/3PuAx20
Nanlite RGB Tube Light: bhpho.to/3JwpWzL
Rode Wireless Mics: bhpho.to/3NsaRk1
Sirui 24mm Jupiter T2 Macro Cine Lens: bhpho.to/3GHPVml
Sirui 35mm Jupiter T2 Macro Cine Lens: bhpho.to/3uFygZC
Sirui 50mm Jupiter T2 Macro Cine Lens: bhpho.to/3XrVPPV
Tokina Cinema ATX 50-135mm T2.9 Super 35 Cine Lens: bhpho.to/3NXzFSF
Tokina Cinema ATX 11-20mm T2.9 Super 35 Cine Lens: bhpho.to/3T5XwlV
Laowa Nanomorph 50mm 1.5x Anamorphic Lens: bhpho.to/3T67Zhk
Sigma 18-35mm f1.8 Super 35 Lens: bhpho.to/3NMP47T
Sigma 50-100mm f1.8 Super 35 Lens: bhpho.to/3T0ZPGZ
Rokinon Cine DS 20mm T1.9 Lens: bhpho.to/42UpzG5
Zeiss Milvus 35mm f2 Lens: bhpho.to/43XNPsp
Zeiss Milvus 85mm f1.4 Lens: bhpho.to/44iJdN7
Canon RF 100-400mm f5.6-8 Zoom Lens: bhpho.to/43YQEJM
Canon RF 16mm f2.8 Pancake Lens: bhpho.to/3plvkiq
Tamron 17-70mm f2.8 Lens: bhpho.to/3plDLu2
Fujifilm 50mm f1.0 Lens: bhpho.to/3Pw60AV
Zeiss Touit 32mm f1.8 Lens: bhpho.to/3CTiCdL

[@alejandromoreirasclavijo920]

im going crazy. ive literally seen every video there is about the cameras im considering buying: FX6- Komodo- C70 and each person either demonizes one or the other. cannot cope with this anymore😊

[@DynamicPhil84]

They are ALL amazing cameras and will just depend on what your workflow and needs are for storytelling. Did you watch the whole video? I clearly feel that the C70 is an absolutely fantastic camera. Overtime though, I decided it just wasn't quite the right tool for me. Of the 3 you mentioned though, the Komodo clearly has the superior image and for me that's the most important thing at the end of the day.

[@dylankitchener8350]

I was considering the Komodo recently because color science is important to me too but having to plug/unplug the SDI cable only while powered on just isn’t practical for me. It seems that many have blown out their SDI because they forgot to unplug the cable first.

[@DynamicPhil84]

@@dylankitchener8350 I think it's much more important to have the camera's power source attached and having some juice left in it to ensure no blow out issues with the SDI cable. I've had the battery die on my monitor while the cable was plugged into the monitor and the Komodo, and it didn't burn out the SDI port. I've also turned off the Komodo while the cable was plugged in once or twice before removing it, and the port was fine. Again, I think the main thing is having a power source that has juice connected to the camera when you unplug the cable, not that the camera necessarily needs to be turned on when unplugging (though that is RED's recommended best practice).