One of the best moments in genesis is where the wall of sound comes in, Tony Banks even said it was one of the best things they'd done. My favourite album ever - we love you, Steve!
@@jonnykhatru .. I am fully aware of that Jonny, my point being the contrast of Tony's statements regarding his least favorite period with the band resulting in their "finest moments"
1. This song is incredible from top to bottom... lyrically, musically... and that guitar!!!!!! 2. Steve Hackett is so generous in his praise of others. He's such a good dude.
Never shy in praising his bandmates, says so much about him. And of course. all of them speak so kindly of each other, one of the main reasons I love them so.
Escucho esta parte y me recuerda al interludio de In the quiet Earth del disco Wind & Wuthering, a furia de la guitarra habla por si sola. The Lamb es una obra de arte en todo los sentidos musicales. Viva Genesis por siempre. Gracias Sr. Hackett por mantener viva la llama de la verdadera era de Genesis. Gracias.
Used to crank this on my Dad's old JBL's at parties in the late 70's. Dimmed the lights down and people were mesmerized... The instruments are hauntingly beautiful and the drums rock ala Bonham...
When Steve said they were thinking of Egypt....it took me to a place I go with heavy orchestral music such as "In that Quiet Earth". It's a heaviness that stirs the soul and tells of another plane...another time. I saw them at the LA Sports Arena in 77' and In that Quiet Earth (with a little help from LSD) pounded my heart and soul. Still the heaviest orchestral composition I've ever heard.
I've been listening to this track since I was 15 (I'm 60 now) and it still gives me goosebumps - we owe such a debt to these wonderful musicians, for giving us a lifetime of listening pleasure.
So many things I love about this track but one thing I will call out is Phil's drumming, the way he frames the music and complements the transitions is outstanding!
I vividly remember this song, with its famous wall of sound moment blasting at me in The Music Hall in Boston. And the wild visuals on the screen behind the band. And Rutherford’s billowy white bell bottoms. About 46 years ago....geez I’m getting old.
I agree with Steve when he says it's powerful and very magical. These are the types of sounds that can put the average man or woman into a state of hypnotic bliss. ..without injesting ANYTHING but the soundwaves! Now THAT is powerful. Thanks for these much loved videos, Mr. Hackett. Cheers everyone!
Wore out my Walkman, constant repeat, sitting on the rocks next to the river in the Big Sur gorge in 1984 after my best friend then had turned me on to Lamb. Something in your subtle phrasing and tone grasped my imagination and never let go. Such an expansive composition. Hats off to Steve forever...
One of my faviorte songs off the Lamb. Many times I would skip the first track on the LP and start with Fly on the wind shield. Saw Steve play Fly live twice. He takes the atomsipheric solo to a new level. Loved it.
I saw this live when the band performed at the old Syria Mosque...I think tickets were maybe 10 dollars for first balcony seats. We went in with the story draped over eacn and every seat in the Mosque. The album had not yet been released...at least it hadn't hit the record stored in Pittsburgh, PA. Dramatic opening of course and then when "Fly on a Windshield" kicked in... What a night.
Steve, thanks so much for reliving the past for us. You’re probably bored out of your mind playing and talking about this. We appreciate it though. Love seeing you live. Come back to Cleveland soon!
Thank you for your inputs. Sorry I missed your Allentown show. Had I known of our current issues, I would have not missed it. Best wishes always. Thank you for all you have done.
Great seeing it performed in NYC in Dec ‘74. Unfortunately, the album came out a couple of weeks earlier, hadn’t picked it up yet, and knew only The Musical Box encore, but what a fantastic theatrical performance. Of course, I picked it up the next day and still play it often.
Absolutely tremendous. The drop from Peter’s vocal is still, after 45 years, fresh and powerful. Did not know it was “live” but it makes sense. There is an extraordinary feel and atmosphere in the instrumental section which is enhanced by Phil’s spot on drum fills from about 1.39 onward. Then Peter’s voice crashes in with that wonderful and evocative imagery continuing where the title track left off. Extraordinarily powerful. As an aside, the mood which the band builds on those first three tracks is absolutely remarkable - they were absolute masters of mood and atmosphere. Lastly, Right from the opening of the album Phil delivers a masterclass, an absolute masterclass in drumming.
Phil doesn’t get enough love for his drumming in the early days, older Genesis fans still stick pins in his effigy to this day, blaming him for what Genesis ended up being in the latter years. I say fuck em because the man is a living legend. In honour I’ve made my profile pic a spliff making Phil at headley grange circa early 75 lol.
On the Genesis ARKIVE box-set,The entire Lamb album is presented LIVE and the audio is amazing. Whomever was the engineer that recorded the concert did a very very good job. The Lamb was and still is my favorite Genesis album and to discover the LIVE version was a real treat. and also the 5.1 version in another Genesis box set (the green one) is incredible...lol
Thank you very much for those little video capsule. It's so great that you still play those legendary song live with your band. Keeping these masterpieces alive. cheers from Québec !
Steve. You have always been one of my very favorite guitar players from way back in the 70s since I saw you at the Southampton Gaumont and bought NC and Foxtrot. Apart from your monumental talent, I also find your playing pretty difficult to replicate. It's very easy to sound a little like Eric Clapton and play the odd blues solo, but the way your guitar parts sit so intricately within the arrangements makes it ever more challenging. There are very few guitar players within the rock world who consider themselves as part of the band as a whole rather than taking a very individualistic approach. Let's not beat around the bush, you can take the spotlight at times and when you do there is always a real purpose to it. For example, the gorgeous flowing guitar section on Cinema show. It's not a guitar solo, but a beautiful uplifting, perfectly constructed section of the song. Genesis were (and still are) a formidable band, no matter which iteration , and the incredibly memorable musical passages that you and Tony (and Mike of course) will stay with us forever. My only complaint is I have just found out your show at the Anvil in Sept 2021 is sold out! Having seen you last time there, I'm gutted!
YES!! My absolute, all-time favourite Genesis track from my favourite Genesis album! This is Genesis in excelsis! Everyone is one top form on this amazing performance, especially Phil and Steve, on the album that, for me, is Genesis' Magnum Opus! One of the greatest albums ever made. And still sounds as if it could've been recorded yesterday!
Interesting new information. Thanks for that. I just know "Lamb" was one of my favorite cassettes when I lived in Greensboro in the mid-1990s. Just loved the whole package. Story, music, playing, lyrics, singing, everything brings back a fond memory.
Those slower than triplets "Triplets" by Phil Collins at 1:14 almost gave me a hear attack when I 1st heard it; (20 years after it came out; it was 1994 for me) I thought I was getting a live noise complaint. I love how you talk about composers I'm not even familiar with but I've hear the name, although I cannot claim to be that surprised, with your love of Bach (Baroque) and Ravel (Late Romantic/Early Modern). THANK YOU Steve Hackett
One of the best tracks on The Lamb, so thanks Steve for your insightful thoughts on this. I'd love to hear you talk about another great track on the album, The Supernatural Anaesthetist. A song that never seems to get the recognition it deserves.
LLDOB was an album ahead of its time. It was pro-to New Wave and inspired bands like Simple Minds (when they were good.). Gabriel was and is a visionary and one of the true greats of the past fifty years. `The band were at their creative peek at this time , even as they teetered on the edge of fracturing. Steve Hackett is and was a unique player who adorned the music with haunting lines of sustain that are creepy as hell and beautiful as anything imaginable.
I drop my hat to you Steve. It is very unusual and very desirable to have an analysis of a track commented by the people who made the track themselves. More info ? so much the better !
Amazing powerful song! I love how once the wall drops it explodes, then eventually comes back to some sort of normalcy. It does with music , exactly what the story is saying with words. Perfect ! Well done maestro! Thanks Steve
I'm from Rome and what you stated about Respighi's influence on this beautiful pearl of '74 delights me, as I've always thought the same!! Thank you Steve, you're great!!
Thanks again Steve. Really enjoy your insights into the songs and interesting , well i was going to say trivia but it's more than that. We all love this music too much too call it trivia. Thanks again. Be well and stay safe.
You can absolutely hear the lyrics conjuring the word images off of the music and visa versa I'd guess. Peter had a way of punctuating and particularizing his diction to make the word images stick probably better than any other vocalist I've heard up to this point in my 60 years :-)) [young punk eh?] lol Love everything about that piece. It is haunting before we ever splat on the ghost windshield of fantastic New York ghosts. Love this album. Fabulous choice of melodic execution and phrasing Steve. You're work thourghout those years was stellar. You always remind me of making choices Debussy would make when you do counter melodic lines, melodic top lines... you play in colour. That entire line up had magic chemistry that I know you get and good on you for bringing these works back out on the road. Very much the Mozart and Beethoven, Debussy music of a gifted era for me as a budding musical person who was spoiled by what you did and still do! Please feel good about these fantastic performances. I think Mike and Pete get it not sure that Phil can get over the hurdles to being in an audience headspace so he can appreciate it from that necessary distance you need for appreciation. Thanks man! So wonderful to hear it performed by one of the originators of the music and so faithfully and engaging as you do! Fabulous! Thank you again!
When your guitar enters,i get chills. Fly on windshields whit the lamia are song that are unlikely to come out of my heart.Ihave a photo together in naples on 16 3 2014.STEVE,YOU ARE THE BEST.
A popular musician up here in Toronto named his first born son Rael after this album. Great kid and he too worships this masterpiece. My favorite track - IT
The drum patterns as you go up to the major just before Peter drops in with the vocal gives me goosebumps every time. one of my favourite Genesis moments. Love that you're keeping this music very much alive and relevant. PS Any chance of Nürnberg in your tour schedule?
The biggest giveaway that tells Steve is a musician from before our “modern era” is he has/knows about musical influences that are older than the Beatles: Respighi, Mussorgsky, Ravel... Adore your talents, Steve.
Yes Steve, one of my very best favorites too. You said it all, the power, the super strong beat, the chord changes break any criticism of it being repetitive and the guitar still comes through crisp and clear. Loved your S.E.B.T.P. show when your band played in Minneapolis in 2019.
Sorry you were soeaking- yes Steve it has that amazing mix of emotional concern, that powerfully brings a sort of saving.. action pact, and exciting- steals you away- but its what I love about your music'- every song has its own finger print, and purely of its own one of a kind adventure- a fly on a windshield- and .. ohhh what have you done- sweet sweet sweet .. great song
Love this one!! It's my birthday today 🥰 Thank you for uploading a song chat today. It feels very special for me since I've followed this series for a few weeks by now. 🙏🏻
Hello Steve, thank you to tell us some views on these nice songs, so far what i miss from you is to get details on the arpeggios performed on some of them like ripples, entangled, suppers ready ... etc... would you mind to show us , your filmed concerts are not centered on your magical guitar ! Cheers and take care
I still listen to the Lamb after all these years.Never fails to surprise. God willing Seconds Out with your good self in Scunthorpe in November and Tony, Mike and Phil in Leeds December. Thanks for the wonderful insights.
For me, this was the high point of the artistic output of Genesis, the apex of a trajectory through Foxtrot and SEBTP. I am glad Gabriel stuck to his guns with the lyrical content and concept. In my opinion he has never bettered this lyrically in his solo work plus his desire to experiment with different sounds ultimately diluted much of his later work for me, I felt it was music to admire rather than connect to. Personally, I find the beauty of the Lamb is that much of the musical experimentation pays off, sometimes spectacularly. It delivers great emotional punch as well as cerebral satisfaction.
It is so cool to hear your analysis of these songs Steve. It puts us in your shoes, what is like to hear the musicians experience during these epoch songs
The guitar within Genesis was never the same when you left Steve, you added that atmosphere and tension with your guitar work, always done so well, some heavy some beautiful delicate stuff, a brilliant guitarist, i have all your solo stuff, The Steppes amazing , mind you all of it is fantastic, i love those sustainer Fernandes guitars,
I felt out of my shoes as I heard it the first time live, by the way I like very much life concerts, and you had also something marvelous and mystery and dramatic in the sound.
Thanks for this clips Mr Hackett , makes this isolation time easier , thanks for the beautiful music you guy did during those magical years the big 5 line up was together
It's well that you've been able to key in on the heart of the moment and keep that alive. It's important, because there are things there that I don't think have been seen yet, but it would be good when those also start to speak.
One of the best moments in genesis is where the wall of sound comes in, Tony Banks even said it was one of the best things they'd done. My favourite album ever - we love you, Steve!
@James Fowler. You beat me to it on the bit about Tony Banks saying that he thought it was one of the band's finest moments. He's right too.
Which is amazing considering Tony also said that The Lamb was his least favorite period of all of his time with the group
Odin all the band agrees it was a difficult time but that it produced a lot of excellent music.
@@jonnykhatru .. I am fully aware of that Jonny, my point being the contrast of Tony's statements regarding his least favorite period with the band resulting in their "finest moments"
@@odin1067 I remember that too. He said the album was too long.
1. This song is incredible from top to bottom... lyrically, musically... and that guitar!!!!!!
2. Steve Hackett is so generous in his praise of others. He's such a good dude.
Never shy in praising his bandmates, says so much about him. And of course. all of them speak so kindly of each other, one of the main reasons I love them so.
Escucho esta parte y me recuerda al interludio de In the quiet Earth del disco Wind & Wuthering, a furia de la guitarra habla por si sola. The Lamb es una obra de arte en todo los sentidos musicales. Viva Genesis por siempre. Gracias Sr. Hackett por mantener viva la llama de la verdadera era de Genesis. Gracias.
The sound that comes in after Pete is just awesome, this song still sends a shiver down my spine to this day. Thanks as always Steve you Legend!
czcams.com/video/mY6havo8oaQ/video.html
Used to crank this on my Dad's old JBL's at parties in the late 70's. Dimmed the lights down and people were mesmerized... The instruments are hauntingly beautiful and the drums rock ala Bonham...
Amazing piece of music without a doubt. It does have an Egyptian, Middle Eastern flavour indeed.
I worshipped that album when I first heard it...when I was 17 years old in 1981...I still love it!
When Steve said they were thinking of Egypt....it took me to a place I go with heavy orchestral music such as "In that Quiet Earth". It's a heaviness that stirs the soul and tells of another plane...another time. I saw them at the LA Sports Arena in 77' and In that Quiet Earth (with a little help from LSD) pounded my heart and soul. Still the heaviest orchestral composition I've ever heard.
Loving these videos Steve. Great to hear you talk about your thoughts on the tracks. Thanks for sharing.
I would take longer....
Steve was always head and shoulders above the competition with his exotic scales, while so many players were stuck in pentatonic sameness.
Thanks for discussing & explaining things that so many folks enjoy about Genesis. Much appreciated.
I LOVE THIS SONG! Everything flows beautifully into the next piece on this album. The interlude between this, and "Cuckoo Cacoon" is mesmerizing.
I've been listening to this track since I was 15 (I'm 60 now) and it still gives me goosebumps - we owe such a debt to these wonderful musicians, for giving us a lifetime of listening pleasure.
Out of the whole Genesis catalogue, one of my favourite songs
So many things I love about this track but one thing I will call out is Phil's drumming, the way he frames the music and complements the transitions is outstanding!
Phil has always been one of my very favorite drummers. Awesome.
I always have to listen to Broadway Melody of 1974 along with Fly on a Windshield
I vividly remember this song, with its famous wall of sound moment blasting at me in The Music Hall in Boston. And the wild visuals on the screen behind the band. And Rutherford’s billowy white bell bottoms. About 46 years ago....geez I’m getting old.
I agree with Steve when he says it's powerful and very magical. These are the types of sounds that can put the average man or woman into a state of hypnotic bliss. ..without injesting ANYTHING but the soundwaves! Now THAT is powerful. Thanks for these much loved videos, Mr. Hackett. Cheers everyone!
well said!
Wore out my Walkman, constant repeat, sitting on the rocks next to the river in the Big Sur gorge in 1984 after my best friend then had turned me on to Lamb. Something in your subtle phrasing and tone grasped my imagination and never let go. Such an expansive composition. Hats off to Steve forever...
You said it: "Very magical."
Thank you Steve. Everytime I listen to this I get the goosebumps.
One of my faviorte songs off the Lamb. Many times I would skip the first track on the LP and start with Fly on the wind shield.
Saw Steve play Fly live twice. He takes the atomsipheric solo to a new level. Loved it.
Mee too. In Italy!!!! Loved it!##
czcams.com/video/mY6havo8oaQ/video.html
Skip!? Never. lol
This is an awesome song. Thank you for your warm commentary on this production.
This plus Broadway Melody straight after is the most magical part of the Lamb for me. Note how complimentary Steve always is about Tony's work.
I saw this live when the band performed at the old Syria Mosque...I think tickets were maybe 10 dollars for first balcony seats. We went in with the story draped over eacn and every seat in the Mosque. The album had not yet been released...at least it hadn't hit the record stored in Pittsburgh, PA. Dramatic opening of course and then when "Fly on a Windshield" kicked in...
What a night.
So beautiful guitar of yours Steve, with the Mellotrons. Really powerfull and amazing music.
Fly on a Windshield has been a favorite of mine.
Steve, thanks so much for reliving the past for us. You’re probably bored out of your mind playing and talking about this. We appreciate it though. Love seeing you live. Come back to Cleveland soon!
One of my all time favorite Genesis tracks. Thanks Steve
IMHO this is the best album in the history of music! and you are the best guitar player ever lived! Thank you for everything!
you're correct.... it IS the greatest album of all time.
Lyrically challenging is an understatement
... so great we can enjoy this together after so many years. very magical, indeed!
Thank you for your inputs. Sorry I missed your Allentown show. Had I known of our current issues, I would have not missed it. Best wishes always. Thank you for all you have done.
Why not do a Tour with Peter Gabriel & Steve Hackett with Steve’s band 👌🏼👌🏼👌🏼
Great seeing it performed in NYC in Dec ‘74. Unfortunately, the album came out a couple of weeks earlier, hadn’t picked it up yet, and knew only The Musical Box encore, but what a fantastic theatrical performance. Of course, I picked it up the next day and still play it often.
Gosh, this album!!!!! This segment with Mr. Steve opens at one of my favorite sections. Genesis gave us this masterful artistic piece.
A wonderful atmospheric track and a great title.
An outstanding track on an outstanding track the change of tempo is truly fantastic
this track blew my mind when I first heard it
A spectacular song.
Absolutely tremendous. The drop from Peter’s vocal is still, after 45 years, fresh and powerful. Did not know it was “live” but it makes sense. There is an extraordinary feel and atmosphere in the instrumental section which is enhanced by Phil’s spot on drum fills from about 1.39 onward. Then Peter’s voice crashes in with that wonderful and evocative imagery continuing where the title track left off. Extraordinarily powerful. As an aside, the mood which the band builds on those first three tracks is absolutely remarkable - they were absolute masters of mood and atmosphere. Lastly, Right from the opening of the album Phil delivers a masterclass, an absolute masterclass in drumming.
A great comment. And as you rightly said , Phil was quite incredible from start to finish.
Phil doesn’t get enough love for his drumming in the early days, older Genesis fans still stick pins in his effigy to this day, blaming him for what Genesis ended up being in the latter years. I say fuck em because the man is a living legend. In honour I’ve made my profile pic a spliff making Phil at headley grange circa early 75 lol.
Steve Live ! with Genesis czcams.com/video/mY6havo8oaQ/video.html
@@Eleventhearlofmarsz
Bpph
Bhb by jbfdeeedex
.
Shane Matheson ?? I don’t speak alien 👽
On the Genesis ARKIVE box-set,The entire Lamb album is presented LIVE and the audio is amazing. Whomever was the engineer that recorded the concert did a very very good job. The Lamb was and still is my favorite Genesis album and to discover the LIVE version was a real treat. and also the 5.1 version in another Genesis box set (the green one) is incredible...lol
Thank you very much for those little video capsule. It's so great that you still play those legendary song live with your band.
Keeping these masterpieces alive.
cheers from Québec !
Steve. You have always been one of my very favorite guitar players from way back in the 70s since I saw you at the Southampton Gaumont and bought NC and Foxtrot. Apart from your monumental talent, I also find your playing pretty difficult to replicate. It's very easy to sound a little like Eric Clapton and play the odd blues solo, but the way your guitar parts sit so intricately within the arrangements makes it ever more challenging. There are very few guitar players within the rock world who consider themselves as part of the band as a whole rather than taking a very individualistic approach. Let's not beat around the bush, you can take the spotlight at times and when you do there is always a real purpose to it. For example, the gorgeous flowing guitar section on Cinema show. It's not a guitar solo, but a beautiful uplifting, perfectly constructed section of the song. Genesis were (and still are) a formidable band, no matter which iteration , and the incredibly memorable musical passages that you and Tony (and Mike of course) will stay with us forever. My only complaint is I have just found out your show at the Anvil in Sept 2021 is sold out! Having seen you last time there, I'm gutted!
Play this loud! Never knew it was one take! Cool! Thanks Steve!
YES!! My absolute, all-time favourite Genesis track from my favourite Genesis album! This is Genesis in excelsis! Everyone is one top form on this amazing performance, especially Phil and Steve, on the album that, for me, is Genesis' Magnum Opus!
One of the greatest albums ever made.
And still sounds as if it could've been recorded yesterday!
Always loved this piece. Great choice Steve.
Interesting to know that this was recorded live with them all playing at the same time.
Steve,
Thank you for keeping Genesis music alive!
Interesting new information. Thanks for that. I just know "Lamb" was one of my favorite cassettes when I lived in Greensboro in the mid-1990s. Just loved the whole package. Story, music, playing, lyrics, singing, everything brings back a fond memory.
Those slower than triplets "Triplets" by Phil Collins at 1:14 almost gave me a hear attack when I 1st heard it; (20 years after it came out; it was 1994 for me) I thought I was getting a live noise complaint.
I love how you talk about composers I'm not even familiar with but I've hear the name, although I cannot claim to be that surprised, with your love of Bach (Baroque) and Ravel (Late Romantic/Early Modern). THANK YOU Steve Hackett
One of the best tracks on The Lamb, so thanks Steve for your insightful thoughts on this. I'd love to hear you talk about another great track on the album, The Supernatural Anaesthetist. A song that never seems to get the recognition it deserves.
LLDOB was an album ahead of its time. It was pro-to New Wave and inspired bands like Simple Minds (when they were good.). Gabriel was and is a visionary and one of the true greats of the past fifty years. `The band were at their creative peek at this time , even as they teetered on the edge of fracturing. Steve Hackett is and was a unique player who adorned the music with haunting lines of sustain that are creepy as hell and beautiful as anything imaginable.
I drop my hat to you Steve.
It is very unusual and very desirable to have an analysis of a track commented by the people who made the track themselves.
More info ? so much the better !
This song mystical.
Amazing powerful song! I love how once the wall drops it explodes, then eventually comes back to some sort of normalcy. It does with music , exactly what the story is saying with words. Perfect ! Well done maestro! Thanks Steve
I'm from Rome and what you stated about Respighi's influence on this beautiful pearl of '74 delights me, as I've always thought the same!! Thank you Steve, you're great!!
Lamb people, you know who you are. Thanks Steve.
Please do these these talks over your amazing solo work!
Now i gotta listen to the album! Thank you!! .. got to see and meet Steve on Cruise To The Edge .. what a humble, kind and freakishy brilliant man!
Thanks again Steve. Really enjoy your insights into the songs and interesting , well i was going to say trivia but it's more than that. We all love this music too much too call it trivia. Thanks again. Be well and stay safe.
You can absolutely hear the lyrics conjuring the word images off of the music and visa versa I'd guess. Peter had a way of punctuating and particularizing his diction to make the word images stick probably better than any other vocalist I've heard up to this point in my 60 years :-)) [young punk eh?] lol Love everything about that piece. It is haunting before we ever splat on the ghost windshield of fantastic New York ghosts. Love this album. Fabulous choice of melodic execution and phrasing Steve. You're work thourghout those years was stellar. You always remind me of making choices Debussy would make when you do counter melodic lines, melodic top lines... you play in colour. That entire line up had magic chemistry that I know you get and good on you for bringing these works back out on the road. Very much the Mozart and Beethoven, Debussy music of a gifted era for me as a budding musical person who was spoiled by what you did and still do! Please feel good about these fantastic performances. I think Mike and Pete get it not sure that Phil can get over the hurdles to being in an audience headspace so he can appreciate it from that necessary distance you need for appreciation. Thanks man! So wonderful to hear it performed by one of the originators of the music and so faithfully and engaging as you do! Fabulous! Thank you again!
When your guitar enters,i get chills. Fly on windshields whit the lamia are song that are unlikely to come out of my heart.Ihave a photo together in naples on 16 3 2014.STEVE,YOU ARE THE BEST.
A popular musician up here in Toronto named his first born son Rael after this album. Great kid and he too worships this masterpiece. My favorite track - IT
I saw this show at the Shrine Auditorium in LA. Amazing show. Magical?!?!? Genesis was magical!
The drum patterns as you go up to the major just before Peter drops in with the vocal gives me goosebumps every time. one of my favourite Genesis moments. Love that you're keeping this music very much alive and relevant. PS Any chance of Nürnberg in your tour schedule?
Incredible song!!!
Fantastic! Keep up the good work Steve!
I love all your songs but this majestic entrance - Royalty
Steve, I'm glad you did this one. The song always reminds me of the Sahara desert.
Very magical indeed, beautiful ❤️
fantastic album.
The biggest giveaway that tells Steve is a musician from before our “modern era” is he has/knows about musical influences that are older than the Beatles: Respighi, Mussorgsky, Ravel... Adore your talents, Steve.
Brilliant piece of music. One of my absolute favorites.
Real magical music - inspired by a magical place, played by a magnificent genious. I simply love this. Art for Eternity!
Yes Steve, one of my very best favorites too. You said it all, the power, the super strong beat, the chord changes break any criticism of it being repetitive and the guitar still comes through crisp and clear. Loved your S.E.B.T.P. show when your band played in Minneapolis in 2019.
Sorry you were soeaking- yes Steve it has that amazing mix of emotional concern, that powerfully brings a sort of saving.. action pact, and exciting- steals you away- but its what I love about your music'- every song has its own finger print, and purely of its own one of a kind adventure- a fly on a windshield- and .. ohhh what have you done- sweet sweet sweet .. great song
Love this one!! It's my birthday today 🥰 Thank you for uploading a song chat today. It feels very special for me since I've followed this series for a few weeks by now. 🙏🏻
Anastasia Ozerova Happy Birthday from a fellow Genesis fan 🎂
@@phreeky5497 Thank you! It's much appreciated!
@@anastasiapedersen1 .. Wishing you a very Happy Birthday Anastasia! ❤
@@odin1067 Thank you!
One of my favorites. Genesis at their most kick ass.
I live for these daily clips. Thanks a lot Steve
Hello Steve, thank you to tell us some views on these nice songs, so far what i miss from you is to get details on the arpeggios performed on some of them like ripples, entangled, suppers ready ... etc... would you mind to show us , your filmed concerts are not centered on your magical guitar ! Cheers and take care
I still listen to the Lamb after all these years.Never fails to surprise. God willing Seconds Out with your good self in Scunthorpe in November and Tony, Mike and Phil in Leeds December. Thanks for the wonderful insights.
Cut my genesis teeth on this album. Thank you again Mr. Hackett.
For me, this was the high point of the artistic output of Genesis, the apex of a trajectory through Foxtrot and SEBTP. I am glad Gabriel stuck to his guns with the lyrical content and concept. In my opinion he has never bettered this lyrically in his solo work plus his desire to experiment with different sounds ultimately diluted much of his later work for me, I felt it was music to admire rather than connect to. Personally, I find the beauty of the Lamb is that much of the musical experimentation pays off, sometimes spectacularly. It delivers great emotional punch as well as cerebral satisfaction.
Love that beginning......
Fabulous track Steve and a highpoint on The Lamb for sure. Its also a really great bass test for any decent Hi Fi system!
It is so cool to hear your analysis of these songs Steve. It puts us in your shoes, what is like to hear the musicians experience during these epoch songs
The guitar within Genesis was never the same when you left Steve, you added that atmosphere and tension with your guitar work, always done so well, some heavy some beautiful delicate stuff, a brilliant guitarist, i have all your solo stuff, The Steppes amazing , mind you all of it is fantastic, i love those sustainer Fernandes guitars,
Thanks for all these clips, Steve!
I look forward to these videos.
Fly is my favourite track from Lamb
This is absolutely fascinating. Thanks Steve for these peeks behind the music. Really enjoining them.
I felt out of my shoes as I heard it the first time live, by the way I like very much life concerts, and you had also something marvelous and mystery and dramatic in the sound.
Thanks for this clips Mr Hackett , makes this isolation time easier , thanks for the beautiful music you guy did during those magical years the big 5 line up was together
Still gives me goosebumps after all these years
My favorite track from that album. That moment it hits. It's hard to listen to it in the car, since I want to close my eyes and let it just wash over.
It's well that you've been able to key in on the heart of the moment and keep that alive. It's important, because there are things there that I don't think have been seen yet, but it would be good when those also start to speak.
Whats great is that steve remembers everything. Cant imagine Keith knowing whats what on a stones album from 50 years ago
Thank you, Steve. Wonderfull video's. Didn't know Windshield was recorded live. Love this song and the complete LLDOB.
Managed to get tickets for the Palladium at last thank goodness ...a couple of the last few left, can't wait