Video

Guten Tag Michael

The Fiedler roadmap is crazy. They are single handedly making ambisonics mainstream maneuverable.

I wish we had supervisors like you at our University, great content as always!

I need a Dummies book. What is the differance between Spacelabs and fiedler audio dolby atmos composer

I was wondering about this!

Now there's no excuse not to have a decent Atmos mix & master in a deliverable format

Very cool!

If I'm say, in 5.1, can you select which speakers are activated? Ie, I want the panner to just effect the 2 rear channels.

do need a file to use those mixer settings or can you also listen to youtube with an activated profile?

This is an amazing tutorial, you are very skilled at breaking down and communicating the steps toward a complex task.

Tanks for your review. I Yes the RODE NT FS1 for my recording for live concert and nature ambient sounds.

Thanks for the review. Can you describe the difference between how this plugin and the audio brewers astrometry delay processes signal (ambisonics)?

300 DOLLARS

I'm windows. I bought a 200 quid m1 macbook air and dante it into protools

Thanks Michael! Never would have noticed this on my own. I'm excited to try it out.

Great delay and there's really not a lot of immersive delays out there full stop! A shame it doesn't seem to support agnostic channel counts at the moment? Couldn't get it out of stereo mode in Plogue Bidule or Kushview Element when placed on 12 channel routings for example.

theres a 33% off flash sale that lasts until tomorrow, comes out to $49

Hello professor, thank you so much for making this series! I am following your steps at around 24:00 in visual studio to add the myFootsetp event, but it says that the AK type or namespace is not found. What should I do to fix it?

Does the ax Suite support 96kHz?

massively appreicate your work!

Thanks for this very informative video. How does one play the combined Atmos/video file on a multi speaker playback system? What application can be used to properly send 7.1.4 Atmos audio from this encoded video file to the hardware speaker outputs, presumably using an audio interface to feed the physical amp/speaker hardware? Can the encoded video be uploaded to CZcams and played via a streaming device such as Apple TV to an Atmos receiver? Also, since I am not using Resolve, but in fact mix Atmos on Pro Tools, can the normal ADM file be used with the media converter you show in your video to combine that audio file with a video file without using Resolve? Thanks!

Hi Michael, there is a quick way to expose parameters for automation. Alt-Click on the control does it right away. For sources, select the source(s) and alt-Click onto X, Y or Z and the position of the selected source(s) is exposed. And you should update gravitas as there are buttons in the Input Config window now which lets you deselect many channels quickly.

locks up my DAW

Going through these lessons and just want to drop a line of appreciation! Learning Wwise after using FMOD for some time has been super smooth so far, thank you!

It does seem like a good idea would be to get a small (maybe touch screen monitor) to house the renderer to stream line the process... especially when creating a song in Atmos as you will need to go back a forth a lot as you add new object rather than a full mix where you make all those in one go

Going to be doing this myself at some point... currently the version is 5.3, so this is now better or is there any issues that have arisen with new versions and ableton? Will be doing presonus for professional mixing and mastering but for my own production I will be using Ableton

intresting thing I saw on graphs. my own DT 880 totally repeating NDH 30 graph till 3 kHz. sure, THD different but I thinking about.. do I really need those Neumanns now?

I have a 7.1.4 studio and I can't stand the sound of immersive reverbs. The speakers are in a room already adding an immersive fake room into a real room which already has it's own natural reverb sounds washy and awful. Just your usual stereo reverbs used for traditional mixing panned with your instruments in 3d space is more than enough reverb. I also find that compressing the whole bed destroys the beauty of the Atmos space and especially makes no sense for the top speakers. I find if you want to glue certain transients a limiter or clipper on the individual source is much better, and if the outcome is the add punch to the envelope then a transient designer on the drums etc works better for Atmos. Stereo that's a different story. I think engineers think they need the same tools in Atmos but they don't, a lot of the regular concepts from stereo are actually detrimental to an emotional Atmos mix. Btw your immersive Maschine idea is brilliant 👌🏾

Great videos Michael - thanks. Isn't the same achieved without the need for Audio Sends or Dolby Atmos Panner - i.e. just using SPAT Spatial MC - but keeping the DIRECT Signal. That way you only use and need the SPAT MC Panner and it positions both the Dry (direct) audio AND the position of same within the reverb room (routing achieved directly in the SPAT MC to the Dolby renderer EXT channels). I realise this is mixing Objects into the bed directly - but simpler approach with same outcome ? - what am I missing?

A comparison of the ones you tried would be appreciated greatly. 👍🏼🎶😎

does this work in logic as well?

Morning Michael :) Just watched this for a second time and found yet more information that i missed from the 1st viewing :) Quick Question how much of a difference does the dolby render make with the selection of the overhead speaker ? For example I have my 9.1.6 setup set using the original 4 overhead + adding the middle set and i am just wondering if this will make a big difference? Rather than having two separate setups with different speaker selections :( I have a 7.1.4 setup in the render so i can change back and fourth for checking my mix setting.. Having delivered quite a few mixes now to apple music i have always noticed that there is a small noticeable difference from my render and what I hear with apple :( Yes i am only getting 7.1.4 back from apple music but still notice a difference from the render set to 7.1.4... I will try using my iRender when mixing and monitoring in future on the headphones. I Also noticed a comment on this thread regarding a different way to set thing up :) Could be a good follow up video :) QFXMusic :) This is my other channel

@ 5:40 - The cost of even the highest education in the future will be merely the cost of your VERY low subscription to your multi-modal AI model of choice... essentially FREE when compared to higher educational costs in the U.S.

Hi. İf ı want to 2th order sound design for Vr or 360 video (FB, Oculus) content without headphones with speaker, what is the true speaker placement? İs it like dolby atmos speaker placement which is recomended for spatia audio? Thanks

Hi, thanks for this review. How good its dac preform? Or do you suggest to use it with external dac?

Say “There’s a bomb in there.”

Can the Mpc Live 2 do Dolby atmos?

worst headset I've ever bought in my entire life, and I've owned several, I'm a gamer and I've been buying parts since the 90s, I already own different models and brands of headphones and my first and last experience with HyperX was buying this one crap orbit S, they denied me the warranty due to a physical defect, and the phone opened cracks everywhere in less than 1 month of use, and I'm extremely annoying and cautious with my computer stuff. Not even the 5 dollar crap from Leadership that I bought at the supermarket was a problem like that. I paid 280 euros, it broke in 1 month, I had to patch it completely with durex and silvertape because the warranty refused to return the money or give me another phone because the defect was physical I don't buy anything else from HyperX Kingston and HP, I know they are the same company I cannot be left with a guarantee that is not a guarantee. I hope more people become aware of poor hyperx quality and guarantee.

As a Maschine user with a 7.1.4 Atmos studio, this is pure gold! 💯

Thanks a lot prof always informative and entertaining ;) I have virtuoso and my problem with it is the size of the buffer size to avoid cracks in the audio 2048 sample and still after short time I’m working start to crack ….annoying and at the end not reliable I’m on m3 MacBook Pro

Absolutely loving the way you teach. the pacing, the knowledge... the out of the ordinary topics in music (much appreciated)

There is no way I am paying 300$ for Atmos Renderer to get head tracking. I have the Mobius but they are so delicate. Hope headtracking works without buying Dolby Atmos Renderer but I am trying right now to see how sound has improved . Love the durability of them though

Someone needs to develop a speaker array mounted to drones. With one touch of a button they could assume the 7.1.4 position and then return to a dock just as easy.

Super helpful video thanks.... just wondering how to go the other way... if you have an Atmos monitoring setup but want to create an Ambisonic mix? Do you have a video for that?

Excellent video

Hey Michael, When setting the Ak_trigger_exit the sound gets stopped and doesn't play again when the player is in the sphere collider [trigger] ,in this video you have set the structure to be play_music [event] and Stop_music [event] sequentially, but for me, i set it up as Play_music{event] - Stop_music[event] and then again Play_music [event] ,only if i set it up like this I'm able to get the proper results. Secondly, when loading the event onto an object's inspector the sound doesn't play and gives me an 'unidentified I/O device error' so i tried to load the soundbank as well onto the objects inspector and not just keep it on wwise global. When set up like this I'm able to get the proper results as in the video. Thirdly, when I try to uncheck the AKambient component in the inspector the sound still plays, the sound only stops playing if I delete that component or change its trigger from Awake to nothing. I got the results that you have taught but in a different way is it because I'm using a different version from what you are using, But I did check the compatibility of my Unity and Wwise versions from the Wwise release notes article, and everything is appropriate.

Let me start by saying the AI programmers are the real AI artists. Some may consider that sacrilege, but I'm both a coder and a creative. I don't feel a qualitative difference between writing code and writing a novel. Problem solving, discovery, entering the 'zone' (sustained focus, adrenaline high, time warp), it's the same experience for me. Whether AI music is any good or not will be a matter of opinion. To me, EDM sounds empty and automatic, but humans do create EDM and millions of humans like EDM as much as I like my favorite musicians. What are the psychological effects on creatives, especially de-motivational effects? What motivates us to create, to aspire to 10,000 hours to master a craft? There is certainly a selfless desire to create beauty for others. But is the egotistical pursuit of elite achievement not also a big part of our motivation? When we shoot for 10,000 hours, are we trying to prove something to ourselves? Will AI deflate our egos and our motivational balloon? I do think the copyright laws need to be changed. AI developers should be banned from using public domain artworks to train AI. The idea behind public domain is that the artist has 70 years remuneration, enough to incentivize creation. If you seek immortality through art, you don't need royalties in perpetuity in your estate to achieve immortality. But the knowledge that your art will be eaten, digested, and crapped out by a neural processing unit after your lifetime, that's not immortality, that's spiritual rape. I think there is a real danger of a mental health crisis for artists.

Welcome to Sprockets! Hey good video.

nice to see you using Decibel!

Not sure I can make the jump based on this. What about automation, sequencier and speaker calibration. I didn't really see anything more feature rich than the original renderer, actually it looks like it has less.