Do You Know Your Five Pentatonic Boxes?
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- čas přidán 6. 02. 2017
- With My Blues Master Classes Coming Soon, I have to make sure we all know our Five Pentatonic Forms and Where Certain Root Notes are. For your FREE chart, please click here stichmethod.com/5-forms
In Case you are not familiar with my chancel, reference My NeverLost Pentatonic. It can be found here • The NeverLost Pentaton... It helps connect these shapes with fluidity and ease. The numbers on the chart are the usual fingers to practice. 1 is index, 2 is middle, 3 is Ring and 4 is pinky.
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With My Blues Master Classes Coming Soon, I have to make sure we all know our Five Pentatonic Forms and Where Certain Root Notes are. For your FREE chart, please click here stichmethod.com/5-forms
My beard need to be trim haha I know that feeling
I think in the chart form #3 the B and high E notes should be 2's not 1's. Thanks!
Thanks I have seen them, and merge them in one single chart. Thanks Chief!
Stay safe!
I’ve made more progress by binging on your videos for the last month than I have in the last 20yrs of off and on playing.
Thank you so much!
You're not the only one!! I wish I would have found these videos years ago!
Officially starting here as home base. Self-taught, been noodling around the same stale lack of knowledge since I was 16...always afraid of any theory...learned just enough over the years to be frustrated as dream of beautiful melodies and progressions but didn't know the language to express them. Sounds like a few people have echoed the same feelings, but have already had more ah-ha moments watching a few of your videos during quarantine that I have over a couple of decades. Thank you Stitch....!
I memorized the 5 basic boxes decades ago and continue to use them as practice warm ups starting in different keys etc. I could never find a way to utilize #3 in my ad lib solos always jumping from 1- 2 then up to# 5. Thanks to you, I think that with some additional practice I can expand my solo vocabulary. I have played in cover bar bands for years and continue to do so. My thanks for your videos.
You have a way of explaining things on the guitar that is so clear and to the point. Seriously, you are up there with Govan and Gilbert in terms of teaching ability. Thanks for making these videos.
I just wanted to say your the man. I'm a huge fan of Phish and the dead and when I stumbled across your channel I couldn't have been more excited. The couple months I've been watching you my soloing has drastically improved using your neverlost system. Keep up the good work my phriend.
Ian! Ricky from Whole Foods. Great stuff, brother.
I've been playing for ions. I use parts of all these pentatonic forms, but there's parts of them that I sorta don't venture into. The fan blade, hub analogy is perfect. This instantly made sense to me. Now I'm going back to each of these forms that I'm not totally familiar with and familiarizing myself with them. Thanks man, it's refreshing to see guitar teacher that's teaching others to create which is absolutely the best part of playing guitar.
Awesome lesson as always. A nice way to remember min/maj root note positions is that if you descend the pentatonic shape, the maj root note is always the note after the min root note ie the next note in the pentatonic shape
Been looking at your stuff. Downloaded your package. But this is what I needed!! I have gotten some stuff on the 5 shapes from different sources, but this brought it all together and now I get the minor major stuff...I think :)
You are an awesome guitar teacher. Your lesson are packed full of good information. And you are great to listen to cause you keep it so interesting by going completely off the subject sometimes. I like that. Let me know when you have your blues coarse out!!
One subscription from my side bro...i challenge that the one who seriously wants to learn solo cant escape from subscribing your channel...good job and keep coaching us...👍
You rock Bro! Thank you very much for free lessons. Your the instructor I've viewed on CZcams that knows what your teaching and doesn't leave out the vital parts in an attempt to get you buy something
Before watching this video, I thought that music is like an art, where you were born with it or you were not. But my understanding start to change. I start to believe that actually there is some logic and systematic in it. Thus with good method we can learn if we dedicate our time, attention and most of all our passion.
Thanks from Indonesia.
This is what I have been looking for!!! Stitch, you rock. Thank you man. ❤️
always a good day when you release a video. super excited for the blues master classes, thanks for all the work that you do!
Thanks for the NEVER LOST system! Clears the fret board without confusion.
Stich, you're the man, brother. Thank you for all you do. I once was lost, but now I'm found... or at least much closer than I was before. my other teacher, yes, you're my teacher, charges me a butt load and mostly just talks at me. I love nearly the neverlost stich method. When will the master blues class be available?? BLessings. Thanks again. I'm learning this language now and not lost in muck and the mire anymore because of your brilliant teaching skills. appreciate cha.
THANK YOU STITCH!!!! Looking forward to watching this Lesson. Want to learn all I can about the Pentatonic Scales😀 (This is all New to me). Thanks!!! [Printing the chart! Thanks so much!!!]
Form I 1:16
Form II 2:06
Form III 4:45
Form IV 6:45
Form V 8:08
Did you mean 3:06?
Another most excellent lesson, will be anticipating the master blues course you are working on. Keep on rockin!
This guy has learned me so much and made it look simple
your classes are amazing man thanks a lot!
THANK YOU! =This lesson REALLY opened my eyes and opened the ENTIRE fretboard for me!
I learned mine by learning licks that I liked the sound of that happened to move around the different positions. It's pretty much how I learned everything I know.
Thanks so much Ian. I've been struggling to memorize my boxes. Your channel has been an incredibly enlightening experience. I have been using the neverlost but my soloing needs a lot of help. Doing my best to learn how to hit those chord changes. I think you're going to make a guitar player out of me yet.
Ian, (I think.. I apologize if I'm wrong) these lessons have helped me a tremendous amount. I'm not unfamiliar with rythym guitar and folk style picking. Always been a dead head and loved the improv style leads. I've tried many times, and quit many times. You've made this information extremely accessible, I do not use PayPal.. But I would like to donate something to you in turn. That's how useful this has been to me. A month of daily practice based on these videos and I feel very confident in jamming on the spot. You need be compensated for that. If there is an alternate method of donation please reach out. Thank you so much.
Thank you so much, this is really helping!
Hi! just found your site today, already subscribed, again, THANK U THANK U THANK U FOR BEING SO DAMN ARTICULATE!!!! FINALLY!!!!!! Peace&Love out 2 U
Thank you for what you do.
I practiced these ad naseum, until I had it down. The book I originally learned the patterns from didn't call them "Form 1" and so on, it was "C shape" (which is form 4) . Your never-lost really helped. Now if I could just understand "phrasing." You and Sean are great teachers, I'm looking forward to your Blues classes.
I am seeing the light slowly. Confused by the comment that C shape is form 4. Seems to me it is form 3. What am I missing?
thank you Ian,i've probably lernt more in the last few weeks than in the previous 20 odd years. regards dave.
So glad the ant poison didn't kill you! This lesson made a ton of random stuff I have been working on all make sense... You are a great teacher...
Nothing new but well explained! I was waiting for that kind of topic because you mentioned earlier, that you are going to tell us when, in your opinion, to use the whole shapes.
Greets, Manuel
Awesome video. It helped me a lot, thanx.
Shout out all the way from South Africa!!!!!!
I've been looking for this lesson. Thanks.
never knew the five shapes,gonna have to study this more but thank you so much!!!
Thank you, great lesson
Hey Stitch. Thanks so much for the time you take to do these videos. I'm back into playing for a little over a year now after taking a LONG time off due to life issues.. Anyway, I always knew that first Pentatonic shape (and a small part of the second) but now, partially from your awesome videos, I can strongly say I have all 5 "boxes" down very firmly now. It's coming together in terms of how each "box" interacts with the box above and below it. I still struggle with "sounding" like I am playing blues. I can put a backing track on and play thru all 5 boxes, moving up and down, but I am still not really "hearing" that "blues" sound. I am understanding, in theory, the 3rds and 5ths but I still can't pull it all together into that cool "blues sound". Love to see you do a lesson on putting that all together into blues sounding riffs. I am close, but not quite putting it together. Thanks man!!
Sweet !! Looking forward to it. Thanks again for all you do with these videos.
Hey man ! Thank you so much for all the invaluable info !
From Big Valley ,Alberta ,Canada 😊👍
Thanks Stich. Your teaching style is good. Just came across this video.
Nice lesson Stitch, I now understand this stuff better. Thanks
Clearly the best lesson !! 💪💪
as said before you are a super teacher THANK YOU SO MUCH!!!!!
Love your videos. I felt this one was kind of rushed. Always pack full of information but it felt crunched together. Rock on Stitch!
It's one thing to know things and another to understand what you think you know. Your videos have led me to a clear understanding of the pentatonic scales. Thanks!
Thanks for the chart
Somebody drinking the beard tonic!, great lesson stitch thanks
Awesome video and thank you for sharing ❤❤👍👍
Thanks for that, I always forget how 4 and 5 go hehe, and your explanation is always the best
This really helped thanks!
Thanks Ian! Another great lesson!
Thank you so much!!
Wow.... Just had a huge "light bulb" moment. You're a great teacher man, AMAZING LESSON
Thanks for all your help bro cheers Brian Ireland 🇮🇪
🤓man you are the best teacher bar none thanks a lot for simplifying so much for me I love you man
Great video. Thanks
Really great stuff. Well presented, concise, and easy to grasp. Most of all, thanks for not ending every single phrase with that annoying, obligatory vibrato like so many of your competitors.
Thanks for this video it help much😊
Yes! Finally a lesson about the different forms! You keep cranking out good stuff. Much appreciated. Something to consider...a view of the 5 forms from an entire fretboard perspective. Maybe that's part of the Blues Master Class?
Forget my suggest about fretboard view. Just bought the Neverlost PDF. Exactly what I was looking for. Rock On
I actually love position 5. It's way underrated!
Thanks again😀
Thanks!!
Thank you 😊
Proud to be liker #1k & really happy with both of your Master Classes.
this lesson helped me so much in my practicing 🖤
Awesome to hear!
Excellent lesson. Shared on Google+ too!
Wonderful
Thanks for everything you do. Cannot wait for this Masterclass. Do you have an ETA?
I think I've finally got this. ... thanks... 🍷🍺😃
good stuff ive got to go to never lost
I have come full cycle of procrastination again, also nice video really well explained
Do they call you stitch because you connect things? OMG I've never learned so much in a day. You are an amazing teacher, I have a feeling you are an even better musician. I'm a huge fan, you ever play live, and what area of the US are you?
Thanks for a great lesson, which I am sure will be very beneficial to many viewers.
What is your opinion about considering the starting points for the Pentatonic scale in a modal sense? i.e. they are pentatonic versions of the modes, so Box 1 = Aeolian (aka Minor), Box 2 = Ionian (aka Major,) Box 3 = Dorian, Box 4 = Phrygian, and Box 5 = Mixolydian. Although with the pentatonic scale for the Dorian mode the 3rd of the minor chord is absent, for the Phrygian mode the 5th of the minor chord is absent, for the and for the Mixolydian mode the 3rd of the major chord is absent, which can confuse some students when you try to explain that the chords used are constructed using notes which you don't play in the pentatonic scale.
This then raises the question as to whether it is better to teach the theory of triad construction (Root, 3rd, 5th) before or after teaching the pentatonic scales. In my limited experience I have had more success when I teach the full heptatonic scales (or are they septatonic scales? Music theory uses terms from Greek and from Latin, and doesn't always make sense or follow logic, especially when you start delving into German and Slavic notations where they have an H note, but not a B note, or some other stupidity which takes a lot of hard work to understand) before introducing the pentatonic scales, this is probably because I tend to throw the theory of chord construction into the mix at the same time. I don't teach professionally, but I do think that every musician needs to learn a bit of theory at least.
Sorry about the long winded and rambling comment. I hope that it makes sense to you.
Damn, this should have more views!! Thanks a ton!
StichMethod Guitar You're most welcome! I just found your channel and it's such a help! Wow! Keep up the great work ☺️👍
Hi Stich, I'm new to your material and trying to straighten out some of my thinking and vocabulary. What does "Form" mean, and what does "1" mean, exactly?
Beat me to it Lawrence! But that aside going to be another informative and eye opening lesson!
Ali only just beat u and yes great lessons
Oh, it did! Thanks again man and keep up the great work!
Thanks a lot that just made something click for me.
Thank's.
I've never tried scales at all and have also peaked at the level of "never being able to play solos" as I'm sure many self taught also are at. I'm gonna change that so I can start to learn more technical stuff with the proper techniques (aka petrucci level technical)
Thank you so much for splitting the boxes up. I have found the overlaying charts so hard to follow
FINALLY FOUND IT!
6:16......hilarious..."my beard needs to be trimmed"....you rule, man!
Hey Stitch, got any ideas for jamming along with "Gotta Jibboo"? I've been trying E Mixolydian, but it feels clunky.
thank u
Suggestions for the PDF;
1.) show all the minor and major roots/homes (not just the first which occur)
2.) add an image which shows the forms "stacked" together (preferably with the individual forms indicated)
3.) add an image of the "circle of fifths" to clarify the relationship of the different keys/names of the minor and it's related major
I'm not complaining, just trying to be helpful. Thanks for all you do! ;)
John, I agree. Also on the PDF I am confused at to which fret these forms are played for a given key.
Ian is there a system as to which finger to use when moving or do i just rely on memory ?
is that a dumb question?
Can you provide a video with all the relevant major & minor scales or chords please??
Is there a magic trick for memorizing these forms? Obviously the top notes are always the bottom notes from the previous form. I get lost very easily but I am just learning. I am 60 which is kind of old but the main issue is that I'm a dumb ass.
Thanks
I just starting playing the guitar and realized the pentatonic boxes are all built on the same two shapes based on the root chord. Either a C shape or an A shape depending on your root note and if you are going up/down left/right. The only caveat is that once you hit the B string, you move the fretting by a half step. I think thats similar to what you are conveying
Good lesson. A+++++
Sorry to be thick here Ian but I agree with Dan Daniels comment - your charts and the fret relationships have me completely confused and I do know the minor/major forms, but obviously in some other universe. I want to make sure there aren't any holes in my understanding of your reasoning. I have been able to following everything else I've seen you do. Thanks for your efforts.
EDIT: Ok, I ran through it a couple more times. You are just showing forms (not all progressing through the same key) and their relative roots. I have always seen them represented in a progression through one key. Your emphasis is on the minor/major root positions in each of their forms. Thanks, you have exposed a big weakness in my use of the pent forms. Thanks again, I have some work to do. TW
Thanks jack black
Just was watching your video for pentatonics and wanted to know all the shapes and then boom you wrote it in the comments. It’s like your reading my mind. Are you going to Mondegreen.
Haha I try! I won’t be at Mondogreen unfortunately ☹️
Quick question, how do the five pentatonic boxes vary based on if you are playing in major or minor? For example, were the boxes you showed in G minor or major? Thanks.
Stich is in my top 5 theory guitar teachers
I'm very interested this guitar lesson
So, whatever note I start on that is the key? And I just connect the forms from there? i.e. Start form 1 on low E finger one on the 4th fret G# Pentatonic?? Stupid Q?
Hey people this might seem like a regular crappy pentatonic lesson, but trust me this guy is fucking amazing! As soon as I finished his free shit on CZcams I will happily buy this dudes masterclss. This guy is THE BADASS guitar teacher. Full stop.
I'm trying so hard to internalize the 5 boxes. Thanks for your help
Watch the last two videos of my. caged primer playlist... it will help