Putting Vocals Through Guitar Pedals for Great Home Studio Recordings

We'll run Vocals through various Guitar Pedals including Digitech Whammy, Carl Martin TremO'Vibe, Berhinger Tremolo UT100, digitech Polara Reverb, Boss Phase Shifter PH-3, Hexe Revolver, Memory Boy Deluxe, TC Electronics Triple Delay.
Holy snot, I love Guitar Pedals, but I love running Vocals through Guitar Pedals more. Vocals are the most universal instrument from one person to another, and while I don't particularly like sharing my vocals actually making the recordings and practicing them etc is the most natural of all to me anyway. At this point I want to put some time into making a vocal pedalboard for live vocalists, because the needs are a bit different.
My biggest point would be that processing pre-pedals is important. I've heard of the Voco-Loco, and it seems like a perfect solution for live applications, but I can't say that it's necessary for recording applications. Knowing how to mix your vocals is also a huge help here, as a live sound guy I've seen a lot of vocalists with vocal pedals that slather their vocals in reverb and delay and it becomes basically impossible to hear what they're even saying, a light touch is advised unless you want to be super in the audience's face.
Out of all the pedals my favorite guitar pedal is the Hexe Revolver. I love all the glitches, and I feel like they make the biggest difference as far as vocal effects along with the Digitech Whammy.
Vocal effects and guitar effects are basically the same thing they just tend to focus on different things. I've found that guitar effects tend to be more adventurous, but you're just a conversion or two away from getting your vocals in there.
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Intro: 0:00
Beatboxing and Video Explanation: 0:45
Digitech Whammy: 1:32
Carl Martin TremO'Vibe: 3:06
Behringer UT100 Tremolo: 3:21
BOSS PH-3 Phase Shifter: 4:06
Digitech Polara: 5:05
Hexe Revolver: 6:39
Electro-Harmonix Memory Boy Deluxe: 8:15
TC Electronic Triple Delay: 9:14
Summary and Outro: 11:00