The PERFECT tool for Color Photography :: Samsung Viewfinity S9
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- čas přidán 22. 07. 2024
- #SamsungPartner Check out the Samsung ViewFinity S9 bit.ly/VFS9Ted
The Samsung ViewFinity S9 is a 27 inch, 5K monitor with beautiful color rendering that makes it an essential creative partner for video editing and photography projects. The 5K color resolution gives you life-like colors and crisp details. Calibration is the easiest I've ever seen on this monitor as it can be done with your smartphone in a matter of minutes. Check it out and see what the Samsung ViewFinity S9 can do for your creative workflow!
#Samsung #ViewFinityS9 #ExpandYourCreativeRealm - Věda a technologie
Ad, not review.😊
When it’s paid for by Samsung , you’re not really going to say anything bad about Samsung.
An objective comparison of monitors point by point would be more believable.
The specs don't even mention Adobe RGB coverage. DCI P3 gamut is good for video work, but Adobe RGB is what you really want for photos, as the coverage is closer to the CYMK used by printers. Lately, most wide gamut displays seem to focus on DCI P3 and don't even mention Adobe RGB at all
Because adobe rgb is much bigger than DCI P3, bad % for marketing
Adobe RGB and P3 are similar in size. But cover different parts of the spectrum. Adobe has more greens, and P3 has more reds. The one that’s significantly smaller is sRGB
You can read the spec sheets online.
Both DCI P3 and Adobe RGB can be fully projected to CMYK color model. And colour shift occurs no matter you use DCI P3 or Adobe RGB.
So DCI P3 and Adobe RGB are just a 'taste' of color only. Or be accurate, Apple dominates the market so DCI P3 becomes the new 'standard:.
Lame, just an ad
If your experience, how far off is color calibration on a new monitor?
not sure if im doing it right, but since most of my output is for screen, to be safe, I switched my monitor's profile to srgb. Since doing this, I have less surprises when looking at my pictures on different screens. Comments or advice is welcome. Thanks.
Correct me if I’m wrong, but I thought AdobeRGB is best used when color accuracy on prints is this important to you. Please explain why you choose dci-p3 over a monitor that supports >97% AdobeRGB for prints.
Here's some trivia:
Adobe RGB (1998) and DCI-P3 are very close to one another
ProPhoto RGB and Rec. 2020 may be similar color spaces
In coverage of the CIE 1931 color space, the Rec. 2020 color space covers 75.8%, the DCI-P3 digital cinema color space covers 53.6%, the Adobe RGB color space covers 52.1%, and the Rec. 709 color space covers 35.9%.
@@mikeanntroutman6463 Thank you for your answer. Much appreciated. But I just checked my landscape photos and a lot of my greens will be out of gamut in dci-p3. So I think a monitor that supports AdobeRGB for my prints will still be more beneficial, right? sRGB is supported in every monitor, so no problem in exporting for screen viewing as well. Please correct me if I’m wrong. I’m still a bit confused by the advice in this video and I want to spend my money well.
@@ricardostoffels934 a wider color space means the monitor/device is capable of displaying a broader range of colors, but your media may not contain those. Adobe RGB is very similar to DCI-P3 but slightly smaller. If a monitor does 100% DCI-P3 then one could assume it does 100% Adobe RGB. Many monitors display only 90 some percent of Adobe RGB. There are many good charts that depict the various color spaces within the visible spectrum. Just Google the topic. Here's some good info comparing Adobe RGB and sRGB:
en.wikipedia.org/wiki/Adobe_RGB_color_space
May I ask what watch is that?
How on earth is calibration with a smartphone working? There must be one fixed reference within in the calibration chain?
I have the same q. Every phone mfg has a different DAC and tweaks their interpretation of colours. E.g. Google's Pixel line adds unrealistic blue tint to everything.
Ted, Do you have a preferred printing company? If so, is it local to you or a company that ship throughout the US? Might make a good follow up video. Thanks as always!
That's one clean setup. Great video!
What about for monochrome work?
Thank you, Ted. What I have been not been able to work out is why monitors do not use Adobe RGB. Cheers, Peter.
Do we need to buy a Samsung phone to calibrate viewfinity s9?
All my printing is done in SRGB mode with excellent results. Monitor is calibrated every six months.
A photographer/videographer telling me the monitor is the most important part of his process? interesting.
The work that I do is mostly viewed in cell phones and computers screens. I. Edit my images then view them in my phone to EE the results. My equipment is owned by the company I work for. However if I could afford to by my personal one. I will be greatly obliged to thank you for the information. It saves me researching time due that I trust your expertise
Possible candidate for most important video of the year👍
Calibration is a critical to Good work flow. Not that I am confident in this camera calibration idea is effective?
My 10 year old monitor has the same 6x9 layout and rotating, rising screen.
Yes they are expensive but well worth it to my mind.
Thanks for stating the sponsorship right at the beginning, before getting into it!
If you ever have or get to the 9-11 museum in NYC they have a wall of blue tiles. It is based on peoples description of the blue sky that day. A very impactful statement, but an indicator like you describe as how subjective color is.
Oh boy, you might as well have titled it ‘10 minute Samsung ad’. We all know you’d take BenQ over this piece of crud any day.
Monitors are a tricky one. Has to be the right combination of color, specs, price and what not :)
lack of brightness control from the mac keyboard, that's the main blocker of a monitor and that's purely samsung issue, they want fix for some reason. Behind it it seems the only 5k panel in this money.
I love your channel Ted but as most of the comments suggest it's obvious why you decided to do this Samsung thing. If I personally couldn't afford the Apple Studio Display the Samsung would be great!
Interesting. But to small for me. Please tell Samsung that I am looking for something bigger than 32”. Yes, I would be happy to edit on a (affordable) 40” screen. Does not have to be perfect for photo editing but decent.
Apple Studio Display is similarly priced and better than S9 if you have a Mac.
I never use SRGB for anything. Even the JPEGs i make for the Internet are made with Adobe color space, and prints are made from 16 - bit tif files. I'll have to look at this monitor.
why are you promoting this but always in front of an apple monitor ???
Apple studio display copycats
I’d give the Asus or the Eizo the benefit of the doubt before I’d trust another Samsung product. That company has burned the bridge with defective products and weak support services (if support even exists) across a range of products from TVs to refrigerators. Good luck.
I do not recommend buying the Samsung ViewFinity S9 product, as it is one of the worst products produced by Samsung. This model cannot be run on a personal computer, except for the latest version of the laptop that accepts running such a Viewfinity S9a model. I purchased and have tried to get support from the Middle East agent in Dubai, but I cannot find support. This is stupid technology because it does not connect with a desktop computer.
Its Good Sir
@4:45 it looks like the monitor doesn't include the Adobe RGB? Guessing the Adobe IP capitalist whores were gonna charge to much for the liscensing? Just like why this monitor might be overpriced as all the thunderbolt monitors are. I don't know if Adobe RGB coverage is better than DCI P3 as there are arguments in this comment section under the comments that have the most replies are hashing out. Sounds like adobe has more greens and DCI-p3 has more reds. And neither even come close to Rec. 2020. This comment was most helpful if true: Adobe RGB (1998) and DCI-P3 are very close to one another
ProPhoto RGB and Rec. 2020 may be similar color spaces
In coverage of the CIE 1931 color space, the Rec. 2020 color space covers 75.8%, the DCI-P3 digital cinema color space covers 53.6%, the Adobe RGB color space covers 52.1%, and the Rec. 709 color space covers 35.9%.
It includes Adobe RGB - I use it often