Why 99% of Blues Guitarists Are STUCK...
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- Äas pĆidĂĄn 29. 08. 2024
- đž Buy My Book âBeyond Pentatonic Blues Guitarâ (Paperback & PDF) đgeni.us/beyond...
đž Watch My FREE Blues Improvisation MASTERCLASS đ www.bulletproo...
So many blues guitarists find themselves stuck in a never-ending minor pentatonic & blues scale rut, where they're constantly playing the same tired licks over and over again.
They often feel comfortable playing over the I chord but when the IV and V chords appear, they don't know how to highlight them and end up playing a few too many 'sour' notes.
These players wish they could highlight the chord changes of a 12-bar blues with the same degree of sophistication heard from the likes of Robben Ford, Joe Bonamassa, Matt Schofield and Josh Smith, but they often feel confused about where to even start when it comes to playing more like their blues guitar heroes.
My Beyond Pentatonic Blues Guitar Improvisation Masterclass seeks to address the root cause of this, and help to pull aspiring blues guitarists out of the all-too-familiar minor pentatonic soloing rut.
Through looking beyond pentatonic scales and beginning to use soloing approaches that allow you to target the chord tones of the three chords in a 12-bar blues, you will find yourself playing blues guitar solos that sound 100x better than what you've been settling for for the past few years, or even decades!
The masterclass is informative and clear and this channel is simply pure gold. One of the few actually teaching music and not trying to sell guitars and other useless gear.
Glad you enjoy it!
He says nothing about improving and then tries to sell something!
@@mikeaaron2819heâs not selling material goods. Heâs promoting his course, which is made up of knowledge and experience. If he tries to get you to pay extra for âmore in depth studyâ, so what? This guy (and many others) make free videos that teach music for CZcams viewers all the time.
Obviously, this guy isnât a hobbyist or part timer. Heâs not a plumber, or a surgeon, or a welder or a chef. Heâs a real musician and teacher. He has dedicated his life to music.
Youâre going to slap this guy for trying to make a living?
If musicians couldnât make a living playing and teaching, they would be relegated to getting a âregularâ job. And when you have a regular job, you canât put in enough time to become a high level player or teacher. Only people who are born into financial security would be able to devote their life to playing and practicing and studying music enough to reach an elite level.
You will gladly pay a $20 cover charge to go watch a band at a bar, or $100 to see a big name band playing a concert at a large venue. You are actually paying that band for the privilege to see them perform. And thatâs all you get. They donât stop the show to teach you how they played that last song.
But a guy like this Ross Campbell will. He will teach you how to become better on your instrument, so that one day, maybe YOU will be charging people $20 to come see you play at the bar.
And yes, he did explain, in a general way, how to improve on the guitar.
He explained the reasons why playing diatonically will not work over a 7th chord blues progression. Now, you may have already known that, as I do, but not everybody knows that. And there was probably a time when you didnât know that. So, the question is: how did you learn that? Did you pay a teacher? Did you watch one of Rossâ or some other CZcams teachers many free CZcams videos that go into that? Or, maybe you are gifted enough to have learned it on your own, kudos to you. Youâre lucky.
Not everybody is. The rest of us have to learn it from other people. And sometimes, we actually have to pay them to teach us, and we learn, and they can then afford to buy a Big Mac for dinner. Because steak is almost unobtainable for the average music teacher.
This masterclass is probably the best blues improvisation lesson I've ever seen. Not only the quality of the solos but also the explanations on the theoretical foundations that are directly applied in practice. Ross congratulations, I already have the two Bulletproof Guitar Player courses that are impressive and now I will not hesitate to buy your book. Continue like this. I wish you all the best.
Thank you so much Roberto
Ordered your book yesterday from Amazon, I think this will provide the answers Iâve been looking for. Iâm 74 and have been playing guitar since 1964, this lesson opened my eyes to better blues soloing. I am from a mostly hard rock background.
Loved it! Already tried wrapping my head around what the great Matt Schofield means when he says he is 'outlining his intentions around the major third' of the 1, the 4 or the 5 chord. It is starting to make sense. And your great free workshop has put it even better in perspective for me. I think that you have a natural talent in choosing the right words to explain stuff like this. Thank you!
Glad it helped!
Hi Ross, I watched your masterclass a couple of times from start to finish. I didnât work on learning your solo note for note but I immediately started incorporating my own style and practicing your teaching and notes added to make the 4 and 5 chords work. Iâve spent a few hours practicing to your backing tracks. I will say that after I watched this video and you talked about the 4 and 5 7th chords and the notes that were needed, that really was something I never thought about but more than likely I was doing but just didnât realize it. Your masterclass was great and you are a wonderful teacher. I will be purchasing the book. I would like to share that Iâve been playing guitar close to 40 years and the first 5 years, I learned open and barre chords and the Pentatonic blues scale but never had any music training. After 5 years, I got inspired to take lessons from a classical guitar teacher and he thought me the modes which absolutely changed my life. So for 35 years or so, Iâve always mixed modes and Pentatonic scales and played by ear. So as I was studying all of your teaching, I played the blues scale and added the Major 3rd over the 1 chord but for the 4 and 5, I mostly used the A Dorian mode and it felt like I was able to nail all the needed notes by combining by using the Dorian scale and then adding the blues note and Major 3rd note. I would love to hear your thoughts on that. Last thing is, I have a lead guitar teaching channel and even before I ran across this video, I was already preparing to do a video similar to this topic. Iâm so glad I found you and look forward to learning more from you. Thank you!!
Hey Ross.... I just went to Amazon and bought your book and can not wait for it to come in. This hour masterclass was excellent..... very clear and concise and EASY to understand. I have been stuck for a loooong time and I have already gained insight to things that I have never put together.... thank you so much for this!!!!
Awesome, thank you!
I started playing guitar when I was 16. Understood zero theory, just used to play from tab song books. Eventually got I bored because I could play stuff, but never understood what I was playing. Theory books were like another language to me. In the pandemic I picked up my guitar again and discovered this whole world of amazing guitar players on YT who were willing share their knowledge. It's been an absolute game changer for me, and I feel I wasted years and years, cursing myself for how good I could be now, if I'd have had the time and money for a tutor. This masterclass is perfect in every way. The delivery of information from Ross and the acknowledgment of beginner struggles is so clear. I'm just really excited to try and catch up to where I should have been. And players like Ross deserve all the praise for content like this.
Thanks so much Chris!
Just be glad youâre still alive and healthy enough to keep playing. There are probably millions of guys line you (and me) out there with sad stories that they could dwell on.
Donât waste energy on the past buddy! Kick butt now! Good luck!
Same it was rock/punk that drew me to pick the guitar up but didnât take long before I discovered blues that my main style now
I haven't studied your free course but I will do so when I finish typing this. I have found that using arpeggios and a pentatonic scale works well. Thanks for the course.
You are very good in teaching music. Masterclass is easy to understand for someone who is not familiar with the topic. Whether you prepared it so well or you are gifted I don't know, but you articulated it well even for non-native speakers. Thumbs up!
I just watched your 1-hour video and seriously gained more knowledge in that time than 3 month of just trying to play over backing tracks and figuring out by myself. Truly impressed. One of the parts I liked the most was visualisation, where you showed what notes/patterns you're thinking of on each chord, I think you should do it for future videos. Instant progress and makes me really consider buying your book. Thanks for the great content Ross!
Thanks so much Paul!
Ross, I have been playing blues guitar for 50 years and I have never come across a teacher as good as you. Even though I consider myself reasonably good at blues lead improvisation I have learnt things from this class that I never really understood clearly. I have already got my wife to order your book for my birthday. I am looking forward to getting this as although I can play I donât always know why/what I am doing. Thank youđž
Thank you so much! Hope you enjoy the book
I started learning harmony from a pianist. There were so many different guitarist with different approaches to the instrument. Iâd learn a 9th chord one guy and inversions from another. Then the piano I could see a relationship from a 9th and a m7b5 chord. I had to move all those concepts from piano to guitar. I had to deal with the linearity of a keyboard and the âcomplexityâ of a fingerboard - my ear made me bend the min 3rd to the major 3rd. It was an interesting journey. Thank you for sharing your experiences.
Thanks for your honesty about how you used to feel tense when improvising. I can relate to that. I definitely feel more free on the I chord but far less loose when the cords change
That Jim Beam t-shirt on that bar gig clip from back in the day def gave you that, I'm just a young looking 21 year old type of vibe!
Haha!
I went thru the masterclass and it touched on concepts that I was aware of or I was playing with but not implementing correctly - Truly open the door to breaking out off the rut Iâve been in for years!
Hey Ross, signed up twice, never got the link to the masterclass. Something must 've gone wrong. Anyway love your channel. Keep up the good work!
Hey Chris send me an email and I'll sort that out - updates@bulletproofguitarplayer.com
I struggle with this a lot with Beatles' songs. Sometimes it's their chord progressions, and sometimes it's the SUS chords mixed in or all of the above mixed together that confounds me. It's really frustrating. Thank you for this video and sharing your knowledge!
If you are having difficulty with improvising blues, here is your answer "Beyond Pentatonic Blues Guitar". Easy to follow and well explained. Well done Mr Campbell.
Thank you!
thank you Ross, i am researching on playing through chords as i watch this but i am going to watch the video simply because you are the bullet proof guitar player and im sure i will find it useful
Thanks for this! Gonna practice this.
Thank for all the great information.
Hi Ross, thank you for the free lesson. I knew the passing note to the major 3rd for the 1 cord, but the use of it with the the other cords, was a real eye opener for me. For me, those passing notes and then the major 3rd, that sound is the blues!!
It has been very revealing and full of useful information. I will definitely get the Amazon book so that I don't have a stack of printed pages laying around somewhere but everything nicely kept together.
And, all of that for less than you'd spent one night in the pub, amazing!
I sincerely hope that many people will follow suit!
Thank you đđ
The upload itself is great, but getting access to that is amazing.
Will dig in ASAP.
Thanks, dude!
I definitely relate to your story.
Two thinks i wished I learned right from the start
1 mixolydian scale from 6 string 3 fret
All notes land on dots
2. XXX YY ZZ shapes over strings
The first XXX is mixolydian scale
Like the example above shows when done
If you move from X to Y Move up 1 fret
When going from 3string to 2 go up on fret.
If 3 string is the last X and moving to Y it's 2 frets this is the only think to watch out for.
X 1 3 5 Y 124. Z 134
Been there done it buying tab books that are written wrong etc lol
I always keep eye on the 3rd and 7th notes due to close relationship to 4 and 8 if major
2. 5 if minor
Thank you, Ross. I am looking forward to checking out the video after work today! Cheers!
The free masterclass is excellent, like all of Ross's content. I'm currently working my way through the Bulletproof Guitar Player material, and that background knowledge definitely makes understanding what he's trying to explain easier. Thanks Ross!
I actually found the free masterclass to be very rewarding and informational, although much of it is treading a path that I've already been exploring. Having you demonstrate and explain it is precisely the hammer that I need to make it stick in my head. The real "hook" for me however was bar 8 into bar 9 - simplicity and perfection rolled into one! Can I see myself buying your Beyond Pentatonic Blues Guitar book any time in the future? No. Why not? Because I just bought it!
Xealzy. You're right. As a teen we never get to play in bars. They want us to play in noisy smoke filled with a lot of lights stripclubs here in America. Boy is it hard to concentrate.
Hi Ross. Having watched the free masterclass video Iâm very impressed with this content. My Blues soloing has actually already improved after taking in some of your tips on how to choose notes more thoughtfully. I have ordered a paperback version of your new book & canât wait to make a start. I have purchased a couple of books recently, one on triads which is excellent, & one on phrasing, which is ok, but doesnât expand on real theory. Your Blues Masterclass book could just be what Iâm looking for to help me through this long, hard road of limitations, that has had me trapped in intermediate territory for years now. Thank you for your clarity, hard work & inspiration.
This is awesome to hear Keith. Thank you!
I swear, I became a better guitarist just by watching the Masterclass. Thank you, Ross!
đđđž
You are a legend man !!! I thank you, talking about pointing the right direction thats exactly what your method did for me, cant thank you enough!, looking forward for the books.
Excellent Masterclass - concise and clear. Iâd say itâs for a solid Intermediate player, but the way Ross deals with each of the chords and breaks them down is great. Iâve âknownâ that the 3rds were important, but seeing the 4 notes of each chord laid out and the only one NOT the same being the 3rd was quite eye opening. It is worth the time for sure. And the video quality and production is awesome!
Thank you!
If that guitar in the video of you playing Texas Flood is a Squier Classic Vibe 50s Strat, I have the exact same guitar. The Olympic white with the gold pick guard was discontinued and is quite rare from what I hear. I absolutely love mine.
It was indeed. It belonged to the singer I just used it whenever we'd do SRV tunes as I didn't own any single coil guitars at the time
Thanks Ross. You are an amazing player and excellent teacher.
Nice tone in the lesson! Nice and fat and great Scofield licks! Just watched the masterclass lesson and it's great to explain to my students!
Thank you for the Masterclass!
Best hour spent for a long time !
Thanks for the Masterclass Ross. Brilliant and super helpful as always đ
The Master Class video is just that-amazing content, and free. Iâm onboard and just ordered your book on Amazon. Thanks Ross.
Thank you đđ
@Ross: You nailed it...again! đ
You're a fantastic teacher, Ross! I ordered your new book from Amazon yesterday. I've been stuck in a rut for a while, and I'm looking to break out of it. I'm confident your new book will help with that! Cheers from America!
Hey man thanks for the support! đđž
Can't wait to get stuck in to this free lesson. Ross your a gent. I will look to purcase something in return.
Awesome, thank you!
Great masterclass man!! Got the book as well, looking forward to diving in đ€đ€đ€
Great class Ross! A very clear explanation of things I have been wrestling with for quite a while. Ordered the book and looking forward to opening up my playing.
Thank you Patrick. Enjoy the book! đ
Thank you Ross for the free masterclass it was very inspiring!
Happy to hear that!
Lol playing in pubs as a teen. Thatâs something you only get in the uk
Good times
My friends played in Brooklyn and Queens bars in the 90âs as teens.
Or in New Jersey! My band was playing in bars as far back as 1968 and we (all 7) were teens.
Ha, I was 15 playing a club in Mississippi. Good times
Well not only in the UK. I started playing local pubs at 12 years old đ Best of times
I normally practice noodle over a I IV V sequence, even if there's no backing. I played a jam once where it was I IV V, but I could hear some times I was clashing. Fortunately it was recorded, and when I listened back, I found the other guitarist was subbing 9th chords for some of the previous Dom7 chords, so worth looking out for ('you'll hear it', as they say). Another is the 'latin blues' where the I & IV are minor but the V is major. Good for some melodic minor lines over that V.
Nice!...just ordered(paperback) from Amazon!..
This is marvellous. Your insight is refreshing and thank you so much for the link. I certainly will come back after.
Thank you!
Nice work! Studying chord tones, follow (dominant) chord changes and landing tones, combined with pentatonic is the way to go. Looking forward to reading you book as just ordered.
Awesome Peter hope you enjoy the book đ
Thank you Ross. I very rarely am able to watch a full hour of video at one go (attention wandersâŠlol) but this was no problem because of your easy listening and teaching style. I have always had a great thirst for musical knowledge but particularly in later life, I have been turned on to the blues. There is one of those light bulb moments for me, âthe I chord tone paletteâ what a wonderful way of looking at it !. I would recommend anyone wanting to take the next step in their blues journey watch this video and inwardly digest the great info being presented. Top class đŻ. Regards James.
Thanks so much James!
You are a champion Ross! Thanks!
Hey..thanks a lot!
Oh an add for a free class and me that was waiting for the answer.. Iâll keep switching from I minor pantatonic over I and major pantatonic of the 4 over the 4 and 5 over 5 then. Or minor blues over everything and select root or 3rd of 4 and 5 chord at the change.
You could do that. Or you could expand your horizons by watching the free masterclass. It is literally free and packs a lot of value :) just check the comments section to see the reviews for yourself if you don't believe me.
@@RossCampbellGuitarist thanks for replying to me man :-) I think the real answer is Iâm too old and too busy lol
Excellent, Ross. Thank you! Easy enough for even me to understand!đ
I missed your videos! Thanks for the masterclass!
Wow! Wow! Wow! This was fantastic Ross. I've always wondered why anything I play does not even come close to remotely sounding like the greats sound. No, I don't consider myself a good player but I play licks from the pentatonic and I don't get the sound I'm hearing in so many videos. Now I think I know why, thank to you. After watching so, so many hours of lessons and performance videos much of what you said in the Masterclass is perfectly understandable to me. My problem is turning that knowledge into guitar sounds. In other words, my brain knows far more than my fingers can play. But, I want to change that. This was a BIG first step in that direction. Thank you, thank you, thank you!
Now I've got some work to do. Oh, and to help you out I'm going to purchase your book. Maybe both versions (physical copy and digital PDF). Then I can read it without my computer and also have the PDF copy for ease of access to the lessons for actual lessons when I'm playing. Geez, for the price you are charging I just have to do it. I can convince my wife as it's my birthday this week. : - )
I wish you the best and hope your book is a huge success!
Thank you so much Doug. I'm glad to hear that this has all helped you arrive at an 'a-ha' moment regarding why you haven't been able to get the results you've desired with your blues improvisation. This is a huge step in the right direction so let's keep it going!
show what chord is being strum over the riff slowly & the basic sequence of notes per riff & chord slowly. from the 1 chord to 4 & 5 including the loop.
I just go from Mixolydian to Dorian to Ionian on those three chord with trying to flourish it with chromatic notes.
Great lesson - I got a lot from it and bought the book from Amazon to say thanks. Cheers Ross
Thanks so much Andy!
Ahhh brother!!! I love you man!!! Thank you for reaching out to us blue's guitarists out here in New Orleans Louisiana! Absolutely needed to see this. I wonder if we are related? Lol my middle name is Campbell!
Haha nice! Glad you enjoyed the vid!
Good video. I think to get around playing over the typical 3 chords of a blues, it's useful to try only playing over drums and bass and no underlying chords. I would get my students to do this and they quickly realise how limited their vocabulary and note choices are! You can't really hear the changes.
One extreme is to learn more jazz-blues theory and imply more chords through note-choice (like Robben Ford etc). However, if you listen to more simplistic blues masters, like BB, Jimmie Vaughan, Robert Cray etc, you can strip it down using just minor, major and blues-scale pentatonics, focusing on using your ear to target 'good' notes over the 3 chords. It doesn't have to involve complex arpeggios, a diminished scale or modes - sometimes ond or two notes are enough.
Many learners these days are not using there ears and applying restraint. Less really can mean more in most cases!
I wasn't much into blues until one morning in 1990, I heard Tightrope by Stevie Ray Vaughan on the radio. The tone of his guitar was beyond anything I'd heard before that moment and I wanted to know what the hell it was.
Great job Ross , i enjoyed the free masterclass and just ordered the book đ
Awesome, thank you!
Aaahhhh ! The Dreaded V Chord ... I usually put in some set 'Licks' i have in my memory bank, to navigate this
I'd definitely say Blues is my favorite style to solo, but I can also certainly see the limitations implied. Being able to be creative and expand your horizons, even in just the bounds of a single genre of playing, can really amplify one's inventiveness and imagination. Cheers as always man.
Thanks mate!
@@RossCampbellGuitarist You are always welcome!
This is very insightful, Ross, thank you đâ€
âQuestion: are any alternative string tunings make it easier to shape and play the notes for the 1-4-5 blues chords progression?
Ross, I purchased the book. While it appears to be a great book the errors go beyond typo's, un-finished idea, irregular sentences (at least one every two or three pages, you need a better proof reader). And some of the example videos do not play back properly (5.20, 6.2). You need to have this addressed to effectively communicate your message. I did not post this on Amazon as a review of the book, giving you a chance to fix it all in a second edition.
Damn i might buy that book
Listen to Robin trowers blues albums , he will open your mind on the use of the scale.
Awesome stuff, thx Ross canât wait to chk it out !
Hope you enjoy it!
To get good at blues it helps to really listen to the music and develop your ear with playing along with the albums for hours at a time and not just copy the lead parts but improvise your own licks .
Absolutely agree
Thank you for the great work ! Excellent really
Great video but wouldn't expect anything less from a fellow Scot.
Thank you đ
Can someone recommend outstanding sounding blues w/o vocals, i.e. instrumental? I tried Robben Ford and couldn't stand those songs. I just want guitar blues music with perfect detailed sound. Thanks!
Great masterclass!
Thank you!
Thanks
Thankyou Ross this masterclass is fantastic. I didn't know what to expect but what you delivered is nothing short of excellence. I will be buying your book! đ„
Thanks for the super chat!
ROSS!! âïžâïžâïžâïžâïž
Iâve been playing guitar for 27 years. I was very inspired by SRV, Hendrix and Albert King in my teen years. I knew my way around pentatonics and a major 3rd hear and there. This was throughout my 20âs going to blues jams. In my 30âs I expanded beyond intermediate/pentatonics by a fraction but never knew exactly what I was doing. I do a lot of what you point out in the video about 30% of it. Iâm in my 40âs and really want to expand my playing. After watching the hour long video it makes so much more sense now as I have the âwhen and whyâsâ I was prepared to buy the book. Before I clicked on the link I thought to myself Iâm prepared to spend 80 bucks. Itâs only 19.99!!! You are a great teacher and Iâm super excited to study this book. Really great job. I look forward to understanding players like Robben Ford and Matt Schofeild. @rosscampbell
This was awesome to read Joshua thanks so much!
Well said thank you
This has opened a whole new chapter for my playing. Thank you so much Ross
But what about getting beyond STUCK level whenever we playing in minor pentatonic?
Man, the masterclass is pure gold, thanks for making it. Bought the book as well, very happy about it. One question - can the masterclass video itself be downloaded too somehow?
Thank you! No it's streaming only
Hello, I would like to ask a question:
I am interested in your book and I want to buy it but I have some doubts before buying, I would like to know if once the book is purchased you can download all the additional material without having to pay more... there are comments from guitarvivo customers with the Martin Miller book who report that you have to pay more, can you clarify this?
Thanks
Hey! Yeah you get all of that for free. If you want the PDF version in addition to the paperback, you'll have to pay for that. But all of the attachments - 126 video & audio examples plus the 72 backing tracks - come for free regardless of which version you buy
It is possible to download the video?
Excellent stuff :-)
Awesome â€
Same here until I heard Robben Ford.
I thought about it and I can't find a logical reason to not look at the free class. After all I got your other courses on Udemy years ago. Stay Well Groovy One!
Thanks Noah! Hope you enjoy it
great lesson and tasty playing! im gonna buy the book too good price for so much content
Wow thanks a lot my man!!
thanks man , greaT vid
Glad you liked it!
Oh ouch⊠This is way too close to home!
What happened to the masterclass? Didn't recieved any notification
Try again you should be taken directly to the masterclass page and also emailed the link
Thereâs another reason why people refer to those patterns as âblues boxesâ. Theyâll box you in!
Thought you were going to explain an approach on video. Hmmm
I'd recommend checking out the free masterclass for that - www.bulletproofguitarplayer.com/freebluesmasterclasswaitinglist
I just watched the long video on your website. One question. Why did you choose minor pentatonic over a major chord progression? Maybe I missed something you said, but quite a few of the notes you ended up adding in are in the major pentatonic by default. Why did you make that choice - minor pentatonic to start from??
Good question! So it's actually not a major progression since all of the chords are dominant 7th's. Though, they do all contain major 3rd's so it makes sense why you could hear it as major. We're so used to hearing the minor pentatonic over dominant 7th chords and technically, it's flat 3rd should clash with the major 3rd in the chord, but as mentioned in the masterclass, when you use it in combination with the major 3rd it can sound really tasty.
To add to that - most intermediate blues players are taught to use the minor pentatonic to begin with, so I wanted to relate everything to something very familiar for most/all players watching.
Don't think I have heard a Blues Album better then Layla find I only get 21 frets on a Fender the 22nd fret too flat to use?!!
Judging from that list of modern day great BLUESMAN the moral of the story is if you want fame stick with Rock ha,ha,!!!!!
cheers and lÉve the jim beam t shirtđ€đđž flyn the flag
Hi Ross... Ref: the book.... are the tabs, video downloads etc, available for a 'lifetime' or is best to download and save to disc etc.?...cheers
They'll always be accessible!
@@RossCampbellGuitarist Excellent! I hall purchase the book now... cheers (I also think your presentation of the contents is excellent as is your guitar wizardry!
I just watched and played along with the masterclass and y'all, if you're tired of pentatonic snooze-fests and want to play even one note better than yesterday just go watch the ding-dang thing. Okay? You won't be sorry.
So Shuggie Otis, Eddie Hazel,Mike Hampton,Ernie Isley,and Jesse Johnson get no mention