Your Solos Will Never Sound The Same After Learning This...
VloĆŸit
- Äas pĆidĂĄn 4. 06. 2024
- đž Break through the lost intermediate plateau in 2023 - Bulletproof Guitar Player 2.0 coming soon âĄïž bit.ly/Bulletproof2023 đž TAB, BACKING TRACK & 3 BONUS LICK LESSONS
bit.ly/ChordChangesTABBonusLicks
Try my tone for FREE đž
Neural DSP Tone King Imperial MKII trial âĄïž ndsp.co/rosscampbell
My 'Latin Blues' preset âĄïž bit.ly/LatinBluesPreset
Courses đž
Bulletproof Guitar Player Part 1: Master the Fretboard bit.ly/BGPPart1
Bulletproof Guitar Player Part 2: Advanced Concepts bit.ly/BGPPart2
-
TIMESTAMPS â±ïž
0:00 Intro solo
0:45 Intro to triads
1:12 The chord progression
1:26 How triads are built
3:44 What's a triad 'inversion'?
4:54 Learn everything you need to know about triads
5:38 The minor triad
7:29 Using triads to highlight chord changes
8:55 Free triad lick #1
9:44 Try my tone for free! Neural DSP Tone King Imperial MK II plugin
11:35 Free triad lick #2
-
Are you tired of playing solos that sound like practising scale patterns?
Do you struggle to come up with phrases that sound musical?
Do you wonder how accomplished guitarists manage to always land on the right notes at the right time?
If you answered yes to the above, then know that youâre not alone. What youâll learn in this free CZcams guitar lesson will prove to be the solution to your problems, which, by the way, all guitar players face at one point or another!
You see, the problem with only using scales to improvise or write guitar solos, is that it can force you to visualise large visual patterns of notes.
Turning those patterns into musical sounding phrases that highlight the chord changes of the progression youâre playing over can be difficult.
You end up feeling like you are chained to these scale patterns and you wish there was a clearer way of extracting musical phrases from them.
What a lot of early-intermediate guitar players donât realise about scales like the major scale, is that within them you can find small groups of notes that allow you to effectively target the chord changes when soloing.
These small groups of notes are called âtriadsâ
Triads are three-note chords that often contain a root, 3rd and 5th - the three notes in basic major and minor chords.
If you can visualise major and minor triads across the fretboard when soloing over progressions that contain these chord types, youâll be able to highlight those chords by playing licks that target them with triad shapes that you can play alongside scale-based ideas.
This free CZcams lesson shows you how to target the chords in a minor blues progression, by using minor triad inversions to play through the I, IV and V chords in a musical way. Youâll learn about triad construction and triad inversions, and then be taken through 2x free licks that put them into practice.
For members of bulletproofguitarplayer.com, I have put together a nice little batch of bonus lessons to give you more practice material for using minor triads in your solos.
This bonus content includes:
- 3x bonus lessons demonstrating licks that target minor triads with TAB & notation
- A video of the intro solo with TAB & notation on screen
- Downloadable Guitar Pro & PDF TAB files for everything
- Minor Blues in A Backing Track (download & streamable video)
To access this content, along with my Bulletproof Guitar Player courses and all other monthly bonus lessons, you just need to do the following:
1. Create an account at bulletproofguitarplayer.com - bulletproofguitarplayer.com/s...
2. Go to âpayment methodsâ and add your preferred payment method
3. Go to âsubscriptionsâ and choose from a monthly or annual payment plan
4. Click on any course, then a course SECTION and get started watching the video lessons! - Hudba
đž TAB, BACKING TRACK & 3 BONUS LICK LESSONS
bit.ly/ChordChangesTABBonusLicks
Try my tone for FREE đž
Neural DSP Tone King Imperial MKII trial ⥠ndsp.co/rosscampbell
My 'Latin Blues' preset ⥠bit.ly/LatinBluesPreset
Courses đž
Bulletproof Guitar Player Part 1: Master the Fretboard bit.ly/BGPPart1
Bulletproof Guitar Player Part 2: Advanced Concepts bit.ly/BGPPart2
you are bit too fast
@@tomassusko1390 Maybe youÂŽre a bit to slow with the "Stop"-Button ? ;)
The phrasing was so killer! takes a bit to get the, feel of that kind of vocabulary! Amazing lesson bro!
Page not found
The page you are looking for doesn't exist or has been moved. :(((
Being able to advance your solos to sounding unique and creative is something we all strive to do on guitar. Phenomenal information as always!
Thank you sir!
Heyy the guitar related most important commenter of CZcams
Your content is so useful and applicable. Thank You.
Great lesson, excellent tones, juicy chops..
Very interesting, very motivating course. Thank you !
Thank you Ross, great talent, awesome lessons đđ¶đżđŠ
I just found your lessons and you are awesome. Putting the diagrams on the screen really helps and allows me to focus on learning the theory rather than watching your fretting hand to figure out what you are doing. You are a great teacher! You earned a new subscriber!
Great lesson, also i noted that you hit the root note of the new chord on all changes in the exercise. Getting the timing of this right is something i need to work on.
Brilliant lesson! Thanks!
Great lesson as usual, Ross!
Awesome. I could hear a bit of Santana in there which itâs always nice.
Amazing video thanks man!
great lessson, super clear
Within 1 minute make me feel great. Thanks
thank you for all Ross, im from spain , i don t understand the language but the music is universal , yours tutorials are fantastic , my like always for you , thanks happy new year
Awesome lesson. This is broken down extremely well. đđ»
Thank you!
Killer playing aside, your videos look pretty great aesthetically, love the lighting!
great lesson ross
Videos are always great and informative. I always learn something new đ
Thanks Colin! Glad to hear that :)
Great Lesson! I'm Brazilian! Thank you so much !đ¶â€đđđ!!
Great Lesson. Thank you! đđŒđ¶
Thanks Paul!
Nice Ross! I don't play as well as you, but this is all the same stuff I have been teaching for years. Finding chord shapes, or using other techniques like shifting pants, blues arpeggios etc.. to play to the chord and get away from mindless scale noodling. Good stuff!
The first group of triads you played gave me Gary Moore chills đ
Evereybody says that this and this video changed something in their playin' but this is somethin that really hit to me. Honestly easiest way to figure out those triads
Thanks đ
This video has, excellent, content. Ross, an accident at work, caused years of learning loss, for me. Your instruction helps a lot. Thank you!đŻ
Thank you so much Troy đ
Thanks
awesomeness man . Great stuff
Thank you!
That tone is awesome! Reminds me of Santana
Even though that was Latin blues your playing reminded me of Peter green and David Gilmour âïž
Reminds me of Chris Buck.đ€
Wow đ€
Hey man awesome video. Can u specify what's the best time to actually hit any of those chord tones? While chord changes from one to another
"Best" is subjective. When youre starting to learn try hitting the target note within the triad on the first beat of every chord change until you're comfortable increasing the difficulty of the exercise. Sometimes guitarists lead your ear by playing the minor 3rd of the next chord before it happens to lead the listeners ear. Start experimenting once you are comfortable.
I always try to incorporate triads but many different voicings, teamed up with a keyboardist using counterpoint, the possibilities are endless but Ross: even Larry Carlton can't do it any better than you! Thank you đ
Hahah I'd have to strongly disagree with the Larry Carlton but thanks for the kind words :)
@@RossCampbellGuitarist Well, you guys should play together, some magic would take place!
I canât say enough good things about your playing or your teaching style Ross. You deserve a huge following thanks for the great content.
Hi Ross, great video! Unfortunately, I can not find the TAB and backing track to this video. I ask you for help me. Thanks.
Very Peter Green sounding... Kudos! The only tangent I make is that technically a triad could be any three notes from any chord...so technically, one could play an Am7 triad with Root, Third, Seventh. (understanding that it's not the thrust of this lesson, but technically correct) Love your playing, Ross and direct way of explaining things. Cheers.
Thanks! I understand where you're coming from - I'd be more inclined to call those 'shell voicings' of larger chords but that's just differing terminology I suppose :)
Also you can stack Harmony to any Gordon any key to get lots of interesting harmonic options. In other words you can take the two cord and you can play its Triads and inversions but you can also stack it meaning that you would play the four lydian over the two Dorian not only will those Triads work but also so will the mode of lydian and the major pentatonic taken from the shape of the Lydia. You can do this to any chord in any key that is stacked at any time.
Sorry for question, but is it possible to get that backing track for free?
That stats tone is really close to black summer by RHCP. Sounds like we're getting a lesson from John Frusciante.
Faerts invearzhun. Man I just love that French dialect! đ
Sounds like a Scot to me
@@markkindermannart4028 I was fucking with him, genius.
any tricks on making my fender less Squacky "American pro II"
Turn the tone control down and pick lighter.
Now the tab orientation is not the way I watched it from a general l tab reading lessons so o got to adjust
đĄđĄđĄ
The channel is moving more towards product sales and marketing. Please keep your great content up as I love your channel and style. You are a great player and teacher. Please keep that up.
Thanks! I've always been using my CZcams content to sell my courses. People always ask me about my tone/presets so the Neural DSP placements in each video make sense to me. Plus, it's not cheap filming these videos so the sponsorship helps me to keep making them consistently.
@@RossCampbellGuitarist we need a blues course from you, learning how to hit chord changes. Combining different styles Joe Bonamassa, Mayer, BB, SRV, Ford etc. You have a good talent of teaching inspired licks from modern artists that combined styles from the greats. People would be all over a new course from you. But keep up with the great content you've put out so far! Always look forward to your stuff
@@GodofHunter89 Thank you so much! All I'll say is watch this space...
@@RossCampbellGuitarist Totally understand and respect your position. I fully agree with @IDK in that we need a full soloing blues course from you. It may be perhaps your most popular course. I have seen snippets. We now need the main course. Your playing style and licks will do wonders to such a course.
12 ways of playing C triads in "one octave"... is that a correct statement? 5:34
Nice one sir. Your from Scotland, but where exactly. We might be neighbors. Cheers
Thanks Bill. Currently in Edinburgh but grew up in Linlithgow and then later, Orkney.
@@RossCampbellGuitarist where about in Orkney ? My auntie Sheila lives in Burray. My family are from John o groats. Some lived on stroma. My uncle works on the ferry from groats to Orkney. Spoke to the guy that sold you that strat in guitar guitar Glasgow by the way đ
@@ourclarioncall Haha nice! My family are in Stromness
@@RossCampbellGuitarist I havenât been to Orkney in years but met an orcadian woman recently. I need to visit sometime, Great to hear the accent again. Iâm from Peterhead, not far from Aberdeen
I don't know if the neck is upside down or not. Confusing and frustrated to say the least.
Great lesson as always. but I think there are other options than 'running mindlessly up and down the neck' or consciously using triads as chord tones. you can follow/create melodies by ear. It is NOT a reason to avoid theory or learning triads, but it is a valid part of development as a guitarist beyond rote scales. Listening and responding to the emotion you generate in real time is essential to good lead playing imo.
I canÂŽt access to the tabbbonuslicks, it says page not found.
Tasty
âYouâve played that before, whether you realize it or not, because itâs the first three notes of Stairway to Heaven.â
Haha! I'm gonna have to steal this and use it in another video
Good information, but I don't think someone who didn't know what a triad is could derive much from it. Wrong? It takes a while to digest information. First, learn about triads and their extensions, then learn to apply it.
I completely agree. I consider my CZcams lessons to merely be concise introductions to concepts and how to apply them, not full on masterclasses in learning them at a deep level.
That's what my online courses are for - learning these concepts in the context of an in depth and logically structured curriculum. A video like this is just to get you interested in the first place.
1:36 risky triad. You were one note away from a copyright claim
Girrroz
I thought a triad was someone in the Japanese Mafia. đ
see im self taught i play triads but i didn't know they are triads.. Lazy for music theory sometimes..
I thought that was the minor scale you played.
Beginners problem is when you show that you r a professional guitarist with all the tricks displayed but they find it hard to learn from you
I hear what you're saying but I have never made an effort to appeal to beginners. I have actually made efforts to push beginners away from my instructional content because it is not appropriate for their current skill level.
I could make more money by claiming my courses/paid content is suitable for beginners but the reality is that it isn't.
I design all of my lessons through the lens of someone who has been at an intermediate level for some time and whose progress has stagnated. I'm teaching that avatar what they need to know in order to progress to an advanced level of musicianship.
So in short - yes, beginners will find it very difficult to follow my lessons but it's deliberate that they're not beginner-friendly. I enjoy teaching intermediate/advanced material much more.
There are many other channels out there who are making fantastic content for beginners - I'm just not placing myself in that camp.
The content is stuff we should all know. But I was disappointed with the part where you discussed how to solo across chord changes...you said you basically solo across the triads and then just weave around it.
I realise you are trying to sell something (most people are), but this wasn't deep where it needed to be.
Thanks for the constructive feedback. I try to offer as much as I can in my free lessons without the videos being too long and de-valuing my paid content.