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Kids these days.

Hitman or agent 47✖️ A🍑s man ✔️

I didn't know downward jumps were so bad? Out of all my problems in the game i didn't figure out that you needed to walk on spike traps

ALARM! ALARM! HE'S PACKING! THIS GUY IS LOADED! WE HAVE A SITUATION HERE!

I wanted to love this game but its incredibly frustrating even on easy mode. The shooting mechanics are super weird. And the first boss fight it’s literally impossible. I’ve tried days. And honestly I give up. Hate this game.

"The easiest way to play this is to go through all sorts of PC problems." OR you could just get a PS2/Xbox and be done.

the story is great they should do a movie 1:1 to this games story

Yo, the og game seems pretty mid but trust me, you'll love contracts or the sequel because the sequel was a massive jump in gameplay

Man, I remember the game gear game and JP2TCC for SNES as I grew up playing these two. I’m actually surprised most don’t like the chaos continues. I didn’t think it was bad, it was just unforgiving. But I guess most JP games were. Fact is, games of the past were a different breed. You had to devote time to even learn some of them, others… you needed the guide. That’s just how it was. There were plenty of games I had that I never completed, but I do remember beating the GG game as I studied the hell out of it. Memories. Damn. * also of note: in canon there was supposed to be an indigenous people who lived on the island before it was purchased and they were relocated. Also of note I am not sure *when* this was established to be the case in the larger franchise timeline. It was only ever touched upon in various media. So not entirely out of place, but still, it does not feel right in Hammonds park. Feels like he’d bulldoze that stuff.

I really like your videos! Found your channel from the sagebrush review, and was excited to see that game getting some recognition, I have loved it for so long but it has gone under so many peoples radar! I do have a few recommendations if you care for those, if not that is okay, they all give me a little bit of the same feel that Sagebrush gave me, and just like Sagebrush they are some of my favorite games, not just in horror although most of them put emphasis on atmosphere and the psychological. The Space Between My absolute favorite next to Sagebrush, a very surreal game about connection and getting close to someone, I gives so many questions that it leaves open, and every time I've seen someone play it they have a completely different Interpretation than me, and it always makes me look at it differently, you don't know who is speaking or even who you play as throughout. Letters to a friend Farewell: Also a Christoph Frey game, also very experimental, where you play as a notary sent to a house of a man whom just lost his father and want to sell the house, it's made to feel like a silent film, so there isn't much audio, but there are some audio ques that hit when the tension is at the biggest, and it feels so tense, staying in the home of a man you barely know who seem a little shifty, and the attic you have been told not to go into. A hand with many fingers: A conspiracy game about an actual real conspiracy that you have to uncover, about the Nugan Hand Bank, you need to find references in terms of names, locations and year, then go to the archive room where florescent lights sometimes flicker while looking for a box with evidence to your case. Of course this is a conspiracy game so you might start to think you are being watched, from the floor creaking even though the place was closed for the night, and the steps sounding like they come from upstairs but could also be right beside you, stealing the box of evidence you are looking for, and a car conveniently parked across the street under a lamppost with clear sight into your board room where all your progress stands. Those are a few of my favorites they all have phenomenal atmosphere, and would love for more people to check them out.

Kinda funny to see how people getting back to the idea of "capital is bad", like its a revelation: Capital is said by a Quarterly Reviewer to fly turbulence and strife, and to be timid, which is very true; but this is very incompletely stating the question. Capital eschews no profit, or very small profit, just as Nature was formerly said to abhor a vacuum. With adequate profit, capital is very bold. A certain 10 per cent. will ensure its employment anywhere; 20 per cent. certain will produce eagerness; 50 per cent., positive audacity; 100 per cent. will make it ready to trample on all human laws; 300 per cent., and there is not a crime at which it will scruple, nor a risk it will not run, even to the chance of its owner being hanged. If turbulence and strife will bring a profit, it will freely encourage both. Smuggling and the slave-trade have amply proved all that is here stated. Capital. Karl Marx. 1867. Quoting "Trades' unions and strikes: their philosophy and intention" 1860 At least since XIX century, this idea is floating in the air and people who put it into the words are deemed as worst of the worst. Yes, I had to put the whole quote.

Crow County to me feels like an excellent game to watch Alpha Beta Gamer play but not one I'd want to play myself. ABG games is basically a genre, lol.

I've seen games go for that ps1 look by doing low poly models or emulating the jitteriness, but the ones that take the pre-rendered look and make it fully 3d still blow my mind.

I started playing it yesterday and I'm pretty sure there was an option to turn off auto rotation while aiming.

I started playing it yesterday and I'm pretty sure there was an option to turn off auto rotation while aiming.

This game looks pretty interesting, though I need to start tackling my backlog before I buy any new games. NitroRad said the same about the abundance of items in his review, I'm glad the devs are listening and added in a harder difficulty. Will probably pick this game up in the future when it goes on sale.

Love your videos! Any chance you'll ever talk about the oft neglected Fear Effect? A classic ps1 survival horror game that often gets forgotten over your REs, Parasite Eves, and such

What were you playing it on?! That pop in around 37:54 is crazy. I distinctly remember a really nice dithered fade between different LODs on my PC. I don't remember any noticeable pop in ever, or any slowdown, and that is the sort of thing I normally notice.

They always change the controls yet never play it in first person. I just don't understand.

This guy: _Dares to exist_ Blue Tongue: c:

So glad to have found this channel. Your work is amazingly entertaining, and strikes a great balance between genuine critique and satirical commentary and humor.

... Meenage Nutant Tinja Murtles... _sings_

God this game is terrible

Man, I do enjoy this video and you've done a great job reviewing it, but your issues with the wall kick jump have to be a skill issue. I do remember they were tough, but 2+ hours of attempts which ultimately failed? You also critique combat, but it's pretty clear you're not that great at it, there were so many times you could've dodged the floor level swing by jumping up, yet you didn't and died.

"Vore enough of them" jfc, you make me want to drink

I will never understand why people have to cry and compare real life to a make believe video game world 😂

It’s unplayable

W review

This was a really solid look at the game! I played through the first game not that long ago, and had quite a similar experience. Though I found the higher-difficulty exploitative strategies for nights 6/7 to be fun in their own way, enough to make up for the lack of tension that breaking the AI causes. And I'm at a similar impasse - I was able to beat 4/20 in time for a refund, but I feel torn between wanting to toy around with the lets play bait of my teen years, and supporting a terrible dude. I know you said you weren't interested in future games, but I do think you'd offer a really solid perspective on future entries. Unsurprisingly most of the people who bother to cover the newer games tend to be devout fans/haters, and there's not much in the way of new perspectives critically breaking down the failing horror of the series. It's an issue I find myself thinking of a lot, and you touched on it here quite nicely.

Man, what a great video. I especially appreciate that you drew attention to Warpath's menus! That was always one of my favorite aspects of the game, the menus were so atmospheric and moody! It always made child me want to explore and see the world that the game was setting up! There was something so... eerie about that ambiance! I put so many hours into Warpath as a kid! Honestly, that period in between Jurassic Park and during The Lost World was such a magical part of the 90's to be a child in- the Playstation 1 Game, the Arcade game, the commercials and Trespasser- Man. Great toys, atmospheric game settings and just a wonderful time to let your imagination run wild! I appreciate your videos for bringing that period to light with the games!

Watched like 40 seconds of this, then stopped to buy the game and play through it. Now I'm ready to Consume™

PS1/PS2 era graphics are my favorite aesthetic, hands down. Makes creativity in other ways to make up for it mandatory. Always a huge charm to these games, and I love watching your reviews of these sort of games! Been following you for awhile. Looking forward to new content! Hopefully with more older games! :P

Tbh the unpredictable nature of guards and NPCs is sort of realistic. And it even happened in Hitman: Blood Money that on some high notoriety runs no one could recognise the literal international terrorist that got caught on camera shooting up a presidential parade. Yet, other times I simply launch the level and can't take 2 steps before some fat tourist's neurons synapse in time for him to get incredibly genre savvy and yell "Jesus Christ! it's that psycho killer from the TV! run for your lives!" as if he knows him and his wife are about to become a fucking statistic.

Great game and I picked it up for £0.49 on PS Store so an absolute steal. However not implementing inverted Y-axis option made it very frustrating for me as I have to actively think how I look around which broke the immersion for me at times. I also think if the dev went for the deliberately lo-fi 3D aesthetic then a 4:3 aspect ratio would have worked better as would some CRT overlay to smoothen the graphics a bit. A game with this style of graphics when played on a big screen in a living room setting tends to be a bit grating on the senses to be honest. This is nit-picking though, the game is great.

reviews should be based on hard and even better, shell shock difficulty.

So, that Codename 47 review which I apparently watched, judging by the red line, had been done by you? And now this? That’s a sub

I always liked the GameGear version. Nice variety, not too difficult, and you could actually get through it on six AAs. I also found the general game design more competent than many of the 16- bit offerings. It's strange that they left this one off the Classic Games Collection as it's easily better than most of them. Must've been a Sega licensing issue.

The fact that there ARE female guards, already breaks your point completely. If the game was sexist, they would ACTUALLY be only objects and stereotypes.

Oh really? Communist commentary in a video game video? Enough. Gross.

Thanks for covering all of these. I've only played the first and it's interesting to see where the series went after the first one.

I came here for the rat, if I do not see a rat within the first minute I will dislike it and... (does that count as a rat?)

Nice vid.

The subscriber count must be bugged.... right?!?

You're a total legend, mate. It's clear that your vids are a real labour of love. Really hope you keep creating content and get the subs and views you clearly deserve. Top notch, as always.