Alec Brits
Alec Brits
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Wes Audio ng76: The Future of Analog outboard? #recordingstudio #1176 #musicproduction #songwriter
Contact: info@thecabinrecordings.com
Instagram: @musicinthecabin
Twitter: Alec Brits
WES AUDIO NG76:
wesaudio.com/product/ng76/
Hey there, welcome back to the cabin! I'm Alec Brits, and today we're diving into the WES Audio NG 76 compressor. This sleek piece of gear takes classic compression into the modern era, emulating the revered revisions F and G.
I'll walk you through how it sounds and what I appreciate about it, along with some areas I think could see improvement.
Before we jump in, I'd like to ask for your support. Sharing this video would be a huge help in growing our channel. If that's too much, a thumbs-up would be greatly appreciated. And for those who'd like to go the extra mile, consider a super chat to support consistent uploads.
Full disclosure, I reached out to WES Audio to try these units, and they sent them over. But remember, they won't see this video until you do.
Now, let's get into it. The NG 76 introduces digital recall, which is a game-changer for me. It means I can pull up a session and instantly have all my settings back, a real time-saver.
Digital recall also raises the question of digital automation, and I'll explore that shortly.
This compressor offers comprehensive controls, including input, output, attack, release, mix, and a versatile sidechain filter with nine options. A nifty feature is the ability to switch between two settings, allowing easy A/B comparisons.
The NG 76 also has a saturation mode for adding a touch of warmth or driving it to distortion. It comes with both vintage and modern flavors, with low and high settings, all controlled through LEDs.
The NG 76 includes a VU meter for monitoring gain reduction, and there's an on/off switch for saturation.
The NG 76 can be controlled via the dedicated GCon software, which handles firmware updates, plug-in downloads, and diagnostics.
In terms of usage, it's all managed within your DAW. If you have one unit, you get a mono plugin; with two units, like I have, you get a stereo plugin.
Digital control allows for saving presets, a real convenience for both tracking and mixing.
Now, there are a few things I'd like to see improved. First, I had hoped for automation without introducing noise, especially for dynamic recordings. That could be a valuable enhancement down the road.
On my wishlist, a tempo sync button for release times would be fantastic, opening up creative possibilities.
Another useful addition could be an auto-gain feature for linked inputs and outputs, simplifying gain reduction adjustments.
Lastly, a separate mix control would be great for parallel processing, allowing for a blend of dry and wet signals.
Overall, the NG 76 is an impressive piece of gear. It combines classic design with modern functionality, excelling in recall and flexibility. The ability to shift from clean modern tones to harmonically rich vintage vibes, with the option for harmonic distortion, makes it a forward-thinking product.
Built with precision, this device embodies the spirit of innovation, pushing the boundaries of analog equipment. Kudos to the team at WES Audio for keeping the industry buzzing.
Thanks for joining me today. If you could help by sharing this video, it would mean the world to me and the channel. If that's too much, a subscription or a super chat for direct support is greatly appreciated. Most importantly, take care and be kind. I'll catch you in the next video.
#musicproduction #mixing #recordingstudio #audiogear #gearreview #review #songwriter #compression #1176
zhlédnutí: 4 830

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zhlédnutí 25KPřed rokem
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zhlédnutí 8KPřed rokem
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Komentáře

  • @amay.writes
    @amay.writes Před 11 hodinami

    Thankyou for the review. I was planning of buying the warm audio wa-1b with Austrian audio 0c818. Do you think i should consider that or should i go for a tube microphone to pair with the warm audio as i have noticed most of the vocals chains with the tube tech compressor use tube microphone init?

  • @OddsandEnds312
    @OddsandEnds312 Před 16 hodinami

    Hey Alec! I hope you don't mind. I used your song to demo my PI-3141 compressor. I think it sounds great! Check it out on the stereo mix video on my channel! Cheers.

  • @soundknight
    @soundknight Před dnem

    Can you demo wood flute or concert flute?

  • @dentboxhero1717
    @dentboxhero1717 Před dnem

    I have this and 2 gripes I have. One is BT is always on and when nothing is connected it constantly flashes that can be quite distracting. Second is the use of USB-C, not so as it's using USB-C to power but the lack of locking the USB in place or the lack of secure and tight connection to stay in place. Minor bumps can sometimes disrupt the connection and loud pops will be heard on your monitor and headphone if connected. Other than that, it is an exceptional performing monitor controller.

  • @rylandweet7750
    @rylandweet7750 Před 2 dny

    This song is really good! Have you released a full version?

  • @SallyT.
    @SallyT. Před 2 dny

    Well, we've had enough from these stupid clones.

  • @attardan1807
    @attardan1807 Před 3 dny

    Your music in the channel is mixed analog on the console? It sounds so great and i try to understand whats the magic sauce hh

  • @attardan1807
    @attardan1807 Před 3 dny

    which interface did you use here? and how is it compare to the 88m in your opinion?

  • @steppbrooEFT
    @steppbrooEFT Před 4 dny

    88RLB is so much more dynamic and natural sounding. Always found the 73LB a lil compressed sounding, tho at times to it's benefit. The tops on the 73LB seems a tad more open due to less midrange and dynamics coming through, but the 88RLB is so much more lively and clear that I'll probably favor it 9/10 times.

  • @ryanshook8284
    @ryanshook8284 Před 5 dny

    This or BAE

  • @dziwoah
    @dziwoah Před 5 dny

    This is some beautifully composed music like where can I find your projects

  • @JohnnysaidWhat
    @JohnnysaidWhat Před 6 dny

    bro where did you go homie we miss you any where we can get updates?

  • @raphexe
    @raphexe Před 6 dny

    Great review, thank you. Do you still have them / use them / love them ?

  • @puresoundstudios
    @puresoundstudios Před 6 dny

    Looking forward to the next AB insights. Missing you mate!

  • @jesselavigne3545
    @jesselavigne3545 Před 7 dny

    Great review man! Keep up the excellent work!

  • @PrestonHazard
    @PrestonHazard Před 9 dny

    AMA Neve shit rocks. In 22, I’m broke, I have things I have to save for (every try to get a good job and buy a house without a college degree, it’s quite hard believe it or not) lol. I can’t afford to buy “real” Neve gear (shit I can’t afford to dream about it). AMS Neve’s stuff sounds amazing, I mix everything on my 8816, it’s my main console… AND I CAN AFFORD TO SLOWLY ADD MORE PARTS. 40 years ago I’d never be able to say I own a Neve. If you consider yourself above the AMS stuff, you’re either A: A doctor and have no business commenting on this sort of thing. Or B: You’re probably mixing on a $100 Reverb find mixer (nothing wrong with that if you own up to it) and pretending to know what you’re talking about, but really have no idea

  • @dizmix
    @dizmix Před 9 dny

    You can use the insert to have 2 separate sources. Line in, insert send (source 1) Insert ret , line out (source 2)

  • @dieloops
    @dieloops Před 10 dny

    ¡Gracias!

  • @andrewrice9383
    @andrewrice9383 Před 10 dny

    I tracked through one of these today. Super cool experience. Bock 507. Also listened to back to it through those same ATC monitors that you have.

  • @roman2374
    @roman2374 Před 10 dny

    I’ve watched a few videos on this and no one has actually explained how the return channels work exactly. This was great! Being able to record dry and wet on separate channels is HUGE - thank you

  • @gabet3754
    @gabet3754 Před 10 dny

    It’s worth it just for acoustic guitars

  • @lb2696
    @lb2696 Před 11 dny

    Sounds like John Mayer

  • @Jamescornelison
    @Jamescornelison Před 12 dny

    So what’s your favorite Neve-esque channel strip?!

    • @alecbrits
      @alecbrits Před 11 dny

      Tough to say really! Likely the shelford, it offers the most flexibility. :)

    • @alecbrits
      @alecbrits Před 11 dny

      Really love what you do by the way! :D

    • @Jamescornelison
      @Jamescornelison Před 11 dny

      Thankyou and thankyou! Likewise, your vids/music are great!

  • @PedroPauloAlmeida0
    @PedroPauloAlmeida0 Před 13 dny

    Amazing video! That is a very nice review and great sound, guys. Question: have you tried MCM 114 with an acoustic guitar microphone and singing at the same time? Would that be an issue? (like.. bad sound for capturing too much voice?) or would I get a "good enough" isolation from the voice sound? I'm afraid of this being too "broad' and getting too much of my voice and loose/omit sound from the guitar.

  • @xandervideo1
    @xandervideo1 Před 18 dny

    API have been my favourite pres for many years.

  • @davidmarais1048
    @davidmarais1048 Před 20 dny

    Broer, it’s time to release your album of the full versions of these songs. They’re wonderful.

  • @Stephen-vvs
    @Stephen-vvs Před 23 dny

    Great review. Are the JFET preamps (1 & 2) compatible with condenser mics using the 48v phantom power? Or are they just for instruments?

    • @alecbrits
      @alecbrits Před 22 dny

      Yes. The XLR inputs all have 48v phantom power. :)

    • @Stephen-vvs
      @Stephen-vvs Před 22 dny

      @@alecbrits Thanks Alec. When I run a condenser mic through an XLR on pres 1 & 2, I get some bad high frequency feedback. Am I doing something wrong?

    • @alecbrits
      @alecbrits Před 22 dny

      @@Stephen-vvsnot too sure! Might be worth reaching out to EVO and asking their customer support.

  • @EfNerva
    @EfNerva Před 24 dny

    Hey Alec, miss you.

    • @alecbrits
      @alecbrits Před 23 dny

      Thank you so much for the super thanks! :) will be back soooon. 🚀

  • @andyanderson6455
    @andyanderson6455 Před 26 dny

    great song and production and yep thats the U67 sounds like a records immediately!

  • @lavaaa3433
    @lavaaa3433 Před 26 dny

    absolutely impossible to discern ANYTHING about the preamps when there is an entire song playing together... im lost on the point

    • @alecbrits
      @alecbrits Před 25 dny

      Thanks for your input. Hearing a full production switch between the pre’s gives a broader chance to hear the tone of their pre’s multiplied by the number of elements in the mix. Least that’s how I work. I find it much easier to discern which is which in that as apposed to single instruments. :) in the future I may offer stems to download, but for now, that’s the approach for me.

  • @braxal6983
    @braxal6983 Před 27 dny

    Alec, I have looked everywhere on the internet to understand which is better the API 550A or the API 550B. I see the 550B has 4 bands it would appear that it would be better than 500A with 3 bands? If you had to choose one which would it be and why? I appreciate any guidance you can give me because I value your opinion. I am buying a pair of API eqs and want to be confident in my purchase.

    • @alecbrits
      @alecbrits Před 26 dny

      Both are great! If you need two Mid band pots and no filters, then go for the 550B. :) if you want the hi/lo filter switch with one less midrange eq control then the 550A is a great shout. Both are awesome, the 550B might be a little more flexible in general. I tend to lean towards less options, that way I can focus on the music rather than the gear.

    • @braxal6983
      @braxal6983 Před 26 dny

      @@alecbrits thanks Alec. I appreciate you replying back. I enjoy your videos and your expertise! I think I will stay with the 500a’s I ordered based on your reply! Thank you!

  • @poopking4051
    @poopking4051 Před 29 dny

    Nevermind the gear, that song is so goddamn good

  • @teashea1
    @teashea1 Před 29 dny

    Alec I have an Audient 4816SE. Out of curiosity I spent a few hours comparing the SSL Origin16 ($36,000) to the 4816. A few observations. Overall the specific control layout varies a fair amount, but the underlying functions are pretty similar. Overall, the Origin have some nice additional functions but it is quite a bit more expensive. The Origin does have 0 dB unity switches for all short and long faders. The Origin has an insert switch for the master bus insert. The Origin has two headphone jacks. The Origin has 70 dB gain for the mic input. The Origin used sub D 25 connectors for almost all inputs and outputs, which I do not like. Both have 2 cues, but the Origin has only 4 auxes, instead of six. The Origin does not have the linking function. Each has 4 stereo returns with almost identical controls. The studio/live room functions are comparable. The Origin has no separate trim controls for the 2 aux monitors. The are very similar in size. The EQ's are very similar. The bus compressors are very similar. Both have an internal PSU. Faders are the same size Origin has a solo clear function. Other solo functions are similar. The Origin's knobs have less play. The Origin does not have the terrific overlay that that Audient uses. The faders are similar and the same size.

    • @alecbrits
      @alecbrits Před 26 dny

      Thanks for the insight. :)

  • @MrAnnouncerMan
    @MrAnnouncerMan Před měsícem

    Hey Alec, did you do any EQ on the vocals? Either in the MT48 or in post?

  • @teashea1
    @teashea1 Před měsícem

    very fine song - waiting for your album

  • @johnbeer2854
    @johnbeer2854 Před měsícem

    Very cool demo songs !

  • @Screaming-Trees
    @Screaming-Trees Před měsícem

    So I am wondering how the latency is on this hmm. In the user manual it says that the onboard mixer/monitor work at ultra low latency. Whatever ultra low means. It also says you don't need a small buffer size for audio recording (in the daw). This is page 16 in the manual btw. I find I always have some issues with headphones and latency when recording. Only Pro Tools hd systems seem to have solved this but I don't want to deal with Avid anymore. Curious about this as I'd like to hit the road and my Mytek 8x192 might be just a little too big to travel with.

  • @petegrove3817
    @petegrove3817 Před měsícem

    superb review - transparent and informative demonstration of the kit... and wow, top shelf songwriting with warm production - deeply appreciated on all levels!

  • @harpoleon6806
    @harpoleon6806 Před měsícem

    I dont use di i had the neve 1073spx but felt the Phoenix ascent 1 was better than the neve but this with the red silk i feel ill get the sound i always wanted on my vocals i could never get that air like ur track had