Sebastian Salvo begins a Sketch in Oil for a new Full Scale Painting with Several Figures
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- čas přidán 12. 04. 2021
- This is a preview of the kitsch painter Sebastian Salvo as he makes a sketch in oil while discussing with Jan-Ove Tuv who visits his studio space.
▶️ FULL VIDEO: bit.ly/3mKy9DO (54 minutes in total)
This video was produced by Bork S. Nerdrum.
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Inspiring! So enjoyable. Sometimes life's blows cut us away and we forget for a time what is inside us joyfully.
Returning. And starting anew.
Where can I get those long handle brushes? They look to be mini fan brushes. I need that in my studio.
me hubiera gustado tener un maestro como ud
Ahora ofrece clases personales
great respect Claudio Bravo is a great Chilean painter
JAJAJAJ
Caint draw worth a damn
The other guy looks like an Odd Nerdrum character..... very odd.....
The greatest Chilean painter and the second greatest painter of the World after Nerdrum.
Quite a humdrum painting in the works, as are the others nearby. I don't see the point of this video.
Hey 🙂 is there anywhere we might find your work? Just curious. You seem to dislike Salvo's work and ideas. Maybe you're better than he is?
@@MrRemorseless Because I prefer youtube anonymity and do not post any "how to" art videos, I'm sorry to say I cannot direct you to see my art, other than to say they appear in a number of important collections and museums. Not all of my youtube comments on art videos are negative, sometimes I even post compliments!
@@KpxUrz5745 well, congratulations. That sounds quite accomplished. Which (or perhaps whose) style might you say you work closest to?
@@MrRemorseless My work has taken many forms. I maintain my admiration of a great many artists across centuries and millenia. Some will say that the critics want each artist to work in one style only. That's when I have to remind them of Picasso, probably the greatest artist of his century.
@@KpxUrz5745 I agree about Picasso being the best. But Picasso is still just child's play. The 20th century is like a wasteland of amusing contortions. Much of it is glamorous and strong, but not much has the permanence we find in the old masters, who seem to reach beyond, into even our own time. I do wish you could share atleast some of your work with me privately