My homage to such an excellent Veena player. There is so much peace, depth and beauty in the music. Also so nice to watch such graceful expressions on her face while playing.
M.A.Sundaram;The list of songs; 1.ekambareswara,karnataka suddha saveri, adi, MD 2.Gurulekha, Gowrimanohari, Khanda chapu, Thyagaraja. 3.RTP, hamsanandi, Adi, Kalpana swaras in natakurunji and shddha dhanyasi. Such performances must surely draw huge audiences to veena performances. What a command over the instrument! She has imbibed the best of the traditions of Balachander and Lalgudi Jayaraman.
Amma Jayanthi Kumaresh I became life time fan of your veena playing and music concerts. Hope I could meet you at some point if my life if I am fortunate enough.
'ஜெயந்தி குமரேஷ்' அவர்களுடைய வீணை கச்சேரியை ரொம்பவே கேட்டுள்ளேன். அவர் அமைதியான வாசிப்பு நிச்சயம் அனைவரையும் ஈர்க்கும். அது உண்மை தான். அவர் பாடிய "ஏகாம்பரேஸ்வரா" க்ருதியை [கர்நாடகா சுத்த சாவேரி ராகத்தில்] கேட்கும்போது அந்த ""ஏகாம்பரேஸ்வரர் " கோயிலின் கோவில் முன் அமைந்த அந்த கோபுரத்தில் ...அவர் ஒவ்வொரு தளமாக ஏறுவது போல் எனக்குத் தோன்றுகிறது. அதாவது அவர் பாட்டில் இந்த எண்ணம் தொரியது என் மனசில். அடுத்த பாட்டில் அவர் குரு யார் என்ற கேள்வி எழுகிறது. நன்றி. "Manian"
At 10:23 she inserted the melody of a famous cine song called "Paatum Naane" composed in the same raga she was performing an Alapana in - Gourimanohari. Isn't that wonderful? Just pure excitement and happiness when I heard that.
This is my first time really staying up late and listening to veena music. So deep and subtle. It's omnipresence is really impossible to describe. It's not guitar, sitar, or like anything I've heard before. It's veena. Beautiful. A lovely rendering of Saramaina on veen brought me here. These tunes are called Kritis, is that correct? I"m new to Carnatic music. I love it very much.. Thank you.
Yes! Veena :') The songs are generally called Kritis with 3 parts to it (usually) - The pallavi (introductory phrases), Anupallavi (Secondary phrases) and the Charanam (Paragraph). There are variants of the 'Kriti' though with additional notes called Swaras, and other improvisations based on the Raga such as Neraval (Improvisation of a single line). Glad you enjoy Carnatic Music! Welcome to the family :)
The pièce de résistance is called Ragam Tanam Pallavi. Here she played Raga Hamsanandi in three version. An unstructured exploration of the notes and the feelings (Ragam), a rhythmic pattern of the same notes (Tanam) and a song (Pallavi). Then she mixed it up to play with the audiences' emotions by adding sweet natakurunji and dignified suddha dhanyasi ragas. Isn't she amazing?
I have a lot of people saying this. But I never really understand what it exactly means? Could you possibly elaborate on it or provide some sources where I can read more about it? Thank you ~ Manoj
Can anyone be kind enough to give the songs/ragas played in this video? Though I could recognise goddess Saraswathi, I could not recognise all the songs.
She's a super accomplished musician. But I much prefer an instrument well mic-ed instead of a wired pickup. At least in this recording, the subtle mellower aspects of the instrument seem lacking.
Jayanthi Kumaresh's Veena recital is excellent & enchanting. But calling the lady rather any one as goddess/matha saraswathi is not correct. you can say she is blessed by goddess saraswathi.
My homage to such an excellent Veena player. There is so much peace, depth and beauty in the music. Also so nice to watch such graceful expressions on her face while playing.
wow thats beautiful! From Russia with love!
M.A.Sundaram;The list of songs;
1.ekambareswara,karnataka suddha saveri, adi, MD
2.Gurulekha, Gowrimanohari, Khanda chapu, Thyagaraja.
3.RTP, hamsanandi, Adi, Kalpana swaras in natakurunji and shddha dhanyasi.
Such performances must surely draw huge audiences to veena performances. What a command over the instrument! She has imbibed the best of the traditions of Balachander and Lalgudi Jayaraman.
Thank you. Please continue this(listing ragas etc) wherever possible.
The first ragam is not revathi. revathi does not containdhaivatam.
sundaram sastry The first ragam is 'Karnataka Shuddha Saveri' and not just 'Shuddha Saveri ', as the two are entirely different!
Thanks a lot sir.
Excellent , soulful music! Soft and soothing as Veena should be played!
Very crisp playing - hallmark of Jayanthi K. All notes "spelt" out cleanly bringing out all the emotion spontaneously makes her music really divine.
I love the sound of Veena. I have one similar to hers. I have been listening to this for hours at a time for days now.
Amma Jayanthi Kumaresh I became life time fan of your veena playing and music concerts. Hope I could meet you at some point if my life if I am fortunate enough.
Now you know how goddess Saraswathi plays veena.
Love the million things she can do with a single strum. The gradual wane has wonderful aesthetics!
Great veena varamu playing
U R REALLY MATHA SARSWATHI ...JAYANTHI JI.
Ravi Nuvvula you are right sir
'ஜெயந்தி குமரேஷ்' அவர்களுடைய வீணை கச்சேரியை ரொம்பவே கேட்டுள்ளேன். அவர் அமைதியான வாசிப்பு நிச்சயம் அனைவரையும் ஈர்க்கும். அது உண்மை தான். அவர் பாடிய "ஏகாம்பரேஸ்வரா" க்ருதியை [கர்நாடகா சுத்த சாவேரி ராகத்தில்] கேட்கும்போது அந்த ""ஏகாம்பரேஸ்வரர் " கோயிலின் கோவில் முன் அமைந்த அந்த கோபுரத்தில் ...அவர் ஒவ்வொரு தளமாக ஏறுவது போல் எனக்குத் தோன்றுகிறது. அதாவது அவர் பாட்டில் இந்த எண்ணம் தொரியது என் மனசில். அடுத்த பாட்டில் அவர் குரு யார் என்ற கேள்வி எழுகிறது. நன்றி. "Manian"
Jayanti smiles but if watch finger movements looks
Her entire intelligence rest there.hands and heart concert together.she is solo.
music can catch the deepest part of your emotions. just brilliant music.
A dazzling veena player of the time.
I like very much Jayanthi kumaresh veena music,because the music is God's belife
Superlative. True discipile of Shri Balachander
no words for ur tallent jayanthi gaaru
Wonderful. What a bliss!
Thank you for uploading this
Aking me back to my past love for carnatic music
Taking me back to my carnatic music love Been a while
At 10:23 she inserted the melody of a famous cine song called "Paatum Naane" composed in the same raga she was performing an Alapana in - Gourimanohari. Isn't that wonderful? Just pure excitement and happiness when I heard that.
Simply beautiful!
thanks for uploading mataji
just in love !!!!
Awesome Thanks a lot
Jayanthi Kumatesh's rendering has a heavenly experience.
❤🙏 Hari Om ❤️🙏
@12.15 to 12.34 breathless slide (No right hand used).
Superb. Sublime. Serene.
RTP KALPANASWARAM - Simply WOW!
Which ragam pls? Thanks in advance
PURE SOULFUL MUSIC.......MAY HER TRIBE INCREASE!
Good vary supper 🙏👍
This is my first time really staying up late and listening to veena music. So deep and subtle. It's omnipresence is really impossible to describe. It's not guitar, sitar, or like anything I've heard before. It's veena. Beautiful. A lovely rendering of Saramaina on veen brought me here. These tunes are called Kritis, is that correct? I"m new to Carnatic music. I love it very much.. Thank you.
If you mean Saramaina maatalenno, then it is a Javali and not a kriti. Yes, Carnatic Music is incredibly beautiful.
Yes! Veena :') The songs are generally called Kritis with 3 parts to it (usually) - The pallavi (introductory phrases), Anupallavi (Secondary phrases) and the Charanam (Paragraph). There are variants of the 'Kriti' though with additional notes called Swaras, and other improvisations based on the Raga such as Neraval (Improvisation of a single line). Glad you enjoy Carnatic Music! Welcome to the family :)
The pièce de résistance is called Ragam Tanam Pallavi. Here she played Raga Hamsanandi in three version. An unstructured exploration of the notes and the feelings (Ragam), a rhythmic pattern of the same notes (Tanam) and a song (Pallavi). Then she mixed it up to play with the audiences' emotions by adding sweet natakurunji and dignified suddha dhanyasi ragas. Isn't she amazing?
Avinash Sheshachalam No doubt she is amazing. So is your explanation!
Heart-warming.
Boobs
v good
The tone of the electric veena is very close (nearly identical) to that of the electric guitar.
Listen to this to see Carnatic music on electric guitar - a short snippet facebook.com/guitarprasanna/videos/10155634494978956/
Except with a lot more nuance (than the guitar). The only instrument that can do everything human voice can do about music.
I have a lot of people saying this. But I never really understand what it exactly means? Could you possibly elaborate on it or provide some sources where I can read more about it?
Thank you ~ Manoj
IT rocks !
Can anyone be kind enough to give the songs/ragas played in this video? Though I could recognise goddess Saraswathi, I could not recognise all the songs.
Mr.Sundaram Sastry has given Song details in this comments column.
That is given by a listener; haven't you seen that?
🙏🙏🙏
🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼
@10:23... :)
She's a super accomplished musician. But I much prefer an instrument well mic-ed instead of a wired pickup. At least in this recording, the subtle mellower aspects of the instrument seem lacking.
Nice
Jayanthi Kumaresh's Veena recital is excellent & enchanting. But calling the lady rather any one as goddess/matha saraswathi is not correct. you can say she is blessed by goddess saraswathi.
👌❤️🏆🏆
Hear Rajesh avaidyas ... This get bore..
It is purely melodious and perfectly rendered.some people like outward appearance that's why... 😂
Rajesh vaidhya has more talent sure but he definitely isn't more melodious