Lumix GH7 Takes on ARRI with Unexpected Result ft Brittney Janae
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- čas přidán 4. 09. 2024
- Enjoy this clip from this past week's episode of UnSensored* Live!
This week was a big one, where we discuss Canon's fight back after being quiet for so long. Brandon takes a trip to Cine-Gear in L.A. and gets to handle Canon's new C400 in person. He and Jarrell discuss their thoughts on the camera as well as Lumix's new GH7. During his trip, Brandon gets confronted by the Lumix crew who doesn't seem too happy with his coverage.
Also, the amazing @BrittneyJanae joins us for this episode and discusses the state of Lumix after getting hands on experience shooting with the GH7 next to an Arri Alexa.
From Apple Vision Pro's final swing, to AI, Red, Canon, and Lumix, you won't want to miss this episode. Watch the full stream here:
• Did The Gh7 do enough ...
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It's not a Lut it's a Log gamma curve.
As someone who shoots a lot of corporate & documentary work, I get so many requests from clients to "make the background blurrier" even when I'm at f1.8 on a full frame sensor. I don't know what I'd say to those clients if I had a m4/3 camera. If you want a full frame f1.8 look on a m4/3 sensor, you'd have to shoot on a f0.95 lens, which is difficult to find versus an f1.8 lens on full frame.
The M4/3 sensor is larger than the S16mm or 16mm film sensors, which filmmakers still use. Use the right tool for the story you want to tell.
"S5ii can't do open gate at 60" Sony can't open gate period lol
Open gate isn’t the say all be all lol
@@BrittneyJanae ... full-frame isn't the end all be all, as well...
@@GrayGhostDog1 I don't think I said it was. I literally said the blackmagic 6k was my fav and that's a super 35. My favorite camera to use is an arri mini. so i'm not sure where yall got that I said full frame was the say all be all. But I still wouldn't go Micro four thirds.
If the whole sale is open gate then that matters. lmbo!
Wait till the FF version of the GH7, S1H Mark II, will have an open gate uncropped FF 120P Prores Raw internal and Arri LogC.
Isn't the Arri a crop sensor too? so a 56mm on that is an 84/85 anyway
And running around with a FF would mean adjusting again too.
The Arri Alexa Mini has around an APSC sized sensor, and A LOT of Hollywood films are shot on it... So it always makes me laugh when CZcamsrs feel they need Full Frame lol
@@TheMillennialJoe Hollywood films have the flexibility to use any lenses they want down to T1.2, with everything around it also perfected (production design, lighting, location, blocking, etc).
For lower budget commercial/documentary/corporate shooters, it's nice to have a sensor that doesn't REQUIRE you to have an f1.2 or f1.4 lens just to get a shallow depth of field out of it. Especially when comparing to a Panasonic GH camera where the crop is even more extreme than APSC.
You can definitely get great footage out of a GH7, but as a corporate & documentary shooter, having a 24-70 f2.8 on full frame is far more convenient than having to carry 3-4 prime lenses on a GH7 to get an equivalent look. And no I don't wanna use a metabones speed booster which forces me to buy 10-15 year old dying EF lenses and sacrifice some autofocus performance.
@@TheMillennialJoeI said I love blackmagic which is a super 35. I don’t mind a crop sensor but micro 4/3 is completely different than a super 35. I’m not a full frame person. I have multiple cameras and use multiple cameras
@@TheMillennialJoealso I’m not a CZcams lol I’m a filmmaker
Great talk, you two! Really interesting points 👏
The stabilization is much better on the new camera. Seems like a great B cam.
No open gate 60 is annoying but the sensor can’t read out fat enough.
But Arri has the amira. It’s a crop sensor too.
Crop sensor and m4/3 are completely different
I can tell you how to try if that ARRI thing is just a gimmick or not. Record a footage with VLOG then the same shot with ARRI LOG on GH7. Then open Davinci and use color space transform. Convert VLOG to ARRI LOGc and then apply ARRI LUT. On the GH7 ARRI LOG just apply arri lut and see if there is a difference. It will be an interesting test. Regards from Bulgaria!
I used to match the Canon 5DMK2 w/ the Arri.. I used to match the 5D w/ RED, all kinds.. It all depends on WHO is coloring, and their process. Somebody talented enough, can get it dialed in and match. And this was waaaaay back in the day.. Now ?! Tuh ! Way easier. Would I shoot a GH7 and an Arri together ? Nah.. But I'm sure people will get close enough.
BMPCC 6K or BMPCC 6K FF is a better B-cam to Arri, for sure.
@@TopshelfJuniorthank you!!
My humble opinion is that the individual can find this information useful, but do not consider that their use cases are similar to your own. MFT can more than work for a majority of videographers.
True! I'm a cinematographer so for me it wouldn't work but I agree for a videographer it would!
The GH7 LogC implementation is gamma ONLY. The look isn't anything remotely close.
Talking M3/4 in 2024 just seems wild to me.
Could you imagine pulling to a shoot with a GH7 as a B Cam to the Arri 😂😂😂 no one would take you serious
I love what Lumix is doing but just cannot get over micro 4/3rd.
Arri 4444 16 bit Lumix gh7 422 10 bit if you dont know the difference then leave lol this gh7 in noway replaces a arri goodnight children.... AFTER RED TEAMED UP WITH NIKON yes panasonic and arri did the same. Ttyl 😂😂😂😂😂
No one ever said it could replace it. You are at the wrong party to load off your hate
ProRes 4444 is 12 bit
@castielvargastv7931 nah no hate it's all love maybe you are angry I am saying no Panasonic gh7 will ever touch an arri people have to stop setting a false sense of security all ps I own a gh series camera and have had an arri alexa mini in hand on set NOT IN THE SAME CATEGORY TRUE CINEMATOGRAPHERS LOOK AT GH AS A TRAVEL CAMERA