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Best of Aurélie Dupont
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- čas přidán 8. 05. 2021
- Aurélie Dupont (born 15 January 1973 in Paris) is a French ballet dancer who performed with the Paris Opera Ballet as an Étoile.
She began her career in 1983 when she entered the Paris Opera Ballet School. She joined the company at age sixteen in 1989, and became a première danseuse in December 1996. Dupont was promoted to star dancer (Étoile) in 1998 after her performance as Kitri in Paris Opera Ballet's revival of Nureyev's production of Don Quixote.
She retired from the Paris Opera stage following a performance of Kenneth MacMillan's Manon on 18 May 2015.
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She could live at the palace of Versailles, there's such a halo of noblesse around her. Pure elegance.
Merci
Technical mastery and emotional brilliance. Her face tells as many stories as Greta Garbo.
I especially love her tender and delicate characterization in La Sylphide, She brings me to tears every time I watch it.
She is pure elegant. Well, she is director of POB. I think she is very underrated, she deserves more recognition. Especially her soft moves and sharp techniques.
Absolutely ❤️
It's funny you should say that. It was something I used to ponder, why was she never celebrated outside of the POB? Her technique is indeed astonishing, but there IS something sorely lacking, which struck me on watching the compilation and which I'd never quite registered before, for some reason. She is incredibly unmusical.
@@oliviakirby1409 I agree. I remember her as an extremely pure technician but without much in the way of style. I think you've hit the nail on the head with musicality because that's what phrasing comes from.
@@minissa2009 She admit herself in some interview that at some point she were completely obsessed by technicality in ballet and forgot the artistic part of it. That she were clearly having some psychological issues at some point but realized it thanks to a choreographer (forget the name).
@@moulyg7968 The significant point in Dupont's career as a dancer was meeting Pina Bausch, who chose Dupont for her, Bausch's, Sacre du Printemps. Dupont says she changed her artistic approach as a result of working with Bausch.
Very elegant and fab technique!
I didn't remember her being such a technical wiz. I felt my jaw drop open in Tchaikovsky pdd. Nice compilation!
Thank you 🥰
Love this dancer
Огромное спасибо за это видео Эта балерина одна из самых блистательных
Элегантная принцесса Дюпон привнесла свой шарм царственное величие подлинную красоту
She reminds me Noella Pontois, delicate French elegance
Очень нравится Дюпон Во всем она хороша Но особенно восхищаюсь Спящей Одна из лучших балерин нашего времени
Tourbillon di giravolte da capogiro vorticosi in accelerazione sorprendente e fibrillazione dei passi sulle punte in eundo eccezzionale.Grande impressione di facilità esecutiva d'acchito e levità praesens ed astante fatta tensione elanista e motile sorprendente. Superlativa.😊😊😊😊
Надо же как верно сказано что Дюпон надо было бы родиться и жить во дворце в Версале что она такая элегантная А я все думала почему ей так подходит роль Спящей Красавицы Ее облик манера все говорит об этом
Parfaite
Shes quite elegant.
Well, that's the understatement of the year so far!
I love her legs!!! So Strong and Elegant❤ And Healty
Internet is bad for classical music and ballet because one taste in one comment is not 2000 people in an Audience , the more important is the end of a ballet when the Star is alone on stage in front of her Public -Audience and it's very different with some comments of one video , j think really that comments are false in comparison with a ballet in live .
0.17 - красивое вращение
I think she is extremly lovely.And the POB has a pretty nice image and flair.
But cleary the russian Ballerinas are way stronger!Also the american ballerinas are stronger.
Да уж!!! Пока фуэте делала метра на три прошла вправо))) У нас кордебалет лучше танцует)))
Влево ! Медленно всё ! Мне казалось, что она не такая мускулистая и крупная !
@@elenamartinson460 Она то влево ушла, но мы смотрим фронтально, поэтому я пишу о нашем восприятии.
@@accendiilcervello8612 господи ! Лево , право ..... главное, что « ушла «!!!!
@@elenamartinson460 Вы абсолютно правы))) А народ тут по английски пишет,восторгается, что у балерины техническое мастерство и эмоциональный блеск...Ну, и ценители)))
Ustedes tendrán buenas bailarinas pero desde hace 20 años casi todas son anoréxicas y sin vida... (excepto Osipova y Lopatkina)
Not as good as Russian trained Russian ballerinas like Evgenia,Svetana,Alina ...many !
I see no difficult ballet movement from her dances except the last one has many turn whip kicks could be her best.
Many of the moves she did are extremely difficult. However, the skill of a dancer does not rely on how many tricks they do. Keep in mind that she was an etoile! That is the highest rank in the POB. She must be good to get that title.
You know, ballet is an art, not a sports. Ballet is a dance with ballet movement and I think she's pretty musical and artistic and also authentic. It'd better not only judge balletina by difficulty of each movement.
Ballet is not about the “difficulty level” of steps, ballet is an art form not an Olympic sport. If you’re interested in difficulty perhaps rhythmic gymnastics would be something you enjoy more.
Take a look at her Bayadere performed at the Bolshoi. Also, Giselle, full Don Quixote, Neumaier's Sylvia, Les Sylphides, Mats Ek Giselle, Pina Bausch Le Sacre du Printemps, Manon, especially Manon, and, and, and.
I see the beauty in so many professionally trained ballerinas, wherever they are from around the globe. I marvel in the unique perspective and presentation each brings to their beloved art.
I’m not sure it’s a good idea to judge them based on the level of difficulty or the athleticism of their performance. You can if you want to, of course. But I love to see the way each artist expresses it in a different way.