@@sonfx nice. Yeah thats an underrated way to make music; when the straight hi-hats come in against the swung beat ( at least thats how it sounds to me) it makes your beat sound like a completely different part. You have a nice sense of composition . Recently' I've been working with the MC-707 connected to only a couple of other boxes ( and a guitar), similar in setup to what you are doing- focusing on getting deep with one piece of gear and setting everything else to the side. It's helped to allow me to be much more productive. Much how I image it is with your Yamaha, The 707 in itself has such a wealth of functionality and I keep discovering new ways to play it. Right now I'll focus on one batch of samlples I've done, mixed with the guts of the thing, really trying to master one element at a time and even that feels almost inexhaustibly and at times overwhelming.
How cool that you mention the MC-707 because after having gone back and forth on it I today made up my mind about getting one! For me it's important to be feeling I'm working on one, capable and self-contained machine. It just suits my way of approaching music better. At least if it is about finishing music... Of the machines currently in production, the ones that appeal to me most are the 707 and the Octatrack. Cool that you play guitar too. And thanks for the good words.@@iiaaiiaannaaiiaaii
@@sonfx Nice! I think you will really like it. It has a bunch of, not hidden but under-discussed, features and I've seen them going for as little as $500 used which is an amazing deal. One of it's skills is connectivity with other devices, I think you will be psyched about its routing options to use with your 1010 devices, and the very hands on programming approach Roland took with this one- the design is rad! The Scatter, for one, is super deep and not at all a gimmick like it may seem at first glance- while it doesn't have parameter locks like Elektron machines, Scatter ( and many other features) can be used as a really wild performance/song writing tool in a similar way. Definitely check out some of the CZcams video tutorials as there have been a few important updates that are under-discussed in the manuals. All that said, I have heard that the RS7000 is crazy powerful and can do things that even modern gear cannot do, especially with regards to its LFO/modulation routing features. I have never used one so I have no idea what I'm talking about,...hahaha.. and while the 707 is super sick and powerful in it's own right 'and I would recommend it to anybody, if you use some of the advanced RS7000 super powers you might wanna double check before you make a switch . hope you don't mind... ( Once you get a handle on the logic of the machine and basic workflow check out this series of tutorials czcams.com/video/ViFMXjfOgyk/video.htmlsi=Le1Kbq3HQyqgVeXx there are about 5 so far and they are a gold mine of tips and tricks and things that were easy to miss in the manual. Also, criminally under documented: you can sample directly to pads from a Drum Machine Track. This will save you many steps... Hold SHIFT + desired Pad press ENTER cursor to INSTRUMENT SELECT press ENTER scroll to RECORD press ENTER)
Ik hoor een 4 to the floor 😉 a la R2- My boy. Anyway, heerlijke flow. Ik ga vandaag even kijken voor een CS6R. Dan kan ik de Yamaha sounds bewaren zonder deze te moeten opslaan als patterns.
Väldigt speciell låt där det händer mycket. Perfekt filmmusik. Bra jobbat!👏👏👏
Tackar så mycket!
Very pleasant and optimistic mood! Spring is coming!👏👍❤️
Thank you! It is true, waking up with the birds every day now.
Super groove! This sounds wonderful ❤️🔥🔥❤️
Thanks a lot! 🔥
Cool flow. Nice how the third beat comes in.
Thanks! Yeah, the beat is just a four bar loop but chopping it up gave many new directions to go with it :)
@@sonfx nice. Yeah thats an underrated way to make music; when the straight hi-hats come in against the swung beat ( at least thats how it sounds to me) it makes your beat sound like a completely different part. You have a nice sense of composition .
Recently' I've been working with the MC-707 connected to only a couple of other boxes ( and a guitar), similar in setup to what you are doing- focusing on getting deep with one piece of gear and setting everything else to the side. It's helped to allow me to be much more productive. Much how I image it is with your Yamaha, The 707 in itself has such a wealth of functionality and I keep discovering new ways to play it. Right now I'll focus on one batch of samlples I've done, mixed with the guts of the thing, really trying to master one element at a time and even that feels almost inexhaustibly and at times overwhelming.
How cool that you mention the MC-707 because after having gone back and forth on it I today made up my mind about getting one! For me it's important to be feeling I'm working on one, capable and self-contained machine. It just suits my way of approaching music better. At least if it is about finishing music...
Of the machines currently in production, the ones that appeal to me most are the 707 and the Octatrack.
Cool that you play guitar too. And thanks for the good words.@@iiaaiiaannaaiiaaii
@@sonfx Nice! I think you will really like it. It has a bunch of, not hidden but under-discussed, features and I've seen them going for as little as $500 used which is an amazing deal. One of it's skills is connectivity with other devices, I think you will be psyched about its routing options to use with your 1010 devices, and the very hands on programming approach Roland took with this one- the design is rad! The Scatter, for one, is super deep and not at all a gimmick like it may seem at first glance- while it doesn't have parameter locks like Elektron machines, Scatter ( and many other features) can be used as a really wild performance/song writing tool in a similar way. Definitely check out some of the CZcams video tutorials as there have been a few important updates that are under-discussed in the manuals.
All that said, I have heard that the RS7000 is crazy powerful and can do things that even modern gear cannot do, especially with regards to its LFO/modulation routing features. I have never used one so I have no idea what I'm talking about,...hahaha.. and while the 707 is super sick and powerful in it's own right 'and I would recommend it to anybody, if you use some of the advanced RS7000 super powers you might wanna double check before you make a switch .
hope you don't mind...
( Once you get a handle on the logic of the machine and basic workflow check out this series of tutorials czcams.com/video/ViFMXjfOgyk/video.htmlsi=Le1Kbq3HQyqgVeXx
there are about 5 so far and they are a gold mine of tips and tricks and things that were easy to miss in the manual. Also, criminally under documented: you can sample directly to pads from a Drum Machine Track. This will save you many steps...
Hold SHIFT + desired Pad
press ENTER
cursor to INSTRUMENT SELECT
press ENTER
scroll to RECORD
press ENTER)
Cheers, that info will be helpful!@@iiaaiiaannaaiiaaii
Cans are a must or some good cones to properly enjoy this. Great vibe!
That's how I enjoy all music! With beer and ice cream.
@@sonfx😂
Nice, man
Thanks!
Ik hoor een 4 to the floor 😉 a la R2- My boy.
Anyway, heerlijke flow.
Ik ga vandaag even kijken voor een CS6R.
Dan kan ik de Yamaha sounds bewaren zonder deze te moeten opslaan als patterns.
R+
CS6r! RS+CS6+A5000…mooie combinatie.
will be getting there somehow;-)
Where to?
where its aiming at;-)@@sonfx
@@DJ-Lazy-Lodger 🏹
🔥🫡
👊🙏
You know what you’re doing my friend 🤘🏿
Thanks a lot. I’m always happy for the support! Making any music with yours yet?