Was fast nie glückt: die Balance zwischen Geige und Klavier. Hier aber gelingt es. Gilels hat geügend Geschmeidigkeit, Glanz und Substanz im Ton, um mit der Violine gleichwertig im Wechsel zu singen und Kogan nimmt die Begleitfiguren genügend zurück, ohne schlaff zu seiin. Das habe ich in dieser Perfektion noch nie gehört. Und die musikalische Gestaltung wie Tempo, Mikroagogik, großer Bogen, Poesie und Schwung, alles ganz wunderbar!
I think they feel the music wonderfully together ,I think beethoven would aprove thank you kogan and gillels and beethoven and the spirit that inspires us all
+rva25 idk, I feel most Beethoven interpretations are too plodding for me, so I like this. Doesn't seem nervous to me at all. Just alive. But, everyone has their own taste. I do think most of our tastes on Beethoven are influenced by what I would call "slow, plodding, elephant like" tempos most take. But to others, this is "nervous, inelegant, worried," which I can see as unbecoming to Beethoven.
Spannende live Aufführung dieser fein komponierten Sonate im relativ schnellen Tempo mit perfekter Mitwirkung zwischen den zwei Virtuosen. Der präzise und zugleich seidige Ton der Solovioline klingt außergewöhnlich schön. Die zurückgehaltene Begleitung von diesem unvergleichlichen Pianisten ist auch bewundernswert. Die UdSSR war wirklich ein musikalisches Wunder im 20. Jahrhundert!
I was shocked by how good the piano playing, I had never before noticed the beauty of the piano part of the spring sonata. Then, I learn of course it's a concert pianist playing the accompaniment. Of course it's excellent. Haha.
Some feel it was a bit too quick, but giving the joy associated with spring, I wonder whether this speed was exactly what was in Beethoven's feeling when he composed this wonderful sonata. I still like this one better than the Perlman-Ashkenazy version Thanks for this uploading once more, it fills me with joy in times of general suffering.
As a professional violinist and teacher, I can assure you this is not too fast. Too many violinists get overly emotional with the gorgeous melodies of this sonata and drag it out, to the detriment of the music.
В Microsoft Store есть бесплатный эквалайзер Desk FX Audio Effect processor. Если там поставить 24 -192 Hz + 6 dB, 173 Hz +2 dB, 386 -1100 Hz 0dB, 1.5 kHz -1dB, 2.2 rHz - 3 dB, 3.1 kHz - 5 dB, 4.4 kHz - 6 dB, 6.2 kHz - 7 dB, 8.7 - 17 kHz - 3 dB, то звук будет звучать заметно лучше. Что касается исполнения, то замечательные музыканты - страстный Гилельс и серьезный Леонид Коган с плотным, ярким звуком скрипки удивительно соответствуют характеру Бетховена.
Unfortunately the recording quality doesn’t do justice to these extra-ordinary performers. Most of Gilels’ records are Reference quality, i.e. the standard of interpretations. Kogan wasn’t widely known in the West, he was not allowed International performances, and didn’t have powerful promoters, unlike Gilels ( Artur Rubinstein, Szell and others in the USA). Yet Kogan’s ensemble performances with Gilels were top notch. After his early death, Gilels played with Oistrakh- another incompatible, stupendous violinist.
A bit too quick... and the recording quality is not so satisfactory so a little disappointing to be honest Like the perlman/Ashkenazy or the classic oistrakh/oborin set better
Великолепно. глубоко, ярко, поэтично, высший пилотаж, брависсимо.
This recording of the Spring Sonata is the very best ever ever ....Beethoven s passion is fully felt.
There's no "best ever"!
It's subjective.
Was fast nie glückt: die Balance zwischen Geige und Klavier. Hier aber gelingt es. Gilels hat geügend Geschmeidigkeit, Glanz und Substanz im Ton, um mit der Violine gleichwertig im Wechsel zu singen und Kogan nimmt die Begleitfiguren genügend zurück, ohne schlaff zu seiin. Das habe ich in dieser Perfektion noch nie gehört.
Und die musikalische Gestaltung wie Tempo, Mikroagogik, großer Bogen, Poesie und Schwung, alles ganz wunderbar!
thank you. two of russia's musical powerhouses on one recording.
Limpide, direct, sans aucune affectation, poétique, réflexif... Miraculeux. Et je n'écris pas ça souvent.
Fantastic recording. Such lightness in the playing and such a refreshing tempo. Like a breath of fresh air.
I think they feel the music wonderfully together ,I think beethoven would aprove thank you kogan and gillels and beethoven and the spirit that inspires us all
I don't think so...it's too fast and too nervous to me
+rva25 idk, I feel most Beethoven interpretations are too plodding for me, so I like this. Doesn't seem nervous to me at all. Just alive.
But, everyone has their own taste. I do think most of our tastes on Beethoven are influenced by what I would call "slow, plodding, elephant like" tempos most take.
But to others, this is "nervous, inelegant, worried," which I can see as unbecoming to Beethoven.
What musicianship!
ВОЛШЕБНО!!! ПРЕКРАСНО!!!ГЕНИАЛЬНО!!!
Spannende live Aufführung dieser fein komponierten Sonate im relativ schnellen Tempo mit perfekter Mitwirkung zwischen den zwei Virtuosen. Der präzise und zugleich seidige Ton der Solovioline klingt außergewöhnlich schön. Die zurückgehaltene Begleitung von diesem unvergleichlichen Pianisten ist auch bewundernswert. Die UdSSR war wirklich ein musikalisches Wunder im 20. Jahrhundert!
Agree!
@@messrtwinky Thanks for your affirmative reply.
Vollkommen richtig!
I was shocked by how good the piano playing, I had never before noticed the beauty of the piano part of the spring sonata. Then, I learn of course it's a concert pianist playing the accompaniment. Of course it's excellent. Haha.
Not any concert pianist too, one of the all time greats
Удивительнейший сплав вдохновений!что вовлекает!
Божественно!❤❤❤
Some feel it was a bit too quick, but giving the joy associated with spring, I wonder whether this speed was exactly what was in Beethoven's feeling when he composed this wonderful sonata. I still like this one better than the Perlman-Ashkenazy version
Thanks for this uploading once more, it fills me with joy in times of general suffering.
As a professional violinist and teacher, I can assure you this is not too fast. Too many violinists get overly emotional with the gorgeous melodies of this sonata and drag it out, to the detriment of the music.
❤️❤️❤️
大師的‘’春天‘’不同凡響。
Kogan was married to Gilels' sister.
I love the intensity with which they play even if not polished as perlmaqn-Ashkenazy.
!!!!!!!!!!!!!!!!!!!!!!!!
nice !!!
В Microsoft Store есть бесплатный эквалайзер Desk FX Audio Effect processor. Если там поставить 24 -192 Hz + 6 dB, 173 Hz +2 dB, 386 -1100 Hz 0dB,
1.5 kHz -1dB, 2.2 rHz - 3 dB, 3.1 kHz - 5 dB, 4.4 kHz - 6 dB, 6.2 kHz - 7 dB, 8.7 - 17 kHz - 3 dB, то звук будет звучать заметно лучше.
Что касается исполнения, то замечательные музыканты - страстный Гилельс и серьезный Леонид Коган с плотным, ярким звуком скрипки удивительно соответствуют характеру Бетховена.
♡♡♡♡ 😍😍😍
Perlman and Ashkenazi remain my favourites
Have you heard Grumiaux - Haskil or Heifetz - Bay, or or...
Unfortunately the recording quality doesn’t do justice to these extra-ordinary performers. Most of Gilels’ records are Reference quality, i.e. the standard of interpretations. Kogan wasn’t widely known in the West, he was not allowed International performances, and didn’t have powerful promoters, unlike Gilels ( Artur Rubinstein, Szell and others in the USA). Yet Kogan’s ensemble performances with Gilels were top notch. After his early death, Gilels played with Oistrakh- another incompatible, stupendous violinist.
Желаю познакомиться с дизлайками
A bit too quick... and the recording quality is not so satisfactory so a little disappointing to be honest
Like the perlman/Ashkenazy or the classic oistrakh/oborin set better
+Jordan Jeong to be fair, Gilels's golden tone still shines through. The violin otoh is captured rather poorly
Too fast, I prefer David Garrett and Alexander Markowich.
Actually according to Beethoven's own notation this is the right tempo.
I melt from this music! Thanks! Spring is,how beautiful spring is!