This outstanding fantasy is an absolute masterwork. Neither Mozart nor Beethoven ever wrote something like the purity of the simple line of the violin over the dark piano part in the very beginning, nor the contrast which follows immediately. We should not forget than Schubert played the second violin part when he was a teenager in the orchestra of the Konvikt.
The brilliant violinist! Call Violin and flew back, Then froze for a moment in silence, Not bow to the strings violin touched. And the strings of the heart, mind and soul
Perfect in every sense from both artists. This is perhaps my all time favorite classical piece from the first time I heard it with Kremer/Afanassiev live at the Ambassador Aud. Pasadena, I think 1982.
Samuel Alumian with a perfect speed and still keeping clarity of sound as intended. Leonid Kogan a magician on his beautiful sounding violin bringing the melodic side in an expressive and moving way not known comparably from any other violinist.Pure music and a privilege that this life performance from 1975 could be reissued , a pecious heritage.
Spannende live Interpretation dieser fein komponierten Fantasie im inspirierenden Tempo mit eindrucksvollen Töne der Violine und gut artikulierten Töne des Klaviers. Der intime und perfekt synchronisierte Dialog zwischen den beiden Virtuosen ist immer noch unvergleichlich. Einfach genial!
Schön die mässigen Tempi und klarer Geigenklang ohne Extravaganzen, aber ein wenig langweilig....endlich gute Klangbalance auch bei Pizziccati. Aber warum nur ein Foto des Geigers? Es ist ein Duo mit ebenbürtigem wenn nicht noch wichtigerem Klavierpart?
Sadece Schubert’in yazabileceği bir harekete ve aynı zamanda o huzura sahip.
This outstanding fantasy is an absolute masterwork. Neither Mozart nor Beethoven ever wrote something like the purity of the simple line of the violin over the dark piano part in the very beginning, nor the contrast which follows immediately. We should not forget than Schubert played the second violin part when he was a teenager in the orchestra of the Konvikt.
The brilliant violinist!
Call Violin and flew back,
Then froze for a moment in silence,
Not bow to the strings violin touched.
And the strings of the heart, mind and soul
Perfect in every sense from both artists. This is perhaps my all time favorite classical piece from the first time I heard it with Kremer/Afanassiev live at the Ambassador Aud. Pasadena, I think 1982.
Samuel Alumian with a perfect speed and still keeping clarity of sound as intended. Leonid Kogan a magician on his beautiful sounding violin bringing the melodic side in an expressive and moving way not known comparably from any other violinist.Pure music and a privilege that this life performance from 1975 could be reissued , a pecious heritage.
A Genious violinist .
Merveilleuse interprétation !
Spannende live Interpretation dieser fein komponierten Fantasie im inspirierenden Tempo mit eindrucksvollen Töne der Violine und gut artikulierten Töne des Klaviers. Der intime und perfekt synchronisierte Dialog zwischen den beiden Virtuosen ist immer noch unvergleichlich. Einfach genial!
One of many fine performances - starting with the Busch-Serkin recording of 1931. Joel D
Washington DC
sublime! This would have brought tears to Schubert!
Super. Thank you.
Sublime
Superb.
pure merveille!
The special Kogan's sound- very"sharp",but very singing!!!
#Very
KOGAN um dos melhores violinistas do século 20
Absolutely knockout
oui très beau violon... A mon gout , pas assez Schubertien
Je suis absolument d'accord avec vous.
Grâce à Busch et Serkin nous entendons la merveilleuse musique de Schubert czcams.com/video/HmXgVI5Ptd8/video.html
Schön die mässigen Tempi und klarer Geigenklang ohne Extravaganzen, aber ein wenig langweilig....endlich gute Klangbalance auch bei Pizziccati. Aber warum nur ein Foto des Geigers? Es ist ein Duo mit ebenbürtigem wenn nicht noch wichtigerem Klavierpart?
Very cerebral artistry.
Alumian much better than Kogan ......
Fools rush in where angels fear to tread.