Video

21:38

Richter's interpretation for this F major Nocturne is a good reference.

wirklich toll ❤

David's sweetness of sound is head and shoulders even above Sasha's, who is already head and shoulders above all the rest, past, present and possibly future. Forget all the fiddling Roosters, Mothers, Bells, etc Jmho

Grand merci à CZcams de me proposer par ses publicités "quasi una fantasia" les culottes menstruelles (lavables ! )

un tout grand merci à CZcams de me faire penser à changer la taille de mes tampons menstruels, sur le fond de musique de Beethoven......

merci à CZcams de m'apprendre par ses publicités quelle marque de serviette hygiénique je dois choisir pour mon amie,-c'est très intéressant,très instructif. Beethoven est secondaire,nous sommes d'accord CZcams et moi.

C'est sûr ! elle appartient au Valhalla beethovénien , assise juste à côté de Hans Richter- Haaser !!

A truly wonderful recording of a magnificant concerto by the great Leonid Kogan, genius of the violin. David Alexander Lillis, Wellington, New Zealand. 15 June 2024

To me, in Richter's hands, opus 110 is like a statement that formulates in a clear and emphatic way impressions and ideas presented in a somehow opaque way in the third part of opus 109.

Mothers milk. All the more so for it's sterility.

Scintillating .

Thank you for providing us with this remarkable recording! Would you be so kind to tell me if it is copyrighted or where can I ask to use it on my channel without getting copyright claims? Thank you in advance❤️

A wonderful book on Shostakovich and his quartets called MUSIC OF SILENCED VOICES is a prerequisite to understanding just how the quartets came to be: from neo-classic to 12-tone serial voiceings.

furtwangler s0o coool <3

Uhhhh !

This is not him playing.

Wonderful. Talich was unsurpassed in this repertoire.

This is the best Beethoven's 5th I have heard in my entire life.

One of Willie's duds.

Sadece Schubert’in yazabileceği bir harekete ve aynı zamanda o huzura sahip.

Schumann’ın en içini döktüğü parça heralde. Kreisler versiyonu sayesinde muazzam zor bir hale gelmiş, tabii ki de güzelleşerek.

Какие ферматы.. Какой тон.. Маэстро, браво!!! Упокой, Господи, душу раба Твоего Карла🕊

Los nefastos anuncios en mitad de la interpretación me han sacado de esta maravilla. Voy a buscar en otra parte

少し急ぎすぎに感じました。 むきになっているような、シューリヒトらしくないこだわりを感じてしまいますね。 パリ菅との演奏はもっと柔軟で名人芸を感じました。

Guys, Wolfie dropped that again, lets snif the whole train of notes. Never tired of such a dope.

Grauenhaft, da stehen einem ja die Haare zu Berge😢

This is taking my breath away!

Сейчас прослушала Юдину. Какое разное прочтение. Выбираю Рихтера. Невероятный, умный, тонкий, стильный Рихтер. Фантазия Шумана в его исполнении - настоящее сокровище.

❤️

Recording this Siegfried Idyll almost cost Mr. Solti the whole ring cycle that he was in the final stages of completion. RING RESOUNDING written by John Culshaw is an amazing read about the recording of the "SOLTI RING" iT'S A FACINATING READ.

Unbelievable pianistic execution in the 3rd. For Gilels to stay that technically sound despite maintaining his agitated, passionate, and speedy phrasing and elevated choice in tempo for the movement just demonstrates the once-in-a-generation talent he possessed.

Great!

But back to the Franck: this Russian instrumental genius - do we have people who can render chamber music ensemble like these guys? There must be some folks, especially here in Chicago where I am. I wish I knew them!

Oistrakh-Richter and Rostropovich-Richter and the trio! I think Beethoven would have loved them, especially along with the masterful technology and power of the Steinway, and the recording studio ambience, which would have broken through his deafness, especially at the lower frequencies, and given him a very significant boost that he had no chance of getting from an 18th century clavichord. Poor LvB: if he could have had today’s technology, who knows what else we would have got out of him. I think we would have had a richer middle register, more immortal melodies, and a less busy and booming bass that reflects the great master’s yearning to hear from without what he could not stop hearing from within!

Insomma il terzo movimento é proprio irresistibile… si potrebbe sentirlo 100 volte senza stancarsi… Pollini+Wiener n.1 … il Pollini fino all’inizio anni 80 é stato il più grande pianista di sempre

24:35 miraculous

Love this part "Mouvement" 11:25

美しい透明感あふれるﾌﾟﾛｺﾌｨｴﾌの９番のｿﾅﾀをあげて頂き有り難うございます。とても好きな曲です

Such subtle playing, so nuanced, and yet so expressive and strong. An exceptional musician.

Richter’s left hand is so strong; not the poor relative that it is with many; Liszt would have loved that!

Yes indeed!

And the rest? Fantastic; right up there with Cziffra!

The opening G’s are too long and too calm. Surprising from Richter

Thanks for this happy melody😊

1943年としては信じられない音質。マエストロの明瞭さ、柔軟性、構築性が瑞々しく捉えられていて、６０年頃の録音で感じた欲求不満を、逆に感じないほど。

sublime enregistrement !

Hay otras mejores de Furtwangler, pero muchas gracias, ya le gustarían algunos dejar esta versión grabada......

Gran interpretación, Guillermo es Guillermo aunque sea el de la posguerra, a mi me parace que la octava, es la más completa de sus sinfonías, haciendo el juego de palabras.

6:46 devil's spinning