HOW A 4K BLU-RAY COMES TO LIFE | A DEEP DIVE INTO FILM RESTORATION
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- čas přidán 31. 05. 2024
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Film restoration is a serious art, and it’s also the magic behind your favorite 4K Blu-rays. I took a deep dive into the process to show you all how it works, what it costs, and the effort it takes to bring a 4K restoration to life!
Jaws Restoration Video: • Jaws | Restoring the F...
Dracula Restoration Video: • Dracula - The Restorat...
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#Bluray
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#FilmRestoration - Zábava
The people who restore these masterpieces really are heroes.
Hopefully they don't extinct in the future. I'm worried that, now that everything is digital, in the future people won't even know how to properly do this stuff.
You have to be certifiably nuts to go through the tedium they go through, though. (And I mean that in a good way.) I just wouldn't have the patience.
@@ebinrock I know, right? Imagine…
Heroes?? It's their job and they get paid good no doubt.. heroes? Far from it. Maybe talented?
The only film that really perplexes me as to why they have not released on Blu-ray is Superman 2 they released all of the other ones with the exception of this film I don't get it
I haven’t watched a restoration feature like this in a while, but this was great. In our hyper-disposable, click-happy streaming centered world, this is the sort of thing that people need to know about and appreciate. There are skilled workers creating these films, as well as preserving and restoring them.
I get the sense that many people have a vague feeling that since everything is digital now, it’s all free and easy. Even digitally made films require craftspeople to produce, and I think that the ownership of physical media connects us to these processes, and invests us in these works in a way that streaming doesn’t.
Restoration is tedious work, but there's also a great deal of artistry in it, which is why some people enjoy that job.
Yes and it’s important for posterity. It’s literally keeping a part of history alive.
I had the pleasure of having a conversation with Robert Harris, the film restorer. He restored Lawrence of Arabia, Spartacus, Vertigo, The Godfather, among others. We spent two hours talking about film but mainly about his work on Lawrence of Arabia, my favourite movie. It was amazing learning about his view of cinema. A huge honour and pleasure!
I worked at ARRI and saw in the DI Department the restoration work of old movies like 2001 a space odyssey. Very interesting topic
Is it true the 65mm negative of 2001 no longer exists, so the 4K scan had to be done from a 35mm print? Don't get me wrong, the 4K still looks great, but a velvetty-smooth, high-contrast 4K scan done right from the original 65mm negative would be truly astonishing. You'd feel like you're IN space.
@@kthx1138 Collaborating with a team at the FotoKem laboratory in Burbank, Nolan and Ned Price, Warner Bros.’ VP of restoration, first had to spruce up that material. According to Price, the lab spent more than six months cleaning the 50-year-old negative and checking the splices, which included removing a number of older, imperfect repairs. Then they made an answer print, color-timed it by closely adhering to the original timing notes and documentation, and finally made an interpositive and an internegative in 65mm for striking prints. (Hoyte van Hoytema, Nolan’s director of photography on “Interstellar” and “Dunkirk,” had a hand in the effort.)
-From and a Variety article on the restoration.
The negative exists for at least the theatrical cut, unsure if the deleted scenes survive in negative form. As of 1981, the negative was nearly destroyed due to the constant printing required by the film’s popularity. While 2.39:1 35mm prints exist and were the basis for many home video releases, the 2.20:1 ratio of the 2018 releases should be a dead giveaway that it was taken from a 70mm source. It actually turned out really good, it looks like it was just filmed. The whole internet disagrees with me, but I think the 4K is probably the best 2001 has ever looked. While there’s very little grain if any, it doesn’t look like it’s been DNR’ed to death. It actually looks very realistic.
@@kthx1138 a "velvetty smooth" is an incredibly accurate term
@@kthx1138 8k scan
To this day, Pink Floyd the wall still hasn’t gotten the Blu-ray treatment, I hope one day they restore it!
Imagine that movie with ATMOS, that would amazing!
that movie would be a perfect candidate for a criterion release
That is one of my top Blu Ray wishes! I just wish that Waters would get his head out of his ass about this though, because it doesn’t seem like he wants that to happen from what I understand, so idk how much hope there would be for a proper restoration/HD re-release... :(
The Wall is an audio-visual powerhouse!
Never mid that: what about The Abyss and True Lies! Wtf
Jeff, I appreciate that you do these types of videos. Showing how these films are preserved is very fascinating. It shows how much you care about 4k and the medium of physical media as a whole. Thank You very much for everything you do.
I wouldn’t say they preserver these films as much as they revive them.
Preservation would mean that they wouldn’t change anything and that rarely happens.
@@Thecatdrums3 That's true, and that's why I for one appreciate the great work done on Jaws. Aside from selectively varying the brightness outside the windows of the Orca at night while the boys are exchanging scars and Quint tells his Indianapolis story, restoration artists didn't do a DAMN THING to alter the look of the original film the way it appeared in theaters in 1975.
Alien 4k is amazing
But unlike Blade Runner no ATMOS remix
I'm kind of surprised how you didn't mention one of the most famous and intensive restoration projects in film history. And that's Criterion's restoration work on Satyajit Ray's Apu Trilogy (Pather Panchali, Aparajito, & The World of Apu). Which is a very famous trilogy of films that come from India in the late 1950s.
Where the fascinating story about this film restoration is how the original film reels went through a really terrible building fire where the building that the films were stored in ultimately ended up burning down. And the reel itself was either completely burned or was basically glued to itself, almost anyone would throw it away with the condition that it was in.
Some super famous and important person in the Oscars Academy requested that every single inch of the film reel be saved, regardless of the condition that it was in.
Then Criterion stepped up and did some kind of magic that they were able to restore to beautiful 4k quality. Which required several fascinating and time taking processes to recover on top of the processes that you explained in this video. I recommend looking into it, it's again a miracle at how they were able to salvage the films and restore them to 4k quality.
Interesting. Gonna look into that more.
That is truly revolutionary
As a movie lover and movie collector this gave me such a huge insight and appreciation to studios who put so much effort and time in restoring older movies, thank you for this Films At Home, I really loved this video.
Star Wars 1995 restoration. As usual Lucas was ahead of the curve. They actually reshot many of the composites because he saved all the original props. The documentary is out there narrated by Howie Long. Must see for those interested in film.
The restoration of the film negative was done before he created the Special Editions? What I wouldn't give to get a 4K transferred right off those pre-Special Edition negatives, if Lucas would ever release his Vader Force stranglehold on them. The desire to control is a path to the Dark Side, George. You must train yourself to let go of everything you fear to lose.
At least someone else knows that they were edited before 1997. They were edited in 1991-92 for the 1993 Definitive laserdisc release, and both US presses of that had issues. (The Japanese issue however was perfect.) The 1995 VHS tapes and laserdiscs were the same version used for the 1993 discs. While ESB and ROTJ were unedited until the Definitive job (aside from pan-and-scanning, of course), ANH was first edited a month after its release, when a mono track was created using different elements than the 4-track Dolby Stereo mix on most prints. It was then edited again at some point between 1978 and 1981 to include “Episode IV A NEW HOPE” at the beginning, and then the soundtrack was remixed again for a 1986 home video release.
On the flip side of that, though, kudos to Peter Harmy and his team for *un*-screwing George Lucas' graffiti job.
That was vandalism at its worst.
Blade runner final cut and 2001 restorations are A1
I want the other cuts or at least the international cut of blade runner on 4k. Sometimes I like to watch it with the voice over. Gives it more of an old detective film vibe.
@@MentalDeviant I've seen voice over on the archive DVD included, but it's just tacked on, harrison ford sounds so bored and out of it!
@@MentalDeviant Yes! The international cut is my favorite cut of the film, has the added moments of gore AND the Deckard narration with the happy ending of Deckard and Rachel driving in the countryside. I just find it a bit more emotionally satisfying. Ford was definitely honing and refining his Bogartian presence in Blade Runner, that brooding, alcoholic "thing".
I heard a rumor that the UK 4K release had all of the cuts in it. Also, as for the poor-quality of the voiceover, rumor has it that Harrison Ford intentionally did a bad job because he didn’t want to do it.
Great video i've always wanted to know how they make 4K Restoration 👍👍
I like these kind of stuff where they explain how they make physical media
Love the process of removing scratches. I can just imagine the processing that will be developed in 5 and 10 years to make another fix easier and eliminate a cumbersome problem. It shows the love and care that goes into a restoration. It is alot of work.Good Video 🙂😎
Great video. The biggest issue with Jaws and movies of that era was the crappy Kodak stock that simply did not stand the test of time. ( Just like audio tape of the era turned sticky after a few years, requiring the reels to be baked in an oven to copy to digital. The sound reels for Superman II required this for the Donner Cut.) Despite the cost and difficulty of Technicolor, it was not as subjected to fading as it was more of a printing process. However there are issues of the three individual strips warping over time at different rates requiring a lot of time to fix during the restoration. What one technology is better at the other less so. Up until the 70's and the rise of home media, the studios didn't really care about their legacy. So much has already been lost.
I really want the old Bond movies on 4K Blu-ray.
How about the godfather trilogy
While the only Bond movies I know on 4K are Casino Royale, Quantum Of Solace, Skyfall, Spectre, and No Time To Die, I believe that they are under the control of Disney. Fox got MGM, and Disney got Fox. Uh-oh. As for The Godfather, vague rumors have it that they’re coming out next year.
The man is working. The quality of this channel is increasing day by day. Thanks friend 🙏🙏
Great video, lots of people don’t realise that the classic movies you can see now are usually in FAR better quality than they could ever be seen at the time. As a kid who was there and very interested in VFX, I can tell you that many 80s movies’ original effects were actually pretty ropy and they have quietly fixed them. Ghostbusters in particular; HUGE improvement.
super interesting topic for a video.... Vinegar Syndrome deserves so much more credit for print restoration for a small distribution house they really pushed 2k & 4k print restoration before anybody else was doing it (Then Arrow, Shout Factor, Severin, etc. did it a lot more) now everybody is quick to add **Brand new 4k restoration of the film in there special feature section
The film foundation does a great on restoring films!
Really excellent Jeff. I just took delivery of Ten Commandments 4K yesterday and am interested to see what they have achieved. Thanks
They used the new master on TV last night, and even on TV it was the best I’ve ever seen it. Downscaled to 720p, with Dolby Digital 5.1 playing through my stereo surround system, it was amazing. Guaranteed this will be an amazing 4K.
I heard Don Coscarelli's The Beastmaster is finally getting a 4K release, which is great, because John Alcott's cinematography is gorgeous. After an exhaustive worldwide search, Coscarelli and his team of archivists weren't able to find the original negative, which they presumed was mislabelled and thrown into a dumpster, but they did find a first-generation print, the next best thing, having almost as high of resolution, color quality and contrast range to work with.
It is actually already out and released through Vinegar Syndrome. For the most part it looks excellent. There are some scenes the grain is very thick and some frames where obvious damage can be seen.
@@jjchmiel78 That's cool--I like grain. I think the Dar growing up scenes were shot in anamorphic (you can tell by the squished out-of-focus bokeh in the backgrounds) and printed down to 1.85:1, which means yet one more step in dupe printing and thus more grain. There are a lot of night scenes in Beastmaster too, lit only by firelight, which required very fast film, before Kodak introduced their T-grain emulsion, probably push-processing too, hence grain.
@@kthx1138 Surprising most of the night scenes look fine. Vinegar Syndrome breaks their releases down by reel number instead of chapters. Most of what I consider not pristine is reel one. They have a disclaimer before the film about original negatives not being available and using the best interpositives they could find. The packaging is limited edition but still available. That set is nothing but spectacular. If you are a Beastmaster fan I highly recommend the splurge.
@@jjchmiel78 Thanks. Ordered!
Great video. Makes me appreciate a good 4K transfer and even decent blu-rays that much more.
I want to get into this industry so bad. This looks like the mundane fun I’ve been searching for
Awesome & informative clip, great job! 👍 I got a lot of more respect for this work
Hi Jeff. Great vid again. I just subscribed to your channel. I have watched a lot of you content in the last couple of months, so why not! I have a ton of DVD and Blu-ray, but I stopped collecting a while ago. With my new Ps5, my appetite for physical media has reignited and you reviews are always helpfully. Keep up the good work.
Thanks Jeff... awesome vid!
I still say the initial blu ray release is one of the finest restorations. Course this comes from being used to seeing the horridly framed version from TV for years and years.
I remember a good restoration video I saw back in 2013 or 2014 on youtube from sony studios about the restoration of Lawrence of Arabia. it went into technical and interviewed people who worked on the restoration. I haven't been able to find the clip since.
It's on the Lawrence blu-ray and most likely 4K. I love how they even fixed the grain stretching problem during the trek toward the Nefud desert where the sun was so hot it literally burned the film negative in the magazine!
Thanks for taking the time to make this. I've been on a kick buying 4K DvDs and I'll get excited thinking of a movie. "OH! Aliens 4K!" To my surprise, No Joy. I'm actually now aware there is a 4K Remaster coming for Aliens in 2024 so this is great! Anyways - This video has 100% cleared up why I might not find one of MY favorites coming up.
I really appreciate all the videos you make about 4k, they have really helped me make an informed decision whether to upgrade to it and if its worth it for me!
I always watch your videos before buying my 4k movies, I just wish they would hurry and release more classics like Lost boys
Excellent video Jeff, well researched and I really enjoyed it. I'd like to see another video on the encoding process to a 4K UHD disc. Thanks Jeff.
What an awesome and educational video!
I've been waiting for this! Thanks! P.S. I'm still waiting on a 4K release of Death Becomes Her.
Me too!
My boy with the skill share plug🔥
I love the restoration that was done in 1990 to Lawrence of Arabia with Steven Spielberg and Martin Scorsese and restoration done to Spartacus with Stanley Kubrick they both used from original negative
When Lawrence Of Arabia was restored, the negative was in awful shape. When the restoration in the late 80s was done, and new negatives and prints were made, the original negative was deemed “officially dead”. However, it was preserved anyway. That “dead” negative was the source of the 2012 restoration and the Blu-Ray and 4K that followed.
I have the blu-ray (non-4K) and love it. It's amazing they were able to do what they did. My favorite restorations tend to be the ones shot on 65mm film - you can often get the most detail out of those. In fact, it's a crime that all the educational (short) IMAX-originated films (i.e., not 35mm movies printed to IMAX) aren't just released to blu-ray and 4K; they're just screaming for a release.
Thanks so much for covering this great topic, Jeff, my favorite! I especially love what colorists do, taking a badly faded image and restoring its proper color and contrast brilliance, matching this brilliance shot-to-shot.
This was very interesting! thank you!
Film restoration has been something I’m interested in for years. As for the wet gate process to reduce scratches during the scan, the people involved actually need to be extra careful. Some film restorationists choose not to use wet gate scanning because the final image is less sharp though at the advantage of less visible scratches. Also, there have been some horror stories of the wet gate process actually damaging the prints after and causing issues when the film is put back into storage.
Warner Bros. actually built a special scanner for their restorations of Gone With The Wind and The Wizard Of Oz, the former of which it’s frankly a miracle it still exists, the latter of which survives in its original negative form for the Oz scenes and the internegative for the Kansas scenes. It scans the reels at 8K resolution at a speed of less than one frame per second, with minimal contact with the reels and perforations and no contact with the frame at all. This was created because photochemical restoration requires physical contact with the film, where a digital restoration doesn’t. These scanners have been used for hundreds of restorations over the years, including by WB, 20th Century Fox, Disney, Paramount, Lionsgate, Criterion, Shout! Factory, and several others.
I'm always in awe when I see these great talents restore classics.
Wonderful video. Thank you!
This was awesome! Most film review channels don't get into the technical details of how 4k releases are made possible. Great video!
Fantastic video! Thank you :-) This is what I have been looking for in a long time - in depth knowledge about 1080p to 4k transfers. I think the studios should be more transparent about their remastering and transfering of 4k movies. It is not easy to know whether a 4k movie has a good or bad transfor or has been remastered properly.
thanks, this is exactly what I wanted to know! 500k for a picture restoration and 100k for atmos is defo no joke. That's why we often see english in atmos and german only in 5.1 here
Dude this was super-interesting !
Thank you...an excellent video.
Thank you so much for making these type of videos! Your videos are my favourite on CZcams :)
Enjoyed this and learned new things as well. Does help one appreciate the work that goes into the films we enjoy. Thank you.
Excellent video. It's impressive how much care and money goes into the restoration of a great film.
Really interesting video Jeff. I know from my personal experience scanning old 35mm photo negatives into my computer, there is a lot more labor involved than one might think.
Great great job on this!
Great video! Thanks for doing all the work to out this video together.
This is a great video you made!! Love the creating process of how these companies restore movies to upgrade them. It makes me feel more proud of my physical media collection.
Great video Jeff. Good stuff. Sad but understandable why so many movies will never get the love they deserve. That would be an awesome job to have. To bring back to life great movies. I think I would bring back some classics like the Marx brothers, About and Costello, Westerns. There's so many. Blood in blood out. The Car etc. 👍👍 Thank you.
Super informative and educational for a fellow film collector like myself! Keep up the good work Jeff!
Looking forward to the good the bad and ugly 4k due in April 2021.
If it’s good, Day One.
Great video. Thanks a lot
Excellent video very well done and interesting
Great video thanks so much!
Thanks for sharing
Very informative! Thanks for the upload
Great work
These are the topics I really like to hear about!
Very nice work ! So good to see how content we watch are made
Heck ya I’ve been waiting for a video like this. Thank you.
Have you seen the Peter Jackson WW1 doco They Shan't Grow Old? Probably the best restoration work ever. There is a great extra on the disc of the process involved.
Yes! It’s awesome
Very interesting stuff, thanks for this!
Artistry to restore and preserve artistry.
Great information. Thanks
Great video, really good info about the restoration process for blu rays/4k uhd.
Great topic. Pretty eye opening. I haven't switches to 4k yet, but after this I can see the value.
Great content mate! Always wondered what the process was behind 4K restorations.
Great video! Really puts things into perspective
Dope video man
Such a great video 👍🏼
Great ep.
Informative. Good job.
Love it thanks for the deep intel on this topic keep up the good work 💪👌
Great video! 👌
Excellent Video!
I remember seeing Jaws in our old beat up local movie theater back in 1975 and 1976.
(Yep - in those days before VHS or DVD’s these films would either stay in theaters for a long time or be released to certain theaters months later!)
Our local theater never got films at the time of release so if we wanted to see stuff right away we would have to go to a different theater.
But they would get them months later and stay there a long time -
so my friends and I would all see movies like Jaws, Star Wars or the James Bond films many many times there.
The Jaws print they had was just full of scratches and different marks and imperfections and these were so obvious that even back then we would all notice these lol!
I recently saw the 4K version of Jaws and I can tell you without a doubt that it is the best that that film has EVER looked - and blows even that original theater print right out of the water.
So these Restoration teams really do a brilliant job!
Great content as always!
This was a very good and interesting video. Thanks for giving me the knowledge of how much time and effort all the studios put in restoring their films. I have a physical movie collection and it only makes me appreciate it more.
So out of curiosity I was trying to figure out how a 2 or 4k restoration blu-ray would look on a 4k panel and I ended up getting your video on google! I have only had FHD, and had wanted UHD since I heard about it but since then life as we know just happens, and I could never just get enough to get another tv or monitor for either my gameroom or my livingroom. Jaws is absolutely one of my favorite movies of all time so seeing those clips of how clean they made the film was truly awesome man! My wife ended up surprising me this year and preordered the Samsung Odyssey Ark monitor for me and now my mind is going a million miles an hour lol. Is it safe to say that I would get some sort of general upscaling for all my blu-rays and some sort of new experience with them or do I have start a UHD collection now? lol
Really enjoyed this, good example of why I like this channel so much. It may not get as many views as a movie review but I think it's cool and appreciate you putting it together
Man!! Awesome documentary! Greetings from Brazil.
Thanks for this video, it's exactly what I've been looking for.
I'm curious about 4k films that haven't been released on blu-ray, but are available via streaming. In cases like this, does Amazon have access to the originals and does their own restoration? Or does the movie studio do the restoration and then lease it to Amazon to distribute? Or is it just Amazon doing a lazy upscale of the existing 1080p source?
Awesome, Knowledge.. Far as Sound I was Shocked that they still use DD 5.1. Now I know y. Atmos & DTS:X is Expensive. U do hear the difference between those Top sounds vs DTS Master Audio. Now we know money will spend on Top Sound can't be upset when u don't it - Stay Safe, Be Safe!!!!
Great topic and thank you for doing this for us. Subbed for a while.
Very Informative and interesting!! Respect!
This is so interesting, great video on this,love it!!
Cool😎!
Very interesting. Thanks.
Great informative video! Nice to know behind the scene stuff that happens to restore a film to 4k. When i saw Jaws in 4K i was blown away on the quality. Cant wait for the Indy Collection in 4K. The bluray version looks outstanding as is.
Great video, man! I learned a lot.
Very interesting, thank you
This is a detailed and very informative look st films
Wow really enjoyed this review on film restoration. Being a movie enthusiast this has given me a great insight on all the hard work and money involved really amazing with what they do.
This was a great video. I subbed.
Fascinating 🤨