Etude No. 7 in F Major, Op. 4 No. 7

This is another older work that I dug up. I remember the only thing that prevented me from finishing it was coming up with how to transition back to the A theme, so I added that and kept the rest! The original working title for this was "Etude No. 5 in F Major, Op. 2 No. 13". Both 12 and 13 were etudes based on the same idea, crossing between the octaves in the bass and the melody over top in the left hand, and the right maintaining a consistent flow of arpeggiated chords. In the Db section, the right hand voices the melody within the arpeggios. Hope you enjoy!
Also, I've been having trouble naming these so I'd love to hear your suggestions!
(Edit: Had to re-upload, forgor some repeats)

[@Lavirfra]

Awesome work!

[@TristinBailey]

I think this piece could benefit from some clef changes. A lot of the right hand arpeggios are in a comfortable bass clef range, and the top staff would be a bit less cluttered if the bottom staff switched between bass and treble while still getting across that the melody is in the left hand.

[@DamianVarnum]

Oh dude great idea! I'll update the score on the Musescore website and post the link in the description. Thank you for your advice man, I really appreciate the guidance. I'm self taught so far and theres a lot of holes I need help with. Im taking a composition class this semester so hopefully I'll get some experience there!

[@TristinBailey]

@@DamianVarnum I'm looking forward to seeing what you do with the formal education. Good luck.

[@enisatallah8]

Don’t know what to think about it

[@DamianVarnum]

Me either hahaha