Elizabeth Rowe-Flutist, Advocate & Mentor

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  • čas přidán 30. 10. 2021
  • Elizabeth Rowe has established herself as one of the preeminent orchestral flutists active today during her tenure with the Boston Symphony Orchestra.
    Following in the footsteps of legendary BSO flutists Georges Laurent & Doriot Anthony Dwyer, she has continued a tradition of playing that emphasizes subtlety, nuance and color.
    In addition, Elizabeth has become a spokesperson for gender equality and fair pay as a result of her lawsuit against the BSO and her creation of an online forum for orchestral players and professionals available through www.Iamelizabethrowe.com.
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Komentáře • 9

  • @zeldemalevitz4996
    @zeldemalevitz4996 Před 2 lety +1

    Excellent interview. Thank you!

  • @michaelschuster206
    @michaelschuster206 Před 2 lety

    Another great interview. Thank you, Ed.

  • @HB-ve4wi
    @HB-ve4wi Před 2 lety

    A wonderful interview. Truly inspiring. Thank you!

  • @MusicLiberates
    @MusicLiberates Před 2 lety

    Fantastic interview! Very interesting topics.

  • @Gemashke
    @Gemashke Před 2 lety

    Dear Ed: It's with a lot of respect that I mention this: I suggest that you do a bit more research into the history of the USC Thornton School of Music. To insinuate that USC's Thornton School of Music was and perhaps still is a second choice to schools like Eastman, New England Conservatory, Juilliard, Curtis (well, maybe Curtis...but every other school of music is a second choice to Curtis) is just not true. USC-Thornton's Alumni is incredibly distinguished..and not just alumni who graduated recently: Michael Tilson Thomas, Marilyn Horne, Nathaniel Rosen, Cynthia Phelps (Principal Viola New York Philharmonic), Christopher Parkening, Thomas Hampson, Gene Pokorny (Principal Tuba Chicago Symphony,) Sheryl Staples ( Principal Associate Concertmaster: New York Philharmonic,) Michelle Kim (Assistant Concertmaster: New York Philharmonic,) Rodney Gilfry...and so many more!

    • @Joffewoodwinds
      @Joffewoodwinds  Před 2 lety +2

      Every school was a secondary choice for orchestral players in the mid-twentieth century to Curtis. As I stated in the interview, that has changed over the past several generations. That is not to say that many schools did not produce many fine professionals. However, it is simply the fact that Curtis was the #1 choice for orchestral players then, and that’s coming from a New Yorker educated at Juilliard!

  • @sethhamlin8105
    @sethhamlin8105 Před 2 lety

    What is the composer and piece in this video?

    • @Joffewoodwinds
      @Joffewoodwinds  Před 2 lety +1

      The piece on the intro is the Debussy Trio for flute, viola and harp. The piece on the end credits is the Mozart Concerto for flute, harp and orchestra.

  • @rwrae72
    @rwrae72 Před rokem

    Oar-eh-gone...typical "least coaster". lol