0:36 What sort of warm-ups constitutes as your fundamental routine? 2:37 Could you tell us about your support of the young professionals projects? 6:40 Is there a distinct American style of flute playing and what are it's characteristics? 8:34 Does the acoustic of the wonderful Boston Symphony Hall affect the way the orchestra plays? 13:53 Since most of the concerts are cancelled in the USA, what have you been up to? 16:38 What can we all collectively do to proactively rebalance the gender inequality in the industry? 19:53 Do you dabble in Jazz flute? 21:30 Can you tell us a little bit abut your work outside of the orchestra? 24:47 How did you prepare for the audition for the BSO? 31:34 Are there any more issues that you have discussed with young professionals that didn't make it to your TED Talk? 39:07 With the Boston Symphony Chamber players do you have a different mentality or approach for a recording or live performance? 43:56 What personality traits are necessary to succeed in the classical music industry? 46:26 Do you need any personality traits in addition to the those already mentioned for a female musician? 48:46 Do you believe in the BSO's progressive identity and how can other orchestras follow it? 51:22 what positive attributes do you look for when you are on the audition panel? 54:19 Have you had any experience of being on the audition panel prior to auditioning to BSO? 55:30 Who has been your biggest musical inspiration and why? 57:40 If you started again, would you still chose the flute?
0:36 What sort of warm-ups constitutes as your fundamental routine?
2:37 Could you tell us about your support of the young professionals projects?
6:40 Is there a distinct American style of flute playing and what are it's characteristics?
8:34 Does the acoustic of the wonderful Boston Symphony Hall affect the way the orchestra plays?
13:53 Since most of the concerts are cancelled in the USA, what have you been up to?
16:38 What can we all collectively do to proactively rebalance the gender inequality in the industry?
19:53 Do you dabble in Jazz flute?
21:30 Can you tell us a little bit abut your work outside of the orchestra?
24:47 How did you prepare for the audition for the BSO?
31:34 Are there any more issues that you have discussed with young professionals that didn't make it to your TED Talk?
39:07 With the Boston Symphony Chamber players do you have a different mentality or approach for a recording or live performance?
43:56 What personality traits are necessary to succeed in the classical music industry?
46:26 Do you need any personality traits in addition to the those already mentioned for a female musician?
48:46 Do you believe in the BSO's progressive identity and how can other orchestras follow it?
51:22 what positive attributes do you look for when you are on the audition panel?
54:19 Have you had any experience of being on the audition panel prior to auditioning to BSO?
55:30 Who has been your biggest musical inspiration and why?
57:40 If you started again, would you still chose the flute?