Nikolaus Harnoncourt & Concentus Musicus Wien rehearse Bach: Matthäus-Passion (2001)
Vložit
- čas přidán 12. 09. 2024
- This recording won a Grammy Award of Best Choral Performance and a Diapason d’or de l’année in 2001, and it’s one of the 100 Greatest Recordings from Gramophone: an absolute landmark of Bach’s masterpiece, the Saint Matthew Passion. Discover: w.lnk.to/pasLY
"A unique statement, one that can’t fail to make an impression. Recorded in the sumptuous acoustic of the Jesuitenkirche in Vienna, there’s a detectable flavour of southern European oratorio, ebulliently theatrical, immediate and free-breathing (...). This is the most culturally alert reading in years and a truly original and illuminating experience." - Gramophone
__________
Warner Classics
► Website: www.warnerclass...
Subscribe to our:
► YT- Channel: wnrcl.me/subsc...
► Newsletter wnrcl.me/subsc...
Follow us on:
► Facebook: www. Warn...
► Instagram: / warner_classics
► Twitter: / warnerclassics
► CZcams: / warnerclassics
Listen to us on:
► Spotify: open.spotify.co...
► Apple Music: itunes.apple.co...
► Deezer www.deezer.com...
Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
#ClassicalMusic #Bach
The best conductor to ever live in my opinion
Seh ich das, kommen mir doppelt die Tränen: Vermissen wir auch in diesem Jahr wieder die Aufführungen der Matthäus-Passion und ... ich vermisse Nikolaus Harnoncourt!!
Me too!
Lieber Thomas, ich auch.
The GOAT himself. Harnoncourt
The very much missed Harnoncourt.
Not at all.
@@annamcancarini6953 Those who worked with him, like I did many years, know how unique he was and miss him deeply.
I miss him soooo much!!! what a Juggernaut!!!!! ❤love from Kentucky Harnoncourt Family!!!!!!!
I've always loved his ability to insert himself into the performances like the Return of Ulysses to his Homeland by Monteverdi, and the Sorceress by Handel. Both exquiste productions and performances! RIP he is definitely missed. His intense gaze and passion he became the MUSIC!
A legacy to be appreciated by generations to come!!! Bach & Harnoncourt !!!
He was a man absolutely amazing. I so feel his departure from this World.
Magnífico 🤩🤩🤩🤩🤩
Great Maestro!
It's fine!!! BRAVO!!!
belisima multo bello exelecte.
Maravilhoso, sensacional, estupendo.
Extraordinario Maestro!!! Soli Deo gloria
A Masterwork To Be Appreciated Time & Time Again
❤️Incredibly inspiring❤️ Thank you for sharing ❤️
NOBODY has this human, poetic and musical level today !
Maybe Ivan Fischer.
👏🏽👏🏽👏🏽👏🏽😍😍🌹🌹🌹
cool
Liebe Grüße gehen raus an die die sich das im Musikunterricht anschauen :D
@Kyree Gianni Whats wrong with you guys?
Audiokanäle sind vertauscht. Meine armen Ohren!
There is no question that Bach was "religious" - a Christian.
This man is a musicologist, NOT a musician. Bach doesn't need style experts who follow weird rules or use period instruments with their flat moans, but interpreters who exploit the score and discover something new that perhaps not even the author suspected. Harnoncourt is only a sloppy translator of notes, his performers just grotesque as his gestures in conducting.
This kind of comments are the reason why internet is not for the elderly. Too many random people who think their opinions are relevant or important.
@@patoxalapa617 Nailed it, although I know a lot of elders that have good sense on the internet, to me is crazy that someone is able to judge the work of 50+ years, from one of the most respected musicians in the 20th century (yes, he was both a musicologist and musician, you can be both), who recorded all Bach cantatas for the first time in history, based on disliking period instruments or "flat moans". One thing is to dislike something and that's totally ok (I loathe at the idea of hearing Karajan conducting Bach) but to diminish someone's life devotion to work is just sad and low.
Oh, so you met Bach and know what he meant in his music? Harnoncourt's approach seems (at least to me) to be much closer to real baroque music and real Bach than other 20th century "romanticised" interpretations of Bach. You simply can not play historical music without being just a little bit of a musichologist yourself, otherwise you will fail miserably. And if you listened to just a little bit of Harnoncourt's Bach or Mozart, or if you read his two books "Music as speech" and "The Musical dialogue", you wouldn't say that he is a "sloppy translator of notes" and you will actually realise that he was a living genious. His ideas were ahead of his time, but in the same time based on an endless research of historical documents. I don't know what made you write such a miserable comment.