What EVERY PRODUCER can learn from JPEGMAFIA
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- čas přidán 6. 06. 2024
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gotta talk about how this album was produced entirely on a 303 sampler. makes the production so much crazier
404*
@@GREGBLUU u right
Goes to show that a good producer' style and techniques is transferable. Peggy with the SP-404 and Metro using the MPC 2000 XL recently.
@@traplover6357 tbh im not entirely impressed by metro using an mpc 2000 lol but i do think its cool hes using it
@@zip5644how come?
1 zillion likes and I will do a full breakdown of how I made the beat at 3:54
Need this🙏
It definitely needs a Beat Making Overexplained!
Sounded like a filthy frank beat ngl
please do!!!!
Damn Navie
If it wasn’t for you, these techniques would be so out of reach for me. Just the fact that you can recreate the sample chop shows how skilled you are as a producer. Thank you for giving such quality content. 🙏🏼
Now Imagine coming Up with it. Especially in todays world where Most unique stuff is already Out there.
Wow, I’m actually really honored that you used my vid for garbage pale kids, this is nuts. I’ve never had my stuff used in this way before.
Clean video and very nice editing. Keep it up my guy, and thank you again.
Bro you're goated
@@randomdude1345fr
Ayyy
The thing with the transition is really cool. Never tried to extend a transition between two beats like this before. Def gotta try it out!
It definitely makes the transition more palatable
Jpegmafia is incredible. I've listened to his album so many times since it came out. Great work Navie!
In electronic music, specially in IDM, downtempo or ambient the idea of repurposing the samples is actually quite common. Specially the ideas of finding rhythmic patterns in rhythmic patterns (by applying stretching, chopping and/or granular processing) and using rhythmic elements of tonal samples as a percussion sounds. Like imagine that you have a set of drone sounds with a rhythmic modulation going on and you are creating a 'beat' by layering those modulations. Another thing that immediately comes to mind is creative usage of delays to create a pulse, or using very long delay feedback to create a 'looper' effect. Also the 'foleys' that you've sampled from Disney sound design team are essential for many EDM producers.
My personal favourite technic is to stack simple hi-hat patterns with a heavily high-passed jazz/funk drum loops and layering the reversed short sound of closed hat, which I design with a white noise on a Minimoog. So that way you have a static clear pulse going on with a simple closed hat pattern and also a rhythmic grooving texture underneath.
The craziest idea that I've stumbled across comes from a modular synthesists circle and this blown my mind away. So the 'traditional' way to make music is to use multiple instruments (voices) and sum those voices together in a one single wave. Now, the modular synthesists decided to flip the process itself upside down and start by creating a single wave, with only one voice and then make the whole music piece by subtracting from this single wave. The possibilities of current music production tools are almost endless and so we have so many creative ideas just flowing in the air, waiting for being explored. Music is a process of exploration.
Damn I love when hip-hop producers are getting experimental with their tools. I'm an IDM producer, but hip-hop music had a HUGE impact on my production style and artistic choices. From the sound of Bristol's 90s underground to the rough off-beat lyricism of early Eastern London to the Kanye's Graduation and Heartbreak.
@emily u welcome
can you elaborate on that subtractive process you talked stumbling upon? i wonder how these guys go about creating multiple layers from one
nice one ! do you have any links to the modular thing ?
@@Unkraut Sure. So the main idea is to have 1 synth, one trigger sequencer and a complex polyphonic CV sequencer to use it to CV the hell out of that synth. Basically, with a modular synthesizer everything is a voltage and you can control any parameter of the synth in any given time. Let's say that you want to have a kick and a hat hitting at the same time. You don't create those sounds separately and layer them on top of each other. You need to think about: "How does the kick and hat sound like already on top of each other" and then design that sound for that exact step. Okay, now you want to add a bass. You should design the completely new sound of kick, hat and bass combined. So your thought process is going to be a 'reversed approach' when you don't think about how to stack different instruments, but rather - "how the instruments would sound like combined".
It sounds way harder than it is, tbf. Here's the video of the most basic setup you can use to produce music this way. czcams.com/video/IWy9FggKP88/video.html
@@sarahrothfuss3005 yo, here's the simplest setup you need to achieve this.) czcams.com/video/IWy9FggKP88/video.html
I was expecting the GARBAGE PALE KIDS sample analysis to be a stretch referencing the lyrics or something but I was impressed with how you approached the rhythm and melody, and the beat you made out of the random sounds exactly like something that would be on STH! You clearly know what you're talking about.
Hell nah dude fumbled his note transcription abysmally, he didn't even catch the harmony somehow, and called it "vaguely musical". Bro's sped bro
@@basedmod2139brodie i might be slow but idk wtf ur saying and why u using so much big words
yea u slow@@Lxrzo
8:02 saying Peggy transitions from one part of beat to another flawlessly really made me laugh😂😂 His beat switches are often BRUTAL.
yeah I dunno if this guy has listened to an album passed Scaring the Hoes. Esp Vet or Cornballs
yeah this guy knows fl but sounds like hes only been described a jpegmafia song through chatgpt
I guess they could come off as “brutal” if you’re not focusing closely to the instrumental but it’s not like they’re just an immediate cut. They almost always have some sort of incredibly purposeful buildup and I definitely wouldn’t describe them as “brutal”.
yeah, plus i actually think part of the magic of a beat switch is exactly that, the surprise of getting a switch when you don't expect it to, a bridge instead just connects the the part A with part B instead of making a part A that seemlessly seems to continue on part B.
that said, the video it's still helpful and show tricks that can be useful while making beats. interesting shi.
@@theactualjosi how does "brutal" imply that there's no build up? Baby I'm Bleeding has build up but it's still a brutal beat switch when the original beat explodes into a million kicks
i might not be able to afford your classes yet, but your yt videos always make me wanna learn new things, thank you so much for inspiring me
Glad I can help any which way possible dude
Your tutorials are really something else that I don't find a lot of other people teaching on this platform. And they're really on point with the reference material. Thank you so much!
Garbage pale kids is genius. The first time I heard that transition to that nasty distorted guitar in the b section too, I got goosebumps. This video is gold!
Wow really great deconstruction of the jpegmafia sample technique. Your bridge explanation and the examples was on the point thank you for that. Great content 💯💯💯
So well-edited and well done, know a lot of work went into this a+
that funny sound beat was lowkey fire though 😂
I am selling it for $5,234,632 in case you're interested
Wow. Fantastic breakdowns of these cool sampling techniques
This is a wonderful video and your skills in understanding what he's doing then flipping it in your own way are really great. One thing I always catch though in videos like this is when the original artist is using a certain workflow/gear to make music, then the youtuber translates this into their own DAW. For Scaring The Hoes, JPEG used an SP404 exclusively. For example the Lean Beef Patty sample being pitched up I believe he had the track on a pad, then just cranked a pitch knob to get it so high and sped up. IIRC the pitch knob of the 404 doesn't keep samples at the same bpm when pitch changing, it just speeds it up. You did exactly the same thing in a diff way. Not meaning this as criticizing just diff workflows. Keep up the good work!
I need that beat transition 💎. Appreciate you Navie
🙏🙏
Damn, great breakdown and nice tips. Glad I found this channel. Also that second beat bangs
Thanks man. Very useful tips 💡🥂🙏🏾
This was genuinely inspiring probably one of your best videos, Peggy the goat 🐐
Thank you so much for this deep analysis video. Been a big fan of Peggy since 2018 and his sound’s been evolved since
I also appreciate that you explain and then give your own examples. New sub!
What a gem of a channel, I love this kind of analysis
Even though this approach usually doesn't work, I thought the rigid transition at 9:01 was actually pretty cool, though the bridge is indeed better overall.
I learned a lot from ur vids man. Keep it up!
hey dude loved ur work on my friend pedro and ur ass showed up on my home screen! i had to check to see it was you! so cool to see a fire musical artist have a yt channel, keep it up!!!
The way you used the techniques in Garbage Pale Kids and assembled your in beat is absolutely nuts. Yours equally goes hard as hell
awesome video! thanks for your work. this really helped me understand the genius behind peggy and also my producers' obsession with him
I just applied some of these elements to a beat I made was it was insane these tips helped a lot
Always inspiring to hear that there's always something different to utilize in different ways
Dope man! And what a great album him and Danny Brown made together. Did you see jpegmafia’s tweet saying he made all those beats on a SP-404 MKII? Wild shit!
Great video. Thank you so much brother
Navie you really are the goat. When I get my grammy you're in the thank you speech!
Your Peggy videos are always bangers
navie really the best out here 🔥
Thank you Xerxes da goddd
Really appreciate that you show us personal examples instead of just saying “try this, try this”
Great breakdown.
THIS VID WAS 🔥 I love the videos where you break down production techniques and that beat with the Disney sound effect you made was 🔥🔥🔥🔥
Hahah thank you Heath! Good to see you my man, I hope you submit to the BB contest dude
As soon as the beat came on I was like damn those some nice drums, then you said where the drums came from. Thank you!
Peggy is a freak. He will sample literally ANYTHING and make a banger from it.
One of his samples is just someone knocking a lollipop against their teeth.
You saving my life with these tutorials Mr Benzema🙏🏽
Been waiting for this video ever since you asked us if you should make one about him.
Bless up yourself everytime bro may God continue to bless you bro
Thank you for the lesson 🙆
Just want to say bro, your content is really good
thank you for the sauce and gems sir
great video!! thank u
That 3rd beat you made for the Jack Harlow combo meal example is crazy
the last beat is crazy
great content
i was just tryna learn this production style, but man the guy making this video is insanely talented.
wow this is so well done
something i love that peggys doing is involving EDM and DnB stuff into his tracks, really adds this genrebending, otherworldly, internetcore vibe to it lol
Navie D and Cxdy Cxdy are my FAVORITE youtubers. They both help me so much.
Navi D is becoming my favorite producer! I can't believe it's already been 2 years🎉
bro you tight as fuk at making beats ima sign up to the online beat class
I think a video about the production of Lil Ugly Mane/Shawn Kemp would be good, especially MTI. I would say it’s the peak of the southern style of production.
yes!!
i've got most of volcanic bird in my spotify playlist it's that good
In ableton you can do this with the slice to midi function in 10 min. Love this function
the call and response idea here is key
Thank you Karim Benzema from helping me to take my music production to the next level ✌
i remember when i first heard the Garbage Pale Kids beat i though it sampled some obscure cult music or some shit like that, i laughed so much when i discovered what it really was
A great video!
dude, which sample you used in the transition section? that one was pure fire.
Peggy, Skrillex and Kenny Beats are my favorite producers rn
Ahh I hear Skrillex's new album was pretty good
peggy, j dilla, ye
Listen to atrocity exhibition if you haven't. Danny Brown is one of Peggy's favorite producers/ rappers
Louie was great
@@NavieD quest for fire by skrillex is like one of my albums of the year along with the peggy and danny brown album. Mindblowing producers fr
You got Xpandi2 in fl studio? I thought that was a pro tools thing only. Thats awesome
10:20 we need a full version of this beat it sounds so good
A video about Sounwave would be nice.
Not to be that guy, but sped up samples have been a staple of dnb and garage since the start of the genres
That last beat tho 😢🥺🙏🏽🙏🏽
🥀🥀🥀🥀
🔥Such a dope ass approach🔥
Please post that beat switch you made I'm sad ill never hear the full song it sounds fire!!!!!!
10:34 onwards sounds like it should be the theme song for Perc Angle
Tryna recreate these beats on a daw that relies on quantization is tough when replicating something made on a sampler like the 404
you should do a dj rozwell video
3:55 imma flip this 🔥🔥🔥
I’ve been doing the best switch technique for a while without knowing it
kick bass rolls 🔥
Dope video man!🔥What kind of equipment do you use to produce?
Nothing special. Just a MIDI keyboard and that's it
@@NavieD Nice bro, keep on doing what you're doing
Please do one on Nujabes
Can you please do a pink siifu type beat tutorial or technique tutorial
kingdom hearts key is my joint
"The words are spoken in an almost musical way" that's singing, bro
great video tho lol
dope
useful tutorial for those just starting
if the master green, beats ii clean
could be nice if make a video on william crooks production
Do you have a video about Fl studio vs. garage band?
Jpeg deserve a whole documentary on his production.
❤
i know this one might not get as many views but its really cool. thanks
Whats the name of the track playing in the intro??
BALD!
@@vuurhees Thank you 🔥
i hope you're doing well navie
Heck yeah
I dunno if I approve of that naughty language!
Now we need Jpegmafia to sample this video
Respect
Respect to you too
What are y’all using to rip that audio from the tube?
ur fuckin dope bruh. BIG sub.
that was very interesting, but how the actual f did you find that japanese commercial sample??? :)
Ay Navie, what you doing with that beat you made bro?👀👀👀
What is the name of the track in the beginning?
i love how the thumbnails for always the same for these type of videos lol
Can you do a Lil Darkie one fr