Free Piano Lesson - How to Reharmonize (use cool chords) for songs like Love Me Tender
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- čas přidán 15. 01. 2017
- PDF download: www.learnpianolive.com/advice-...
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Thanks for watching! What other lessons do you wish we did and what was your favorite part of this one?
I truly appreciate the way you go about this! You actually know your theory! Thank you so much!
My pleasure!
Very nice, thank you!
Glad you liked it
You're killn it!
Thanks I think...unless you mean I'm murdering the song, in which case I might agree...
You are a brilliant teacher and I'm sure I can improve my piano playing skills under your tutelage thanks
Rock on! Let's do it! Thanks for watching and subscribing!
Is there the 2nd part of the lesson?
And thank you! That was very useful!
Yep! It's all on the website
absolutely suburb very nice great teacher and nice subs and great pianist
Thanks so much!
This a great video, very interesting and helpful. I was trying to find the PDF for this lesson, but I was not able to find one. Is it me, or this pdf is just not supposed to be accessible?
The reharm worksheets are the same for all the songs, but the lead sheets change. Those are available to subscribers at LearnPianoLive.com
I like playing piano. :D
me too.
When you play Cm7 in third line (11th bar?) it sounds F7.
Yes! Cm7 and F7 play similar roles, especially when played right before a B flat. Together, Cm7-F7-Bb make a 2-5-1
LearnPianoLive Well... I agree with the theory... But you really play F7 there - just watch the video. You have that F in you left hand while claiming that you're playing simple Cm7 ( which has no F in it AFAIK)
HA! Good catch! You're right...kind of. I found what you're talking about at 26:29. Cm13, an extended version of the listed Cm7, would be a C Eb G with an A thrown in there somewhere, which is what the upper notes are. But you're right - my left hand hit an F. (Keep in mind that an F9 is an extended version of an F7, the chord you identified, and consists of the same notes: C Eb G A and an F in the bass) The minor 4 chord in a key is what's often called a back-door-dominant, especially when combined with the flat 7 in the bass (in this case, Cm is the minor 4 and F natural is the flat 7 in the key of G). When my ear heard the Cm coming up, apparently it heard it as a backdoor dominant and my left hand decided to make it official by nailing down the F natural. On one hand, since I claim to be an educational channel, it would be good to explain all the notes I'm using. On the other hand, something like this could fall into the category of a voicing technique, which is way outside the bounds of the goals of this lesson and would turn this already too-long lesson into a multi-hour epic. And given the sharpness of your observations, I'm guessing viewers at your level already know a lot of that stuff. I think this particular case perhaps warranted some further explanation. OR......Maybe I just messed up. That's never out of the question :)
LearnPianoLive "viewer of my level" just has good ears and knows how piano keys are called )) I'm a total newbie in jazz. Thanks for explanation!
*went on google to find what is "backdoor progression"*
Man, that Ab7 in measure 3 really hurts my ear!
:) Yeah - these reharm lessons are always explorations more than right answers. Different contexts drastically change how each note or chord sounds!