Slate Digital MASTERING Tutorial
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- čas přidán 22. 11. 2016
- This is the Mastering Tutorial Video section of the Everything Bundle Pro Mix Course, an eight part mixing and mastering series by Steven Slate here he takes a home studio recording done in a living room and turns it into a modern radio ready rock mix. The course comes with multitrack sessions for all major DAWs.
You can get this full course for FREE with the Slate Digital Everything Bundle, starting at only $14.99 per month. The Everything Bundle gives you all Slate Digital plugins (so you'll have all the plugins used in the course too!), and you'll also get every new plugin that comes out as long as you are a member.
Get the Everything Bundle and FREE Pro Session Mix Course at www.slatedigital.com - Hudba
We home recording musicians/engineers are blessed to be living in this time. The technology that’s available to us is mind boggling.
i couldn't agree more, im so grateful
Amazing
I say this all the time. The fact that IM doing music at THIS time where I can record MYSELF. Its destiny and im thankful and grateful to the most high.
Exactly. I often say this to my musician Buddies and even to myself at times.. I'm old school I go back to the 4 track recorder when it was affordable for consumers. And I've been using DAW's and various plugins for quite a few years now and and it still blows my mind how much power that plugin's and a laptop computer have. And you can take it with you, become mobile, a walking recording studio..🤓🤯
@@vaughnmiller4371 Its nothing but God and timing !
That's a great mastering mantra: " You are not tying the shoes or replacing the leather, you are polishing them."
Yeah seems like every guy in audio has another stupid allegory for explaining mixing and mastering....
Yeah but when u are learning to mix, u end up with a lot of plugins on the master section to compensate the less perfect mixing.
@@jefdamen2977 when u learn buss, thats easy.. less mess to worry about
I’m guilty of overusing plugins in my masters but admitting I have a problem is the first step to recovery
lolol
The power of doing nothing is so under rated! Great video!
Coming back to watch this several years after starting to do mixing seriously I now know what the hell you’re talking about as you do it and I had no idea what I was doing for the longest time. Still don’t but it is encouraging to know how far my holistic understanding of the process has come.
I never get tired of watching this tutorial.
There’s always some new thing learned I didn’t catch the previous times I’ve watched!
Awesome tutorial. This is the best Mastering tutorial I have seen till now. Thanks for it :)
Incredible tutorial. I'm now part of the Steven Slate Digital Everything family, and I love the plugins.
My music is gonna sound so rich now.
Brilliant. Just brilliant. Can't wait to lay my hands on the mixing tutorial.
You guys have done an excellent job creating a loudness plugin that doesnt dramatically change balances or the overall eq of the track very much even when used to the extreme. One of the first times I used it on a master, the band commented that it sounded "perfectly transparent" to the original. You give us some important features to control the sound, without needing a Ph. D to use it. Many thanks, and I cant wait for that distressor next!!!
loving your plug in slate is changing the quality of my mixes and mastering to another level very happy to have the everything pack
Best Mastering CZcams video I’ve seen so far. Thanks man.
Great-sounding mix and master. I also automate ITP when using FG-X. Love the Brian Wilson Wilson-esque harmony break, too.
That bridge coming into Chorus 3 Gave me CHILLLLS 🔥 Amazing master as usual ❤️
Did this video make anyone else really excited in getting the FG-X Plug- in?
Steven Slate thank you for your sincerity and honesty when giving advice!
-Uplifters
This mix if freaking phenomenal!!!! yeah, this was about the mastering process, but this is my first time listening through. Can't wait for the whole course!!!
Steve, That's some serious mastering. Keep it coming!
So good! Slate is such a game changer. Learned a lot from this. I got the slate digital bundle and my mixes are now starting to sound right. Thanks so much man!
kled10 half the price of my gym membership. Best deal ever.
I followed your steps in my mastering and it sounds amazing now
Thanks Steven, the automation tip about ITP was pretty interesting. I want to say that I am an FG-X fan and I use it fairly frequently in mastering. That being said I want to point out that the "Dynamic Perception" knob you really have to be careful with in high loudness situations. It can cause a very unpleasant "glossy crunchiness" when pushed past a certain point.
Theory is where it's at. The processing is nice to see, but the reasoning is how we can take something substantial away.
yeah, the plugins are golden already, but these go to eleven
Steven, you are the best.
Killer tutorial Steven. Didn’t really get the fgx till this. Just used it in this fashion and the red and it worked great. Keep em coming buddy
Wow! This sounds amazing!
Slate has the voice of a god. He should be doing voiceovers man!
What a great video!!I realy like your plugins and you Just explained it perfectly.Thank you very much ;)
well done Slate!
thank you for this.
love this plug, dudess
Really, really great video. Thanks Steven!
Damir
I don't even really listen to rock but that sounds very good. Has a lot of soul and emotion in the chorus. I like it. Reminds me of Nirvana "Smells Like Teen Spirit" another great rock/grudge type of song that I really enjoyed.
Less truly is more, most of the time. The key is everything with purpose, and after 20+ years I'm still learning this. I do recommend totally screwing up by doing too much processing (at every stage), because you'll not only learn not to do it, but WHY not to do it.
Sounds great Steven!
Great tutorial, thanks a lot!!!!! Bravissima lezione, grazie tante!
Thanks a lot for the clear explanation!
This is so great. Fortunately I've been using this plugin correctly. lol thanks Steven!
I like the way your Drums sound tighter and clearer. Will use those techniques on my house music projects so I can achieve an even bigger n' polished sound on the drums.
When the FG level foresees a kick drum transient, it optimizes a specific saturation curve to best preserve low-end punch. I love jargon
Tarskybull Beme I mean it describes what it does doesn’t it ?
The more i think about it, the ITP automation IS really useful. You might've just won me back.
Thanks for posting. I have been dying to try this Slate Audio Master plugin on my tracks.
Mastering was having a constant volume and tone going from one song to another song on a album, also adding spacing and fades. Adding effects is going back to the mixing stage. Adding polish is a mastering engineer trying to save time from having a song remixed, which would be costly in the analog era.
Great job and really great tune!
um...this song is great. love the mix .
So informative, thanks a lot!
it was a great mix to start with and i would say you achieved you goal of not coloring it adding loudness,, good job, good plugins great mixing.
Awesome video!
Awesome program
Top tuts. Slate TV rules
he is working on a song that was recorded in a top notch studio with the best equipment.
i love this video
this rocks!!! yeah!!
I know this isn't the latest offering out there by any means but I think I'm going to start using this last in my mastering chain (often stacking it on top of another transparent limiter).
Great video
Great tutorial and thousands of information.please upload a video to how to mix vocal with these plugins.
This tut still slaps.
it work on my pc thx bro vеry much
Pure Warmth..
He's speaking wisdom
Thank you sir...
Very helpful
Magic~~~~~!!!!!!!
i love u so much bro, thanks very much
nice song!!!
I'd love to see how you deal with a bad mix!
facts
Rudi Greyvenstein You can’t polish a turd.
Why bother mastering a bad mix? It's pointless. Better to make a good mix, and then master that good mix
Well I suppose you could turn down the work if you're more established. I guess I'm not in a position to say sorry, dudes this is shit keep your money.
@@Rodders5000 "you could turn down the work if you're more established"? Lol that is a pretty mediocre way of thinking, so whats your proposition instead of buying these plugins? Using waves? Uad? You will have to spend money no matter what, i would not be surprised if you are the type of dude who crack vst's to save some money, pretty mediocre thinking tbh
Man, Anthony Jeselnik really knows his shit
Once you hear it, you cannot unhear this. 😂
FG-X is awesome. Used it since 2011. Looking forward to the new version to come
This Plugin changed my life! I've spent 15 years mastering with the wrong kit. And I had no idea until i used this!
Who is the band?
The song is called 'The Bottle' from The Plutonium Project. The band is a collaboration between Sean Halley and a couple of different drummers. Glad you like it!
Best Video ever get the fcking Slate Everything Bundle
I'm assuming you turn off the Constant Gain Monitoring before sending off to the client? ;-)
jjajaja good one
must be some kinda insider joke for people that understand mixing and mastering... can you fill me in xD
The "Constant Gain Monitoring" compensates for the gain increase. So if he increases the overall loudness by 7.8db, the "Constant Gain Monitoring" will decrease the volume by 7.8db. Therefore there is no actual difference in overall loudness. Mastering is all about increasing perceived loudness, so before he sends the master to the client, he would have to turn off that setting to get the overall loudness to the volume he was looking for to begin with.
@@Pollvrd in other words... His clients don't get Mastering Included. Lol
JJ Boogie hahahaha! I also assume that
Automate the ITP :-O genius!
Thanks for the tutorial.
when will we finally see FG-X Version 2? it has been promised long long time ago...
czcams.com/video/ecW5TMEnJ3c/video.html
After OFFER SHLOMI , Steven Slate can sell you even a plugin with no knobs or sound !!! He's a fantastic pitchman ! thanks god he doesn't own a car dealership !!!!!!
thanx a lot :)
Hey Ken. I saw a video of yours about not being able to use your control 24 and your other gear. I've been using the control 24 on Nuendo, Cubase, pro tools ultimate, garage band, logic. Go check out V control there is a free version and a paid version. The paid has more functionality. But the free is good as well.
I want to hear the final release of this song. Killer tune! I can't find it on iTunes. :-/
First of all, fantastic tutorial. Second, at last a GREAT song in a tutorial.
Third, I couldn't quite hear the problem with the distortion you were talking about at 19.40 until I cracked the volume REALLY high up but I still heard some weird artifacts on the right channel at 23.41 without big effort. Was this your chair or something, or left overs from the mix?
Hi Steven! thanks for your tutorials ! Actually I've seen your whole Mixing Tutorial where Mastering bits and pieces were the last ones. Now I might be missing something. I've just tried mastering one of my tunes (for learning purposes) and I'm wondering how you've managed to raise the volume so much without clipping the tune. I'm saying that since I didn't see any Limiter on your Master buss and I did put the same plugins - just for learning/testing purposes (I understand that every tune needs a different mastering approach) and when raising more than 3dB I'm clipping the tune quite badly... so would that mean there's actually a Limiter on the Master buss(or is it part of one of the other plugin) or you're just raising the volume using FG-X to the point where you won't clip in the loudest part of the tune... thank you !
i'm learning it is about using saturation
What band/song is this? Sounds great
Thanks Steven. Do you have a video on the bass guitar processing? How did you get it to cut through the mix so well? I love the growl. Great song too.
Yup, here ya go: czcams.com/video/-aglIy71S5Y/video.html
Hi Steven, thanks for clear and concise tips!
What are you using for desktop video recording on your Mac, software-wise?
Cheers!
We usually use Screenflow - hope that helps!
GREAT
When the Album coming out Steven? Sounds great
STEVE! Hey buddy, not sure if you answer comments but is there any way we could ever see a tutorial of sorts leaning towards a hip-hop/atmospheric style? Would love to see specific SlateDigital mixing tips for that sort of sound.
Hi, Steven! In mastering, do you usually equalize before you compress? Even if it's the case of boost EQ?
Think about it like this. Would you rather cook your food with hair in it and then try and take it out, or take the hair out before you start cooking?
@@justrichardcarter Speak for yourself, I like eating hair! Jokes aside, mostly, EQ before comps. There are rare instances where I would comp before EQ when mixing.
Nice
Steven, nicely done. I noticed you had the FG-X insert 6 (In Cubase that's Pre Master fader.) Do you also dither with your (my) FG-X in insert 6? I know some engineers that stick their Mastering limiter (with included dithering tool) in the 7th or 8th Insert. Not sure that makes sense to dither after the master fader. That said, if that's the case, why are there post fade inserts, and what would they be for? Can you, or an experienced Mastering engineer explain which is "correct?"
Hey I was just poking through and noticed this, even though it's a year old in case you didn't get the info just wanted to let you know that Pro Tools plugin slots are all pre fader.
I think one reason why I havent been using FG-X lately is the lack of a gain reduction meter on the FG-Level. A second reason would be that I dont love how it handles cymbals and guitars. And to be honest, in this mastering tutorial, the hi-hat and guitar sounds did change significantly. If you listen carefully, the midrange of the guitars comes up and hi-hat cutting frequencies came up. If you had wanted to get it 100% balanced like the original, additional EQ would need to be used.
Hi Jesse, check out 18:09 where I do the last A/B that includes the parallel compression.. guitars and hi hat sound remarkably similar from mix to master. I'd make sure not to crank the Transient Detail or Dynamic Perception more than 9 o'clock, or else as you said, this could affect the cymbals. Thanks for the comments! - Steven
SlateTV sounds very similar but hi-hat poking through just a bit more in the highs in the version that has FG-Red and FG-X enabled as compared to version with only FG-Red. Guitar upper-midrange also slightly more forward in this same scenario. However, I agree that when comparing the original mix with your eq, to the version with both FG-Red and FG-X enabled the overall balances are very, very close. The overall sound is a little more saturated and just slightly crunchy compared to the original but it has much more life to it than the dull sound of a straight limiter.
Does Constant gain monitoring reduce the output of the unbypassed effect, or increase the level of the bypassed effect?
did sean use the 11rack on the guitars?
can i get the processor for mac?
Love the song, wich band is?
Where's the MIX tutorial using this song, buddies? Would like to know about other those plugins on the master track, before this mastering process; Thanks! You're the best!
Guga Brandão get it FREE with Everything Bundle at our webpage
Thanks, guys!!
please anybody i need to understand something cos ok all i see in this video sounds great and really good way to masteretc...
but if u wanna export the song do u keep the " constant gain monitoring " on or you go back to turn it off to have your db back ??? cos i dont see him touch it .. and at the same time do we need to touch the 0 or better - 1 Db on the " Dither & ceiling setting " ?? thank to anybody can explain better this option .. peace
killer tune.. has it been released yet? i'd like to grab it.
Great video, if only the red compressor was actually red!
The original that the Slate FG Red was modeled on - the Focusrite Red 3 (Opto) was (is) indeed a beautiful metallic red...close to a candy apple color. I used to have one... sigh... I loved it for backing vocals and electric guitars, it was my go-to for bus compression, even as master bus gain reduction. Many times I'd even choose it over the LA2A's that I also used to have... (sigh again)... Oh, and besides having a gorgeous sound, it also looked AWESOME in an OB rack. They ain't cheap though.. I've seen USED models going for up to 3 grand. ;)
Hola, acabo de comprar Everything Bundle por un año, donde puedo ver el curso? o que debo hacer? Gracias.
Todos los cursos son disponibles por gratis en el website de Slate Digital.
3:30 - very transparent, but lots of character! :)
Isn't that a contradiction?
mitchiemasha Of course it is! :)
Great video. Link to the song please!
is it good mastering your mix without bouncing it down as a single wave file?
Unmastered: DR14. Final: DR9. Sounds identical 'cause our ears can't tell if a snare is peaking 10 or 2dB above the rest. So do we really need to make the track louder? Why? What's the benefit of chopping off those peaks? Why record live drums if we'll take part of the human aspect away?
If snares peaking at 10 or 2db sound identical to you, you might want to check your ears. As to the questions about loudness and chopping peaks, google loudness war.
Just in case you are not trolling and to hopefully clarify my concern. Download this video and look at its waveform in Audacity. You will immediately SEE what I mean about the snare.
The loudness war is exactly my point: between two versions of a song that sound equally good, why choose the louder one with less dynamics? Can you tell me ONE advantage? I can give one disadvantage: it's more fatiguing to listen to in the long run.
Watch this video: "Why I Don't Buy "Remastered" CDs."
Your question could have been answered by simply reading about loudness wars.
So, why choose the louder one with less dynamics? because it sounds loud. When played side by side with any other song on the radio, it won't sound quieter. The broadcasters aren't going to adjust the level of the tracks. The audience perceives louder as better, and when it's played alongside other track, a quieter track will gain less attention from listeners. Also, we are so accustomed to tracks with small dynamic range that we actually feel more dynamic tracks lack a certain cohesiveness. This compression is just part of the sound of pop music now.
Chopping off the peaks is just part of that sound, otherwise they'll get clipped.
"Why record live drums if we'll take part of the human aspect away?" because the listener isn't necessarily attracted to the human aspect. Part of the sound of modern Metal and electronic music is the machine-like consistency. It's an artistic choice.
Except leveling is exactly what happens when songs are played on the radio. There are things called broadcast standards. Tracks that are too loud get actually turned down...
This standard (ebu r 128) is in use in Europe and I believe there are similar things in the US. tech.ebu.ch/docs/r/r128.pdf
By the way your point that "compression is just part of the sound" doesn't hold true. At least "loudness war style" compression and limiting is not. Daft Punk's latest record for example was relatively dynamic and a huge success...
Great plugs here. Unfortunately only for renting now. :(