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Pro Mixing Trick: Simulating "Big Studio" Drum Room Mics
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- čas přidán 27. 11. 2016
- The Everything Bundle Pro Session Course series is free for all Slate Digital Everything Bundle members, and features hours of personal instruction - you'll learn tons of pro tips, tricks and techniques to take your mixes to the next level, using all of the plugins in the Everything Bundle. In this excerpt from the first course in the series, Steven Slate shows you how to create a faux room sound for drums. For more info, check out www.slatedigital.com.
You may have just changed my life with this alone : ) For Rizzle !!! Oh sure, its sounds great in your tutorial... and it seems like a great tip... but on my own sessions... WOW PLUS !!!! If you listen carefully right now... you can hear angels singing your name. Thanks, Steven... I really appreciate it.
Noy only ya'l develop insanely awesome sounding plug-ins... But do really teach us how that final secret spice is made of... Thanks millions Steve... God Bless You and the lovely team!!! Love from Sri Lanka ... !!!👍👍👍
Wow, I can even tell the difference on my little cell phone speaker! I am definitely trying this on my drum bus. Thank you for these tutorials, Steven! Please keep them coming!
now i know how to de-hihat my OHs. Nice stuff man as always
These plug ins are amazing!! Thank you!
That sounds really nice
Just did this to a whole drum machine mix..way mo realism
Great job!!!
You're the man
This de-esser does the job definitely, but any other multi-band compressor would be good for the task.
Love it. Thanks
Great video and information! i was wondering, how is the drum squash panned? i see the 100% left and right. Does this mean the drum squash is doubled?
on AND in the universeBOTH!
You´re adding top end and high mids and then have to de-ess it away again.
Neat trick tho that really sounded good.
That's great advice!
So the tracks are being sent as prefader?
Awesome trick. but what do you do with the original overhead and room as far as processing then? Why would you not just apply this processing on the original track rather than creating the send?
That's because he's creating a stereo room mic setup. If you look at the session, there is no stereo room track, just the mono. Hence the send to get the stereo OH and the mono room together.
Dude did he send OH and MONO MIC to the AUX or the opposite?
This is not stupid...i would make a copy of oh and room with no process on..so you can create a fake big room at the beginning of the process that not change if i want to comp oh...i think you get the best idea
Wish we could hear the compression and other fx vs a volume matched dry.
wow!
i cant find FG BM7
It is an extra download,
www.liquidsonics.com/software_reverberate.htm
bottom right - Fusion IRs
You have to download it separately from this link, it's an add-on www.liquidsonics.com/software_fir_archives_sdvsc.htm
Thanks Everyone got it
5:56 de-hi-hat !!!! wtf is dat i'm looking for de-steven-shit
evan de esser