Max For Live Tutorial - Generative Music Part 5 - Dub Echo = Ned Rush

In this Max For Live Tutorial about Generative Music we will make a Dub Echo that works all by itself using a modular approach to sound design. Support this channel on Patreon to download this project plus many many more Ableton and Max For Live stuff.
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Ned Rush is an infotaining universe of ideas for ways to make music, including areas of music production, music composition, sampling, synthesisers and sound design in software like Ableton, MaxMSP, Reason, and on hardware such as eurorack modular, Elektron boxes like the Octatrack and Analog Rytm, also visual art strategies using Jitter, focusing on music genres such electronica, IDM, glitch, jungle, breakcore, electro-acoustic, musique concrete, as well as discussing music via interviews and podcasts, and music performances via livestreams.

[@xavierxeon]

I often use [send~] and [receive~] for nicer looking feedback loops and also to avoid DSP errors
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[@chrisnelson7395]

Subpatchers are your friends - but hey - more kicks than friends!

[@lucaschwarz6996]

hope there will be many more ones on that series

[@DivKid]

This is great!

[@DivKid]

S&H on everything, I'm all for that!

[@userfriendlysounds]

I love max

[@patkelly8309]

Unseen University style shit in Dub!

[@osten_petersson]

ok - question - not fiddled with max at all so noob but is it not possible to wrap a gadget somehow and only have in and outs? as a dev it makes my teeth hurt seeing the amount of copy and clutter, if I made one tool for one channel I would like to have a clone (not a copy) for the other so any changes made in one is reflected in the other. I guess not or the max4live videos I have endured would be less painful :D

[@patkelly8309]

My work has been called Emo Dub, which is neither a compliment nor a criticism I guess and I saw someone call their stuff Aggressive Dub but to date never Horror Dub!