Ableton Live 12 Sound Design - Abstract Percussion = Ned Rush
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- čas přidán 16. 05. 2024
- In this Ableton Live Sound Design Tutorial we look at ways to make abstract percussion and weird textures. Support this channel on Patreon to download this project plus many many more Ableton projects.
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Ned Rush is an infotaining universe of ideas for ways to make music, including areas of music production, music composition, sampling, synthesisers and sound design in software like Ableton, MaxMSP, Reason, and on hardware such as eurorack modular, Elektron boxes like the Octatrack and Analog Rytm, also visual art strategies using Jitter, focusing on music genres such electronica, IDM, glitch, jungle, breakcore, electro-acoustic, musique concrete, as well as discussing music via interviews and podcasts, and music performances via livestreams. - Hudba
you break my beatblock and iam instantly inspired . thank you ❤
In Rush we trust
10 new ideas per minute, incredible masterclass
This sounds like Tool basslines, not even kidding. Nice video.
The end track reminded me of Amon Tobin's Splinter Cell OST! Loved it!
Watching the Nedigy at work in my more kicks than friends t shirt just feels right.
absolutely bonkers
This is so good ! collision is indeed very relaxing sounding, and those modulations and fX ... with the reverse stuff then reversed again, it reminds me of what you did with the looper . So pleasing to the ear and mind !! I say YESSSS man ! Cheers 🍻
Fantastic mate, thank you! Patiently waiting for a summer sale to upgrade to 12 🙂
Hi, I just got into Ableton. They usually have summer sales?
@@iammicah895 Hi there - Ableton sometimes do 1 or 2 sales during the year. They can be a Spring, summer, Black Friday or Christmas sale. They dont usually do all 4 so I keep a look out.
@@mCKENIC Thank you. I will do the same. Thanks again.
You had me at abstract percussion
This was a particularly sick one, my friend.
So gooood!!!
fukcin lovely
absolute donk sproing
Ned, in the middle of the video you mentioned that is very important to leave the mix around 50%(for all fx in the chain) but you never mentioned the reason why.
I was wondering what's reason. In my head would make sense to leave at 100%, to then overlay with the original. I think I'm missing something here.
I hope you'll have 2min to spare in this answer, from the bottom of my heart