Trumpets At Angel Recording Studios, Islington, London. 26.03.13. Trumpet Section From Left to Right: Andy Greenwood Simon Gardner (Lead) Craig Wild Pablo Mendelssohn
Over the ear headphones get in the way of the instrument. He's wearing it that way because otherwise the instrument will be at an uncomfortable angle and also be scratched by the headphones.
I can’t believe studios haven’t adapted some headphones for trombones. Pisses me off to have to offset them all the time. Need a hybrid with a large right ear and an in ear bud on the left.
Right here is the difference between the people who make a living playing music and the rest of us who have day jobs and are just "pretty good" at music.
Great Session. With the method of recording sections of a Big Band, How do you go about mixing sections dynamically? Is there an order to the recording process? Rhythm Section first, then Brass, Then Winds? Does it always come together cleanly? I'm afraid I might take my jazz band through the process and students may loose track of dynamic placement? Could an engineer easily make the necessary adjustments?
Sam Rosario you’re venturing into what makes individual studio engineers & atmospheres different. There’s not just one answer to your questions: gotta be case-specific for multiple reasons.
There is no set method. I was a studio musician in L.A. for many Yearns. The artists generally made a decision for each session, often it was totally “live” with the total orchestra. Then it could be the rhythm section and artist on tape played for the other instruments on earphones, or just the rhythm section. As a brass player I don’t remember ever having individual sections (brass, woodwinds, strings, etc. recording separately. There’s great separation so that any group, including the artist, could be re-recorded if necessary.
I thought there was something not quite right on the second entry from the Trumpets ? ...... I think Simon played a double sharp f oh what the hell do I know top stuff awesome
having hair just slows trumpet players down
I think Wayne would disagree with you
Trevian Hipp | morrison would agree
LMAO....you wrong....I know, huh?
I think Maynard, Patrick hession, Scott Dean, Lynn nicholson, Allen vizzutti, and many others would disagree
lol
I like how the trombone player is wearing his headphones.
In true trombone fashion.
Lmao
Over the ear headphones get in the way of the instrument. He's wearing it that way because otherwise the instrument will be at an uncomfortable angle and also be scratched by the headphones.
I can’t believe studios haven’t adapted some headphones for trombones. Pisses me off to have to offset them all the time. Need a hybrid with a large right ear and an in ear bud on the left.
Are they wearing headphones to prevent hearing damage ?
These guys are soooo cool. Just come in, read the chart, play it perfectly, collect the cheque - done. Next.
Intonation is flawless...like one brain and same set of ears.
Can I steal that line?
“one brain same set of ears”
GENIUS!
Yea It’s insane
Yes, but it's robotistry. Very Asian sounding. Do they take batteries or do you wind them up?
More of these Studio horn sessions pls, they are awesome!
Now THAT'S what I call playin! They were ALL in the groove and listened to each other. I like that smooth buildup @1:35 🔥🔥🔥
1:00 best quiet solo ever :):):):):):):)
Yea, you just can't sound better than that. The ensemble and intonation are nailed.
WOW! THAT was bloody on point!!
Sorry, we're going to have to do that again, my phone went off. It was a gig by the way.
Ho hum...just another day at the office. These dudes are badass.
this was so fucking amazing
wow!! absolutely awesome!!
One trumpet player per tyre and the pressure of your car is good !
Damn, you guys are flawless!
What piece of music is this? I like the melody!
Very professional session in London record studio,top people.
Tight like there was no tomorrow!!
Brilliance at work!
Tight as a you-know-what.
Lmao....Yeap !
pussy
Sounds great!
some very fine musicians
Vous êtes tous des pointures .C'est extraordinaire
just heard this on a Renault advert
Spot on!
This is great and very funny.
FIRE RED HOT SOUND HERE GUYS !
Those octaves are locked in so tight.
Wow.
Show de bola!
Great !
Right here is the difference between the people who make a living playing music and the rest of us who have day jobs and are just "pretty good" at music.
J'admire les musiciens de studio .Ils sont méconnus mais quel professionnalisme Sans vous aucun film ne serait réussi
This the music from Beat Girl 1960
fantantisco
I kept on expecting this to change keys for some reason
Didn't know Tyler1 plays trumpet
That bone sounds awesome
Good okay we're going to do it again...
good gawd man , how high on the decibel meter ?
who’s arrangement is this? i’d love to get it
I produced one album there with the LSO....
4 guys hitting a high D in unison for what, 24 times in a row with no clams? Could they be pros?
Without a doubt.
It is stunningly tight, but I’m pretty sure it’s 2 up top and 2 down an octave. Still incredibly impressive!
@@Combat_Trumpet Yeah, makes sense.
Great Session. With the method of recording sections of a Big Band, How do you go about mixing sections dynamically? Is there an order to the recording process? Rhythm Section first, then Brass, Then Winds? Does it always come together cleanly? I'm afraid I might take my jazz band through the process and students may loose track of dynamic placement? Could an engineer easily make the necessary adjustments?
Sam Rosario you’re venturing into what makes individual studio engineers & atmospheres different. There’s not just one answer to your questions: gotta be case-specific for multiple reasons.
There is no set method. I was a studio musician in L.A. for many
Yearns. The artists generally made a decision for each session, often it was totally “live” with the total orchestra. Then it could be the rhythm section and artist on tape played for the other instruments on earphones, or just the rhythm section. As a brass player I don’t remember ever having individual sections (brass, woodwinds, strings, etc. recording separately. There’s great separation so that any group, including the artist, could be re-recorded if necessary.
Nailed
Is this the Beat Girl theme by John Barry? Just seen it on the Renault advert too.
yes
smokin cool horns :)
can somebody share the finished track???
Sounds like the title track to the Adam Faith film Beat Girl.
It is.
czcams.com/video/pF0PRzi5vRk/video.html
what's song??
Needs more trumpets.
could i ask in what bpm is the piece you're playing?
This is around 190
What is this from?
czcams.com/video/pF0PRzi5vRk/video.html
Пожалуйста, скинте ссылку на полноценное исполнение этого произведения.
what kind of headphones are those?
0:50 Ant-Man and the Wasp?
Hey geil,,,Suuuupa
Name of piece??
Cooooooooool！😎👍👍👍
What is this music?
What’s this tune called?
What song is this
High school chart?
And to hear the finished product ....................... czcams.com/video/pF0PRzi5vRk/video.html
The Incredibles?
timboleo no this is not the incredibles, wayne bergeron played lead for that soundtrack
@@trumpetguy5797 fancy seeing you here
@@NoahCrawfordpostsband hey man😂
if you sit infront of the trombones you better have no hairs or you will loose them
I thought there was something not quite right on the second entry from the Trumpets ? ...... I think Simon played a double sharp f oh what the hell do I know top stuff awesome
Do u realize live playing is the most important credential u can have?
I would argue that this is way more precise. Also they are live playing. WE as listeners do the non-live listening.
Do you think they don't play live??
Trumpet playing is bad for hair.I think.
Cool session view. Thanks for sharing