Nádherná sonáta, nádherný přednes. Bravo! S touto sonátou jsem v roce 1985 vyhrál okresní soutěž hudebních škol a dodnes ji mám moc rád. Hraje Vám to moc pěkně. Jirka
So, she's added many runs, vibrato and trills to the basic score. Does she write those embellishments onto the sheet music or does she just know the piece so well that she knows when to initiate them? It can't be like improvisational jazz, right? Is it traditional for flutists to add their own embellishments to a score?
It’s basically up to the performer to add those trills and vibratos. The reason is that the older the music piece is the less information it has inserted into the page, which basically adds a sort of a free application of trills and etc to the performer.
@@joeband1313 Exacto, esto se da mucho en piezas barrocas, pues los interpretes tenían que tocar como a ellos les parecía y nada mas se regían del titulo del movimiento, pudiendo ser, adagios, larghettos. etc
This is heavenly, Professor Jennings!
I love your sound it's rich and so full of vibrato that I just get so excited I want to play like this
Nádherná sonáta, nádherný přednes. Bravo! S touto sonátou jsem v roce 1985 vyhrál okresní soutěž hudebních škol a dodnes ji mám moc rád. Hraje Vám to moc pěkně. Jirka
Beautiful tone!
バロックだと、最近耳にするのはピリオド奏法ばかりでつまらない想いをしていました。Jenningsさんの演奏は、ランパルを思わせる表情豊かで朗々とした響きが素晴らしく、青空のもと晴れ晴れとした気持ちにさせてくれるような感慨を覚えました。即興的な雰囲気の装飾音が巧みで、ビブラートも過度にはならないが適所に適切に備わり、音本来のリッチな響きと相まって自由闊達な演奏でした。また、演奏を聴かせて下さい。
❤👏👏👏👏
I wish I can play like you🙏
So, she's added many runs, vibrato and trills to the basic score.
Does she write those embellishments onto the sheet music or does she just know the piece so well that she knows when to initiate them? It can't be like improvisational jazz, right? Is it traditional for flutists to add their own embellishments to a score?
It’s basically up to the performer to add those trills and vibratos. The reason is that the older the music piece is the less information it has inserted into the page, which basically adds a sort of a free application of trills and etc to the performer.
@@joeband1313 Exacto, esto se da mucho en piezas barrocas, pues los interpretes tenían que tocar como a ellos les parecía y nada mas se regían del titulo del movimiento, pudiendo ser, adagios, larghettos. etc
1:36
1:24
4:19
6:51
9:29
10:53
How does she have the same first and last name as me
8:15
4:20 2
10:53
Fantastic pianist! Who is he?
Joshua Marzan
6:35 3
9:28 (this is a reminder for myself don’t pay attention to this)
Warum reden sie soviel
Try the best way t tyytyty
10:52