Handel: Recorder Sonata in C major, HWV 365
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- čas přidán 25. 02. 2021
- Handel: Recorder Sonata in C major, HWV 365
ヘンデル:リコーダーソナタ ハ長調 HWV 365
0:10 - I. Larghetto
2:58 - II. Allegro
5:23 - III. Larghetto
7:27 - IV. Tempo di gavotta
10:01 - V. Allegro
Recorder: Rei Inoue (reiinoue.wordpress.com/)
Sound & video engineer: Akito Otsuka ("VioleRecord")
18th December 2020, at "Space-Ann"(Space庵), Tokyo
Instrumentarium
Alto Recorder: Fred Morgan (1990) after Peter Bressan in a=392Hz
Harpsichord: Geert Karman (1996) after "Cormal-Ruckers" petit-ravalement
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リコーダー:井上 玲(reiinoue.wordpress.com/)
撮影・録音:VioleRecord代表 大塚 暁人
撮影日時:2020年12月18日(金)
撮影場所:Space庵(要町)
使用楽器
アルトリコーダー:F. モーガン(1990年)P. ブレッサンモデル、392Hz
チェンバロ:G. カルマン(1996年)「コルマール・ルッカース」モデル(プティ・ラヴァルマン) - Hudba
Very beautiful, almost puristic interpretation, yet full of energy and warmth! Congratulations to you both!
Das gefällt mir klar. Schönes Tempo, klare Artikulation, ausdrucksstarker Ton.
차분하고 안정적인 연주, 좋았습니다.
Beautiful, very refreshing and not over ornamented. I really enjoyed this.
Bravissimo!
Lovely Sonata and beautifully rendered. Bravo!
Lovely playing. Lovely tempo in the gavotta - so often taken far too quickly :-)
きれいな音ですね。
This is SO Beautiful! You have a beautifully expressive voice.
I am glad to listen this playing. So wonderful playing, wonderful interpretation etc, :)
Beautifully played. 😊
Bellissimo suono!!!
Belíssima interpretação!
Genau so wollte Händel gespielt werden. ♡
Здорово! 🎉
Bello
Beautiful sound, nice phrasing, almost perfect intonation, but where are the ornaments? This playing reminds me to Camille Saint-Saëns: "When I hear Händel performed nowadays [that was in the end of the 19th c.] I feel like entering an austere romanesque basilica, but I would like to enter an exuberantly ornate baroque church. Apparently not much has changed since then.
Thank you for your comment! This video was a part of my almost first video shooting aimed exclusively at CZcams three years ago, and my concept was to make the music sing without doing many additions. However I have to admit this performance is too puristic. I didn’t know that Saint-Saëns’s remark, good to know it! Now I would play this piece differently, of course with many ornaments and other rhetorical tools.