Having studied with a former member of the Montreal Symphony, I wished I sought out an opportunity to study with you. A fan to your instruction and performances.
Thank you very much for your clear explanations based on a detailed analysis of the music. I was very impressed. Yes, I was much more impressed than I usually am when I listen to music.
Sooo fantastic, Emily!! I sooo love this and all of your videos! Thank you for doing these -- incredibly important and helpful and oh, so inspiring to us all!
Thank you for another great video. I really appreciate if you talk about tone resonance, to resonate tone rich and deep, to reach as far as possible, even pp.
Hi there M_ju_! Thanks for watching and for your request. Sungwon Cho has very kindly done all the videos until this point but has had to stop due to getting back to her studies in London. I'm currently looking for someone to make the Korean subtitles... watch this space!
I never hear the "p" at the beginning of the solo taken literally. It all sounds "mf" so there's no difference where it IS marked "mf" at 177. Is this the way it should be?
Thanks for your question Leo - it is markes solo and piano, so a "soloistic p" which in practical terms does indeed probably mean something more like mf. It certainly shouldn't sound shy, but as I say in the video - do leave some space to develop through the first 3 G#s. Hope this helps!
I was recently given a part for an audition with a D# and E natural in the opening scale! That was not any of the options you've discussed. What do you think I should do with that?
I absolutely LOVE your tutorials. Thank you.
You’re very kind. Thank YOU for watching - glad you like them. ☺️
I didn't know about the note groupings of 3 and how much you can do structurally with those. Wonderful insights!
Thank you so much for watching Brenn! Glad you found it helpful.
Thank you SO much for the wonderful tutorials. You go into so many details that I don't think I would have looked into or figured out!
So very glad to hear that you found it helpful! Thanks for watching 🙏
Having studied with a former member of the Montreal Symphony, I wished I sought out an opportunity to study with you. A fan to your instruction and performances.
Thanks for watching! 🙏
I can’t believe this is the first of your videos I’ve come across; I’m already a huge fan. Thank you!
Thank YOU for watching, Liz! Enjoy!!
Thank you very much for your clear explanations based on a detailed analysis of the music. I was very impressed. Yes, I was much more impressed than I usually am when I listen to music.
Hi there! Thanks for your kind words ☺️ Happy listening…
Amazing analysis!! Now I feel ready to start learning this excerpt!!
Great! Have fun with it, Ella and use beautiful sounds and colours! 👍
great video 👍 I am so happy to catch the live on time toady. thank you very much for presents this gift for us!
You are so welcome - thanks for watching!
Sooo fantastic, Emily!! I sooo love this and all of your videos! Thank you for doing these -- incredibly important and helpful and oh, so inspiring to us all!
Thank you so much, dear Sara!! 💛 So glad you liked it!!
Really clear and cultivated ideas for this excerpt . Always remembering your playing in Santa Fe , Argentina. Kisses!!
Thanks so much, Jose Cristian! Happy memories indeed of my trip to Argentina! 🇦🇷
Another great video to look forward to🙏🙏🙏 thank you Emily
Hope you enjoy it!...
Superb video on one of my favorite works. Brava.
Glad you enjoyed it!
Wonderful video!
Thanks so much, Diana! 🙏
Thank you for another great video. I really appreciate if you talk about tone resonance, to resonate tone rich and deep, to reach as far as possible, even pp.
Thanks for your suggestion, k. There is a video in my planning about dynamics and tone colours... keep watching!!🤞
Hello, I got a lot of help from watching your video. May I ask for Korean subtitles?
Hi there M_ju_! Thanks for watching and for your request. Sungwon Cho has very kindly done all the videos until this point but has had to stop due to getting back to her studies in London. I'm currently looking for someone to make the Korean subtitles... watch this space!
I never hear the "p" at the beginning of the solo taken literally. It all sounds "mf" so there's no difference where it IS marked "mf" at 177. Is this the way it should be?
Thanks for your question Leo - it is markes solo and piano, so a "soloistic p" which in practical terms does indeed probably mean something more like mf. It certainly shouldn't sound shy, but as I say in the video - do leave some space to develop through the first 3 G#s. Hope this helps!
I was recently given a part for an audition with a D# and E natural in the opening scale! That was not any of the options you've discussed. What do you think I should do with that?
Gosh, that’s a combination I’ve seen before. I would be ready to play any combination and ask when you get there on the day.
Pls japanese caption！
The Japanese subtitles will be coming soon! Thank you for your patience 🙏
The Japanese subtitles are there now! 🇯🇵😊