This was really helpful!!! I've gotten to a point where I struggle to control my vibrato and play without it, so going back and thinking about how you create vibrato, along with your exercises, were really helpful:)
I love your classes, dear Emily! Teaching always with a lot of sympathy and great concepts! Besides, your important role as a professional. God bless you! Roberto Sion, senior professional flutist, Sao Paulo,Brasil.
Thank you so much for these videos. They are so helpful. I always feel like I'm doing my vibrato from my throat. So I'm going to work on using my abdominals instead
Hi Heidi! Well, the throat IS involved too... but shifting your focus to the abdominals will certainly help with control and variety! Let me know how you get on....
@@EmilyBeynonflute thank you for answering. Yesterday in my flute practicing time I started by doing the body mapping and then working through the vibrato exercises really concentrating on my throat being opened. Your instructional videos have already helped me so much. Thank you for taking the time to make them into share with them with those of us who don't have access to a wonderful flute teacher.
You are very welcome, Heidi - I’m so glad to hear that you are finding them helpful.... (but don’t underestimate the enormous help & support and individual teacher can give! 😉)
Awesome videoI always learn very valuable music things.from you as well explaining them.I tried the real flute but it's really tough for me to get a consistent sound I play the American Indian flute and I went to the real flute. The harmonica I got to and guitar also the flute is really tough....on getitng Consistency for me.with just working head joint
With ALL due respect sincerely .... flute vibrato regardless of speed, is created by gentle throat-pulses. It doesn't somehow magically move upward from the stomach towards the throat LOL . The "hissing exercise" is a great way to teach flute vibrato as other experts have said.
Hi Ron, thanks for your comment. This video is meant to help flute players with developing a flexible vibrato. In my experience, I have found it most helpful to start from the belly, then allow it to move up the body as speed increases. Starting the action from the throat can lead to an undesirable ‘nanny-goat’ vibrato. I don’t know the hissing exercise you mention but as with so much of our art, “many roads lead to Rome”!
@@EmilyBeynonflute You are too kind and too awesome to reply, thanks! In his 1976 "Master Solos" (intermediate level) Dr. Gary Sigurdson outlined the "hissing" exercise in one specific mention of developing vibrato. Works great with beginners. Galway has also said "you can't train your diaphragm to do it" and "it comes from the throat." No flutist alive creates vibrato (with controlled speed/depth) using pulsating stomach-muscles, so why not cut right to the chase when teaching it? We find a similar collection of detours among voice-teachers who avoid the obvious "pitch-oscillation" vibrato approach (not for flute of course) in favor of their typical "it will naturally just develop from proper diaphragm-support" idea that's led to so much confusion and not much in the way of vibrato LOL!
Is it normal for your belly to hurt when doing the pulsing vibrato exercises? Also, I realised I can make a sound very similar to vibrato from the throat, is it okay to do it or should I do the diaphram pulsations?
Thanks for your question, Delia. Do you mean your abdominal muscles? Well, they could be a bit sore if you’re not used to using them, yes. The throat does become part of the natural vibrato eventually but it’s very hard to control that way and can lead to a squeezed/pinched tone. So keep working on the pulsing (belly) vibrato for a few weeks and see how it develops. Good luck!
May I ask you a question from an amateur and therefore a bit naive about the vibrato. The rhythmic impulse can only come from the diaphragm and in no way and never from the throat. Is it correct ? Thank’s for all and more!
Hi Pierre, yes, as it gets faster, you will feel it more and more in your throat, that's fine... but the start is the diaphragm! Good luck - I hope you found it helpful.
All due respect to Ms. Beynon, it's physically impossible for flute-vibrato to be created in "the diaphragm." Regardless of its speed, vibrato is always created by gentle throat-pulses. Of course the air-support comes from the stomach muscles, but then again, so does every single note we play. Galway has even mentioned the odd tendency to explain flute vibrato incorrectly LOL !
It's really helpful，thank you very much！😊
Glad to hear that - thanks for taking the time to let me know 🙏
What a surprise! So much care has been taken in the creation of the sound!
Thanks Bobby - yes, vibrato can work wonders for a beautiful sound!
This was really helpful!!! I've gotten to a point where I struggle to control my vibrato and play without it, so going back and thinking about how you create vibrato, along with your exercises, were really helpful:)
Oh great - I’m SO happy you found this helpful 👍 Happy flute-ing! 🎶
Merci pour cette vidéo, je ne m'étais jamais trop posé la question, mais je vais travailler ces exercices, qui me semblent très intéressants.🙂🌺
Merci Hubert! 🙏
I love your classes, dear Emily! Teaching always with a lot of sympathy and great concepts! Besides, your important role as a professional. God bless you! Roberto Sion, senior professional flutist, Sao Paulo,Brasil.
Thank you so much Roberto! 🙏
Thanks so much for this series! Really looking forward to the rest.
More to come!
Thank you for this wonderful tutorial on vibrato. I enjoyed it very much and learnt a lot.
Thanks Carol - I'm glad you liked it!
Thank you!
You're welcome! Thanks for watching 🙏
Muchas gracias Emely una clase muy practica...saludos
Thank you for watching! 🙏
I love this! Thank you so much for sharing all your knowledge and wisdom 😃👏🏼😃👏🏼
You are very welcome! 🎶
Me encantan sus explicaciones Mtra!!! Es ud muy practica y agradezco la generosidad que tiene para compartir este valioso conocimiento.
Thank you! Es un placer! 🙏
Merci beaucoup pour ces exercices ! Vidéo très instructives
You are very welcome, Elisabeth - merci à vous!! 🙏
@@EmilyBeynonflute Thank you Emily☺
I love the de la Sonorite exercises! Great, fresh approach!
Thanks for watching, Dawn 🙏
Awesome illustrations!🙏
Thanks so much! 👍
This is so helpful and inspiring, thank you so much for making these! It is certainly assisting in preventing insanity in this practice room, hah!
Thank YOU, Andrea - glad they're helping!! 😉
This is fantastic! Very useful! Thank you so much! ☺️
You're so welcome!
Great explaination
Thanks - glad you liked it!
Thank you for the tutorial on Vibrato. It is very useful. 😀
So very happy to hear that you’ve found it helpful, Lily Lee! ☺️
Thank you so much for these videos. They are so helpful. I always feel like I'm doing my vibrato from my throat. So I'm going to work on using my abdominals instead
Hi Heidi! Well, the throat IS involved too... but shifting your focus to the abdominals will certainly help with control and variety! Let me know how you get on....
@@EmilyBeynonflute thank you for answering. Yesterday in my flute practicing time I started by doing the body mapping and then working through the vibrato exercises really concentrating on my throat being opened. Your instructional videos have already helped me so much. Thank you for taking the time to make them into share with them with those of us who don't have access to a wonderful flute teacher.
You are very welcome, Heidi - I’m so glad to hear that you are finding them helpful.... (but don’t underestimate the enormous help & support and individual teacher can give! 😉)
Absolutely wonderful. Thank you so much!
You're very welcome!
I absolutely love that backdrop Emily!
And a fantastic tutorial as always! Thank you for making it :)
Thanks Angus! 😄
I love your tutorial !!! Thank you so much ❤
You are so welcome!
the best lessons
Glad you found this helpful!! Thanks for watching… and writing! 🙏
@@EmilyBeynonflute thanks from india
🙏.
oboist here, great and useful video!
Thanks Ben - so glad that you found it helpful! Wonderful to hear that it’s not just useful for flautists!! 😄
Ohhh I love the third exercise! Thank you!
So glad! Thank YOU!
I love this video!
Thanks for share, I will practice all of this
Wonderful!
Very helpful, well presented. Thanks.
Thank you for watching Mike! 🙂
Thanks For te Video And Exercices , I'm learning vibratto for flute , this video is great, Greetings From Mexico
You're very welcome Miguel - I'm glad you like them!!
Thank you, Emily! Great ideas! I love the syncopated vibrato and counted vibrato especially! Looking forward to more videos! Keep well!
Thanks Rod! Lots of WIBB, of course!! 😄
@@EmilyBeynonflute Of course! Wibble, but no wobble!
Thank you so much for this video! So inspiring ❤️
So glad!
Fabulous! Thanks.
Glad you enjoyed it!
Muchas gracias por las clases abiertas :-)
You are very welcome!
Bravo Emily, excellent job. Thanks for sharing! 💖
Love that second movement of the Poulenc Sonata with orquestra
Thank you Blanca!! 😊
You're the Emily! My teacher José Ananias from osesp Abraf Brazil recommend your videos!
Oh thank you for watching, Marcio! I hope you like them!
THANK YOU SO MUCH 😭 you were very detailed
You're so welcome! Glad you found it helpful 👍
This is great! Thank you so much! I am going to practise right now ☺️
Wonderful! Have fun!
Awesome videoI always learn very valuable music things.from you as well explaining them.I tried the real flute but it's really tough for me to get a consistent sound I play the American Indian flute and I went to the real flute. The harmonica I got to and guitar also the flute is really tough....on getitng Consistency for me.with just working head joint
Great to hear! Thanks for watching!
I feel like my vibrato on flute makes you sound a little bit more stronger, projective, and just like it doesn’t sound, muted, or stuck
Yes, I agree - movement in the air helps it sound alive! ☺️
Thank you very much for your informative video. I really want to know how to practice to make rich, resonant sound like you!💖
You can do it!
Thank you . 감사합니다.
You're welcome! 🙏
This is very useful, thank you
Glad to hear that! Thanks for watching! 🙏
Thank you so much! 🙏❤️
You're very welcome!
Thank you very much! That's very usefull.
Glad to hear that!
Dank je wel, Emily !!!!
Heel graag gedaan!
Very interesting! Thank you
Glad you liked it! 👍
You are amazing
How you explain it
Thanks Cassy! Glad you like it! ☺️
4:42 thank you!
🎉🎉🎉🎉🎉🎉🎉🎉🎉😊
Thank you Mary! 🙏
Thank you! This was very informative.
Galway could learn a lot from this...
Thanks for watching - glad you enjoyed it and found it imformative.
With ALL due respect sincerely .... flute vibrato regardless of speed, is created by gentle throat-pulses. It doesn't somehow magically move upward from the stomach towards the throat LOL . The "hissing exercise" is a great way to teach flute vibrato as other experts have said.
Hi Ron, thanks for your comment. This video is meant to help flute players with developing a flexible vibrato. In my experience, I have found it most helpful to start from the belly, then allow it to move up the body as speed increases. Starting the action from the throat can lead to an undesirable ‘nanny-goat’ vibrato. I don’t know the hissing exercise you mention but as with so much of our art, “many roads lead to Rome”!
@@EmilyBeynonflute You are too kind and too awesome to reply, thanks! In his 1976 "Master Solos" (intermediate level) Dr. Gary Sigurdson outlined the "hissing" exercise in one specific mention of developing vibrato. Works great with beginners. Galway has also said "you can't train your diaphragm to do it" and "it comes from the throat." No flutist alive creates vibrato (with controlled speed/depth) using pulsating stomach-muscles, so why not cut right to the chase when teaching it? We find a similar collection of detours among voice-teachers who avoid the obvious "pitch-oscillation" vibrato approach (not for flute of course) in favor of their typical "it will naturally just develop from proper diaphragm-support" idea that's led to so much confusion and not much in the way of vibrato LOL!
OMG!!! Traditional Chinese Translation!!!
Hi Andy - how are you liking the Traditional Chinese translations?!...
@@EmilyBeynonflute YES～ I am deeply in need of the Traditional Chinese translations.
Is it normal for your belly to hurt when doing the pulsing vibrato exercises? Also, I realised I can make a sound very similar to vibrato from the throat, is it okay to do it or should I do the diaphram pulsations?
Thanks for your question, Delia. Do you mean your abdominal muscles? Well, they could be a bit sore if you’re not used to using them, yes. The throat does become part of the natural vibrato eventually but it’s very hard to control that way and can lead to a squeezed/pinched tone. So keep working on the pulsing (belly) vibrato for a few weeks and see how it develops. Good luck!
All that baroque music i've been listening got you on my feed. Who are you? And are all those books yours?
Hi Jorge, thanks for viewing my video. You can find more information about me on my website, emilybeynon.com.
May I ask you a question from an amateur and therefore a bit naive about the vibrato. The rhythmic impulse can only come from the diaphragm and in no way and never from the throat. Is it correct ?
Thank’s for all and more!
Hi Pierre, yes, as it gets faster, you will feel it more and more in your throat, that's fine... but the start is the diaphragm! Good luck - I hope you found it helpful.
By the way the Poulenc in the background was exquisite
All due respect to Ms. Beynon, it's physically impossible for flute-vibrato to be created in "the diaphragm." Regardless of its speed, vibrato is always created by gentle throat-pulses. Of course the air-support comes from the stomach muscles, but then again, so does every single note we play. Galway has even mentioned the odd tendency to explain flute vibrato incorrectly LOL !
@@heidifluteatlI completely agree re the Poulenc! ❤