"its a wind instrument, it's not a lip instrument." I know that should be obvious but im going to remember it now whenever i feel my lips get too tight.
It quickly becomes obvious that there is far more one must learn to master technique in order to play music with real proficiency. The entire body and mind are engaged in finding the precise combination of nuance. There is a lesson here for everyone, for us in non-musical fields of creative work as well. Emmanuel Pahud is a living treasure.
Not only is Mr. Pahud an amazing and natural flutist but he's very generous with sharing what he knows, breaking concepts down so they are readily understood. What a gift he is to the flute community. Thanks Emmanuel!
OMG! I'm hopelessly in platonic love with his tone! What an amazing flutist! And it all seems easy when he explains... if only! Thank you for the upload!
Thank you Eduardo Ignacio Jaramillo Carrasco.Can you upload more videos please please please.I really learned a lot from this videos.I am a flutıst and ı really want to develop myself and these videos are really helping me.Thanks again :D
Manny Pahud is amazing !! Flotenmusik 1993 was the first time I heard him. Would still like to emulate some of that stuff he did on that cd with the same fervor. 🙂
GREAT teacher.., I have just started to study flute- since 2 months, but am a singer and recognize, how similar the technique is with air, tongue, placement etc- side recognition- Pahud would be a bass, whe he woud be a singer, but the flute is more like an atherial soprano
Could you upload more video???İt can be really perfect for the flutısts.:))) P L E A S E E E E Por Favor!! I do not know spanısh forgıve me.But please upload moree!! :DD
Amazing tutorial and great directions for my practice. Does anyone know the Orchestra Concerto he is excerpting at 5:00? I would love to listen to it. That rapid low tonguing is incredible (and currently impossible for me!)
I found a version called Concerto for Flute and Piano, as a free pdf a few days ago. Edited by Jean Pierre Rampal. He speaks too fast when he says it and I'd never heard of Khachaturian. So I'd been searching for catchaturean, catchaturian etc. If I try and play those low Ds quickly, the sound starts to get less and less. If you still can't find it, it goes. D-D, F E F
04:48 Yes. However, the attack will still sound ”normal/regular”, what if every note has a dot above? There is not way how to give a sound with strong attack and shorter (like a note with a dot on the top) I mean in fast passages.
I think Emmanuel Pahud is probably speaking on the general idea of flow of air (even in staccato passages) as opposed to tightening the muscles of lips and tongue. My impression is that underlying his exposition was the technique of diafragma staccato, that doesn't rely on the tongue's more incisive movement. That is trained by doing staccato notes without using the tongue, focusing the air without tightening the lips (nor the throat) and using your diafragma to rhythmically blowing the air and getting a full resonating staccato, as much as your legato. That may be hard in the beginning, but once you get a good resounding staccato using the flux of air or breath, you just add the tongue in order to get a more defined attack to each note. Monsieur Pahud suggested that by saying "flute is a breath instrument and not a tongue instrument" and elsewhere he said articulation was something done with breath and not the tongue. Training quick diafragma staccato is demanding on your diafragma muscles and may be helpful too in learning the correct technique of vibrato, not using the throat like a goat's screaming. Monsieur Pahud is just introducing a general concept, and certainly in a personal lesson he would teach technical exercises to put it in practice - and his performance is the best evidence of his theory!
"its a wind instrument, it's not a lip instrument." I know that should be obvious but im going to remember it now whenever i feel my lips get too tight.
It quickly becomes obvious that there is far more one must learn to master technique in order to play music with real proficiency. The entire body and mind are engaged in finding the precise combination of nuance. There is a lesson here for everyone, for us in non-musical fields of creative work as well. Emmanuel Pahud is a living treasure.
Not only is Mr. Pahud an amazing and natural flutist but he's very generous with sharing what he knows, breaking concepts down so they are readily understood. What a gift he is to the flute community. Thanks Emmanuel!
Imagine thinking this is real music. Check out Trippe red or NBA Youngboy if you want to hear actual MUSIC.
OMG! I'm hopelessly in platonic love with his tone! What an amazing flutist!
And it all seems easy when he explains... if only!
Thank you for the upload!
Just amazing how he explains. He is so magnificent..
Emmanuel is an excellent teacher for all those technical skills we all need. Amazingly skilled player.
First of all beautiful playing...but that flute is just gorgeous.
Wouter. He makes that I like it to practice and discover all the wonderful possibilities of the flute.
He earns a monument for this….
There is something so wrong about this title that I clicked immediately
Amazing manipulation of the pipe and always about musicality. A gift to us all.
Thank you Eduardo Ignacio Jaramillo Carrasco.Can you upload more videos please please please.I really learned a lot from this videos.I am a flutıst and ı really want to develop myself and these videos are really helping me.Thanks again :D
Vielen Dank! Sehr sehr angenehm zu erfahren...und dazu mit sehr angehmer Stimme...:))
Manny Pahud is amazing !! Flotenmusik 1993 was the first time I heard him. Would still like to emulate some of that stuff he did on that cd with the same fervor. 🙂
Thank you for sharing! This lessons are real treasure.
Exceptionally valuable information. Beautifully sumptuous control.
GREAT teacher.., I have just started to study flute- since 2 months, but am a singer and recognize, how similar the technique is with air, tongue, placement etc- side recognition- Pahud would be a bass, whe he woud be a singer, but the flute is more like an atherial soprano
Amazing 👌
HareKrishna&GodBless❤️🙏
Mic drop at the end! 🔥
👏👏👏👏👏
Could you upload more video???İt can be really perfect for the flutısts.:))) P L E A S E E E E
Por Favor!! I do not know spanısh forgıve me.But please upload moree!! :DD
Go to www.playwithapro.com -- he has 13 videos on that site. It cost $99 but you will listen to the videos again and again and learn a lot each time.
so lit!
Me too
7:03 on 0.25 velocity. Play on this peace and you will reach the lower notes
Amazing tutorial and great directions for my practice. Does anyone know the Orchestra Concerto he is excerpting at 5:00? I would love to listen to it. That rapid low tonguing is incredible (and currently impossible for me!)
He literally says 'Khachaturian flute concerto'
czcams.com/video/RHqTlp64rMU/video.html
I found a version called Concerto for Flute and Piano, as a free pdf a few days ago. Edited by Jean Pierre Rampal.
He speaks too fast when he says it and I'd never heard of Khachaturian. So I'd been searching for catchaturean, catchaturian etc.
If I try and play those low Ds quickly, the sound starts to get less and less.
If you still can't find it, it goes.
D-D, F
E F
That’s the khatchaturian concerto
I want to learn the basic brother and show you what you always want to learn
What that tongue do
Thank You
Who could tongue Emmanuel Pahud
04:48 Yes. However, the attack will still sound ”normal/regular”, what if every note has a dot above? There is not way how to give a sound with strong attack and shorter (like a note with a dot on the top) I mean in fast passages.
I think Emmanuel Pahud is probably speaking on the general idea of flow of air (even in staccato passages) as opposed to tightening the muscles of lips and tongue.
My impression is that underlying his exposition was the technique of diafragma staccato, that doesn't rely on the tongue's more incisive movement. That is trained by doing staccato notes without using the tongue, focusing the air without tightening the lips (nor the throat) and using your diafragma to rhythmically blowing the air and getting a full resonating staccato, as much as your legato.
That may be hard in the beginning, but once you get a good resounding staccato using the flux of air or breath, you just add the tongue in order to get a more defined attack to each note.
Monsieur Pahud suggested that by saying "flute is a breath instrument and not a tongue instrument" and elsewhere he said articulation was something done with breath and not the tongue.
Training quick diafragma staccato is demanding on your diafragma muscles and may be helpful too in learning the correct technique of vibrato, not using the throat like a goat's screaming.
Monsieur Pahud is just introducing a general concept, and certainly in a personal lesson he would teach technical exercises to put it in practice - and his performance is the best evidence of his theory!
what is this piece?? 7:24
khachaturian flute concerto Mvt.1
What is he playing at 4:10?
Poulenc Flute Sonata 3rd movement
@@manonmoulin2649 Thank you!😊
Youngboy better