Sony 10-20mm f4 G PZ - A Handsome Review with the ZV-E10
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- čas přidán 24. 07. 2024
- Today I test out the New Sony 10-20mm f4 G PZ lens for APS-C. This lens is a very good video and photo lens that may suit a lot of people perfectly.
10-20 f4 (affiliate to make me stinking rich)
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contact: markcameracrisis@gmail.com
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#sony #1020 #apsc - Krátké a kreslené filmy
Great video as usual - one of the best gear review channels out there - love your sense of humor ;)
thanks!!
Thank you for this review. This is the exact combination I have been considering. I just purchased the camera and have been looking closely at this lens. I wanted to see some reviews before ordering. Keep up the good work!
Glad it was helpful!
A very credible review. Much respect to you Mr Bennett! My take is that if you’re a videographer that deals in very well lit scenes, this is your lens.
Another great video. Slowly building my office studio gear on with the help of your videos.
Thanks for the inspiration, I joined the zve10 club today. looking forward to learning everything about this little beast 😀
welcome!! plenty of vids on the channel to keep you busy 🤣
Nice review! Subscribed immediately for more interesting review! Keep up the good work! Cheers from Malaysia!
Welcome aboard!
I did not notice this lens when it came out but I just discovered how tiny it is and that it’s all internal zoom. As a take everywhere lens, I prefer a tiny f4 over a bigger 2.8 any day. Looks like my ideal hiking setup. Thanks for the video!
It’s so small and light
You are SUCH a cool dude and just a joy to watch regardless of the topic. Thank you for that.
On a relevant note, can you have a side-by-side comparison between this lens and sigma 10-18 2.8? I am wondering if a shorter Sony gives you a wider image :)
Just picked up my 11mm f1.8 yesterday, and it's awesome!
Another fantastic review. I’ve just ordered this lens and can’t wait to get it
It’s really great
@@MarkBennettCameraCrisis I have a studio at home that I use for golf vlogs so I need to be in focus as well as the simulator screen behind me so the F4 is perfect 🤩 love your reviews mate. You’re definitely a Go-To guy for me on CZcams
Thanks for the video, I purchased the ZV-E10 and on the second day I’ve picked up a virus, so been watching your videos.
I am looking at the Sony 11mm, 10-20mm and possibly the older 10-18mm with OSS, mainly to compensate for the crop when the image stabilisation is on. But you just got me thinking, would the gimbal and the kit lens and image stabilisation on the ZV-E10 suffice?
I’d be interested in your thoughts. Many thanks
That light is really flattering you Mark 😉 😂 great review buddy , always come here for reviews , but love the jokes !
🤣
LOL I love the commentary, as always. I was so close to buying this, but now....without stabilization and not being great for the studio, I can't see it.
yeah - the tamron 11-20 is much better for the studio with that 2.8
Hi mark, I love ur videos👍🏻 can we use this apsc lens on a zve1?
Great review and I'm loving the Shiyun Crane M2S and the stability of the image!!! Noticed the majority of your vids are shot at 24fps. Do you have any thoughts on frame rate? is there any shots/situations you would use 30fps or 60fps? Cheers Andy.
I like the way 24 looks. I would use 60 if I wanted to slow down the footage - but other than that I stick with 24.
Please can you do a video for whats the best setting for vlogging outside qith the sony zve10?
GREAT REVIEW BTW.
I bought this for my a6700 to use for landscape and street/travel photography. My son steals it occasionally to use on his a7iv. He records video at 4k 60fps, which is a crop sensor mode on the a7iv, so the lens is great for that. What I found is this is a superb landscape lens. There are some minor issues when the light fades, but this can normally be compensated by increasing shutter time - tripods are useful things. The interesting thing is I often increase the shutter time anyway for many of my landscape photos, because I want that effect on the water and clouds. I almost never go faster than f5.6, normally f8-f11 to compensate for that, and of course that also keeps the whole frame in focus. If you like Astro pics with lots of white lines (yeah honestly, I was going for the star trail look on all my milky way photos) then it works for that too. I'm not an Astro photographer, I'm not a portrait photographer, and I have faster lenses for taking photos in low light. So this lens has turned out to be perfect for what I use it for. It's sharp, easy to use and is wide to awesomely wide.
Great uses for this lens. I’m sure a lot of people don’t think about using it like you do.
Like your reviews. I wonder if Catalyst Browse stabilization works with Clear Image Zoom. If it does, this lens can potentially be turned into 10-40mm with great stabilization.
I’ll check with catalyst and clear image - will do a new vid on catalyst this week and include that
Hi Mark, quick question... have u tested on Full Frame camera for that "special" hack which could eliminate the vignetting still keeping the full frame mode. thanks G
cool review thanks!
Hello mark could you please try Abs camera with full frame lenses and give us some insights into the besties all around
Amazing review. I really wish Sony would care more about APSC. Seems like there is a huge gap between the a6600/zv-e10 and the fx30. They do not really have an equivalent of what is basically a7c/zv-e1 in the Super35 and it's killing me.
I want something with top features in tracking, video, stabilization, object detection/AI but in a compact (non-cinema) size to pair with these amazing lenses.
thank you sir power zoom Bluetooth remote is new information for me, i didn't know that exist before
Thanks for your nice review sir. I think about buying a ZV E10 + 10-20mm lens.
1st question: Does the in-camera chromatic aberration correction also work when taking a video or is it only correcting when shooting photos?
2nd question: Is it better to turn off the digital stabilizer in camera when I want to stabilize later with sonys catalyst, or can I combine both methods?
Thanks in advance and good fortune!
The in camera corrections help yes in video. It is better to turn the stabilization off if using catalyst browse
I really appreciate your reviews, would love to know your thoughts with this lens combined with the new a6700 without the gimbal!
it works really well with the active stabilization. Try it out first and you may find you don't need the gimbal at all
Hi Mark, awesome video!! Love it!
Do you have a video or a blog about the comparison of this lens at 10 mm with sony 11 f1.8 at 11 mm?
I have the 16-50mm lens that came with the sony zve 10. I'm thinking about getting a wide-angle lens, but don't know which one suits my needs better.
what kinds of things will you be shooting?
@@MarkBennettCameraCrisis Mostly my kids ( one is so far a piece meat, the other one is a constant running cra cra toddler)
Thank you :)
And also taking photos when the family goes on a trip 😁
You are my main source for this information for the last year and a half... I'm shooting gatherings for 6 people around a table and the closeups are extremely cool shot with f1.8. However, I need to have a wide shot that catches them all and can't seem to nail it. Tried the ZV-e10 kit lens on 16, tried some 18mm lenses... It's not very lit - it's perfect for the 1.8s. I need everything to be in focus for the wide shot, so I need a lens that can manage the not super bright wide shot, but still keep a lot in focus. I was looking at this lens because of the F4 and the 10mm, but you say it's bad in low light, so not sure if I should give it a try.
I would do the Sony 11 1.8. super wide and super bright
@@MarkBennettCameraCrisis Will go for it then and will report results 😄
Edit: Actually - in a studio enviroment will the 11mm at 1.8 have shallow depth of field or will it be able to keep everything in focus? I've never used such wide angle lense at such low f stop.
Another awesome video Mark. Had a question if you see this. Would it make more sense to buy a Sony A74 with kit lense or ZV e10 with a nice lense? Just want a nice photo/video camera that's better than a phone.
They will both be way better than a phone, but I would get the A7iv if it’s in the budget because it is an amazing camera. You can get some really good lenses for not very much money so you can upgrade your kit lens eventually.
@@MarkBennettCameraCrisis Thank you.
I pre-ordered, looking forward to using. Question: if I turned off the AF and blogged with lens on manual mode (Panasonic Leica 10-18), will I still get focus breathing? Thank you... great video as always...
nope, focus breathing only occurs (to whatever degree that lens suffers from it) during the act of focusing, either automatically or manually. If you turn the AF off and you also don't change focus manually during filming, but instead set it once and leave it like that, there won't be any focus breathing
Andrei is right. if your focus is set, you won’t see a change in your frame.
Not taking cost into consideration - purely looking/comparing based on the quality of video image and ability, which of the two would you suggest (and if able, why)?
I'll be using these on the Sony ZVE10, and strictly for video - I have a Canon 5d3 with great lenses that I will continue to use for photography.
So, I'm mainly concerned with video (for CZcams):
- Tamron 11-20mm f2.8
- Sony 10-20mm f4
I will mainly be doing counter-top videos (crafts & how to), but not exclusively;
I will do some outdoor filming of bike races - meaning I'm filming others on their bikes, preferably by hand, but I can do a tripod or gimbal if needed.
I would do the Tamron because of the 2.8 of light. That can make a really big difference.The 10-20 is smaller, lighter and better for gimbals, but the f4 will make it difficult at times to film inside
I have two newbie questions for you, great video by the way, I am looking for a studio camera solution that I can also use in a wide variety of outdoor settings, mostly walking and vlogging, but I would like, if possible, to be able to do other creative things too. I have a GoPro hero 9, but I now realize that I will not be able to separate the subject from background in either indoor or outdoor shots. Just discovered bokeh:) I am on a budget, but thinking about the EV-10. Am I looking for an impossible lens? By the way, the wall behind me in the studio is only about 6 feet away, can't change that, is bokeh possible in that situation?
For sure - get the ZV-E10 and the Sigma 16mm 1.4 and you will still get lots of blurry goodness. At at an excellent price. I have a review of the 16 you can check out
@@MarkBennettCameraCrisis thanks for the advice brother, but I have decided to restrain my efforts to iPhone filming for the foreseeable. Walking in circles behind your house was influential in that decision, thank you.
A very handsome review! I too wish I had unlimited money, then I would get this lens and many others. The power zoom intrigues me, and I like the extra buttons Sony puts on their lenses.
Oh the unlimited money
Lol
Wow, 2 videos in 1 day 👍🏻
ha - 2 in 23 hours - so almost 1 a day. 🤣
Can m3 crane zoom with this lens ?
Great review as always!, I was looking to buy an ultrawide zoom lens for my ZV e10, the Tamron 11-20mm was my first choice... but the size, weight, extra 1mm, internal zoom, faster AF, better control of focus breathing, the extra buttons, better compatibility, the "G" image quality and why not... the power zoom of the Sony 10-20mm made me forget about the f2.8 of the Tamron... i think i'm sold. I'll wait for the comparison video anyway to be sure before spending 850€.
Btw, I also have the crane M3, its just better to get a gimbal tha can handel not only the camera and lens, but have room for a mic, small light or any other small accessory and is not sufering like the Crane M2 that i had. Spend the extra 100€ on the M3, it's worht it for an APSC system. Right now i'm using it with the ZV-e10 with the flip screen out mounted on a quick release plate, sigma 18-50mm, Rode Wireless GO II and it goes smooooth. Great thing is you can balance once at 35mm and then zoom in and out without having to rebalanced it again, it handles it like a champ.
Thanks Mark, keep it up! no need to sleep :D
oh yeah - that M3 is the best and I prefer it. But these lenses are so small that I can flip out the screen, use an Nd filer and put a wireless pack on and still balance it. it’s such an insanely small setup that it’s fun. The M3 is much more useful though for many things. especially the scroll wheel to do quick roll axis adjustments
Here in the Canary Islands the objective costs €625, greetings, good review.
Hi Mark, is the video comparison between Tamron 11-20mm f2.8 vs Sony 10-20mm f4 coming out soon?
I'm not sure if I'll have time to do that one - but I'll see if I can - I would say that the the 11-20 is much better in lowlight and more versatile. But the 10-20 f4 from Sony is much smaller and has no focus breathing at all and it better for gimbal work and vlogging in good light (but less background blur)
Would really like to see how it performs at night on busy streets with lots of artificial light from stores and street lights etc.
Hey Mark! would you buy this 10-20 f4 lens or the 16-35 f4 pz as a gimbal lens? Don't sure jet if the Full Frame lens would be worth it with a A7iv
you certainly can use the 10-20, but since you have that great full frame camera, it’s nice to pair the full frame lens with it. certainly for photos.
@@MarkBennettCameraCrisis Thanks a lot!!
13:00 you're sure do loving answering the comments 👍🏻
I’m answering one right now!!
Hi Mark! Great video. What would you recommend, sony 10-20mm or tamron 11-20? I'm interested strictly for landscape photography. Thank you
For strictly landscape - I would do the Sony - it’s a bit sharper and has no focus breathing. Plus it’s smaller, lighter and has a power zoom. But it won’t perform well as well as the Tamron in lower light or for astrophotography with that f4 of course.
Thank you very much for your answer. 🙂
I put a Sam Yang 12mm on my Zed EV. With some black mist magic. At least the 10-20mm has some range to change.
Good video brother
Hey Mark! if you could recommend one lens to travel with the zve10 what you recommend out of the new sony range? i already own a 16-50 sigma 2.8 and a samyang 12mm AF 🤔
also whats thats its like withe background defocus on with the zve10 does the bokeh do it justice for the high aperture when vlogging?
For travel, I think you are good with those two lenses. the Sigma 18-50 should have you covered form almost everything and if you need wide, the Samyang is there. you can use the background defocus if you want, but I prefer shutter priority at 1/50 so the motion looks natural.
@@MarkBennettCameraCrisis thanks Mark much appreciated 😊📸👍👍
Interesting lens, but the F4 is making it difficult for indoor use, and that’s also the point of wide angle lense for shooting nice pictures at family or friends meetings during the long autunm and winter months. I don’t mind the missing of OSS for wide angle.
For sure this wouldn’t be a great indoor lens. you’d want something faster for sure. Maybe look at the Tamron 11-20 f2.8
@@MarkBennettCameraCrisis Now i have the the 13mm Viltrox which is absolutely amazing. Im thinking of another lens to buy.. that Tamron is very tempting!!!!😅
Hi .
Can we use this lens for the food review shoot in the restaurant’s?
Yes, as long as it’s not a dark environment
This new lens has nice features, but it is essential to use on a gimbal. But my 10-18 has OSS which means I can leave the gimbal at home. I would love the power zoom, but the stabilization is more valuable for me.
makes sense to me
Dear Mark: For some reason, I like 16-35mm. Will full frame lens 16-35 F4 be too much for the ZVe10? Thanks in advance,
the 16-35 will work great on the zv-e10, but it will be a 24-52 full frame equivalent, so no where near as wide,
Absolutely waiting for the next gen bodies. They should be quite something.
Fingers crossed!!
@@MarkBennettCameraCrisis Good codecs, ibis, and 4k60. Its all I want. A real baby FX3.
How do you think this lens would work for real estate videography? Would be paired with zve10 as well...
It would be great as long as you have good light. The f4 wound be great in dim conditions - but with sunlight or a bright room it will be excellent
I just got the ZV-E10 and using active actualization I am only seeing a small crop. Maybe 1.1x or 1.2x. Is that a new firmware or something.
there’s a small crop in 30p from 24p, but if you are actually using active stabilization on video mode, the crop will be much greater. check you settings to make sure. There’s active and standard, standard is just lens stabilization so there’s no crop, Active has a noticeable 40% crop
@@MarkBennettCameraCrisis definitely not 40%. Its about 15. That's in 4k30. 1.2x crop for 4k30, another 15% or so for active stabilization. 40% definitely not.
not sure what settings are using, but going from 24 fps to active stabilization is 1.44x crop.
@@MarkBennettCameraCrisis strange. I measured the crop on my pc. It's about 1.2x. Maybe sony decreased it in newly produced models.
do you own both this lens and the e11, and which would would you use for fireworks video recording
the 11 because it's better for lowlight
You mentioned ND filters, do you have any budget recommendations? And which ones do you use? The sun insists on being too bright these days.
I use a budget one myself. KandF. just make sure you get the right filter size for the lens’ filter thread. The one I linked is a 62 and appropriate for the 10-20 f4, but if you wanted to fit, say the Sigma 16, you would buy the 67mm.
@@MarkBennettCameraCrisis in regards to the filters, if I have 6 lenses with 67mm pattern and pick up one of these, should I just get a cheap ND for 62mm or a 62 to 67 adapter for the ones I have? Would the 10mm wide be too wide to hide the adapter edges?
Apple juice, if for example your zv 10 camera will stop right now to work, maybe your SanDisk card broke card slot in your camera, which Sony camera as a replacing camera you will choose?
A7C or a6400 would work for me.
Bit late here, but what were the other 2 lenses released at the same time?
Sony 15 amzn.to/3xZv78q and sony 11 amzn.to/3WfRHE2
Any idea if the f4 is good enough for real estate? Ordered the 11 1.8 but man I wanted that PZ.
I would try it out - if the rooms aren’t dark - it should be ok. But you could also look at the Tamron 11-20 that’s an f2.8
I think it should be compare with Sony 11mm f1.8 because i am searching a good lens for real estate videography with ZV-E10 so which one is good for me
10mm or 11mm ?
The 11 is better for lower light
Just really wish this lens was 2.8. Probably going to go with the Tamron 11-20 or Sony 11/1.8.
Mr Mark hi! On Sony zv e10 in 4k 60mb autofocus is work? I think my today is stopd( 1080p 60fps - all fine
autofocus works in all of the ZV-E10 modes. Just check you settings - you might have clicked something by accident
@@MarkBennettCameraCrisis thx handsome man
One question again) shooting webinars (live stream, broadcast). What buy for fullframe? A7c or a7-4? I shoot from tripod and don’t touch camera) obs stream
The a7Iv is the better camera - but the A7C will work fine as well. However, the A7IV can stream in higher quality without the need for a capture card
Please make a video Nikon Z30 vs Sony ZV E10
I'll be trying to get one in for sure
I bought the Tamron in November, 2021, way before this lens came out. I would have gotten this one instead just for its size but I find myself not using wide angle lenses all that much. I prefer my 17-70 Tamron over all my lenses.
17-70 is SO useful
f4 too beaucoup! I did like the comfortably wife (WIFE?) wide 10mm shot; might have to give the 11mm f1.4 another gander. Speaking of good ideas for episodes, maybe a review of shoes for vlogging? OMG. You could pit Hoka, ASICS, Nike, etc., against each other in the quest to crown the ultimate unassisted steadyshot!!! 🤩
🤣👟
Hi i do interior design does this lense do the job for wide lense sorry newbie here
I would get the Tamron 11-20 2.8 instead. The f4 might not be low enough for interiors
HEY MARK! Did you see the rumors that are "confirmed" saying the next ASP-C from Sony will be in the ZV lineup? Kinda bummed cuz so I was kinda hoping for a new a6XXX or so. But if its weatherproofed slightly and has a viewfinder... Maybe a competitor for the R7
I’ve seen some things - but I never believe anything until I see it 🤣. I don’t care what they call it - if it has good ibis and 10-bit and 4k120 I will buy it if they call it MarkBennettSucks
@@MarkBennettCameraCrisis They named it Sue
🤣
Do you like the Zhiyun Gimbal 2 or 3 for the Sony ZVE10 with on of the new lenses..
Which would you purchase first?
It's about 100 bucks difference so what did you think?
with these new lenses, you can use the tiny M2S, which is fun to take around. The M3 is a better gimbal, but it’s bulkier.
@@MarkBennettCameraCrisis Thank you i appreciate your quick responses...
I have a Sigma 16mm too wi that work?
I have the 10 18mm already i just wanna invest into a Gimbal only wanna buy 1 ..lol
You know how that goes so much stuff come out and you get the Bug..lol
No - the sigma is too big for the M2S - But it works on the M3. I think the M3 is worth the extra $100 for sure
These lenses can work great on FX30 - about that lack of IS on the lenses
Please compare the ZV E10 vs. Nikon's new Z30 soon 😍
love to 👍
Does this lens fit/connect to the sony a73?
it fits, but you would be in aps-c mode so you would be down to 10 megapixels for photos. The 16-35 f4 is a better choice for the a7iii. You can probably find the old version for a pretty good price
From what I’ve seen so far, there’s something “off” about this lens. Can’t quite put my finger on it, but as a Tamron 11-20 user, the images just seem soft, bland and super-distorted. Curious to see still image comparisons between the two.
Yeah - it is likely because the Lightroom profile hasn’t been completed. So what you are seeing from reviewers are either jpegs or images they “corrected” themselves (which is virtually impossible with how much distortion this lens has in raw). So it’ll be tough to judge until the profile exists. However, I do feel like the Tamron acts better as a photography lens. The 2.8 makes a huge difference, and that bigger glass seems to make the images pop more.
@Mrsleakyshit - thanks for sharing this. I’m debating this lens along with the Tamron11-20f2.8, and I think your information has helped me decide on the Tamron.
I may add the Sigma16mmf1.4, and then much later the Sony10mmf1.8 - both for the aperture/ low light/ bokeh, but the Tamron may be all I need.
Thanks again!
What is the difference between zv-e10 kit lens?
The one is much wider, but only zooms to 20. it’s also a sharper lens. But the background blur will be similar
Hi Mark, how many milimeters was this video shot at? (in the studio)
Thank you !
26mm. it was the 24mm GM with the active steady show on that crops in 10%.
@@MarkBennettCameraCrisis Ok, if it's the case, why is the video frame the same as the one you shot with the 15mm1.4 in your studio ?
I compared both video and it looks exactly the same to me. I'm lost !!!
Thank you.
ha - yeah - I can see how it would be confusing. In the 15 mm - that is an APS-C lens - so the A7IV is in crop mode (something it does when connected to an APS-C lens) so that would make the focal length about 22.5mm (15mm x 1.5 times crop). Then i applied the stabilization crop which is about 10 percent - making it about 25mm and I moved the camera a bit closer to me. Voila!!
@@MarkBennettCameraCrisis thank you very much ! I understood everything !!!
Amazing how something so small can be so impressive. :P
True that!
Hi Mark, what is the best lens for you? and because? 10-20mm F4 / 15MM F1.4
15 1.4. I love a blurry background and it’s a great studio and lowlight lens. also, I have my full frame camera for landscapes which factors in
@@MarkBennettCameraCrisis 15 1.4 is the best in three of new Sony lenses and you like it most ?
@@letran-kz7pw it’s my favourite of the three, but the one I might buy is the 11. Since the Sigma 16 is just as good and half the price, I think it makes more sense to get the sigma 16 and the 11. Then you have two useful focus lengths
@@MarkBennettCameraCrisis . 11 will belong to me . Hope that. Thanks 🙏
My honest opinion: if people are considering wide angle F4 and above lens for vlogging (or maybe even photo), they'd be better of using an iphone/pixel. At this point, the background blur/separation is what's making the biggest difference between apsc and phones. Without it being obvious, there's almost no advantage in using apsc.
Background blur is not the only reason vlogs look on cameras - the larger sensor captures so much more data - the difference is very big when I switch to my iPhone 13 pro and my ZV-E10 at any F-stop. I have some vids comparing the iphone on the channel if you'd like to check them out. Many Hollywood films have been shot on a APS-C sensor at f4 or f6. But I encourage you to do some tests for yourself and I'm sure you will see a big difference, especially if you are not using the "auto" settings on the mirrorless camera.
I don't know what is the difference between Sony 10-18mm and 10-20mm could you explain please?
the 10-18 is an older lens and not as sharp as the 10-20. the 10-20 is also much smaller and lighter and has an internal zoom which is better for gimbals. however, the old 10-18 does have optical stabilization so that’s a point in favour of the old one (plus it’s cheaper)
@@MarkBennettCameraCrisis
As you know I am a real estate agent and I use iPhone 13 Pro Max for the videography also have a ZV-E10 camera but I don't have an ultra wide angle lens that is the reason why I am very curious about the selection of the perfect lens for indoor real estate videography in the last message I was ask you for my need and you suggested me for the viltrox 13mm but that is the same wide angle as much I am using iPhone 13 Pro Max please ones again guide me about the Sony 10-20mm or 11mm 1.8 which one is a better choice for indoor real estate videography ?
Would be nice if sony made 10-18 f2 or 10-20 f1.8
It would be nice!! Probably be expensive though 🤣
Hey what information would be needed for the selected giveaway winners?
Mark, i am not sure whether all Sony meetings are aboutyou but maybe 50%!?
At least 50
Hii mark....Rapid Ans Tamron 11 to 20mm or Sony 10 to 20 f4??? Which one Will you buy???
probably the Tamron. Hard to replace that 2.8.
Same question, here in New Zealand the two lenses cost the same. Which would you go for?
see above 😃
So interesting to keep hearing about the three lenses, but only mention one 😂
I have covered all three extensively on the channel.
@@MarkBennettCameraCrisis I know. I have watched extensively your channel and I guess the other two lenses are the sony 11 and the sony 15? What I meant is that if you watch this video out of the blue (as I did yesterday) there is nowhere to be found which ones are those 3 lenses you keep referring to throughout the video! So you either know it from before or you feel baffled watching the video. That´s what I meant.
Dear Mark, I have been using Canon 7D Mark 2 for a long time. Now I want to shift to Sony. But my budget is not high (maximum $1500). That's why I want to take Sony ZVE-10 for product photography. I want your opinion on this. Or please suggest something else at this budget. Thanks.
I would do the a6100 or a6400 for product photography- same sensor but has an EVF
@@MarkBennettCameraCrisis Thank you very much.
@@MarkBennettCameraCrisis Hello Mark, I Finally bought FujiFlim XT4.
How dose it compare to tamron 10- 20
Review of the two coming in a couple days - but they’re both great. Sony is smaller and lighter, tamron has f2.8. Depends on what you want
boy, what do you edit video in? Share;)
Just some basic Final Cut editing. Nothing fancy
Super dumb comment incoming! 😛
Seems really sharp. The Tamron probably does best it out in practical terms but you could be on to something... New lenses = new cameras. As we've been saying, a high end APSC, typical pro photo style body instead over ultra compact, that would be great! Fingers crossed their meetings take your viewpoint into consideration 🤘
I approve this dumb comment 🤣🤣
@@MarkBennettCameraCrisis Sony Reptilian Overlords be put on notice.... Mark is speaking smart and should definitely be included in all your meeting discussions 😛
Why would Sony not put OSS in this lens?
They aren’t putting in very many lenses at all these days
@@MarkBennettCameraCrisis thanks, I see quite a few people saying the OSS feature is not that effective which might be a reason.
… of cause you want it. 😄 Me too …
Good. F4 a little much
So many choices.
Wouldn't help having unlimited funds. I'd need unlimited time, hands and heads too. You know. To be able to use it all.
I know, right??
It's really 15-30 mm F/5.6 not F/4
only in terms of full frame field of view and background separation equivalence. The 10-20 f4 are physical calculations on the lens. The brightness is f4 or an f4 APS-C lens will be the same brightness as an f4 full frame lens as well.
hi Mark great review as always. a general question have you tried the stabilisation in apples iMovie vs catalyst browse ? (that's if you have Mac computer) I would be interested you your most superior opinion as a camera master thank you sir
I have tried it in final cut - and it’s not even close. Catalyst is miles better