Using My IPad To Paint A River Scene in Real Time
Vložit
- čas přidán 10. 04. 2023
- I have wanted to untether from my desk for awhile and get outside to paint "plein air" style. The weather was beautiful, so I went and sat by the river to make this quick sketch using Procreate on my iPad.
- Krátké a kreslené filmy
please please please PLEASE make this into a series. the nature sounds. the art lesson. Everything is so perfect
+1!!!!
+1
+1
+1
Yesssss pleaseeee
i love that you walk through all the potential scenes to paint, usually in these kinds of videos the artist has already chosen their subject
That was really what the doctor ordered - just enjoying the raw painting process
I’m taking you up on the suggestion
Love, love, loved this! Love the fact you are sharing your feelings about your art as you make your way through your paintings!
I really want to thank you, there are no mentors like you anymore, everyone is doing "tutorials" at great speed, because now everything is about money more than art or passion for teaching. I love the way he explains everything, like old school teachers. Thank you a thousand times.
I'm already looking forward to purchasing my space for the course I saw on your website.
Thank you for moving to full screen for the details. It was nice seeing the block in with the sights and sounds in the background, but it really helped to focus on the detail rendering when you went full screen. I enjoyed watching your process, a nice culmination of the teaching from your previous videos. I've been doing nature photography outdoors for years and just recently started painting outside (gouache) I recognize many of the birds in your background sounds, they sound the same as the ones we have here. It's such a peaceful, relaxing activity and the next best thing is watching a good video of someone else doing the same. Thanks for making this one, I'd love to see more of these :)
Please do more iPad painting. And have fun!
This is such a valuable service you’re providing to beginner artists seeking some guidance. As someone else commented, the internet is saturated with edited sped-up tutorials that do nothing for the learning process, made by artists with little interest in imparting knowledge. Drives me crazy. Since I found your videos a few weeks ago I’ve done daily color studies with a renewed enthusiasm. I intend to subscribe to one of your courses on your site. Thanks for your dedication and focus on actual mentorship.
You helped me take my paintings from absolute dog water to only mildly dog water in a very short time. Thanks for putting your videos up on CZcams.
this is beautiful
Jeremy...Thank you so so much. I have learned more and understood more in this playlist about color and light than I did in everything else I was exposed to on such matters in my entire life. And this is no stretch by any means. What you did and showed here trough these episodes can easily be charged hundreds of dollars. Jet you not only did it for free but not once did I hear you say "Subscribe" or even "like"...This is easily my favourite You-Tube channel. Once again, thank you! God bless you man. You have earned yourself a lifetime follower!
Silencio, el profe subio video
I think it's super cool how you're able to paint all the details without zooming in
I did the same thing last week at a local wood. Naturally, it started raining so I had to finish it later, but until then it was a lovely experience!
Seeing your process in real time is fascinating. It made me realise I spent too long on the sketch rather than just getting the big shapes in, and I used far too many layers. (The way you work mostly on one layer is both inspiring and intimidating!) My approach with the colours was quite haphazard as well.
Essentially, what my process says about me is I lack confidence... I'm guessing the way to address that is to confront it head on and practice working through the ugly stage on one layer - prove to myself I can do it?
Also, it looks like the harsh reflections are from your bare screen or glass screen protector; I use a paper type screen protector to reduce that. The one I have is called 'Bellemond smooth Kent paper' and imo it's a happy medium between the slippy glass and the rougher screen protectors such as PaperLike, both of which have major downsides. For me, the benefit of the texture, antiglare and scratch resistance outweighs the marginal reduction in image quality. (Unfortunately, that's an inherent characteristic of paper type screen protectors, but it's a lot more noticeable with the rougher textured ones.) I've had it a year now and it's held up really well, though it might've helped that I use a drawing glove.
I just thought this was worth mentioning so people know it's an option!
I hope you do more videos like this in future, the section where you explained what you look for in a scene was enlightening :)
Thank you for all the time and effort it is to both make a plein air, and document the process and edit the video ! Love the time you took to find the right spot. When ever I feel a plein air piece doesnt work, I start to add drama in color contrast. add more reds specles into the foliage, more purples in shadows next to warm yellows etc. Color pencils over gouache is also a great trick to push everything when you get home indoors.
This is so helpful! I know, every professional artist says "start drawing loose patterns" and something like that. But I never really followed that advice and jumped into details and it stressed me out. Now really seeing the process of you painting loosely and then getting into the details later, it helped me to understand how important that is.
And I was very impressed that you painted the scenery "traditionally" on one single layer (not including the glow). As a beginner in digital art, I still struggle with the usage of the layers. I don't understand when to get a new layer and for what purpose. I see other artists and they are using that feature so smoothly, but it doesn't help me to understand. Still I try to use the layers somewhat in my way I feel comfortable with. But I think that I don't do it in the right way.
Do you recommend as a beginner in digital art to draw from reference without any layers like you did in this video? To get used to all the brushes and the digital canvas?
I’m a digital artist as well, and I would say I don’t think there are any specific rules around when to use new layers. For me it boils down to whether or not I may need to manipulate that element of the photo independently. So for instance, I do a lot of commissioned portraits and I will create a base layer of the skin tone, and do shadows as a separate layer, highlights as a separate layer, eyes on a separate layer, then the finer details of the eyes (the color variations in the iris) on another separate layer in case I want to brighten them or change the hue slightly later. I think it’s all about what you feel comfortable with. It’s just easier to go back and make small adjustments when the different elements are on their own layer. Not sure if this is helpful, but just my two cents!
Hi Hollie! Thank you for your reply! It's helpful to hear from different artists, from their different perspectives. Recently I'm using layers quite similar like you, and especially when I want to try some colors on my painting which I'm not really sure of. So I can delete them in case.
I guess the way we use digital art programs depends on which art style we have.
I am way out of touch w/ painting. I used to create traditional Oil paintings and this particular technique of minimal layering and letting the paint "blend" like oils makes me exited to get into Digital painting! The setting, the technique is very much up my alley!! Thank you for sharing and teaching us!
This will be an excellent "Paint With Me" that I'll download and use as company while I work!😊😊
This was really interesting to see your process outdoors using an iPad. I paint outdoors with oils but have started using my iPad and Procreate to pick up specific colors and details not captured in photos that I can later use as reference for studio paintings. I do hope you make this into a series! Many thanks for putting all the time and care into these informative videos! You're my favorite CZcams channel!🥰
More of these! I can’t ever seem to get into digital. This has tempted me to try again.
thank u🙏🏽 this was very enjoyable
i've watched this about 4 times already. thanks a bunch!!!
Cannot wait for those courses of yours to begin!!!
So grateful for your teachings! Can you please share how you added your iPad screen on this video real time ❤
So I recorded my ipad session (an apple thing where you can record your screen), and then recorded on my other camera as well, then had to sync both videos manually when I got home
Beautiful and inspiring. Totally agree that as marvelous as nature already is, at least in my opinion, it is the job of the artist to bend it to magically enhance it. Thanks!
Love this. It was nice to see your process of choosing the spot to set up
The soundscape complements your painting so well! ✨
Incredibly beautiful, a great eye for good spots as well :p not to mention super relaxing. Thank you.
This was an enjoyable watch. Loved seeing your process to achieve all the elements in this scene. Thanks for sharing. I was wondering about how you managed seeing your screen but see you sat in a shadowed area. I really liked the idea of an umbrella too. ❤️🇨🇦
This is awesome! I’ve been wanting to try plein air painting!
Love it!
feeling sooo inspired!! beautiful work as always thank you :)
Amazing as always. Thank you for sharing. Would love a little more commentary while you do these about understanding your colour selections and how you make it look so amazing..!
That was absolutely excellent! Thank you so much!
Great job, Jeremy!
I think the water in particular would have needed more time. Great result overall, but it was tricky to tell whether that was supposed to be water or mud. But this kind of light situation is definitely some of the trickiest stuff there is to capture, especially on a timer (not just in terms of you needing to get a ride, but also in terms of the light itself shifting over time as the earth doesn't stop turning)
Absolutely love learning from your videos. Thank you so much! This was very helpful. :)
this was such a nice video, will rewatch it again to try to understand the process you went through a bit more. I absolutly want to draw from life and go outside but i struggle with the approach and how i should start (and what i should draw) and this really helped because you explained it so amazingly good!
i was hoping for this plein air content recently you never disappoint
You’re just the best! ❤ never stop please!
Thank you again for your video, I'm always looking forward to it!
I lalso love this new setting, the nature sounds and the artwork. I would love to see more video's like this.
I'm very curious when the lightning mentor site will be available. Because I'd love to follow your lessons.
This is amazingt to watch! I hope you make more content like this in the future but I'll check out your other ones, too!
I literally just commented recently waiting for an upload yay! I love ur vids
loving everything you do! keep it up! hugs from Ukraine
Do you adjust any settings on the turpentine brush?
This is so cool!! Two days ago i was wondering if digital plein air painting counts as plein air painting 😂 I guess you just answered my silly question
Wow! This is awesome! Peace…Aria. Hey again Jeremy. Could you comment the brushes, in Proceate, that you used for this painting? Also, if you have it, an original picture, of this scene, so I can reference it with my attempt to paint this? Oh, I can’t wait for your mentorship to begin. Peace…Aria Update: I got a screenshot near the beginning of the video.
Thank you so much for this amazing contact! I’ve heard so much about a color from watching you. Would you say there’s any value in doing plein air paintings with traditional paint? Or is it all good to do plein air paintings digitally?
I think plein air work either digital or traditional are valuable. Just doing the study, regardless of medium is the important part. Outdoors, traditional medium might actually be more useful because you won't have to worry about screen brightness
@@LightingMentor thank you!
You wanna look for a big foot. Lol. Just kidding. Thanks for the video
why did you say you were not very happy with this? was something missing, some light not adequately captured?
(asking out of curiosity. thank you so much for this inspiring video❤)
Hi Paula, great question. Yeah, I suppose I didn't like my final composition too much. It could be better. I am my own worst critic, ha! But I was still glad to get out there and paint and be out in nature.
hello! I can't find the video in which you show your pinterest collection of cool landscapes! Could you please link to it? thank you (:
Here ya go... www.pinterest.com/jeremyvickery/amazinglight/
@@LightingMentor Thank you!
Feels like James Gurney but digital. 😅
Your videos are so informative and inspiring. would you be interested to do mountains or rocks?
FYI : The French pleine air is not pronounced “plane” air. It is pron. PL(EH)N AIR. Eh vs Ay is not hard to say!
🍁🌻🍂🐢🐟
How is this for free!!
Did you go to school to study art? If so what did you major in? I’m looking to learn design, but the schools closest to me offer art history instead. I’m looking for an entry point to learn digital art. Any advice?
Either side the foreground branch the yellow highlights are distracting they need to be removed
This is an amazing video, but don't you think it would be better if you left yourself out of the picture? You are handsome and all, but you are blocking the view :D
I was trying to have the view and my ipad in the camera at the same time, but you are right that I was in the way for sure. Next time I'll snap a photo of my view and leave that small in frame and then just have the painting bigger so the details of the process can be seen better. Thanks for the great feedback