Music Theory 1 - Video 21: Triads in the First Inversion.
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- čas přidán 28. 03. 2015
- This video corresponds with material from chapter 8 in your textbook, which gives some very good examples. Please review this as well!
0:00 Welcome
0:16 Review of first inversion - definitions, notation
1:46 Harmonic function of first inversion triads
3:17 Example progressions
6:42 Diminished triads in first inversion
8:14 Part-writing basics for first inversion triads
10:13 Example of doublings
12:02 Leading tone issues and examples
15:12 Example using incomplete triad - Hudba
Excellent illustration of this subject matter. I'm using it with my university freshmen now and it is quite helpful. Thanks very much for the time you took to make these videos!
Thanks for the note, Patrick. Appreciate it!
Hello David,
I have been completing an on line Music Theory course through the University of Edinburgh and via that course forum I found you. Your videos have been so helpful and I am very grateful that you have put them on CZcams. THANK YOU. I hope your university students know how lucky they are to have you. I will be watching EVERY video.
Excellent lesson as always. Thanks Prof!
Sooo helpful thank you
Hey David,
Your video was very helpful for me since I like to go back every now and then to review the basics while I continuing my own part writing at home, however, you forgot to go over a problem in which I'm still facing now. The example in 10:13-12:00, using ii6 - V worked well in D major. However, what about the problems you face when you run into ii06 - V trying to do the part writing in D minor with that same example? I feel like I can't avoid the +2 interval. What can I do in this situation?
Hello! You're correct - it is trickier in minor. In Dm, the B-flat really must resolve down by step to the A. That means that we can't really consider doubling B-flat in the previous chord. We'd have to work backwards to a place where we could double G instead - this way our bass could step up from G, and all of the upper voices can resolve down. E down to C-sharp, G down to E, and B-flat down to A. Hope this helps!
David, great video. At 06:30 your penultimate V6 triad is missing its root. I imagine you'd have it in the tenor?
yep!
Good
bruh i don't understand
lol then go back and focus on the fundamentals junior. watch previous videos. or post here, i'm happy to try and help answer your questions also