I don't care what you say - none of those Broadway divas could dance for four solid minutes and then end the song belting in perfect straight tone. She is The Triple Threat of Broadway.
My goodness. The pitching, the phrasing and diction, the use of her air in multiple ways (vibrato, on-spot colocation of the notes, singing long sentences); the 4 minute, beautifully-executed dance, yet more immediate great singing for another 30 seconds like she just hadn´t done a hell of a dancing, just to end it all with a final 10 seconds high, sustained, belted note.... Thats what I call condition!!! This woman is extraordinary!!!
4:07 - Sailor Boy bends down to pick up a very dangerous something from the floor. This is an example of pure professionalism. Didn't miss a beat. Bravo!
Drew Messmann I have watched this countless times and I haven’t picked that up until. It really shows how well these actors can play little mistakes off.
When they go from the straight lines to the diagonals, that's why I love the theater. Every time I see that it puts a grin on my face. So simple and yet it's perfectly executed.
I hate that people are constantly comparing Sutton in this role to Patti Lupone. Both are BRILLIANT performers, and both play the role so different that I honestly don't think that it does either justice to compare
@@iMakeCoolMovies it’s the same role but completely different styles Pattis was focused on her incredible voice and not so much her dancing And Sutton’s was focused on her voice and and dancing Both women are incredible and did way more than was expected of them They were just asked to do different things so I don’t really think it’s fair to judge when their songs look completely different I prefer Sutton’s but in no way is it better than pattis just like how pattis isn’t better than Sutton’s They are just so different
@@1amSam Sutton's breath control is incredible - those long phrases all done in one breath - also at the end after several minutes of energetic dancing. I've never heard any other singer show similar control!
I prefer this version, though recorded illegally, to the one at the Tony's. It's more complete and thrilling with the various dance groupings and the entire song. Ms. Sutton Foster and cast are incredible!
What I love about this, is that the individual moves aren't really that hard. There are hard moves here and there, but what's show stopping about it isn't the moves themselves. It's the incredible timing, formations and noise of the things. It shows that sometimes simple is best. Being in time is more important and more impressive than being able to do 50 wings in a row.
what an amazing world we live in, such vibrant production exists with lively instrumentals and world class singers. foster has dedicated her life to performing, just to exist within this space being able to experience such an amazing rendition is a blessing. how anyone can not be filled with joy i dont understand. have a good day everyone❤
I was lucky enough to see this in NYC. The show is a trifle, but getting to see Sutton perform this number and Blow, Gabriel Blow were worth the price of admission. She was truly outstanding! Someone please write another “triple threat” part for her, for that is when she truly shines!
@JoanBette: Anyone that has to use Joan Crawford and Bette Davis as their CZcams is boring, infantile, asinine and a trifle, but not a dessert. It’s a fun musical that epitomizes the 1930 musicals and I wish the original Reno, Ethel Merman, had won the Tony.
It doesn't make sense when people say 'this person could outsing this person.. this person is better than this person'... Sutton and Patti have different styles and different voices. They are both true talents!
Saw it in previews. Easily Sutton's greatest performance and thought the show was wonderful...probably one of the best revivals ever and far better than the 1987 production.
Este es el mejor espectáculo de Broadway que he visto en mi vida.... ¡¡¡ESTO SÍ ES CLAQUÉ!!! los españoles estamos a años luz de poder realizar un espectáculo musical como este, y mucho menos encontrar un nivel tan bueno y tan clásico del claqué, cosa que en España (salvo excepciones :)) no existe...
Saw this live and honestly the rest of the show is so dated but when this number ended the entire theater erupted and my jaded gay heart sang with glee!!!
I was lucky enough to see this production with this cast. I am not a big fan of this musical in general. But this number. My God. As you can tell from this video, it was jaw-droppingly amazing. So fun to see it again!
I had to the amazing fortune to come out from CA and see Miss Foster's final performance! It was amazing! It was actually perfection. She got a standing ovation four times throughout the show! I did NOT leave dissapointed! :) Sutton IS Broadway :)
The Performing Arts Library at Lincoln Center films every production during the run of the original cast. They can ily be seen by qualified researchers with letters from their department. I did research there when I was stung my graduate thesis at NYUs Tisch School of the Arts.
I know, I was THERE. I was there in '60's too- that was REAL quality and Sutton's skills take me back to that golden time. I love Porter's lyrics & with Patti LuPone good diction is not always a component. Certainly dance ( my area of focus) never was. Couldn't find your "quality" comment to respond to, sorry.
She is not "flat," her straight tones are spot on pitch and add variety to judicious use of vibrato, instead of a continuous bray. And, this rendition also includes an ending verse not used in '87. Every other verse is there along with the extended tap number that stopped the show every night.
Funny how 14 dislikes only appeared after one poster started spamming negative and ludicrous comments. Sutton has no ear? !! She uses vibrato when appropriate and when she straight tones, she is right on pitch. And, her phrasing is perfect. Love how they come to performances they dislike and post again and again.
Saw this in December, had goose bumps this whole song... mind was literally blown that after that whole tap part, she went into that note at the end. ugh love it
lucky!!! i wanted to see her last performance but i did have the luck to see her on her last week. she was incredible and omg i was blown away by her performance.
Wow-what you missed ! You will NEVER comprehend your loss. Saw it twice- wish Sutton & original cast was back so I could see it again. It's gonna be awhile before she's back on Broadway.
as someone playing the part of Billy in an upcoming performence of "Anything Goes" I would love to have the oppertunity to act alongside Ms Foster as she is without a doubt a Delightful, a Delicious, a Delectable honour to watch perform. ove you Sutton keep up the amazing work!
Lighten up ! And this will probably be all you have to enjoy from Ms. Foster on Broadway for a LONG time. She won't be back here for quite awhile if her new show is as good as it looks like it's gonna be. So we all have to suffer now.
They already did, back in the 50's- different script, some changes in music, orchestrations different, etc. They have presented so many different stagings of this and because it's such a great piece, they're all unique ( pretty good considering it's 79 years old).
There's also a 1936 filming with Ethel Merman, which isn't exactly a thrill - but it at least (mostly) follows the plot and score of the original. The 1950's version is ... well, I'll say it -- just Hollywood ruining another Broadway musical.
I wish i had seen it with Sutton. I saw it yesterday, and it was amazing, Joel Grey was great (as expected) and Tari as Reno was great. I was surprised not to see Stephanie J Block (seeing as she took over). But it was still FANTASTIC. i would love to see it again.
I am not embarrassed to say (well, maybe a little LOL) that when I saw the play, I couldn't take my eyes off him any time he was on stage. The tuxedo number itself was worth the price of admission.
Patti LuPone has given the best (according to my opinion) singing performance of this play, that i believe no one has given so far! But the truth is that Foster is an extremely good professional, she has a very very good voice, extremely good dancing skills, she is young, fresh, full of positive vibes ... in general she is a pro that will give great performances!
SIMPLY DIVOON...now..we know Sutton SINGS....but holy cow!...to dance the ENTIRE number is some kind of FABULOUS.....none of the others EVER do or cant do...but SUTTON DO!!!....Lupone has a thrilling voice..but yes....SUTTON THO.IS THE WHOOOOLE PACKAGE....brilliantly choreographed.....
vincentvangogodancer there is a vid like that with Johnathan Groff in one of his performances he stares at a camera for a good 10 seconds and it makes you feel really guilty for watching the video 😂😂
@mmbr01rrf @mmbr01rrf I didn't recall seeing splits in either show (SJB or Sutton) and according to Stephanie, they didn't change any of the choreography for her. It's exactly the same routine as Sutton performed. The thing that really struck me about this show was how everyone looks like they're having so much fun. And @ 79 years old, Joel Grey is as sharp as ever. It's a contagiously fun experience.
they should do a movie from this musical so that the performers can actually rest after each number! i don't know how the hell they do it, it's unbelievable...
I think Sutton was a better Reno than Patti because I like the tone of her voice better, her sense of comedic timing is lightyears better than Patti's over-acting in my opinion, she can enunciate unlike Patti, doesn't overuse her vibrato which gives the song variety, leaving the singers out there wondering when she'll use it again, she is a dancer unlike Patti, and out of the two I'd say her voice fits the musical style of this shoe better. Patti's voice would be great for something like Sweeny Todd (again, she overacted and the accent was horrible) but Sutton rules this production. And for those people saying Sutton isn't as legendary as Patti - She has the same amount of Tony's in a shorter amount of time, unlike Patti she CAN do everything, and she's had some shows written with her in mind (Shrek, for example) too.
I don't think it's fair to compare them both because that's like comparing Tommy Tune to Bob Fosse lol (not that I have anything against Tommy) but I think both Patti and Sutton are amazing on their unique way and again i don't think it's fair to compare them.
@turkeypopcorn Series sold, Sutton was finished with her last matinee on March 11, and SJB took over on or around March 15. Check the Roundabout site. Series will be on ABCFamily and is filming now.
I wish I had gotten a chance to see her. Unfortunatley, I am about 1000 miles from NYC so that is nearly impossible. I only get up to NYC every few years. I actually made it up just a few weeks ago, but since Sutton wasn't in it anymore, I decided not too see it. The ones I did see were Wicked, Porgy and Bess, Sister Act, Spider-Man, and Avenue Q (Off-Broadway).
Didn't see her perform it on stage, but saw her television version of Anything Goes from the 1950s. I wish I could have seen Ethel Merman perform live.
Where & when did you see her perform on stage ? I'm beyond 70 and last saw her live twice at the end of her career. While that was a treat, seeing Ms Foster as Reno on stage last year far exceeded that for me. Ms. Merman did not dance at all and ALWAYS froze her performance before opening, something Ms Foster does not do.
Although I watched and enjoyed this video, I can't help but feel sorry for the people sitting behind the camera; having to see the lit viewfinder/screen while trying to ignore it to enjoy the show.
Yes, Fiona was the reason people lined up for Shrek and she was the best thing in YF. And she already had one Tony and 3 noms before those shows and her return to a full-blown lead in AG, which had people lining up to see the girl on the marquis.
ADAM PERRY ALERT!!! They performed a number from "Nice Work" last night on David Letterman, and it was great...complete with some swiveling-hip action on the part of Adam.
I don't care what you say - none of those Broadway divas could dance for four solid minutes and then end the song belting in perfect straight tone.
She is The Triple Threat of Broadway.
My goodness. The pitching, the phrasing and diction, the use of her air in multiple ways (vibrato, on-spot colocation of the notes, singing long sentences); the 4 minute, beautifully-executed dance, yet more immediate great singing for another 30 seconds like she just hadn´t done a hell of a dancing, just to end it all with a final 10 seconds high, sustained, belted note....
Thats what I call condition!!! This woman is extraordinary!!!
Her voice control is pretty damn amazing! I wish I could see her live.
And she’s a lovely sweetheart as well
All that and Pretty too. Phenomenal !!
I don't know anything about all that - though I wish I did ❤❤❤ - but she's got a damn good voice! And I ❤ her navy, wide leg pants 👖❤❤❤❤❤❤❤❤❤
Patti LaPone's singing is better. Sutton Foster is a better dancer.
4:07 - Sailor Boy bends down to pick up a very dangerous something from the floor. This is an example of pure professionalism. Didn't miss a beat. Bravo!
Drew Messmann it was probably a screw from his tap shoe // the single most dangerous thing on any group dance
Amen and congrats to that!!!
Drew Messmann I have watched this countless times and I haven’t picked that up until. It really shows how well these actors can play little mistakes off.
Conspiracy: the dancer at 3:01 slipped due to a loose screw and it was picked up by the other dancer at 4:07. They are so damn professional.
@@xenia5188 Whoa, I've watched this like 12 times and never noticed that. I'd bet yo'ure right!
what i like about this dance specifically is that it shows that tap dancing is not only a form of dance, but its also a form of music in it's own way.
When they go from the straight lines to the diagonals, that's why I love the theater. Every time I see that it puts a grin on my face. So simple and yet it's perfectly executed.
yes!!!
How the fuck is she singing let alone BELTING after that dance number, a true musical theatre goddess
There’s a reason she won a Tony for this performance… and this is IT! 😍
These 8 minutes alone were worth the price of the ticket. Damn, Kathleen Marshall. Damn.
some of the most quintessential moments in B'way history
I hate that people are constantly comparing Sutton in this role to Patti Lupone. Both are BRILLIANT performers, and both play the role so different that I honestly don't think that it does either justice to compare
But it's two actresses playing the exact same role...why would you not compare them? I think it's fine to say one was better than the other.
@@iMakeCoolMovies it’s the same role but completely different styles
Pattis was focused on her incredible voice and not so much her dancing
And Sutton’s was focused on her voice and and dancing
Both women are incredible and did way more than was expected of them
They were just asked to do different things so I don’t really think it’s fair to judge when their songs look completely different
I prefer Sutton’s but in no way is it better than pattis just like how pattis isn’t better than Sutton’s
They are just so different
@@1amSam Sutton's breath control is incredible - those long phrases all done in one breath - also at the end after several minutes of energetic dancing. I've never heard any other singer show similar control!
And that's how it's done ladies & gents. You cannot tell in her singing that she just tapped her ass off for 5 minutes. I'm tired just watching!
I prefer this version, though recorded illegally, to the one at the Tony's. It's more complete and thrilling with the various dance groupings and the entire song. Ms. Sutton Foster and cast are incredible!
I'm glad this thief "stole" it.
I know this comment was from a while ago, but now there’s a professional recording of the show 😀 I’m excited to be able to watch it whenever.
@@jprostar8768 ITS ON CZcams NOW! Want the link?
@@MoltedRoblox Absolutely!
What else can you say about Sutton Foster she’s every man’s dream she’s so phenomenally beautiful and so talented I could watch her all day perform
What I love about this, is that the individual moves aren't really that hard. There are hard moves here and there, but what's show stopping about it isn't the moves themselves. It's the incredible timing, formations and noise of the things. It shows that sometimes simple is best. Being in time is more important and more impressive than being able to do 50 wings in a row.
the coordination, the expression, the synchronization, the execution...superb!
I honestly watch this video three times a day if not more
Bree Thomas me tooooooooo
#Same
what an amazing world we live in, such vibrant production exists with lively instrumentals and world class singers. foster has dedicated her life to performing, just to exist within this space being able to experience such an amazing rendition is a blessing. how anyone can not be filled with joy i dont understand. have a good day everyone❤
I was lucky enough to see this in NYC. The show is a trifle, but getting to see Sutton perform this number and Blow, Gabriel Blow were worth the price of admission. She was truly outstanding! Someone please write another “triple threat” part for her, for that is when she truly shines!
@JoanBette: Anyone that has to use Joan Crawford and Bette Davis as their CZcams is boring, infantile, asinine and a trifle, but not a dessert. It’s a fun musical that epitomizes the 1930 musicals and I wish the original Reno, Ethel Merman, had won the Tony.
It doesn't make sense when people say 'this person could outsing this person.. this person is better than this person'... Sutton and Patti have different styles and different voices. They are both true talents!
This number is just so impressive in every way. Exhilarating Broadway entertainment.
I would just like to point out that after doing that long ass tap number, Sutton sings her own verse and hits that crazy note with PERFECTION.
Ive watched this so many times. Whoever filmed this, I’ll buy you a pint x
Saw it in previews. Easily Sutton's greatest performance and thought the show was wonderful...probably one of the best revivals ever and far better than the 1987 production.
Her stage presence is just amazing! I wish I had the chance to see her in this.
Same here. I really wish I could have seen her play this role.
Come to London! Just saw her last Saturday 😍
Saw it on Saturday- totally smitten😍😍
Got my tickets to see Sutton play Reno in London. Cannot wait to see this number live!!
The insane amount of work that went into putting this number together blows my mind. Brilliant!!
That Tony for Best Choreo was well deserved!! I could watch 4:20-4:50 on repeat!
Este es el mejor espectáculo de Broadway que he visto en mi vida.... ¡¡¡ESTO SÍ ES CLAQUÉ!!! los españoles estamos a años luz de poder realizar un espectáculo musical como este, y mucho menos encontrar un nivel tan bueno y tan clásico del claqué, cosa que en España (salvo excepciones :)) no existe...
One of the greatest numbers on Broadway ever! And good lord, Sutton Foster! She must be able to do that in her sleep! Ugh so fab!
Saw this live and honestly the rest of the show is so dated but when this number ended the entire theater erupted and my jaded gay heart sang with glee!!!
I love how they took an old musical from 1934 and breathed new life into it!!!
I can't say no whenever Sutton Foster's Anything Goes comes out to my recommendation 😩
That last note man :O Shes unstoppable
i cant say Patti could out sing. Sutton hit that last note like a pro. after dancing for almost 8 minutes.
it’s official : i’m in love with Sutton Foster
"Everybody wants to be Sutton Foster. I want to be Sutton Foster." - Seth Rudetsky
I died when she made eye contact
went to see this show last night and she is AWESOME
I was lucky enough to see this production with this cast. I am not a big fan of this musical in general. But this number. My God. As you can tell from this video, it was jaw-droppingly amazing. So fun to see it again!
What a MASTERPIECE!!
The name is Foster and she was done in March. If she EVER comes back to Broadway and you get a chance to see a performance of hers- SEE IT !
I had to the amazing fortune to come out from CA and see Miss Foster's final performance! It was amazing! It was actually perfection. She got a standing ovation four times throughout the show! I did NOT leave dissapointed! :) Sutton IS Broadway :)
@cokebottlelenses Sutton Foster is a highly trained singer. She studied breath control training for years
This was recorded on a cellphone, wow.. impressed.
Great vocals.. also impressed. No official recording? grr what are we the 1920s
There is an official recording, just not video :P
The Performing Arts Library at Lincoln Center films every production during the run of the original cast. They can ily be seen by qualified researchers with letters from their department. I did research there when I was stung my graduate thesis at NYUs Tisch School of the Arts.
What's that about no camera or recording devices in the theatre? Glad you did it anyway...What fun!
Sutton Foster!! she just lights up the stage with her presence and her voice is amazing #bigfan
Just finished closing night of this show at my hign school. What a show to be a part lf. Sad its over but emjoyed it sooo much!
I know, I was THERE. I was there in '60's too- that was REAL quality and Sutton's skills take me back to that golden time. I love Porter's lyrics & with Patti LuPone good diction is not always a component. Certainly dance ( my area of focus) never was. Couldn't find your "quality" comment to respond to, sorry.
She is not "flat," her straight tones are spot on pitch and add variety to judicious use of vibrato, instead of a continuous bray. And, this rendition also includes an ending verse not used in '87. Every other verse is there along with the extended tap number that stopped the show every night.
im crying. filled with the breadth of life.
Funny how 14 dislikes only appeared after one poster started spamming negative and ludicrous comments. Sutton has no ear? !! She uses vibrato when appropriate and when she straight tones, she is right on pitch. And, her phrasing is perfect. Love how they come to performances they dislike and post again and again.
Saw this in December, had goose bumps this whole song... mind was literally blown that after that whole tap part, she went into that note at the end. ugh love it
omg when she goes low
I've shared this video, and I always preface with "Believe me when everyone on stage will be dancing at one point."
breathtaking! it makes me choke up with tears, so wonderful!
lucky!!! i wanted to see her last performance but i did have the luck to see her on her last week. she was incredible and omg i was blown away by her performance.
Sutton and the cast is better than anything that has come beforehand, including Patti and Elaine. It leaves you exhilarated and exhausted.
Wow-what you missed ! You will NEVER comprehend your loss. Saw it twice- wish Sutton & original cast was back so I could see it again. It's gonna be awhile before she's back on Broadway.
as someone playing the part of Billy in an upcoming performence of "Anything Goes" I would love to have the oppertunity to act alongside Ms Foster as she is without a doubt a Delightful, a Delicious, a Delectable honour to watch perform. ove you Sutton keep up the amazing work!
I just love this woman! She's incredible, goosebumps!
Lighten up ! And this will probably be all you have to enjoy from Ms. Foster on Broadway for a LONG time. She won't be back here for quite awhile if her new show is as good as it looks like it's gonna be. So we all have to suffer now.
I just watched a top 10 hardest Broadway songs to sing and this one wasn't even on it! It should've been numbers 10-1😂
They already did, back in the 50's- different script, some changes in music, orchestrations different, etc. They have presented so many different stagings of this and because it's such a great piece, they're all unique ( pretty good considering it's 79 years old).
There's also a 1936 filming with Ethel Merman, which isn't exactly a thrill - but it at least (mostly) follows the plot and score of the original. The 1950's version is ... well, I'll say it -- just Hollywood ruining another Broadway musical.
This was my first Broadway musical. SO GOOD.
Hate to tell you, its all downhill from here😬
@@salamandraeest6785 yea, but HADESTOWN
I wish i had seen it with Sutton. I saw it yesterday, and it was amazing, Joel Grey was great (as expected) and Tari as Reno was great. I was surprised not to see Stephanie J Block (seeing as she took over). But it was still FANTASTIC. i would love to see it again.
I am not embarrassed to say (well, maybe a little LOL) that when I saw the play, I couldn't take my eyes off him any time he was on stage. The tuxedo number itself was worth the price of admission.
Every. Word. Clear as a bell. 🎉
tears everywhere with the last note.
Patti LuPone has given the best (according to my opinion) singing performance of this play, that i believe no one has given so far! But the truth is that Foster is an extremely good professional, she has a very very good voice, extremely good dancing skills, she is young, fresh, full of positive vibes ... in general she is a pro that will give great performances!
SIMPLY DIVOON...now..we know Sutton SINGS....but holy cow!...to dance the ENTIRE number is some kind of FABULOUS.....none of the others EVER do or cant do...but SUTTON DO!!!....Lupone has a thrilling voice..but yes....SUTTON THO.IS THE WHOOOOLE PACKAGE....brilliantly choreographed.....
This is the stuff of legend. Cole Porter has been done proud!
Patti Who?
If I had seen this love I would have pissed my damn pants. AMAZING!!
I came this because of Jonathan Groff..
this cast is phenomenal. i would love to see Stephanie J Block in this role right now, I'm sure she's doing a fantastic job as well.
She looks right at your camera at 0:08. She knew you were recording!
vincentvangogodancer there is a vid like that with Johnathan Groff in one of his performances he stares at a camera for a good 10 seconds and it makes you feel really guilty for watching the video 😂😂
Alex Nance Do you know what video
awesome1990s no im sorry
I found the video a couple days ago you don't have to say sorry
She does it again at 0:45
Saw this last night in San Francisco with Rachel York as Reno and it was fantastic!
Love Sutton Foster!
the best voice out there.
I am so proud of that guy! he still kept going and still had fun with them :)
@mmbr01rrf @mmbr01rrf I didn't recall seeing splits in either show (SJB or Sutton) and according to Stephanie, they didn't change any of the choreography for her. It's exactly the same routine as Sutton performed. The thing that really struck me about this show was how everyone looks like they're having so much fun. And @ 79 years old, Joel Grey is as sharp as ever. It's a contagiously fun experience.
they should do a movie from this musical so that the performers can actually rest after each number! i don't know how the hell they do it, it's unbelievable...
I think Sutton was a better Reno than Patti because I like the tone of her voice better, her sense of comedic timing is lightyears better than Patti's over-acting in my opinion, she can enunciate unlike Patti, doesn't overuse her vibrato which gives the song variety, leaving the singers out there wondering when she'll use it again, she is a dancer unlike Patti, and out of the two I'd say her voice fits the musical style of this shoe better. Patti's voice would be great for something like Sweeny Todd (again, she overacted and the accent was horrible) but Sutton rules this production. And for those people saying Sutton isn't as legendary as Patti - She has the same amount of Tony's in a shorter amount of time, unlike Patti she CAN do everything, and she's had some shows written with her in mind (Shrek, for example) too.
PREECH!
Ohad Ashkenazi AMEN TO THIS
I don't think it's fair to compare them both because that's like comparing Tommy Tune to Bob Fosse lol (not that I have anything against Tommy) but I think both Patti and Sutton are amazing on their unique way and again i don't think it's fair to compare them.
@turkeypopcorn Series sold, Sutton was finished with her last matinee on March 11, and SJB took over on or around March 15. Check the Roundabout site. Series will be on ABCFamily and is filming now.
I love sutton!
I wish I had gotten a chance to see her. Unfortunatley, I am about 1000 miles from NYC so that is nearly impossible. I only get up to NYC every few years. I actually made it up just a few weeks ago, but since Sutton wasn't in it anymore, I decided not too see it. The ones I did see were Wicked, Porgy and Bess, Sister Act, Spider-Man, and Avenue Q (Off-Broadway).
I'm in this show right now and I'm crying because while everyone is doing this amazing dance I have to stand in the wings and watch. Sigh. ;-;
Gol darn this is dynamite! Thanks for uploading broderickjc. And thanks for filming... whoever.
Didn't see her perform it on stage, but saw her television version of Anything Goes from the 1950s. I wish I could have seen Ethel Merman perform live.
Two things I noticed: Fodora Man was replaced our not there that night and Sutton took the country-style break out of her voice with is great!
SUTTON. BADASS. FOSTER.
Her. Voice. O.o Amazingness. pure amazingness...
YOU'RE AMAZING!!!! I saw this in August. She was amazing! :)
Stunning!!
I really want to learn this dance now!!!
I love this! It is wonderful! I am reminded of Mystery Science Theatre with the head, but no problem. Thank you for posting!
all i say is WOW!
Where & when did you see her perform on stage ? I'm beyond 70 and last saw her live twice at the end of her career. While that was a treat, seeing Ms Foster as Reno on stage last year far exceeded that for me. Ms. Merman did not dance at all and ALWAYS froze her performance before opening, something Ms Foster does not do.
I saw this show in July 2012. It wasn't amazing. It was FUCKING amazing!
I,wholeheartedly, agree with you.
Although I watched and enjoyed this video, I can't help but feel sorry for the people sitting behind the camera; having to see the lit viewfinder/screen while trying to ignore it to enjoy the show.
amazing.
Yes, Fiona was the reason people lined up for Shrek and she was the best thing in YF. And she already had one Tony and 3 noms before those shows and her return to a full-blown lead in AG, which had people lining up to see the girl on the marquis.
ADAM PERRY ALERT!!! They performed a number from "Nice Work" last night on David Letterman, and it was great...complete with some swiveling-hip action on the part of Adam.