Sennheiser MKE440 Hands-on Review - Head to head with RODE and Azden
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- čas přidán 28. 12. 2016
- The MKE 440 is different from other stereo camera-mounted mics on the market. With the MKE 440, Sennheiser made a dual shotgun mic by combining two directional mics into a stereo array. It costs $350. You’re typical camera-mounted stereo mic is in an XY configuration, giving a wide spatial recording direction. The MKE 440 is meant to capture the audio that’s directly in its field of view and reject what isn't. Sennheiser explained it to us as a mic to best capture the hearing perspective we as humans have. Our ears give us directional hearing, and the MKE 440 is an attempt to reproduce that human hearing experience.
0:10 - Intro
0:29 - Giveaway
0:47 - Product Information
1:49 - Look and Feel
2:22 - Our Experience
3:14 - Rode Stereo Videomic Pro vs. Sennheiser MKE 440
4:23 - Stereo Videomic Pro vs MKE 440 vs SMX 30
5:40 - Best Use Case
8:55 - Marketplace
9:53 - Recommendation
Enter to win an Azden SMX 30 HERE: www.videomaker.com/wincoolgear
Buy the Sennheiser MKE 440 HERE: amzn.to/2iFX21v
Buy the Azden SMX 30 HERE: amzn.to/2hur3TZ
Buy the Rode Stereo Videomic Pro HERE: bit.ly/2huayHK
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When watching the part with the 10 foot distance I just realised how much the world has changed over the 4 last years. This kind of shoot seems to be the new norm in 2021...
Thanks for sharing the video - Martin
Thanks for revealing new mic I've never head about before - the Azden SMX-30 which is exactly what I was looking for - the stereo and mono mic in one.
Super helpful review and comparison 💚 Definitely each mic is useful for particular scenarios. I wish the azden's stereo quality was compared equally to the other two mics
Awesome video! Just so happens that the "niche" that this mic is for is perfect for me. Thanks!
Thank you for making this video. I’m torn between the Sennheiser and the Rode. I would like to use it to record classical music performances in concert halls from about 15-20 rows away from the stage. In your samples the sennheiser always seem to have a better clearer sound than the rode which sounds more muffled. The Sennheiser seems to sounds more open although it shouldn’t compared to an xy. Is it perhaps because of the bigger space between its 2 shotgun mic’s or could it be because its preamp is of better quality? Thanks in advance.
I think MKE 440 is better for musicians (instrumentalists) than the other two. It sounds realistic.
Wow you went above and beyond! Thank you very helpful!
it would be interesting to test it in a concert : a traditional xy mic would capture a lot of close surrounding speech such while what is intended is to capture the applause and the stage
I ordered an Azden SMX-30 a couple of days ago... Can't wait to get it!!! Ahhhhhhh...
great video thank you for sharing this video it is appreciated:)
Thanks for the great video! Do you mind me asking what you used to record your own voice? Sounded fantastic
Great review - thank you so much! :-)
Thanks for the review, but I missed an outdoor test, where the differences between micros will increase. I think this micro tries to capture all the sound inside the angle, with the intention to hear just what you see trough the camera and not the surroundings. I would like to hear at least one person talking 3 or 5 m from the camera (in the center of the frame) to hear the differences between the 3 micros.
I'm looking to improve the audio while using my DJI Osmo. Do you think this mic would work well in music/concert setting with high SPL? The osmo does ok but at times clips when it is overloaded.
Great comparison!
amazing video. thank you
Thanks for sharing!
I'm juggling between the MKE 440 and the Panasonic DMW-MS2 Stereo Shotgun. I'm using mainly a GH4 for interviews... Any thoughts?
We haven't evaluated the DMW-MS2, so we couldn't say for certain. The Panasonic looks more directional, so if that would better serve your need, then it could benefit. The MKE best performed at a 2 shot 3-5 feet away from the camera. Most of the tests were with a GH4. Hope this helps.
Thank You!
Tx for the review. Great job. I just wanna know if you think the Senheiser MKE 440 is it suitable for an entire wedding event keeping in mind that sometimes you need to isolate the voice from the background (speeches, civil and religious ceremonies, live artist singing) and other times you need to have a more stereo sound (party)? I had in mind for this kind of job the Azden SMX-30V which is a great option, better than the SMX-30. Which one would you choose? 🤔
This is a great mic for capturing the "sound" of a location, like with a live performance, however, its not going to give you the directional capture you would need for an interview. In the cases of speeches and ceremonies, the capture will sound more like what it sounds like to the person behind the camera. it will capture something similar to what a human hears.
Thanks great video
I've Rode Stereo VideoMic Pro, I'dont like how record the voice. I use it with a Sony A7iii. What do you think?
Can you please tell the best video lens for the Sony A7 under the price of 400 dollars!
Outdoor interview would've been good to hear.
Hi
Do you have a video exemple link ?
The MKE440 seemed to be a better audio stage in stereo - where I see it being very useful is on a video camera with a moving object passing across the scene. The MKE440 will let your ears hear what you are seeing - where as the Rode will not be as defined in the side to side motion.
The 10 foot test showed the weakness of the Azden in X/Y mode. There is a very artificial hole in the center with that mic in X/Y. Each of you was heard in one speaker only (I listened through a well spaced, calibrated set of studio monitors). That's not the way a human standing there would have heard that room. The human observer would hear you louder (and earlier) in one ear, but the other ear would also pick up the voice. That's what allows the brain to accurately place people in the auditory field. In the Adzen, you brain can't do that because of the hole in the center and you sounded like you were much further apart. It doesn't sound "real".
The Sennheiser eliminates that hole because it has a better overlap between the L and R channels. Having that empty center makes it sound artificial when heard over a good pair of stereo speakers. Would like to have heard the Rode in that situation.
In the street test, you can hear that difference between the Rode and Sennheiser as well. Compare the two "bus passing" recordings. Try closing your eyes and listen to how quickly the bus is "passed" from the left to the right speaker. You can hear the hole in the center even there.
I much prefer the sound of the Sennheiser for the stereo field it produces, but you know what they say about opinions. ;-)
Nice review. Thanks! Im not gonna waste money on mke440 then.
Thanks for the tests. Very interesting mic. Seeing the MKE440 mounted on an angle kind of made me cringe. You didn't test it that way did you?
No, we did not test that way. We put a disclaimer on each shot showing that kind of set-up that we didn't use them this way. Thanks for watching. Best!
Cheers !
When listening on headphones (point being that there is no blending of the left and right channel), I feel that the sound from the Sennheiser places the sounds better than the Rode. There is more coherence between what I hear and what I see. Especially when filming the bus/truck sequence. The sound moves with the picture better on the Sennheiser, imo. Whereas the Rode places me more smack in the middle of all the sounds that I hear. May be a personal preference, but I prefer the Sennheiser's sonic placement of the recorded sound. It just sounds right.
the MKE440 sounds pretty cool out-of-box (as far as I understood you gave us raw, unfiltered samples) - basically, everything that the sound engineer should do in the post is to adjust the volume (and maybe some compression) but not panning or fighting against the phase shifts. P.S. I've watched this in Sennheiser headphones, so my opinion is not fair enoughXD
Hi, Im a little perplexed as this mic MKE440 doesn't seem to work with iPhone, any ideas how I can get it to work with iPhone please??
It was not made for an iPhone
I like Rode like outdoor mic so much ...
You do hear and realize that the Azden has a much higher noise floor level?
If you record any serious dialogue, please get a handheld mic (cable or radio), a lavalier, or a mic on a boom pole - far far away from the camera and every crew that maybe makes noise there (touching buttons).
Even a handheld recorder close to the mouth is better.
But I do agree the use case at 8:14 is ok for dialogue.
For getting some general sound in front of the camera the MKE440 looks like a nice little solution.
The MKE 440 really seems to be designed for vlogging.
Clear and loud close up voice with nice stereo surrounding background.
So, you completely missed the point on this.
Looking at the Amazon reviews most people seem to like the stere effect on long distances with dialogue being still loud and clear over multiple meters.
Rode is the best for still subject stereo recording like what I am doing: recording audition tape of my hifi speakers and post it online !
Which one you suggest for recording ambiance like rain thunder nature etc
The MKE440 might be a great choice for this. it will give you a nicer stereo image of the sound source.
Videomaker thank you so much..
Does it function well with a Nikon D5300?
if it has a mic input, yes
Should I Purchase this in Oct 2023 ? Or should I Purchase rode videomic NTG ? Thanks 😊
The NTG is not a stereo mic, so if you need a stereo mic, the NTG would be a poor choice.
@videomaker I need a stereo mic. Does this one have a 3.5mm jack for monitoring? There is a deal on this mic £223 ends midnight tonight. Should I buy it?
@@videomakershould I wait for a new release by Senheiser? This was released in year 2016 right?
Azden is build like timber, Sennheiser like a tank. I prefer Sennheiser.
Adzen sounds good
Much more natural sound on Azden and Sennheiser!
Rødes bass pick up kills all the detail in the recording. And outdoors the Røde picked up to much deep end truck engines.
Also the Zoom entire line up is very bad at the same point. Mutky bassy sound. I prefer the Rolabd and Tascam dr-07, dr-+00 mk2 or dr-60 to any of the zoom recorders
Correct but consider the use case. Someone filming live music might find the bass to be more desirable.
AJ Kay It could be added in If you go through the effort of video/audio editing. Bass not only ruins interview situations hence low cut filter but also ruins the detail level in singing studio samples I've seen.
I would rather add bass in post since It is easier notes and less detail for the software to just raise the gain of with minimal distortion..
If I would not want to edit my audio. Then yeah: Røde and Zoom might be an option.
6:10 - in 2020 we do.
is the "best for this mic" ?? If you want to make a nature documentary, or jsut nature shots, with birds etc. obvouslyu you use a stereo mic. Its not only talking !!:))
The problem with this review is that it was done in a very unfair realistic scenario, in where the room was quite in your test cases. Sennheiser and others have already demonstrated that this mics shines in where you want to interview someone in a noisy environment but want to keep someone of the ambient noise as reference. I would have respected your review if you had tried to carried a conversation on a noisy street.
It's SHUREly strange looking ;)
Alexander Mustermann your joke would have worked if it was a Shure mic.
Wonder if it has a dead cat to fit the mic?
JT Fore good question. It didn't come with one
There is one, but I don't know how much it is. www.amazon.ca/Sennheiser-MKE-440-Professional-Microphone/dp/B01EM70BE6/ref=sr_1_1?s=electronics&ie=UTF8&qid=1491548871&sr=1-1&keywords=sennheiser+mke440