The most underestimated CZcamsr. I love your teaching style so so much!! No no-sense words but only the accurate value. Big Big thumbs up. Salute Bro!!!
These Shorts are great. Your tutorials and videos have a wealth of such tips. However, when face it during work it takes time to find them to solve the issue. Such shorts will make it easier by just searching the titles. Please continue to add more of them. THANKS!
Awesome! You can probably make a short video for each of a number of techniques (especially for people coming from AE) and get tons of views. Clip length, getting clips from the timeline into Fusion, composition size, using luma mattes, alpha borders. There's a lot of stuff Fusion makes overly complicated compared to AE, but more and more people still wants to transition from AE to Fusion. Thanks for your content as always!
Very straight forward.😎 It's great when you slow down on introducing new things/new panels/new tool sets so people have a chance to see them & where to find them. Would've been nice to have seen your newly tracked sky as a results payoff.
thanks, this is insanely complicated and unintuitive in fusion. It took like 6 viewings to figure out we're talking about an instance of a fusion clip on the timeline and not the original composition in the master bin. I still have no idea how to edit the clip in my master bin but at least I can move it to the timeline and edit as you show and then copy that into the master bin. So incredibly frustrating and no undos on dragging keyframes so it's so easy to permanently nuke a fusion comp forever just trying to make this work. Thanks for making it make a little sense at least lol.
@robertasumendi when you drag a comp from the bin into the timeline you always create a copy. The exception is the new referenced Fusion comp in 19 beta. I'm not addressing Fusion Clips in the media bin here and I don't use them often, but you can double click them on the media bin to edit directly. Don't think you can change the Duration within the bin after creation.
Upps. So ein kurzes simples Video von dir. Hatte es mir extra aufgespart für einen Tag, wo ich viel Zeit habe. Was mache ich jetzt mit dem Abend? Nevertheless - nice video. All issues you mention I experienced lots of times. Costs me lots of time to solve. And even in a quick tip video about a simple topic you manage to bring some new and very helpfull detail information. Thanks a lot for sharing your knowledge. Probierst du neue Formate? Vermute, diese Shorts sind erfolgreich. Wenn ich schnell was suche, priorisiere ich nach Cliplänge. Gute Stichwörter sind wichtig. Leider sind die meisten CZcamsr entsetzlich oberflächig. Und es gibt so viele, die wenig Ahnung haben und Tutorials for Beginners machen. Freue mich auf deine Shorts. (Solange du nicht anfängst, portrait format in 20 s einzustellen.) Aber mach bitte trotzdem hin und wieder mal was ausführliches. Auch wenn ich manche deiner Tutorials inzwischen 10 x geguckt habe, weil ich nie alles auf einmal verinnerliche, ist es die Zeit wert. Nice grafics idea with the measuring tape ... Just one question left: why is my magic mask always lost, when I simply copy a fusion clip? (Only copy. Not changing length. Not anything else at all!) General problem or UTS? Danke. Thanks a lot.
When you track the magic mask it gets rendered to disk in the background and that sequence doesn't get copied - otherwise it could lead easily to filling up the disk. So after copying you just need to track again. Yes, I am trying some vertical Shorts as well. Not yet convinced of the format, but I thought of giving it a try with a few and the see if it's of any use and if I like making them. Let's see...
Vielen Dank für Deine hilfreichen Fusion-Tutorials. Du hast einige der Umstiegsschmerzen von AFX bei mir gelindert. (English translation at the end of this text) Eine Frage zu diesem spezifischen Thema hier: Ich habe mir in Resolve in der Fusion Page aus einer 50p Timeline heraus animierte Lower Thirds gemacht und als Macros zum Wiederverwenden als Vorlage exportiert. Nutze ich diese Vorlagen nun in einer 25p Timeline, so wird auch die gesamte Lower Third Animation mit der halben Geschwindigkeit abgespielt - was für mich anfangs sehr überraschend kam, da AFX dieses Verhalten nicht zeigt. Gibt es eine Möglichkeit diese Animationen als Vorlage unabhängig von der Bildrate zu halten? Oder muss man Vorlagen für jede Bildrate separat erzeugen (zB über den Timestretcher)? Kleines Feedback zum Ton Deiner Videos: Ich empfinde den Klang Deiner Sprachaufzeichnung etwas dumpf/muffig - wodurch das Zuhören anstrengend wird. Vielleicht reicht schon ein bisschen Anpassen mit dem Equalizer bei 1750 Hz mit schmaler Spitze um +3dB um die Verständlichkeit zu erhöhen. English Thank you so much for your helpful Fusion tutorials. You have eased some of the pain of switching from AFX for me. A question on this specific topic here: I made myself animated lower thirds in Resolve in the Fusion Page from a 50p timeline and exported them as macros to reuse as templates. If I now use these templates in a 25p timeline, the entire lower third animation is also played at half speed - which came as a surprise to me at first, as AFX does not show this behavior. Is there a way to keep these animations as templates independent of the frame rate? Or do you have to create templates for each frame rate separately (e.g. using the timestretcher)? A little feedback on the sound of your videos: I find the sound of your voice recording a bit muffled - which makes listening tiring. Perhaps a little adjustment with the equalizer at 1750 Hz with a narrow peak of +3dB would be enough to increase intelligibility.
Yes, via the edit page, pretty much the same way as for compositions on media, but check any loader/saver/generator nodes if it doesn't work. Sometimes the Global In/Out don't get adjusted automatically. You can also check it in the Keyframe editor.
What is the best way to to automate something like this? Let's say for example "end credits" a text+ should start from the bottom of the screen screen and end at top of the screen but you don't know how long the fusion clip should last. What expression on the Y field should do that so that you can trim the clip in the edit page and have it always go that distance for the given time its been given?
So lange es keine 60 sec Shorts werden. Eine super Sache... Ich fände ganz banal zum Thema Zoom mit großer Range erstens Spannend, wie ich die zum linear wirken kriege (habe mal einen Side by Side Vergleich von Transform und DynamicZoom im Editbereich gemacht dynamic Zoom ist deutlich "linearer"😂). Zweitens ob es einen Trick gibt gerade bei Schriften, die bei Transform entstehenden Kantenverpixelungen zu vermeiden.
Ja ich experimentiere gerade etwas mit meinem Video Workflow. Ich habe bedebken ob ganz kurze HowTo videos zu Kursverkäufen führen und sich für mich rentieren aber mal schauen. Danke für die tips. Beim Text+ meinst Du so aliasing effected, wo die Kanten flickern? Das passiert bei kleinen Schriften, wenn die verschiebung pro frame kein vielfaches von ganzen pixels ist. Im Fusion VFX certification Kurs ist ein Beispiel mit einer credit roll, ist aber auch eine Idee für hier...
@@VFXstudy Ich finde ja deine Kurse kann man gar nicht genug empfehlen, auch wenn ich tatsächlich sehr wenig mit Fusion arbeite. Besonders seit Yo still geworden ist gibt es da nicht mehr viel. Casey ist super variiert allerdings im Prinzip die gleichen 3 Themen immer wieder. Ich meinte mit Text+ eigendlich nur die Tatsachen, dass vielen Menschen offensichtlich nicht bewusst ist, dass es einen riesigen Qualitätsunterschied macht ob die Textgröße über Size in der Text+ Nodeo der der Size in Transform zu verändern. Ich bin bei jemandem der einen Fly through Titel animieren wollte neulich mal völlig ausgerastet, weil er das nicht mal probieren wollten. Auflösungen sind sowieso so ein Thema. Habe neulich auch ein Tutorial gesehen in dem jemand ein Logo als einen One Dot Image Brush Stroke mit der Paint Node entlang eines Pfades animiert hat.... Ich lache immer noch über "It s not inteligent and it doesn´t change the Resolut..." Ich fände tatsächlich auch mal ein echtes Side by Side Fusion Nuke spannen, sprich gleiches Material, gleiche Aufgabe du in Fusion und jemand, der sich Nuke Artist nennt in Nuke.
Is there a way to change the original duration of a standalone Fusion Composition you make in the media pool? All of these examples are clips with fusion work applied to them, rather than standalone Fusion Compositions :/ The only fix I can think of when you need more frames after setting the composition duration is to create a new blank composition in the media pool, copy the old comp's nodes and paste them into the new one, but this seems like a silly amount of work for what should just be a single parameter of the composition :/
You can definitely also change the duration of Fusion Composition effects the same way. I just tested it and it works. You get extra frames without changing the keyframes. If you get errors or media-offline or so, also check if any of the loader/media/generator nodes have incorrect global in/out values. You can check that best in the Keyframe editor. Check the console if you get error messages.
@@VFXstudy I don't mean changing the duration of animations or effects within a composition, though. I mean changing the total duration of the actual Fusion Composition itself. When you right click on the media page and select 'new fusion composition, you must select a duration which then seems to remain locked from that point onward. You can certainly have keyframes that go beyond this duration but they will not be rendered as the in-out points of the render range are limited to that original dutation you set when you made the standalone composition file. You can see this when you try to change the 'render end frame' box to something higher than the global duration, hit enter and it immediately changes it back to the original duration :/
HI! Thanks for the video! Quick question , off topic here, i am sorry.. But when making a fusing animation while being in Aces CM, when i import a pgn log for example, the color are messed up. How do i manage that? thanxs!!
If the png comes via the Media Pool and you have assigned the correct color space for the png in the media pool, then it should work fine. If you don't or if you used a Fusion loader node, then you need to manually correct the color space using a color space transform node.
Question... is it possible that 1 fusion clip shares information with another fusion clip in the same timeline? For example give a sequential number or ID of the clip?
Most of the 30h are pretty much version independent- luckily compositing principles don't change with every update. But I do plan on adding some videos for magic mask and depth map in the near future.
My problem is I extended Fusion Composition total seconds from 6 seconds to 8 seconds on Edit page. I added more animation in later frames in Fusion. When I playback, the added animation frames could not be shown on Edit Page (the clip just cut at 6 seconds and becomes a black screen afterward). On Fusion page, showing keyframes, I see "MediaOut" is only 6 seconds long followed by a red block of 2 seconds. All the added animation frames b/t 6-8 seconds are still there but they could not be shown/played because MediaOut is only 6 seconds. I cannot find a way to stretch MediaOut time to match Edit page 8 seconds. I tried to delete mediaout and add it again, it did not work. I'm wondering if anyone knows how to fix this? Thank you a lot in advance!
Check in the Keyframes Editor. The MediaOut is probably not the node causing it but there might be other nodes before in the flow that don't produce an output after 6 frames. Could be a MediaIn node that is too short, or a generator node of some kind.
They do. You can use an anim curves modifier for that or the keyframe stretcher but your comp needs to be setup with that. If you adjust a one-off comp usually it's just a one-time adjustment
@VFXstudy oh nice I didnt know this but they should have an option like "dynamic fusion clip" and the normal one when you rightclick drag the fusion clip onto the timeline
@@Aldsomegaming there are different ways of adjusting - e.g. Transitions are usually just scaled in a linear way. Titles can have an intro / outro / middle part. The drag & drop effects should adjust if they are designed well. Effects with tracking features need adjustment based on content...
thank you so much for your video i always found the keyframe editor to be a headache inducing mess to deal with (all i wish is that i found this a few months earlier)
Glad I could help! Yeah, it takes some time getting used to it. But once you get a hang of it it's ok. It's one of these tools that works a bit differently in every software...
The most underestimated CZcamsr. I love your teaching style so so much!! No no-sense words but only the accurate value. Big Big thumbs up. Salute Bro!!!
Thanks a lot!
Brilliant thank you. I have been trying to work out how to adjust fusion clips for years and it has always been a complete mystery.
These Shorts are great. Your tutorials and videos have a wealth of such tips. However, when face it during work it takes time to find them to solve the issue. Such shorts will make it easier by just searching the titles. Please continue to add more of them. THANKS!
Nice. I like the short video format that focuses on one topic. Thanks.
Thank you so much! Invaluable advice which has saved me an awful lot of keyframe adjustments!
Glad it helped!
I like the short format. It’s a great primer and starting point to dig deeper, in either the manual or to look at one of your other videos. 😊
Your channel is amazing. You really show in depth many features that other videos don't
Thanks a lot!
Always happy if i find a video of yours for a davinci topic. I know i get 100% quality.
Happy to hear that!
This was a great video. Sometimes short is better, espeically for referencing, but I do love your longer videos as well.
Super glad to see the uptick in your uploads, Bernd! Great stuff 👍
Thank you for your video!That's really helpful!
Awesome! You can probably make a short video for each of a number of techniques (especially for people coming from AE) and get tons of views. Clip length, getting clips from the timeline into Fusion, composition size, using luma mattes, alpha borders. There's a lot of stuff Fusion makes overly complicated compared to AE, but more and more people still wants to transition from AE to Fusion. Thanks for your content as always!
Seriously your video are easy to understand and make me comfortable learning fusion instead of using Templates.
Your work and examples are too quality. Very much appreciated. Ausgezeichnet.!
Very straight forward.😎 It's great when you slow down on introducing new things/new panels/new tool sets so people have a chance to see them & where to find them.
Would've been nice to have seen your newly tracked sky as a results payoff.
Thanks a lot. Very good tutorial. Short and easy to follow and understand.
Lifesaver, thank you!
Invaluable channel
Good idea, dude! I think that would be cool if you make long tutorials and other ones like this one.
It's fine when you can do it quickly, but without your detailed tutorials, I wouldn't have learned as much as I did when I was a beginner.
Wonderful tips! Thanks so much for making it easy!
Thanks for this!
¡Excelente, muchas gracias!
thanks, this is insanely complicated and unintuitive in fusion. It took like 6 viewings to figure out we're talking about an instance of a fusion clip on the timeline and not the original composition in the master bin. I still have no idea how to edit the clip in my master bin but at least I can move it to the timeline and edit as you show and then copy that into the master bin. So incredibly frustrating and no undos on dragging keyframes so it's so easy to permanently nuke a fusion comp forever just trying to make this work. Thanks for making it make a little sense at least lol.
@robertasumendi when you drag a comp from the bin into the timeline you always create a copy. The exception is the new referenced Fusion comp in 19 beta.
I'm not addressing Fusion Clips in the media bin here and I don't use them often, but you can double click them on the media bin to edit directly. Don't think you can change the Duration within the bin after creation.
Great techniques! Thanks
thank you so much! you've just got a new subscriber here
Tnx alot... 🌹🌹🌹🙏🙏🙏
Very useful information!!
Thanks a lot.
Most welcome!
Keyframe Stretcher node is also your friend in such cases.
Yes, if you put it beforehand and if the duration doesn't get shortened below the original timing. Definitely good for reusable templates.
very helpful tutorial just at the time i needed it! thanks!
Great tutorial - As you know, folks on the BMD forum often ask about this particular issue. Hope you post a link from there to here :-)
Oh I'm not too often on the main BMD forum, but feel free to link if you see it 😉
nice!
Thats Gold.THX!
DANKE DANKE DANKE 🙏
Bitte :)
Upps. So ein kurzes simples Video von dir. Hatte es mir extra aufgespart für einen Tag, wo ich viel Zeit habe. Was mache ich jetzt mit dem Abend?
Nevertheless - nice video. All issues you mention I experienced lots of times. Costs me lots of time to solve. And even in a quick tip video about a simple topic you manage to bring some new and very helpfull detail information. Thanks a lot for sharing your knowledge.
Probierst du neue Formate? Vermute, diese Shorts sind erfolgreich. Wenn ich schnell was suche, priorisiere ich nach Cliplänge. Gute Stichwörter sind wichtig.
Leider sind die meisten CZcamsr entsetzlich oberflächig. Und es gibt so viele, die wenig Ahnung haben und Tutorials for Beginners machen. Freue mich auf deine Shorts. (Solange du nicht anfängst, portrait format in 20 s einzustellen.) Aber mach bitte trotzdem hin und wieder mal was ausführliches. Auch wenn ich manche deiner Tutorials inzwischen 10 x geguckt habe, weil ich nie alles auf einmal verinnerliche, ist es die Zeit wert.
Nice grafics idea with the measuring tape ...
Just one question left: why is my magic mask always lost, when I simply copy a fusion clip? (Only copy. Not changing length. Not anything else at all!) General problem or UTS?
Danke. Thanks a lot.
When you track the magic mask it gets rendered to disk in the background and that sequence doesn't get copied - otherwise it could lead easily to filling up the disk. So after copying you just need to track again.
Yes, I am trying some vertical Shorts as well. Not yet convinced of the format, but I thought of giving it a try with a few and the see if it's of any use and if I like making them. Let's see...
@@VFXstudy thanks. I like to understand how things work. Therefore I like your teaching style.
Vielen Dank für Deine hilfreichen Fusion-Tutorials. Du hast einige der Umstiegsschmerzen von AFX bei mir gelindert. (English translation at the end of this text)
Eine Frage zu diesem spezifischen Thema hier: Ich habe mir in Resolve in der Fusion Page aus einer 50p Timeline heraus animierte Lower Thirds gemacht und als Macros zum Wiederverwenden als Vorlage exportiert. Nutze ich diese Vorlagen nun in einer 25p Timeline, so wird auch die gesamte Lower Third Animation mit der halben Geschwindigkeit abgespielt - was für mich anfangs sehr überraschend kam, da AFX dieses Verhalten nicht zeigt. Gibt es eine Möglichkeit diese Animationen als Vorlage unabhängig von der Bildrate zu halten? Oder muss man Vorlagen für jede Bildrate separat erzeugen (zB über den Timestretcher)?
Kleines Feedback zum Ton Deiner Videos: Ich empfinde den Klang Deiner Sprachaufzeichnung etwas dumpf/muffig - wodurch das Zuhören anstrengend wird. Vielleicht reicht schon ein bisschen Anpassen mit dem Equalizer bei 1750 Hz mit schmaler Spitze um +3dB um die Verständlichkeit zu erhöhen.
English
Thank you so much for your helpful Fusion tutorials. You have eased some of the pain of switching from AFX for me.
A question on this specific topic here: I made myself animated lower thirds in Resolve in the Fusion Page from a 50p timeline and exported them as macros to reuse as templates. If I now use these templates in a 25p timeline, the entire lower third animation is also played at half speed - which came as a surprise to me at first, as AFX does not show this behavior. Is there a way to keep these animations as templates independent of the frame rate? Or do you have to create templates for each frame rate separately (e.g. using the timestretcher)?
A little feedback on the sound of your videos: I find the sound of your voice recording a bit muffled - which makes listening tiring. Perhaps a little adjustment with the equalizer at 1750 Hz with a narrow peak of +3dB would be enough to increase intelligibility.
Is it possible to increase the duration of a Fusion clip? Say you created one for 10 seconds and you need it to be 20? Thanks
Yes, via the edit page, pretty much the same way as for compositions on media, but check any loader/saver/generator nodes if it doesn't work. Sometimes the Global In/Out don't get adjusted automatically. You can also check it in the Keyframe editor.
What is the best way to to automate something like this?
Let's say for example "end credits" a text+ should start from the bottom of the screen screen and end at top of the screen but you don't know how long the fusion clip should last.
What expression on the Y field should do that so that you can trim the clip in the edit page and have it always go that distance for the given time its been given?
So lange es keine 60 sec Shorts werden. Eine super Sache... Ich fände ganz banal zum Thema Zoom mit großer Range erstens Spannend, wie ich die zum linear wirken kriege (habe mal einen Side by Side Vergleich von Transform und DynamicZoom im Editbereich gemacht dynamic Zoom ist deutlich "linearer"😂). Zweitens ob es einen Trick gibt gerade bei Schriften, die bei Transform entstehenden Kantenverpixelungen zu vermeiden.
Ja ich experimentiere gerade etwas mit meinem Video Workflow. Ich habe bedebken ob ganz kurze HowTo videos zu Kursverkäufen führen und sich für mich rentieren aber mal schauen. Danke für die tips. Beim Text+ meinst Du so aliasing effected, wo die Kanten flickern? Das passiert bei kleinen Schriften, wenn die verschiebung pro frame kein vielfaches von ganzen pixels ist. Im Fusion VFX certification Kurs ist ein Beispiel mit einer credit roll, ist aber auch eine Idee für hier...
@@VFXstudy Ich finde ja deine Kurse kann man gar nicht genug empfehlen, auch wenn ich tatsächlich sehr wenig mit Fusion arbeite. Besonders seit Yo still geworden ist gibt es da nicht mehr viel. Casey ist super variiert allerdings im Prinzip die gleichen 3 Themen immer wieder. Ich meinte mit Text+ eigendlich nur die Tatsachen, dass vielen Menschen offensichtlich nicht bewusst ist, dass es einen riesigen Qualitätsunterschied macht ob die Textgröße über Size in der Text+ Nodeo der der Size in Transform zu verändern. Ich bin bei jemandem der einen Fly through Titel animieren wollte neulich mal völlig ausgerastet, weil er das nicht mal probieren wollten.
Auflösungen sind sowieso so ein Thema. Habe neulich auch ein Tutorial gesehen in dem jemand ein Logo als einen One Dot Image Brush Stroke mit der Paint Node entlang eines Pfades animiert hat....
Ich lache immer noch über "It s not inteligent and it doesn´t change the Resolut..."
Ich fände tatsächlich auch mal ein echtes Side by Side Fusion Nuke spannen, sprich gleiches Material, gleiche Aufgabe du in Fusion und jemand, der sich Nuke Artist nennt in Nuke.
Is there a way to change the original duration of a standalone Fusion Composition you make in the media pool? All of these examples are clips with fusion work applied to them, rather than standalone Fusion Compositions :/ The only fix I can think of when you need more frames after setting the composition duration is to create a new blank composition in the media pool, copy the old comp's nodes and paste them into the new one, but this seems like a silly amount of work for what should just be a single parameter of the composition :/
You can definitely also change the duration of Fusion Composition effects the same way. I just tested it and it works. You get extra frames without changing the keyframes. If you get errors or media-offline or so, also check if any of the loader/media/generator nodes have incorrect global in/out values. You can check that best in the Keyframe editor. Check the console if you get error messages.
@@VFXstudy I don't mean changing the duration of animations or effects within a composition, though. I mean changing the total duration of the actual Fusion Composition itself. When you right click on the media page and select 'new fusion composition, you must select a duration which then seems to remain locked from that point onward. You can certainly have keyframes that go beyond this duration but they will not be rendered as the in-out points of the render range are limited to that original dutation you set when you made the standalone composition file. You can see this when you try to change the 'render end frame' box to something higher than the global duration, hit enter and it immediately changes it back to the original duration :/
HI! Thanks for the video! Quick question , off topic here, i am sorry.. But when making a fusing animation while being in Aces CM, when i import a pgn log for example, the color are messed up. How do i manage that? thanxs!!
If the png comes via the Media Pool and you have assigned the correct color space for the png in the media pool, then it should work fine. If you don't or if you used a Fusion loader node, then you need to manually correct the color space using a color space transform node.
ok thanks!@@VFXstudy
Question... is it possible that 1 fusion clip shares information with another fusion clip in the same timeline? For example give a sequential number or ID of the clip?
Is your fusion composition course updated to resolve 18 by chance?
Most of the 30h are pretty much version independent- luckily compositing principles don't change with every update. But I do plan on adding some videos for magic mask and depth map in the near future.
Thanks for the tip.
Is there a way to create procedural shatter in fusion similar to the shatter effect on after effect?
Good question. I'd guess probably, but would have to look into it...
Legit
My problem is I extended Fusion Composition total seconds from 6 seconds to 8 seconds on Edit page. I added more animation in later frames in Fusion. When I playback, the added animation frames could not be shown on Edit Page (the clip just cut at 6 seconds and becomes a black screen afterward). On Fusion page, showing keyframes, I see "MediaOut" is only 6 seconds long followed by a red block of 2 seconds. All the added animation frames b/t 6-8 seconds are still there but they could not be shown/played because MediaOut is only 6 seconds. I cannot find a way to stretch MediaOut time to match Edit page 8 seconds. I tried to delete mediaout and add it again, it did not work. I'm wondering if anyone knows how to fix this? Thank you a lot in advance!
Check in the Keyframes Editor. The MediaOut is probably not the node causing it but there might be other nodes before in the flow that don't produce an output after 6 frames. Could be a MediaIn node that is too short, or a generator node of some kind.
its sad that they dont have an option to allow users if they want dynamic adjustments to the keyframes when fusion comp is adjusted.
They do. You can use an anim curves modifier for that or the keyframe stretcher but your comp needs to be setup with that. If you adjust a one-off comp usually it's just a one-time adjustment
@VFXstudy oh nice I didnt know this but they should have an option like "dynamic fusion clip" and the normal one when you rightclick drag the fusion clip onto the timeline
@@Aldsomegaming there are different ways of adjusting - e.g. Transitions are usually just scaled in a linear way. Titles can have an intro / outro / middle part. The drag & drop effects should adjust if they are designed well. Effects with tracking features need adjustment based on content...
Sun glasses Reflection remove in fusion put .....
You want to remove reflections from sun glasses and want to see a tutorial about that?
thank you so much for your video i always found the keyframe editor to be a headache inducing mess to deal with
(all i wish is that i found this a few months earlier)
Glad I could help! Yeah, it takes some time getting used to it. But once you get a hang of it it's ok. It's one of these tools that works a bit differently in every software...