On Tour in South America as FOH with Korean rock band The Rose
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- čas přidán 24. 06. 2024
- Im in South America as a Live sound engineer & production manager for the Korean Rock band "The Rose". Showing you some BTS stuff from how this tour works and the gear I'm using.
The Rose: / official_therose
00:00 // Opening
00:14 // Intro
01:05 // File explanation
02:08 // File preview
06:26 // Back stage
06:55 // First show
07:28 // Sleepy
08:28 // Santiago
08:44 // Santiago Backstage
Equipment Used:
GoPro Hero 11 | amzn.to/3Kgsi6C
Canon M50 Camera | amzn.to/3tCgW3K
iPhone 13 Pro | amzn.to/3q6NiSORode PodMic (voiceover) // www.thomann.de/gb/rode_podmic...
Audio Technica ATH-M50x | amzn.to/33sziaA
Headphone carry case | amzn.to/2OKSNHs-
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For more mixing tips, tutorials & insights follow Rattlin' Bones Club on Instagram:
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LOVE your videos man! SOOO cool to see how it is touring on that level!
Thank you so much!
This is great. I’m so impressed that you manage so much from that small desk. God bless the new technology.
Thanks 🙏
i was there in Santiago and it sounds great, that tastes of the mixing was very nice. Good Work!
Thanks! That was a great show! I hope to go back to Santiago soon!
Just watching you prepare this kind of stuff has me terrified! Major props to you for doing what you do!
Thanks!
We enjoy the show in Chile, thank u for coming 😊❤
Thank you too 🙏
Thanks a lot sir God bless you 🙏
You’re welcome 🙏
🔥🔥🔥🔥
cool impressions! Thank you!
Thanks 🙏
simple, small, but have everything. great
Thanks for watching 🙏
I enjoy the band, did you mix The Rose last Jan 2023 in Cebu, Philippines?
Awesome content, man!
Nope that wasn’t me then! I came to Manila with them this year to do conquest but the time before was someone else
Nice work. This video, how many meters away from stage was your FOH Position?
I've seen sound engineers do this before but I'm not sure why. But how come you don't run the stereo instruments, like keys and guitars, in a stereo channel but instead use two faders? Do you use ganging when you do this or do you process the L and R separately? What's the reason for this and how can I use this when mixing if this is a better way to do it?
the actual reason comes to hardware, inputs are mono for every channel, and since stereo signals are just two mono signals panned 100% L and 100% R you connect the L and R channels to your mixer, pan them and there you have your stereo signal. So the answer would be its the same, software just makes it look like it's one stereo channel but in hardware that doesn't really exist as far as i know.
@@santibottathis is incorrect, Allen and heath along with many newer consoles from other brands allow for stereo channels on one fader in addition to the traditional single mono channel per fader. It looks like that because it is. You can still patch the left and the right of something to two separate channels if you want, but for most things it just makes sense sound/ workflow wise to have something like overheads on one channel.
@@benjaminhixson3918 i just looked up a tutorial by allen and heath on stereo channels and (at least on the SQ and avantis models) its still two mono channels, the only difference is that it looks like your typical DAW stereo channel, but if you want the first channel in your console to be stereo you gotta "fold" the 1 and 2 channels. Anyways its nice to have a stereo channel instead of two mono channels linked.
Im curious about your routing when you record. Do you run everything pre to be able to get the raw signals for multi track or do run post to capture the processing during the show?
The multitrack is pre processing so everything is raw.
It’s post desk gain so the gain is set but records before the eq, compression or any other processing.
great videos!! I’m going to uni this year to study film and tv production, but I’m really interested in live music tech too. how did you get into the role you do now?
If you check out episode 2 of my podcast I explain abit about how I got my first tour!
It’ll be on my channel as a video called “how to get into touring”
@@RattlinBonesClub thank you for the reply - I’ve just listened to this, really interesting to hear how your contacts helped you progress your career. I’ll make sure I start networking early! keep up with the awesome videos!
How do you prep your mix to be ready for Large PAs ? I guess just having a good mix on studio monitors won’t give you the right balance for a live PA with tons of low end information ?
So this mix is from a recent tour, it was already pretty well balanced as a mix. The only thing I really prepped ready was to take any eq off my master bus as big festival pa’s are usually tuned really well and don’t need much correction.
Then on the show day line check was all about making sure my gain was hitting where it should. 🤘
6:51 little german booooy
Little germannnnn boyyyyyy
Is there no monitoring technician with this band?
Nope. We have an rf / patch engineer but the band mix their own with the dp48’s.
So the rf guy makes sure everything is patched and then scans all the packs and makes sure it’s all solid ✌️