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@@TheWashboardResonators It did, I'm ordering a phosphor bronze set from Stringjoy for my new Gretsch Alligator resonator. The strings that came with it from Gretsch are okay, (D'Addario EJ16 Phosphor Bronze, Light (.012-.053 Gauges), but I want heavier gauges on the 1st and 2nd strings. Especially when playing slide. I really like Stringy strings and they have a few heavier sets and I can also order custom sets. Thanks again!
C, the phosphor bronze really did it for me, I think the zing and clarity of notes just matches the energy of the resonator in general, however I would say it depends on the vibe you're going for, but that's just my personal preference.
I love nickel strings on everything. Started out with Martin monels. Then I discovered the guys at stringjoy they make strings called Broadway's. Round core pure nickel. Best strings I've ever used. Now they are on every guitar.
I think with just fingers A was brighter than the rest. Slide wise,... C gave the best balance of top and bottom end. Again just my feelings now, but metal or wood bodies, tunings , ect , all effect the end result. Great video, it is two years old now so I'm not sure anyone will be reading this. KeepSmiling!
This is really useful. I'm about to restring my Hudsonator for the first time. It currently has nickel strings to my knowledge. I'm trying to find a bit more volume and depth, of course my D9 tuning is much more highly strung compared to a standard tunings. I liked A, C and D but I think A edged it. For me, B had less sustain and depth and when you announced B was nickel I was very happy. Looks like I'll be going down the phosphor bronze route, or make a hybrid set between Nickel and Bronze if I can't find the gauges (I've got ten of them!).
Newtone do custom sets and already produce lap steel sets for specific tunings. If you’re wanting perfect tension then get in touch and they’ll absolutely put together the best set. 🎯
After some trial and error, I really like D'Addario EFT13 Flat Top phosphor bronze resophonic guitar strings. .016 - .056. I tune open D, open G, and half step down from standard (E flat).They add a warmth to the tone of my Mule steel tricone and not as "squeaky" when sliding.
A Hex-Core holds tune better but what if they made a Flex-Hex Core? A Flex-Hex Core would be a Hex Core that's been specially formulated to allow for the same flexibility as a Round Core. I use really light gauge strings (10s) because I string them backwards underneath the tailpiece.
The round core strings sound excellent and are flexible with great stability. I’d try any that ever came out as you suggest. I doubt there would ever be a big enough market!!
@@TheWashboardResonators My idea was a Flex-Hex Core, it's a Specially Formulated Hex Core that has the same flexibility as a round core cause it's compound wound like strings for bowed stringed instruments.
@@TheWashboardResonators Actually more people want Flex-Hex Core Strings which are a Special Variation of Hex Core strings that have the same flexibility as round core strings while staying in tune better.
Being a solo artist I like to get the bass response from my resonator (I like to put bass runs in). I use Elixir phosphor bronze strings and replace the 16 with an 18. I play in open D. I thought the Nickel strings (B) had a wider tonal range in your test so I liked them the best, must try them.
Great video. B sounds the most authentic to me. I live in a humid coastal climate, so I generally use Elixer Nanowebs or else rust prevails. Anybody else using them?
A. The MM Strings sounded best to me. I came upon your Resophonic Guitar string tutorial looking for a string comparison with John Pearse P3000 Nickel Plated .016-.059, D"Addario Phosphor Bronze EJ42 .016-.056, and elixir 80/20 Bronze Resonator Strings .016-.056. Presently have a 2007 Gibson Hound Dog Dobro and a 1995 Regal Resonator in need of new strings, G Tuning, Appreciate hearing the comparisons and descriptions in the video. Thank You ! I subscribed.
I agree the differences were less perceptible than I expected. I've been using Daddario nickel bronze on an old wood body Dobro for years and prefer them to PB. I am about to try them on a newly acquired Duolian . I wish Newtone strings were more readily available in the US. Thanks for the "nerdy string test."
They’re all like 85% the same. Glad I did it. Was nice to try and then share it too. It’s been months since doing this and I think phosphor bronze acoustically after bedding in are best. However, the nickel are now permanently on my old steel body Duolian and when you get used to them what you miss in high mids you more than make up for in depth. Slowly, going more that way. We’ll worth a try.
Thank you so much for this! I've always been fascinated by the styles you are playing. You've got a great 'feel' and sound. Right now trying to buy a resonator. Since my budget is not that large I probably end up with a Gretsch-type far-east instrument of some sort. But looking very much forward to try and learn to play slide and resonator guitars in the future. Been playing electric all my life, so it'll probably be a huge 'new thing' for me. Your video's offers tons of info and so nicely brought. Thanks again and all the best with the Washboard Resonators..
Enjoying all your videos. Cheers for an entertaining few hours of nerding out. I use the daddario nickel bronze and find them to be very decent on my humble busker delta resonator. The NB 13-56 work well for standard tune down a tone and open g and d for me. The nickel bronze have a good feel and sound even after big mileage
Thanks David. Have tried those strings. They’re very sparkly and definitely keep their life well. I stuck to phosphor bronze on account of the slight more bass response but completely agree your choice is excellent. 🎵
Hey Martin, nice video. I also recommend (if you haven't already) trying D'Addario EJ22 XL medium nickel jazz strings. Adam Franklin put me onto them and I've been using them for a couple years. I've got a set of MM Newtone pb and Nobel strings to use for the next couple changes, having only used them prior to giving the EJ22's a spin. I believe Steve James uses the Newtone archtop 14-59(?) nowadays which I'm keen to try out at some point. Not confident I'll sound as good as him mind! Also, one can always pop a 14 on the top for a compromise between standard and open tunings. When I use 15's I tend to tune 'normally' for open tunings but down a tone for standard to DGCFAD. That's more due to my nervous disposition than anything else though! With regards to the test, I failed badly 🤪 All the best 😎
I’ve got those EJ22 XL’s on my Kalamazoo archtop electric and the brought it alive and gave it an incredible warmth. I get they’d work well on resonator top of course.
Very helpful. Thank you for your time and effort. I gotta Gretsch boxcar that I use for slide. I tried putting 16 gauge strings on it that weren’t resophonic when I was trying to use it as a jazz box...thinking about going back to resophonics because the sound is too warm-maybe due to the wooden body. Anyway, I know how time consuming changing string can be so I pray that God blesses you and your team. I appreciate your music and am encouraged by it. Keep on keeping on. Grateful to God for ya’ll. Picked up your discography* God bless! -Ronnie
Thanks Ronnie. It was worth changing them to hear the difference. All good sounds. If yours is too warm try phosphor bronze at least or go for Monel. They’re bright and clear. All the best!
I think we need the video on which caramel wafer is best for resonator guitar players.... milk chocolate or plain chocolate...nice video and I appreciate the work that went into it
That would be more fun than string changing - guitarist and washboarder snacks! We love almond magnum ice creams when on long drives in warm weather. Missing those during lockdown!
thanks for the review . . . . i like 13's as I can bend with them. I normally used to 11's on acoustics (wood), but found 13's work best and they can work for lower open tunings . . . 15's and 16 . I like the worn out daddario but now prefer string joy
Funny, it was only the B set that I heard any real different, so it was interesting when you revealed they were nickel. I did use 16 on the high e but just about to change down to 13 even with slide. You loose something when strings get too heavy. Thought I might use 14 on some guitars. I tune down a bit for standard tuning.
The nickels are actually really nice. Been using them daily on another guitar since this. They’re great. In terms of gauge different guitars speak differently. My Tricone woke up with 16s. I know a 32 Style 0 that chokes with anything more than 12s. Sounds massive with 12s. An interesting point.
I play square neck with a steel slide. I also purchase extra .016 and .018 strings to sometimes swap out with other guitar string sets if I can not find Dobro strings in time.. Earney Ball has some aluminum wound that really give a different dynamic on the bass end. I tend to notice the bass strings losing their tone before I notice the treble ones. The lowest string drives me crazy. Since I do a lot in open D: I wonder if a .058 or thicker might be a better choice.
Never tried the aluminium. Sounds interesting!! For square neck playing almost any size low string could work although perhaps .070 would be the limit. I have a friend that plays round neck with a .069 on the low and 18 on the top. Good slide tone but getting beyond practical to play.
What happens if you use a Thick top light bottom electric (65,56,52-10 what ever) guitar set or just a 9-46 electric guitar set on a resonator guitar for both slide and regular lead and rhythm playing? I'm totally new to this resonator guitar thing. I intend on using my B-Stock Zenison Acoustic Electric Resonator Guitar Round Neck Sunburst Mahogany in this fashion. B Stock means it needs a bit of work. I can't find any videos on CZcams on setting up this kind of single cutaway resonator guitar. I'm not rich, I'd love to have a National, and plan to use this resonator's sound in a different type of music.
I tried Martin Retro monel strings on my reso and I'm happy, but then I've only been playing resonator guitar for 10 days (50+ years on acoustic) so no doubt there will be some experimenting. For the record, I don't play slide, only fingerstyle, so I'm using a relatively light set of strings and don't need to raise the action at all. Thanks for this informative video, and finally - isn't playing a resonator guitar the greatest fun?
A was what I like, but I am a dobro player not a National player B was authentically vintage, C just sounded like lower quality A and D sounded like worn out strings
Interesting. D sounding like worn out strings. Very interesting. TBH I wasn’t the biggest fan of the Monel after leaving them on for a month. Sort of empty sounding.
I'm coming back to this video as my playing improves as it is a great resource. Thanks for promoting the resonator and helping those of us learning the instrument! For me set A sounded the best to me, great full-bodied base with strong mid-range and clear treble. I play a wooden parlour resonator with a short scale and currently using 13-56s D'adarios. When I bought the instrument second hand and it came with what looked like thin (10s?) electric strings and sounded awful! So much so I didn't play it much. Changing the strings really brought it to life. Just a question though, given the short scale should I be sizing down to compensate, I do find it tough to play (fingerstyle) for any length of time? Thanks Angus
Glad to help. Generally the Phosphor Bronze you picked seem to give the fullest range of resonator tone. Short scale instruments are better with bigger strings to take away the floppies but if you’re struggling with playing then I’d probably stay where you are and just accept that over the months you’ll get much stronger. I remember my first resonator with 13s and I honestly couldn’t play it. Everything was too hard. Now I have no issue as I’ve built up the strength.
I am looking at getting a Gretsch Boxcar (after viewing many videos that rated it the best resonator under $500) and am now researching strings. It comes with D-Addario 12s, but since I am planning on playing open tunings (D, Dm, and G) and I know that I need to tune down to get to those open tunings, are 12s the correct gauge strings or should I get 15s or 16s? Thanks for any help! BTW - Loving your videos (especially the history of resonator/dobro). Too bad Mark Makin's book is so expensive to buy in the US ($113 including shipping) because it looks very interesting.
Marks book is worth every penny. He’s not really profiting (see our two part podcast with him on the channel). For strings. Try the 12s. I’ve recently played 11s in these tunings and it was fine. Beyond that try 13 or 15 (same gauges usually except the top string). If you’re still clattering the frets get 16s or get the string spacing changed! I wouldn’t just jump into 16s if you’re not used to it. 🎯🎯🎼🎯🎯
Very interesting man, thanks for the video... At the moment I'm using John Pierse but the Phosphor are quite difficult to find in UK, did you tried the Dunlops?
Excellent comparison, lots of straight-ahead info, with some great insight. A Question: I have an Icarus parlour reso, and the overtones and sympathetic resonance is very loud! and covers up what could be a great reso sound. Would you have any idea as to how to tame this: strings, biscuit, gasket?? I'd appreciate your ideas, Thanks
Thanks!! It’s hard to say without hearing or seeing it. Could be player or instrument. Let’s trouble shoot; So single cones often have loads of sympathetic resonance anyway. Especially, steel bodies. Lots of hand dampening needed by the bridge. Shocked me when I first got a resonator just how important dampening was. If it’s not that then try putting something under the strings between the tailpiece and the bridge. Can be a hotspot for overtones. After that you could try duller strings and heavier ones too. Say 13 gauge nickel ones or even try the ground wound ‘flat tops’ from D’Addario. After that I’d just buy a really expensive vintage National and compare!
I´ve got a 12 string but the martin monel 12 str set is impossible to find in Mexico so I will make a mixture of one Monel set and the octave will be pure nickels, just because you have to find ways when you live in the third world, I don´t like the sound of phosphor bronze and I´m presuming 80/20 will not pull it off either with that guitar as it´s spruce and Brw. my rant
The Michael Messer strings (1) sounded better to me... I have used them in the past but had a few duff sets so moved to the John Pearce strings that national resophonic guitars have when they leave the factory. Might be tempted to give the MM strings another try based on your test though. wasn't impressed by strings 3 and 4 but strings 2 sounded good.
@@TheWashboardResonators I have unused sets of heavy and light MM's from the 1990s which I bought at the same time i purchased my NRP Style O.. I like your vids...i'll check out some more. Regards.
That's strange. I bought a few sets of Michael's strings a long time ago (13s and 16s) and they were duff. I think I might try a set again based on this vid.
Bank in the '80's I used nothing but monel strings, they are brighter and last longer, unfortunately I can't find them anymore . Now I use anything and am very dissatisfied , not giving up something will come along .
Does anyone know if I'd be ok putting acoustic 12's on my Gretsch G9201 resonator, I'm more of an acoustic strummer but I just love the sound of a resonator, thanks guys
I've got a Recording King parlor biscuit bridge, the string tension is sloppy and loose in Open G. Any suggestions? Great video btw. I always wondered about reso strings and what's best.
Hello Martin GREAT VIDEO The right Strings for you are VITAL, I have a HUGE Question You may be helpful with ,I Played the Heavier !6 resophonic DAddario phosphorous Bronze you are right about the Bottom end ,Great growl, but the low end is off i dont think you need all that ,I usedT he 13s and The heavy 14s DAdarrios Phosphorous Bronze They were fine but ,Now I have The John Pearce , 8020 bronze on my National steel body 13s with a 14 15 or 16 high E depending on the mood. The strings sound BEAUTIFUL Great tone , great low end warmth ,and cutting Highs. They seem to last longer until I break one, Here is my Question What strings can I try For the Higher tunings Like open A and E those are the tunings that breaks my G and D strings I put thick leather under the tail piece To lesson the break it helps a bit ,but not enough I use a capo but I prefer playing the whole neck without the capo My voice works well with the higher tunings I do capo for songs in F So Do lower gauge like 12s work better , it looks like I may have to use an unwound for the g but the d string breaks as well what a dilemma I hear M,Messer Has a set for that very thing can you suggest anything SORRY for SUCH A LONG Ass letter ... THANK YOU FOR YOUR TIME
Thanks! The resophonic strings are designed for ‘high bass’ lap steel G tuning so the low string is slack by comparison when playing in normal G. I agree the heavy bottom 14 set with a .59 on the low string gives great body to the sound. On my gigging Tricone I currently have them with the top strings from an old set of MM 16s and it’s great. It’s an experiment to see which I prefer. Modified D’Addario 14s or MM 16s. The JP and MM strings are very similar structurally. Round core. More body and more mass but lower tension than other strings. As strings used to be. I’d argue putting 12 Nickel or Monel strings by MM would be the nearest to 1930s factory spec. Either way, I’d recommend both brands (MM / JP) as the best of the best for resonator sound. I’ve experimented with A&E tunings and never had a problem with 13s on my guitars. I do lube the slots and it’s scary when tuning the G up. I would be tempted to try 11 or 12 Daddario PB strings when tuning that high if it was a regular thing you’re trying. In my experience they almost never break and the tension would be good.
@@TheWashboardResonators Thank you for your time and advice.. It is hard to NOT use at least 13s on a national steel body With a heavier High E That is My go to Sound , sometimes I will tune open G up a half step and Capo the first fret to get to A if I dont want the stress of maby a G or D string Breaking What is Lubing The Slots ? My G and or D strings Break at the tuning barrel And I see No Burrs , When I Use an unwound G string It never breaks , but I love The wound G for the Slide Growl tone A trade off indeed ... THANK You Martin As busy as you Are You Got Back to me On this Thank you so much ☺
what about heavier strings all tuned lower say full tone down? I have tried even going to baritone (A tuning) and it was not fail but not success either. this has been extremely helpful thanks so much for doing this.
You ask the manufacturer, google or check the packet. Pretty much all high volume famous brand strings are hexagonal. They’re much quicker to make so more profitable. I know the Newtones are mostly round core which is the production method from way back. If strings are round core they’d likely advertise them as such. My experience is that a roundcore can be slightly less tension and give a slightly more rounded but fuller sound from the off. Hexagonal ones often ‘zing’ more initially before getting warmer through playing in.
Not sure what you mean. It’s good to experiment with all strings and choose your favourite. 13 or 15 phosphor bronze is the best general slide set. Try that first.
I’d be very happy with 13s or 15s and a medium set up as a starting point. Probably no heavier. It’s a nice tuning as more standard string gauges work well due to the extra tension compared to open G.
@@TheWashboardResonators Thanks a lot!!! Mostly i m playing in open d tuning with 13-56s and i use the same strings gauge for open A & G tunings!! The reason i ask that, is not to "damage" the guitar from the extra string tension!! Some guitar players use 12-53s for open A tuning!!
@@TheWashboardResonators I wouldn't read too much into that. I prefer wood bodied biscuit cones, for instance, so my sensibilities when it comes to Nationals don't seem to align with convention...
You have all those Nationals and different strings. Yet You sound the exact same when you play any of them. So what is the value of having so many? Just a a collection I suppose. A boasting factor maybe. So many people are worried and concerned about models and strings. At the end of the day ya'll sound pretty much the same whatever national you are playin on.
In real life away from phone recordings and CZcams compression they all sound and play different. They bring joy, inspire creativity, help make friends and act as a future pension. Therefore I enjoy all these benefits and many many more. Another good reason to have all these is they make me really proud to have achieved them working as a professional musician after paying my bills and mortgage. That sense of achievement courses through my veins and makes me feel like I’ve succeeded in life. My dream was to make music for a living and have all the instruments my heroes played. It’s a nice feeling when you succeed on your own terms. I hope you get to feel this one day. Also, The instruments keep my fingers busy in playing guitar instead of leaving negative and angry comments on other peoples CZcams videos like some miserable snarky nasty cunt. Go and jump in the sea you absolute nobody.
Hola, I play a wood body Epiphone. But I really don't play slide on it. (Although slide sounds gr8eat on that guitar). I play more of a jazz sound with a plectrum. I guess the closest sound would be Gypsy Jazz, but is it really Gypsy if it's played on a resonator? Anyway, I've been looking for strings for that sound. I've tried some resonator strings, but they didn't really do it. Think I'm going to try some D'Adario Gypsy Jazz strings and see what happens. If it's amazing, I'll come back and post it here. Thanks for your comparison.
Thanks. You can play gypsy on any instrument. Watch the John Reynolds trio videos on CZcams. I’d go Monel strings for swing playing on a resonator. Bright and cutting.
@@TheWashboardResonators thanks, that's sorta the sound. The metal guitars have a different tone, not quite as earthy. But that swing rhythm is the sound. I've tried alot of different strings on it, the Martin strings sound good for about 2 weeks but then they lose the punch. And because it's a resonator, some strings are hard to put on because the Tailpiece requires a longer string. It's my understanding that (correct me if I'm wrong) Monel is a name given to an alloy. Can you think of a brand that would accommodate the length needed for the Tailpiece?
Use the other resonator string comparison videos you muppet. Did this ages ago and was very new to it. Learned lots since. Least we’re trying to help and share information out here.
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Thanks all!
❤️❤️❤️
I preferred A and D. They had the most clarity for me, and projected the classic resonator tone. Great video comparison.
Hope it helped!
@@TheWashboardResonators It did, I'm ordering a phosphor bronze set from Stringjoy for my new Gretsch Alligator resonator. The strings that came with it from Gretsch are okay, (D'Addario EJ16 Phosphor Bronze, Light (.012-.053 Gauges), but I want heavier gauges on the 1st and 2nd strings. Especially when playing slide. I really like Stringy strings and they have a few heavier sets and I can also order custom sets. Thanks again!
Agreed
C, the phosphor bronze really did it for me, I think the zing and clarity of notes just matches the energy of the resonator in general, however I would say it depends on the vibe you're going for, but that's just my personal preference.
Thanks! 🎯
Agreed! I also hear the natural reverb tail in the instrument better as well :)
I love nickel strings on everything. Started out with Martin monels. Then I discovered the guys at stringjoy they make strings called Broadway's. Round core pure nickel. Best strings I've ever used. Now they are on every guitar.
Interesting. I’m considering a similar move. Don’t know that brand but thanks for the heads up. Will check them out.
Broadway strings are for electric guitars i think. Do they make acoustic? i couldnt' find any.
I think with just fingers A was brighter than the rest. Slide wise,... C gave the best balance of top and bottom end. Again just my feelings now, but metal or wood bodies, tunings , ect , all effect the end result. Great video, it is two years old now so I'm not sure anyone will be reading this. KeepSmiling!
Just trying to help people out so they find their preference.
I got tired of discussing it and wanted to try them all in one go!
John Pearse makes some amazing strings. Been using them on my resonator for over a decade now.
Indeed! Incredible strings!
This is really useful. I'm about to restring my Hudsonator for the first time. It currently has nickel strings to my knowledge. I'm trying to find a bit more volume and depth, of course my D9 tuning is much more highly strung compared to a standard tunings. I liked A, C and D but I think A edged it. For me, B had less sustain and depth and when you announced B was nickel I was very happy. Looks like I'll be going down the phosphor bronze route, or make a hybrid set between Nickel and Bronze if I can't find the gauges (I've got ten of them!).
Newtone do custom sets and already produce lap steel sets for specific tunings. If you’re wanting perfect tension then get in touch and they’ll absolutely put together the best set. 🎯
Thanks for your explanation. I was wondering why my reso was sounding dullish.Ill give those Newtone models a go. Tom
They all impart different sounds. Newtone are fuller and warmer and daddario a bit more ‘direct.’
C all the way Sounded more like a Resonator than all the others !
🎼🎯🎼
After some trial and error, I really like D'Addario EFT13 Flat Top phosphor bronze resophonic guitar strings. .016 - .056. I tune open D, open G, and half step down from standard (E flat).They add a warmth to the tone of my Mule steel tricone and not as "squeaky" when sliding.
They’re a great string and really usable. Warmer than a straight phosphor. Interesting.
A Hex-Core holds tune better but what if they made a Flex-Hex Core? A Flex-Hex Core would be a Hex Core that's been specially formulated to allow for the same flexibility as a Round Core. I use really light gauge strings (10s) because I string them backwards underneath the tailpiece.
The round core strings sound excellent and are flexible with great stability. I’d try any that ever came out as you suggest. I doubt there would ever be a big enough market!!
@@TheWashboardResonators My idea was a Flex-Hex Core, it's a Specially Formulated Hex Core that has the same flexibility as a round core cause it's compound wound like strings for bowed stringed instruments.
@@TheWashboardResonators Actually more people want Flex-Hex Core Strings which are a Special Variation of Hex Core strings that have the same flexibility as round core strings while staying in tune better.
Being a solo artist I like to get the bass response from my resonator (I like to put bass runs in). I use Elixir phosphor bronze strings and replace the 16 with an 18. I play in open D. I thought the Nickel strings (B) had a wider tonal range in your test so I liked them the best, must try them.
They’re warmer generally and take being retuned to different tunings better than others too.
🎼🎯🎼
Great video. B sounds the most authentic to me. I live in a humid coastal climate, so I generally use Elixer Nanowebs or else rust prevails. Anybody else using them?
Nice!
A. The MM Strings sounded best to me. I came upon your Resophonic Guitar string tutorial looking for a string comparison with John Pearse P3000 Nickel Plated .016-.059, D"Addario Phosphor Bronze EJ42 .016-.056, and elixir 80/20 Bronze Resonator Strings .016-.056. Presently have a 2007 Gibson Hound Dog Dobro and a 1995 Regal Resonator in need of new strings, G Tuning, Appreciate hearing the comparisons and descriptions in the video. Thank You ! I subscribed.
All superb strings here. The MM strings are really good. Incredible tones from them.
I agree the differences were less perceptible than I expected. I've been using Daddario nickel bronze on an old wood body Dobro for years and prefer them to PB. I am about to try them on a newly acquired Duolian . I wish Newtone strings were more readily available in the US. Thanks for the "nerdy string test."
They’re all like 85% the same. Glad I did it. Was nice to try and then share it too.
It’s been months since doing this and I think phosphor bronze acoustically after bedding in are best. However, the nickel are now permanently on my old steel body Duolian and when you get used to them what you miss in high mids you more than make up for in depth.
Slowly, going more that way.
We’ll worth a try.
Love a Tunnocks wafer! A,and D sounded good to me - both had a good honk. C was not bad but B just seemed too dull and lacking clarity.
Tunnocks rule!! Interesting... your ears like the bright strings and not the warm ones.
Wow! Great video. Love A and D. Classic resonator. C is what we’re all used to hearing, but really wasn’t as good in my humble opinion.
🎼🎯🎼
Thank you so much for this! I've always been fascinated by the styles you are playing. You've got a great 'feel' and sound. Right now trying to buy a resonator. Since my budget is not that large I probably end up with a Gretsch-type far-east instrument of some sort. But looking very much forward to try and learn to play slide and resonator guitars in the future. Been playing electric all my life, so it'll probably be a huge 'new thing' for me. Your video's offers tons of info and so nicely brought. Thanks again and all the best with the Washboard Resonators..
Thanks. Glad it’s being helpful and opening doors.
Enjoying all your videos. Cheers for an entertaining few hours of nerding out. I use the daddario nickel bronze and find them to be very decent on my humble busker delta resonator. The NB 13-56 work well for standard tune down a tone and open g and d for me. The nickel bronze have a good feel and sound even after big mileage
Thanks David. Have tried those strings. They’re very sparkly and definitely keep their life well. I stuck to phosphor bronze on account of the slight more bass response but completely agree your choice is excellent. 🎵
Hey Martin, nice video. I also recommend (if you haven't already) trying D'Addario EJ22 XL medium nickel jazz strings. Adam Franklin put me onto them and I've been using them for a couple years. I've got a set of MM Newtone pb and Nobel strings to use for the next couple changes, having only used them prior to giving the EJ22's a spin. I believe Steve James uses the Newtone archtop 14-59(?) nowadays which I'm keen to try out at some point. Not confident I'll sound as good as him mind!
Also, one can always pop a 14 on the top for a compromise between standard and open tunings. When I use 15's I tend to tune 'normally' for open tunings but down a tone for standard to DGCFAD. That's more due to my nervous disposition than anything else though!
With regards to the test, I failed badly 🤪
All the best 😎
I’ve got those EJ22 XL’s on my Kalamazoo archtop electric and the brought it alive and gave it an incredible warmth. I get they’d work well on resonator top of course.
Steve James told me he uses the Newtone arch top 14-59 when i bought a resorocket WB from him.
Interesting. Nice big bottom end right there.
Very helpful. Thank you for your time and effort. I gotta Gretsch boxcar that I use for slide. I tried putting 16 gauge strings on it that weren’t resophonic when I was trying to use it as a jazz box...thinking about going back to resophonics because the sound is too warm-maybe due to the wooden body. Anyway, I know how time consuming changing string can be so I pray that God blesses you and your team. I appreciate your music and am encouraged by it. Keep on keeping on. Grateful to God for ya’ll. Picked up your discography*
God bless!
-Ronnie
Thanks Ronnie. It was worth changing them to hear the difference. All good sounds. If yours is too warm try phosphor bronze at least or go for Monel. They’re bright and clear. All the best!
I think we need the video on which caramel wafer is best for resonator guitar players.... milk chocolate or plain chocolate...nice video and I appreciate the work that went into it
That would be more fun than string changing - guitarist and washboarder snacks! We love almond magnum ice creams when on long drives in warm weather. Missing those during lockdown!
thanks for the review . . . . i like 13's as I can bend with them. I normally used to 11's on acoustics (wood), but found 13's work best and they can work for lower open tunings . . . 15's and 16 . I like the worn out daddario but now prefer string joy
Absolutely hitting the nail on the head here. You’re the second person recently to mention string joy. Need to check them out. Thanks. 🎯
Funny, it was only the B set that I heard any real different, so it was interesting when you revealed they were nickel.
I did use 16 on the high e but just about to change down to 13 even with slide. You loose something when strings get too heavy. Thought I might use 14 on some guitars. I tune down a bit for standard tuning.
The nickels are actually really nice. Been using them daily on another guitar since this. They’re great. In terms of gauge different guitars speak differently. My Tricone woke up with 16s. I know a 32 Style 0 that chokes with anything more than 12s. Sounds massive with 12s. An interesting point.
Great and useful video but i’ve always wondered what is the song at the start of every video
It’s our take of Blind Boy Fuller’s Jivin’ Woman Blues. A killer tune!
I play square neck with a steel slide. I also purchase extra .016 and .018 strings to sometimes swap out with other guitar string sets if I can not find Dobro strings in time.. Earney Ball has some aluminum wound that really give a different dynamic on the bass end. I tend to notice the bass strings losing their tone before I notice the treble ones. The lowest string drives me crazy. Since I do a lot in open D: I wonder if a .058 or thicker might be a better choice.
Never tried the aluminium. Sounds interesting!! For square neck playing almost any size low string could work although perhaps .070 would be the limit. I have a friend that plays round neck with a .069 on the low and 18 on the top. Good slide tone but getting beyond practical to play.
What happens if you use a Thick top light bottom electric (65,56,52-10 what ever) guitar set or just a 9-46 electric guitar set on a resonator guitar for both slide and regular lead and rhythm playing? I'm totally new to this resonator guitar thing. I intend on using my B-Stock Zenison Acoustic Electric Resonator Guitar Round Neck Sunburst Mahogany in this fashion. B Stock means it needs a bit of work. I can't find any videos on CZcams on setting up this kind of single cutaway resonator guitar. I'm not rich, I'd love to have a National, and plan to use this resonator's sound in a different type of music.
You get a thinner sound but easy bending. All you can do is try! Sounds like a unique setup which is cool!
In order - A, C and D, not struck on B. Only minor differences discernible to me.
Thanks for this. Those bright and big phosphor bronze strings way out ahead. 🎯
I tried Martin Retro monel strings on my reso and I'm happy, but then I've only been playing resonator guitar for 10 days (50+ years on acoustic) so no doubt there will be some experimenting. For the record, I don't play slide, only fingerstyle, so I'm using a relatively light set of strings and don't need to raise the action at all.
Thanks for this informative video, and finally - isn't playing a resonator guitar the greatest fun?
They’re great! Along with a good flattop. I hear lots of good about those strings! Might get some one day!
Do strings need to be longer length for slotted headstock on a paramount style 0?
Not at all. 🎯
A, D, C then B
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A, then C, to D with B last place.
Interesting. It’s the high end and crisp sounds of phosphor bronze for you then. Thanks!
Another great video!
Thanks Rich. One for the geeks.
A was what I like, but I am a dobro player not a National player B was authentically vintage, C just sounded like lower quality A and D sounded like worn out strings
Interesting. D sounding like worn out strings. Very interesting. TBH I wasn’t the biggest fan of the Monel after leaving them on for a month. Sort of empty sounding.
I'm coming back to this video as my playing improves as it is a great resource. Thanks for promoting the resonator and helping those of us learning the instrument!
For me set A sounded the best to me, great full-bodied base with strong mid-range and clear treble.
I play a wooden parlour resonator with a short scale and currently using 13-56s D'adarios. When I bought the instrument second hand and it came with what looked like thin (10s?) electric strings and sounded awful! So much so I didn't play it much. Changing the strings really brought it to life.
Just a question though, given the short scale should I be sizing down to compensate, I do find it tough to play (fingerstyle) for any length of time?
Thanks Angus
Glad to help. Generally the Phosphor Bronze you picked seem to give the fullest range of resonator tone.
Short scale instruments are better with bigger strings to take away the floppies but if you’re struggling with playing then I’d probably stay where you are and just accept that over the months you’ll get much stronger.
I remember my first resonator with 13s and I honestly couldn’t play it. Everything was too hard.
Now I have no issue as I’ve built up the strength.
My favourites were the Nickels (B) and the Monels (D). Very different though.
Cool if you want something different!
@@TheWashboardResonators I've just bought a Recording King resonator (wooden with spider), and loving it, so trying to get my head around it all.
Thanks for sharing! super useful! 🙌
Hopefully it helps!! Thanks. 🎯
I am looking at getting a Gretsch Boxcar (after viewing many videos that rated it the best resonator under $500) and am now researching strings. It comes with D-Addario 12s, but since I am planning on playing open tunings (D, Dm, and G) and I know that I need to tune down to get to those open tunings, are 12s the correct gauge strings or should I get 15s or 16s? Thanks for any help!
BTW - Loving your videos (especially the history of resonator/dobro). Too bad Mark Makin's book is so expensive to buy in the US ($113 including shipping) because it looks very interesting.
Marks book is worth every penny. He’s not really profiting (see our two part podcast with him on the channel).
For strings. Try the 12s. I’ve recently played 11s in these tunings and it was fine. Beyond that try 13 or 15 (same gauges usually except the top string).
If you’re still clattering the frets get 16s or get the string spacing changed!
I wouldn’t just jump into 16s if you’re not used to it.
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Very interesting man, thanks for the video... At the moment I'm using John Pierse but the Phosphor are quite difficult to find in UK, did you tried the Dunlops?
Hey. Not tried Dunlop’s for years. Sure they’re great though. The John Pierce are difficult to come by for sure. Nice though.
B's the one for me
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love this
Excellent! Thanks!!
What about aluminum bronze strings. Have you ever tried those and your thoughts.
Didn’t know they existed.
Excellent comparison, lots of straight-ahead info, with some great insight. A Question: I have an Icarus parlour reso, and the overtones and sympathetic resonance is very loud! and covers up what could be a great reso sound. Would you have any idea as to how to tame this: strings, biscuit, gasket?? I'd appreciate your ideas, Thanks
Thanks!!
It’s hard to say without hearing or seeing it. Could be player or instrument.
Let’s trouble shoot;
So single cones often have loads of sympathetic resonance anyway. Especially, steel bodies. Lots of hand dampening needed by the bridge. Shocked me when I first got a resonator just how important dampening was.
If it’s not that then try putting something under the strings between the tailpiece and the bridge. Can be a hotspot for overtones.
After that you could try duller strings and heavier ones too. Say 13 gauge nickel ones or even try the ground wound ‘flat tops’ from D’Addario.
After that I’d just buy a really expensive vintage National and compare!
@@TheWashboardResonators I'll try damping first of all, then... Get a National!! Lottery numbers submitted!
Wasn’t a fan of the nickels, sounded like old strings by comparison to others, but I really did like the Monel’s
There we go! Considering Monel’s next on a vintage one just to get them to a more factory spec. Might be another video soon.
A and D were quite nice, really loved the B set and didn't like C at all.
Interesting. Seems to be the way. People like the PB best!
I´ve got a 12 string but the martin monel 12 str set is impossible to find in Mexico so I will make a mixture of one Monel set and the octave will be pure nickels, just because you have to find ways when you live in the third world, I don´t like the sound of phosphor bronze and I´m presuming 80/20 will not pull it off either with that guitar as it´s spruce and Brw. my rant
Interesting. Shame you can’t get the set you want. Monel on a 12 string will sound amazing. How cool! 😎
The Michael Messer strings (1) sounded better to me... I have used them in the past but had a few duff sets so moved to the John Pearce strings that national resophonic guitars have when they leave the factory. Might be tempted to give the MM strings another try based on your test though. wasn't impressed by strings 3 and 4 but strings 2 sounded good.
Thanks for the feedback. It’s interesting to note how happy you are with the JP strings!
@@TheWashboardResonators I have unused sets of heavy and light MM's from the 1990s which I bought at the same time i purchased my NRP Style O.. I like your vids...i'll check out some more. Regards.
That's strange. I bought a few sets of Michael's strings a long time ago (13s and 16s) and they were duff. I think I might try a set again based on this vid.
How about with pickup? I’ll check other videos
Depends on the pickup as to which strings work best. 🤘🏻
I thought that strings went from monel to 80/20 then phosphor bronze in the 70's
There was phosphor bronze in the 1930s but they were quite rare.
Bank in the '80's I used nothing but monel strings, they are brighter and last longer, unfortunately I can't find them anymore . Now I use anything and am very dissatisfied , not giving up something will come along .
Martin makes monel strings.
They’re an interesting sound. I liked them in today’s test. You want to get on Newtones website and get some ordered. 🎯
Does anyone know if I'd be ok putting acoustic 12's on my Gretsch G9201 resonator, I'm more of an acoustic strummer but I just love the sound of a resonator, thanks guys
It’ll be fine. 🎯
@@TheWashboardResonators Cheers man
I've got a Recording King parlor biscuit bridge, the string tension is sloppy and loose in Open G. Any suggestions? Great video btw. I always wondered about reso strings and what's best.
Try John Pearse or Newtone 16’s.
If you were buying your first $1000- $2000 ish resonator for all around use, what do you think it would be?
Hello Martin GREAT VIDEO The right Strings for you are VITAL, I have a HUGE Question You may be helpful with ,I Played the Heavier !6 resophonic DAddario phosphorous Bronze you are right about the Bottom end ,Great growl, but the low end is off i dont think you need all that ,I usedT he 13s and The heavy 14s DAdarrios Phosphorous Bronze They were fine but ,Now I have The John Pearce , 8020 bronze on my National steel body 13s with a 14 15 or 16 high E depending on the mood. The strings sound BEAUTIFUL Great tone , great low end warmth ,and cutting Highs. They seem to last longer until I break one, Here is my Question What strings can I try For the Higher tunings Like open A and E those are the tunings that breaks my G and D strings I put thick leather under the tail piece To lesson the break it helps a bit ,but not enough I use a capo but I prefer playing the whole neck without the capo My voice works well with the higher tunings I do capo for songs in F So Do lower gauge like 12s work better , it looks like I may have to use an unwound for the g but the d string breaks as well what a dilemma I hear M,Messer Has a set for that very thing can you suggest anything SORRY for SUCH A LONG Ass letter ... THANK YOU FOR YOUR TIME
Thanks!
The resophonic strings are designed for ‘high bass’ lap steel G tuning so the low string is slack by comparison when playing in normal G.
I agree the heavy bottom 14 set with a .59 on the low string gives great body to the sound.
On my gigging Tricone I currently have them with the top strings from an old set of MM 16s and it’s great. It’s an experiment to see which I prefer. Modified D’Addario 14s or MM 16s.
The JP and MM strings are very similar structurally. Round core. More body and more mass but lower tension than other strings. As strings used to be.
I’d argue putting 12 Nickel or Monel strings by MM would be the nearest to 1930s factory spec.
Either way, I’d recommend both brands (MM / JP) as the best of the best for resonator sound.
I’ve experimented with A&E tunings and never had a problem with 13s on my guitars. I do lube the slots and it’s scary when tuning the G up.
I would be tempted to try 11 or 12 Daddario PB strings when tuning that high if it was a regular thing you’re trying. In my experience they almost never break and the tension would be good.
@@TheWashboardResonators Thank you for your time and advice.. It is hard to NOT use at least 13s on a national steel body With a heavier High E That is My go to Sound , sometimes I will tune open G up a half step and Capo the first fret to get to A if I dont want the stress of maby a G or D string Breaking What is Lubing The Slots ? My G and or D strings Break at the tuning barrel And I see No Burrs , When I Use an unwound G string It never breaks , but I love The wound G for the Slide Growl tone A trade off indeed ... THANK You Martin As busy as you Are You Got Back to me On this Thank you so much ☺
what about heavier strings all tuned lower say full tone down? I have tried even going to baritone (A tuning) and it was not fail but not success either.
this has been extremely helpful thanks so much for doing this.
I do this on one of my guitars. Use 16. Works great.
When you buy the strings how do you know if they’re around court or hexagonal core
You ask the manufacturer, google or check the packet.
Pretty much all high volume famous brand strings are hexagonal. They’re much quicker to make so more profitable.
I know the Newtones are mostly round core which is the production method from way back. If strings are round core they’d likely advertise them as such.
My experience is that a roundcore can be slightly less tension and give a slightly more rounded but fuller sound from the off. Hexagonal ones often ‘zing’ more initially before getting warmer through playing in.
Great idea for a video! What is your podcast called?
We’re recording podcasts now for release in a month or two. Got some interesting guests from the resonator world.
Set A for me!
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A
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A. Thank you 😊
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I liked all strings but where can I get the strings for resonator blues guitar slide?
Like merdal strings
Not sure what you mean. It’s good to experiment with all strings and choose your favourite. 13 or 15 phosphor bronze is the best general slide set. Try that first.
Thank you I like all strings I’ve tried mostly nickel and poster bronze strings I am
Not a good speller sorry
What about flat strings ! Cheers Brian
Wouldn’t know!
B is cool
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Hello, i have a National steel style 0 guitar. What string gauge is safe to use for an open A tuning?
I’d be very happy with 13s or 15s and a medium set up as a starting point. Probably no heavier. It’s a nice tuning as more standard string gauges work well due to the extra tension compared to open G.
@@TheWashboardResonators Thanks a lot!!! Mostly i m playing in open d tuning with 13-56s and i use the same strings gauge for open A & G tunings!! The reason i ask that, is not to "damage" the guitar from the extra string tension!! Some guitar players use 12-53s for open A tuning!!
A,C were brighter-Bronze!
Clear mid fit sure!!
7:58
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Love your vids I have a les Paul woooo
Ha. A beautiful instrument. Just need a few resonators now!! 😎
@@TheWashboardResonators just a few more $
It’s always the case. 💰
I liked B the least...lol. I'd be happy with A, C, or D.
Interesting!
@@TheWashboardResonators I wouldn't read too much into that. I prefer wood bodied biscuit cones, for instance, so my sensibilities when it comes to Nationals don't seem to align with convention...
You have all those Nationals and different strings. Yet You sound the exact same when you play any of them. So what is the value of having so many? Just a a collection I suppose. A boasting factor maybe. So many people are worried and concerned about models and strings. At the end of the day ya'll sound pretty much the same whatever national you are playin on.
In real life away from phone recordings and CZcams compression they all sound and play different.
They bring joy, inspire creativity, help make friends and act as a future pension.
Therefore I enjoy all these benefits and many many more.
Another good reason to have all these is they make me really proud to have achieved them working as a professional musician after paying my bills and mortgage.
That sense of achievement courses through my veins and makes me feel like I’ve succeeded in life.
My dream was to make music for a living and have all the instruments my heroes played.
It’s a nice feeling when you succeed on your own terms.
I hope you get to feel this one day.
Also,
The instruments keep my fingers busy in playing guitar instead of leaving negative and angry comments on other peoples CZcams videos like some miserable snarky nasty cunt.
Go and jump in the sea you absolute nobody.
Good video, but GET TO THE POINT.
GET A JOB.
@@TheWashboardResonators😂
2 minutes of drivel the treated to a commercial - FAIL! THUMBS DOWN!!
#GetToThePoint
Skip forward. Chill.
Hola, I play a wood body Epiphone. But I really don't play slide on it. (Although slide sounds gr8eat on that guitar). I play more of a jazz sound with a plectrum.
I guess the closest sound would be Gypsy Jazz, but is it really Gypsy if it's played on a resonator? Anyway, I've been looking for strings for that sound. I've tried some resonator strings, but they didn't really do it. Think I'm going to try some D'Adario Gypsy Jazz strings and see what happens. If it's amazing, I'll come back and post it here. Thanks for your comparison.
Thanks. You can play gypsy on any instrument.
Watch the John Reynolds trio videos on CZcams.
I’d go Monel strings for swing playing on a resonator.
Bright and cutting.
@@TheWashboardResonators thanks, that's sorta the sound. The metal guitars have a different tone, not quite as earthy. But that swing rhythm is the sound. I've tried alot of different strings on it, the Martin strings sound good for about 2 weeks but then they lose the punch. And because it's a resonator, some strings are hard to put on because the Tailpiece requires a longer string.
It's my understanding that (correct me if I'm wrong) Monel is a name given to an alloy. Can you think of a brand that would accommodate the length needed for the Tailpiece?
wow , Brits are really some wordy cats . round and round we go .
Use the other resonator string comparison videos you muppet.
Did this ages ago and was very new to it. Learned lots since.
Least we’re trying to help and share information out here.
@@TheWashboardResonators yap yap . moved on long before your suggestion
A
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