Using Gels with Softboxes
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- Äas pĆidĂĄn 1. 12. 2022
- Using Gels with Softboxes
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đ± SOCIAL:
đ©đ»â𩰠MARISA: / marisa.roper
đ DANIEL: / danielnortonphotographer
/ danielnorton
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đ DANIELS GEAR
đž CAMERA
Nikon Z6II: bit.ly/33bZWrP
Nikon Z6: bit.ly/ONESLOTJR
Nikon Z 24-70 f4 Lens: bit.ly/nIk24704
Nikon Z 85mm 1.8: bit.ly/3zX0zBc
Nikon NIKKOR Z 50mm f/1.8 S Lens: bit.ly/3tsMPwM
âĄïž LIGHTING - FLASH
Profoto Air Remote Nikon: bit.ly/PFAIRNK
Profoto B1x: bit.ly/ProB1X
Profoto B10: bit.ly/3zWTG2M
Profoto A10: bit.ly/3zWgLCV
Chimera Super pro X Lightbank, XS, Shallow, Silver - bit.ly/CMSPSXS
Chimera Pro II Softbox: bit.ly/CHiP2S
Profoto 1x1.3âRFI Softbox: bit.ly/PFRFI113
Profoto 3â Octa Softbox: bit.ly/PFRFIO3
Profoto 1x3 Strip OCF Softbox: bit.ly/pf1x3ocf
Profoto 2x3 Softbox: bit.ly/3GuhMEN
Profoto Magnum Reflector: bit.ly/PMgnR
Profoto Beauty Dish (silver): bit.ly/3I4J3hh
Grid for Profoto Beauty Dish: bit.ly/33e5q5l
đĄ LIGHTING - CONSTANT
Dedolight 200w HMI kit: bit.ly/3FvuAcB
Dedolight Turbo Series DLED7 90W Bi-Color Focusing LED: bit.ly/3fpOPxM
Dedolight Iris: bit.ly/3I3TC45
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Dedolight Projection Attachment: bit.ly/3Fx46HA
Dedolight 400 HMI Kit: bit.ly/31XcQsO
Savage Rainbow Ringlight: bit.ly/SARRL
Nanlight Pavotube 6C: bit.ly/3mRCDdc
đȘ STUDIO GRIP AND SUPPORT
Manfrotto 055 Tripod: bit.ly/2PDOkqr
Manfrotto Hydrostatic Ball Head: bit.ly/MHSBH
V Flat: bit.ly/3Kc6bfJ
Halo Compact Reflector: bit.ly/3riwpoj
Matthews C- Stand: bit.ly/MTCstandC
Magic Finger: bit.ly/magfinger
Large Manfrotto Stand: bit.ly/3rfWQuN
Duvetyne: bit.ly/TheDuve
đšđ»âđ» TETHERING
MacBook Pro: bit.ly/321OHS4
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đ„ VIDEO PRODUCTION
Nikon Z6: bit.ly/ONESLOTJR
Nikon Z 24-70 f4 Lens: bit.ly/nIk24704
Nikon Z50 Mirrorless Camera with NIKKOR Z DX 16-50mm f/3.5-6.3 VR Lens: bit.ly/3Fuwo5J
Rode Microphones Wireless GO II Compact Microphone System with 2x Transmitters and 1x Receiver: bit.ly/3KnPBtB
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#dnphoto #lightingbasics #danielnortonphotographer
Quite a fun coincidence that you post this today - I was just researching this today to get some inspiration.
Would be great to see a longer series on the practical aspects of adding gels to different types of flashes. I am into the Godox ecosystem with the AD1200, AD600, AD200 and would love to see some good tips & tricks.
As always - thanks so much for all the great content you put out - here and on Adorama.
Always such great content that few others are talking about. Thank you for all you do for the photo community.
I would absolutely love to see more options for flags and frames, whether diffusion, gobo/cookies, gels, or anything else. I'm also curious as to how you deal with softboxes on strobe heads that aren't flat-fronted--heads with exposed flashtubes, like Profoto's ProHead, Speedotron 102/202 series, Flashpoint 400/600, etc.
Thanks for the video. Could you suggest a method to apply a gel in a situation using an exposed bulb (like in the AD200) inside of the Godox AD-S7? My best guess would be to cut a gel and apply it to the spokes. I'm just having trouble sealing the gel so that white light spill doesn't contaminate the color corrected light.
A while back at a thrift store I found a gel, grid holder with barn doors that fits the seven inch reflector of my Speedotron M11 heads. It was labelled as being a stove vent and at 4.00 dollars a good useful find. Putting gels in or on softboxes, TV lights etc is simple enough. Thanks Daniel and have a good weekend. đđđšđŠ
great video!!
Interesting video. Iâve been using little hook magnets to hold the gel in the softbox. The arms are usually magnetic, so put the gel in the box, then just put the hook magnets on the arms and let the magnets sandwich and hold the gel in place. The hook park is handy as a little handle to pull the magnet off the arm as some of them have quite strong magnets. Anyway, you can get a bunch of those hook magnets on Amazon for very little money. Theyâre tiny, pack light, and really work.
Ahh nice Daniel! Good tips
If your looking for long-lasting, high-quality lighting filters/gels in a vast range of colors that are always consistent from batch to batch then you shouldn't save at the wrong end, so I went for "Lee Filters" gels and color correction foils, which you can also buy by the meter from the roll, so individual sizes in one piece can be easily realized. I`m using them with my system speedlights and my light formers and I don`t wanna miss them anymore. To attach them I use gaffer tape or narrow velcro strips or residue-free removable transparent "Scotch" adhesive tape.
Damien Lovegrove, for example, very often shows in his videos how such gels can be used creatively and easily and how differently but also easily they can be used and attached for a wide variety of purposes.
Thank you so much for thisâ€ïž i just got Gofox fv150 and found out it doesnât change color temperature so I was sad af, not anymore tho thanks to you! God bless you â€
Thanks for this information
wow...air space...who knew??? Seriously great info ...love your videos....from nyc lady photographer!
Thank you!
Useful thank you!
Wow, randomly came across this.⊠I was at your workshop at Adorama this past October
Thank you, sir
When using a gel, do you loose light (stops)?
thank you this information was very useful
Nice and the thing you hinted about all the things to do with flag frames could be interesting đđŒ
informative 6mins.