DJI OSMO POCKET 3 FREEWELL WIDE ANGLE, MACRO, ANAMORPHIC AND ND FILTERS REVIEW

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  • čas přidán 27. 07. 2024
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    DJI MIC 2 VS SHOTGUN MIC HOW TO IMPROVE YOUR DJI MIC 2 AUDIO? DJI OSMO POCKET 3 Firmware v04.04.05.1
    DJI OSMO POCKET 3 FREEWELL WIDE ANGLE, MACRO, ANAMORPHIC AND ND FILTERS REVIEW
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Komentáře • 23

  • @wormrose01
    @wormrose01 Před měsícem +1

    That magnetic storage case for the lenses and filters is the best!!!

  • @m2marcko
    @m2marcko Před 2 měsíci +2

    Your kids are bike pro!❤ thanks for this video Mauro saluti da Napoli

    • @MAUROSFILMS
      @MAUROSFILMS  Před 2 měsíci

      Grazie. Si si, crescono in fretta. Saluti

  • @scubainstructor
    @scubainstructor Před 2 měsíci +1

    Odlična recenzija👌

  • @dereck_MT360
    @dereck_MT360 Před 2 měsíci +1

    I’ve been using the wide angle lens and it has quite a bit of barrel distortion… Have you noticed this as well?

    • @MAUROSFILMS
      @MAUROSFILMS  Před 2 měsíci

      Yes..there is of course distortion. It can be straightened in post.

  • @yeleoh
    @yeleoh Před měsícem +1

    Can the ND Filters be used without putting one of the lenses on?

    • @MAUROSFILMS
      @MAUROSFILMS  Před měsícem

      Yes..but take note that the magnets are not so strong. Don't put it on the Car rig

  • @davidkstudio5270
    @davidkstudio5270 Před 2 měsíci +2

    Wide angle and anamorphic filter looks nice, but macro at all is not useful, covers curved and many blured

  • @RandenMontalvo
    @RandenMontalvo Před měsícem

    My wide angel is totally blurry on my Pocket 3. I cannot find out why.

    • @HuFilms
      @HuFilms Před měsícem

      Put it on over the macro

  • @KamalsLens
    @KamalsLens Před 2 měsíci +1

    Will they work on osmo pocket 2?

    • @MAUROSFILMS
      @MAUROSFILMS  Před 2 měsíci

      No..you have to get the OP2 variants from the Freewell store

  • @SretloW
    @SretloW Před 2 měsíci +1

    hi Mauro it's in 360p ??

    • @MAUROSFILMS
      @MAUROSFILMS  Před 2 měsíci +1

      It'a processing, it should be in 4K in a couple of minutes..

  • @totoroutes5389
    @totoroutes5389 Před 2 měsíci +2

    Freewell anamorphic unfortunately not a 1.3x or 1.6x

    • @MAUROSFILMS
      @MAUROSFILMS  Před 2 měsíci +1

      Not possible to make in this type of configuration. Limit of the lens size ,weight...

    • @FreewellGear
      @FreewellGear Před 2 měsíci +3

      To clarify, Freewell already produces smartphone lenses with a 1.55x anamorphic ratio, so it's not a limitation on our end. Instead, the choice of 1.1x anamorphic for Pocket 3 is due to the camera's limitation. The Pocket 3 can't handle 1.33x or 1.55x lenses.
      Our goal is to provide buyers with a functional solution rather than nothing at all. Considering the price, quality, and performance, this lens offers great value in the overall bundle.

  • @NOTLeavingLV
    @NOTLeavingLV Před 2 měsíci +1

    lol 1.1 anamorphic isn’t anamorphic but at least this is better than the neweer anamorphic which was complete trash.

    • @FreewellGear
      @FreewellGear Před 2 měsíci +1

      To clarify, Freewell already produces smartphone lenses with a 1.55x anamorphic ratio, so it's not a limitation on our end. Instead, the choice of 1.1x anamorphic for Pocket 3 is due to the camera's limitation. The Pocket 3 can't handle 1.33x or 1.55x lenses.
      Our goal is to provide buyers with a functional solution rather than nothing at all. Considering the price, quality, and performance, this lens offers great value in the overall bundle.

    • @wayofki
      @wayofki Před 2 měsíci

      @@FreewellGear Hi, could you explain how the anamorphic differs from the wide angle lens? It looks like the FOV is about the same.

    • @FreewellGear
      @FreewellGear Před 2 měsíci

      @@wayofki Hey A wide-angle lens captures a broader field of view than standard lenses, making it ideal for landscape, architectural, and interior photography by fitting more into the frame without needing to step back. An anamorphic lens, on the other hand, squeezes a wide field of view onto a standard sensor, creating a distinctive widescreen aspect ratio and unique visual effects, such as horizontal lens flares and oval bokeh, commonly used in cinema to achieve a cinematic look.