Ach, ich fühl’s, es ist verschwunden, Ah, I feel it, it has disappeared Ewig hin der Liebe Glück! Forever gone, love’s happiness! Nimmer kommt ihr Wonnestunde Nevermore will come the hour of bliss meinem Herzen mehr zurück! Back to my heart! Sieh’, Tamino, diese Thränen, See, Tamino, these tears, Fliessen, Trauter, dir allein! Flowing, Beloved, for you alone! Fühlst du nicht der Liebe Sehnen, If you don’t feel the longing of love so wird Ruh’ im Tode sein! then there will be peace in death!
It became perfect to sing st 34 and a piece of cake after 40. It's why Mozart rep is constantly coaching your voice. You NEVER mess with the notes but HE WANTS his sirens and sopranos too FEEL the notes. Dorothea has such longevity and wisdom thus velvety and so rewarding to listen too. Her Mozart is always spot on YET totally hers!! Bravo!!
This is real singing from the bottom of the soul and with whole body. Pamina's aria is one of the most difficult arias ever and it is truly awful to hear "baroque" singers trying to sing it properly. It needs a solid technical fundament to get through convincingly in legato and no rush and to have the right tragic expression.
Dorothea really built a career on full lyric soprano Mozart roles. She’s not singing any Verdi or Puccini. At the end of the day let Ric sopranos are very common. In fact there are too many of them . D is at the higher quality end but her repertory is static. Dessay is a very clear beautifully timber etc coloratura which is a rarer voice ....Bonney a light lyric soprano and has been in the game with Leider since the late 1980’s when she was like 19. She slowly moved thru supporting roles and then got thru Sophie in Rosenkavalier and Paminas. The voice was minuscule and she DID improve by the late 1990’s. Schaefer had a very strong career mostly singing Lulu and Sophie, Gretel and other light high roles in a more “leggiero” approach versus being a real coloratura. But she also tackled Konstanze. She did Verdi’s Gilda etc By 2018 all of the ladies are much older than Dorothea ... so who knows maybe Dorothea will start singing some other composers .
That was freaking fantastic! I'm currently doing that song in my voice major studies and wanted to see a performance that was worth pulling from and this is definitely it. :]
Because your technique has to be fairly well in place to even attempt it without the risk of straining or even injuring your voice. The other part of that is that Mozart shows EVERYTHING about a singer. Good execution comes down to very good technique and hard work. If you don’t have good, solid technique, a Mozart aria will make it glaringly obvious. If you have good technique, that will also show beautifully. There’s a reason every audition panel will ask for Mozart or Handel if you offer it.
Finally, a real voice singing this role. I am so sick of hearing soubrettes like Dawn Upahaw or Barbara Bonney (toname but 2) marking (faking) their ways through this music. Pamina's desperation and heartbreak become believable when sung by a voice with a complete palette of colors and dynamics, and not just piano and pianissimo.
PAMINA Um lamento na ária de Pamina, da ópera A Flauta Mágica, de Mozart. O enlevo de amor febril acabou Para sempre, assim Pamina declarou, em pauta, Na conversa com o amado Tamino em que rolou Uma lágrima denotando algo em não ir em frente. Assim como essa civilização, está indo embora, Adotou descanso após a morte, ideia recorrente Para acabar com os sofrimentos, em boa hora, É enfraquecida pela realidade que já desponta. A semeadura é colhida do mesmo sentimento. Covid-19 impõe a mudança: a norma exposta Para confinar pessoas em casas, momento bom Na reflexão sobre doar amor com o argumento Que revela o nosso ser profundo, isto é o dom. (*) (*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - PAMINA (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
I AGREE i would ad Kathleen Battle to your list of excellent singers who sing this aria yet do not have the dramatic gravitas that Roschmann brings to the role... BRAVA! LOVE HER VOICE!
Actually, "lyrics" are the ones with lighter body voices. Röschmann is a dramatic coloratura, a high soprano with deeper bottoms but able to negotiate the tops with lyric quality.
Lynette Erwin Waller lmfao. Dorothea Röschmann is a lyric soprano, From her own lips. Callas was a dramatic soprano, Eileen Farrell was a dramatic soprano. Röschmann is a lyric. Period. there is nothing about her voice that suggests otherwise.
the tragic aspect does not come so wonderfully with Diana or René or Anna Netrebko. This inner feeling is so extremely difficult to express and Dorothea brings it. Nadine Sierra also. The brilliance of voice and the difficult technical performance are not the dominant aspects.
![[4K] 220815 Ach, Ich fühl's (아, 난 느껴요) - 이해원 (Haewon Lee) / 이해원&박기훈 듀오콘서트](http://i.ytimg.com/vi/EvB0nEzNUR4/mqdefault.jpg)
![[4K] 220815 Ach, Ich fühl's (아, 난 느껴요) - 이해원 (Haewon Lee) / 이해원&박기훈 듀오콘서트](/img/tr.png)
I’ve just started my classical singing journey as a soprano, she is the soprano I wish to be. A simply stunning performance.
She has so much angst in her voice and now I realize that's what is needed for this piece. I didn't realize this before listening to other versions.
This woman is breathtaking... singing and interpretation...she has it all.
In my opinion, Dorothea sang the song the best way possible. Also the whole production is just the best of the best
Welch große Künstlerin! Danke für diese schöne Arie so wunderschön gesungen.
Ach, ich fühl’s, es ist verschwunden,
Ah, I feel it, it has disappeared
Ewig hin der Liebe Glück!
Forever gone, love’s happiness!
Nimmer kommt ihr Wonnestunde
Nevermore will come the hour of bliss
meinem Herzen mehr zurück!
Back to my heart!
Sieh’, Tamino, diese Thränen,
See, Tamino, these tears,
Fliessen, Trauter, dir allein!
Flowing, Beloved, for you alone!
Fühlst du nicht der Liebe Sehnen,
If you don’t feel the longing of love
so wird Ruh’ im Tode sein!
then there will be peace in death!
I think this is the best song of this opera. Dorothea Röschmann performed so beautifully. I loved it.
It became perfect to sing st 34 and a piece of cake after 40. It's why Mozart rep is constantly coaching your voice. You NEVER mess with the notes but HE WANTS his sirens and sopranos too FEEL the notes. Dorothea has such longevity and wisdom thus velvety and so rewarding to listen too. Her Mozart is always spot on YET totally hers!! Bravo!!
This is my favorite Pamina, I aspire to do this aria this well
Ms. Roschmann is such an incredible artist....I was blown away when I first saw her as Fiordiligi on a dvd of a 1960s set Cosi from Berlin.
I don't think she was born in the 1960s.
@@garyrebholz4139She was born 1967
Exquisite! Such a consummate musician AND amazing actress! Wow!! Absolutely stunning!
Amazing. Simply amazing. Gorgeous voice, fantastic music.. I can't stop listening..
This is real singing from the bottom of the soul and with whole body. Pamina's aria is one of the most difficult arias ever and it is truly awful to hear "baroque" singers trying to sing it properly. It needs a solid technical fundament to get through convincingly in legato and no rush and to have the right tragic expression.
every where Vibrato! she controls all the time what she does! Honey for my ears! thank you, Dorothea
Nooit eerder deze aria zo immens wonderschoon horen zingen.
Zo veel schoonheid ... Mozart en Dorothea.
What a great soprano
I watched this again and I looooooooooooove that she is so passionate and yet still "Mozartey!"
The wanting of such sound is all-Beauty in which i never have heard befor...Wonderment!
Almost crying... :( so sad and so well sung.
Beautiful beautiful beautiful.............
Amazing performance and musicality.
Best I've heard since Evelyn Lear!
Wonderful! 🙏🏼❤
Beautiful singing and perfect clarity in the diction.
Anrührender habe ich diese Arie noch nie gehört. Einfach wunderbar!
Oustanding. Singing from the heart.
Awesome
No words, amazing
Wonderful, as usual. BRAVISSIMA
i like so much!!! the voice is amazing!!!
loved this
and great orchestral playing. great attention to detail. nice one sir colin davis
Beautiful!!
bravissima!
goose bumps all over my body
Wundervoll.....
La bajada del final.. es un cierre sublime
what a performance. she has this feelings that makes me realize that it is a sad song. sh suits her role!
Dorothea really built a career on full lyric soprano Mozart roles. She’s not singing any Verdi or Puccini. At the end of the day let Ric sopranos are very common. In fact there are too many of them . D is at the higher quality end but her repertory is static. Dessay is a very clear beautifully timber etc coloratura which is a rarer voice ....Bonney a light lyric soprano and has been in the game with Leider since the late 1980’s when she was like 19. She slowly moved thru supporting roles and then got thru Sophie in Rosenkavalier and Paminas. The voice was minuscule and she DID improve by the late 1990’s. Schaefer had a very strong career mostly singing Lulu and Sophie, Gretel and other light high roles in a more “leggiero” approach versus being a real coloratura. But she also tackled Konstanze. She did Verdi’s Gilda etc By 2018 all of the ladies are much older than Dorothea ... so who knows maybe Dorothea will start singing some other composers .
Wonderfull !
That was freaking fantastic! I'm currently doing that song in my voice major studies and wanted to see a performance that was worth pulling from and this is definitely it. :]
Brava!!! 👏👏👏👏👏
Glorious
I love this aria, why is it so difficult to sing!
Because your technique has to be fairly well in place to even attempt it without the risk of straining or even injuring your voice. The other part of that is that Mozart shows EVERYTHING about a singer. Good execution comes down to very good technique and hard work. If you don’t have good, solid technique, a Mozart aria will make it glaringly obvious. If you have good technique, that will also show beautifully. There’s a reason every audition panel will ask for Mozart or Handel if you offer it.
Sorry that sounded a lot snarkier than I meant it to lol.
So much restraint, restraint, restraint..!
Magical and bloody heard to master!
Some might say it helps to be Sicilian to sing such a song, as the style is Siciliano
Brava
Finally, a real voice singing this role. I am so sick of hearing soubrettes like Dawn Upahaw or Barbara Bonney (toname but 2) marking (faking) their ways through this music. Pamina's desperation and heartbreak become believable when sung by a voice with a complete palette of colors and dynamics, and not just piano and pianissimo.
Do you know if she is a full lyric or a light lyric? Mozart composed Pamina's music originally for a light lyric..
Éso es Pamina. Éso.
PAMINA
Um lamento na ária de Pamina, da ópera A Flauta
Mágica, de Mozart. O enlevo de amor febril acabou
Para sempre, assim Pamina declarou, em pauta,
Na conversa com o amado Tamino em que rolou
Uma lágrima denotando algo em não ir em frente.
Assim como essa civilização, está indo embora,
Adotou descanso após a morte, ideia recorrente
Para acabar com os sofrimentos, em boa hora,
É enfraquecida pela realidade que já desponta.
A semeadura é colhida do mesmo sentimento.
Covid-19 impõe a mudança: a norma exposta
Para confinar pessoas em casas, momento bom
Na reflexão sobre doar amor com o argumento
Que revela o nosso ser profundo, isto é o dom. (*)
(*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - PAMINA (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
I AGREE i would ad Kathleen Battle to your list of excellent singers who sing this aria yet do not have the dramatic gravitas that Roschmann brings to the role... BRAVA! LOVE HER VOICE!
Actually, "lyrics" are the ones with lighter body voices. Röschmann is a dramatic coloratura, a high soprano with deeper bottoms but able to negotiate the tops with lyric quality.
Lynette Erwin Waller lmfao. Dorothea Röschmann is a lyric soprano, From her own lips.
Callas was a dramatic soprano, Eileen Farrell was a dramatic soprano. Röschmann is a lyric. Period. there is nothing about her voice that suggests otherwise.
then you prefer a Mercedes to a BMW?
I'm eating oatmeal
Tehnik ist nicht so gut. Sie ist nicht so frei
I prefer Diana Damrau.
the tragic aspect does not come so wonderfully with Diana or René or Anna Netrebko. This inner feeling is so extremely difficult to express and Dorothea brings it. Nadine Sierra also. The brilliance of voice and the difficult technical performance are not the dominant aspects.
Awful tempo. Terrible. Her voice is beautiful but this boring. Nothing happening here but sound.